33487 Résultats
Niveau de description archivistique:
Sous-série
Sous-série
Titre:
Arcop - Documentation
Arcop - Documentation
Numéro de référence:
AP109.S2.SS4.D5
Description:
This subseries, circa 1985 – 1990, consists of material related to ARCOP’s records and activities. Documented through textual records, the subseries contains material related to the archival acquisition of ARCOP’s records by the Bibliothèque et Archives nationales du Québec (BAnQ), as well as correspondence, notes, and publications about the work of ARCOP and its architects.
AP109.S2.SS4.D5
Description:
This subseries, circa 1985 – 1990, consists of material related to ARCOP’s records and activities. Documented through textual records, the subseries contains material related to the archival acquisition of ARCOP’s records by the Bibliothèque et Archives nationales du Québec (BAnQ), as well as correspondence, notes, and publications about the work of ARCOP and its architects.
Personnes et institutions:
Date:
circa 1985 - 1990
circa 1985 - 1990
Titre:
Arcop - Documentation
Actions:
AP109.S2.SS4.D5
Description:
This subseries, circa 1985 – 1990, consists of material related to ARCOP’s records and activities. Documented through textual records, the subseries contains material related to the archival acquisition of ARCOP’s records by the Bibliothèque et Archives nationales du Québec (BAnQ), as well as correspondence, notes, and publications about the work of ARCOP and its architects.
Arcop - Documentation
Actions:
AP109.S2.SS4.D5
Description:
This subseries, circa 1985 – 1990, consists of material related to ARCOP’s records and activities. Documented through textual records, the subseries contains material related to the archival acquisition of ARCOP’s records by the Bibliothèque et Archives nationales du Québec (BAnQ), as well as correspondence, notes, and publications about the work of ARCOP and its architects.
Niveau de description archivistique:
File 5
File 5
Date:
circa 1985 - 1990
circa 1985 - 1990
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP032.S1.SS1.D3.SD4
Description:
Study sketches (plans, perspectives, details) for the Stuart S. Borovay Residence, Glencoe, Illinois, designed by Myron Goldsmith and Earl Bluestein, Architects. Unbuilt project (see explanatory note) consisting of a one-storey, flat roof house with extensive glass elevations. Photographs of the Borovay House model are in the section Office and Research Files, 1942-1953.
AP032.S1.SS1.D3.SD4
Description:
Study sketches (plans, perspectives, details) for the Stuart S. Borovay Residence, Glencoe, Illinois, designed by Myron Goldsmith and Earl Bluestein, Architects. Unbuilt project (see explanatory note) consisting of a one-storey, flat roof house with extensive glass elevations. Photographs of the Borovay House model are in the section Office and Research Files, 1942-1953.
Personnes et institutions:
Date:
1942-1953
1942-1953
Titre:
Studies for Borovay Residence
Actions:
AP032.S1.SS1.D3.SD4
Description:
Study sketches (plans, perspectives, details) for the Stuart S. Borovay Residence, Glencoe, Illinois, designed by Myron Goldsmith and Earl Bluestein, Architects. Unbuilt project (see explanatory note) consisting of a one-storey, flat roof house with extensive glass elevations. Photographs of the Borovay House model are in the section Office and Research Files, 1942-1953.
Studies for Borovay Residence
Actions:
AP032.S1.SS1.D3.SD4
Description:
Study sketches (plans, perspectives, details) for the Stuart S. Borovay Residence, Glencoe, Illinois, designed by Myron Goldsmith and Earl Bluestein, Architects. Unbuilt project (see explanatory note) consisting of a one-storey, flat roof house with extensive glass elevations. Photographs of the Borovay House model are in the section Office and Research Files, 1942-1953.
Niveau de description archivistique:
Sub-file 4
Sub-file 4
Date:
1942-1953
1942-1953
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Publications and Exhibitions
Publications and Exhibitions
Numéro de référence:
AP032.S4
Description:
This series contains material on publications and exhibitions concerning Goldsmith work and career. Papers and photographs record the creation of the book Myron Goldsmith: Buildings and Concepts, edited by Swiss architect Werner Blaser and published by Rizzoli Publications in 1987. The updating of Goldsmith's theoretical views are apparent in the manuscript drafts and revisions of his two essays for the book - "The Effects of Scale," reworked from his I.I.T. master's thesis, and the newly composed "Structural Architecture." This series also contains documents concerning retrospective exhibitions on Goldsmith originating at Harvard University (1982), and at the Canadian Centre for Architecture (1991). This material includes papers, correspondence, exhibition panels and wall text panels. The inclusion of periodicals and clippings on the architect's work, and the work of his students, supply a good bibliographic background on the architect.
AP032.S4
Description:
This series contains material on publications and exhibitions concerning Goldsmith work and career. Papers and photographs record the creation of the book Myron Goldsmith: Buildings and Concepts, edited by Swiss architect Werner Blaser and published by Rizzoli Publications in 1987. The updating of Goldsmith's theoretical views are apparent in the manuscript drafts and revisions of his two essays for the book - "The Effects of Scale," reworked from his I.I.T. master's thesis, and the newly composed "Structural Architecture." This series also contains documents concerning retrospective exhibitions on Goldsmith originating at Harvard University (1982), and at the Canadian Centre for Architecture (1991). This material includes papers, correspondence, exhibition panels and wall text panels. The inclusion of periodicals and clippings on the architect's work, and the work of his students, supply a good bibliographic background on the architect.
Personnes et institutions:
Date:
1956-1991
1956-1991
Titre:
Publications and Exhibitions
Actions:
AP032.S4
Description:
This series contains material on publications and exhibitions concerning Goldsmith work and career. Papers and photographs record the creation of the book Myron Goldsmith: Buildings and Concepts, edited by Swiss architect Werner Blaser and published by Rizzoli Publications in 1987. The updating of Goldsmith's theoretical views are apparent in the manuscript drafts and revisions of his two essays for the book - "The Effects of Scale," reworked from his I.I.T. master's thesis, and the newly composed "Structural Architecture." This series also contains documents concerning retrospective exhibitions on Goldsmith originating at Harvard University (1982), and at the Canadian Centre for Architecture (1991). This material includes papers, correspondence, exhibition panels and wall text panels. The inclusion of periodicals and clippings on the architect's work, and the work of his students, supply a good bibliographic background on the architect.
Publications and Exhibitions
Actions:
AP032.S4
Description:
This series contains material on publications and exhibitions concerning Goldsmith work and career. Papers and photographs record the creation of the book Myron Goldsmith: Buildings and Concepts, edited by Swiss architect Werner Blaser and published by Rizzoli Publications in 1987. The updating of Goldsmith's theoretical views are apparent in the manuscript drafts and revisions of his two essays for the book - "The Effects of Scale," reworked from his I.I.T. master's thesis, and the newly composed "Structural Architecture." This series also contains documents concerning retrospective exhibitions on Goldsmith originating at Harvard University (1982), and at the Canadian Centre for Architecture (1991). This material includes papers, correspondence, exhibition panels and wall text panels. The inclusion of periodicals and clippings on the architect's work, and the work of his students, supply a good bibliographic background on the architect.
Niveau de description archivistique:
Series 4
Series 4
Date:
1956-1991
1956-1991
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP144.S2.D21
Description:
File documents a project for Paston House School, Cambridge, England, and includes drawings for new bicycle sheds and store rooms, possibly for an existing building, including details for glazing, entrance gates and screens. Cedric Price worked for architect, David Roberts, on this project. It was undertaken during the summer of 1955, after Price received his M.A. from Cambridge University and before he began studies at the Architectural Association in London. The scope of the project cannot be determined from the drawings in this file. Material in this file was produced in1955. Information on attribution based on 'Contemporary Architects, 3rd ed.' (New York: St. James Press, 1994), s.v. "Price, Cedric"; 'CCA Consignment List'; and notes by Howard Shubert, CCA Curator of Prints and Drawings, in conversation with Cedric Price. File contains working drawings.
AP144.S2.D21
Description:
File documents a project for Paston House School, Cambridge, England, and includes drawings for new bicycle sheds and store rooms, possibly for an existing building, including details for glazing, entrance gates and screens. Cedric Price worked for architect, David Roberts, on this project. It was undertaken during the summer of 1955, after Price received his M.A. from Cambridge University and before he began studies at the Architectural Association in London. The scope of the project cannot be determined from the drawings in this file. Material in this file was produced in1955. Information on attribution based on 'Contemporary Architects, 3rd ed.' (New York: St. James Press, 1994), s.v. "Price, Cedric"; 'CCA Consignment List'; and notes by Howard Shubert, CCA Curator of Prints and Drawings, in conversation with Cedric Price. File contains working drawings.
Personnes et institutions:
Date:
1955
1955
Titre:
Paston House School, Cambridge
Actions:
AP144.S2.D21
Description:
File documents a project for Paston House School, Cambridge, England, and includes drawings for new bicycle sheds and store rooms, possibly for an existing building, including details for glazing, entrance gates and screens. Cedric Price worked for architect, David Roberts, on this project. It was undertaken during the summer of 1955, after Price received his M.A. from Cambridge University and before he began studies at the Architectural Association in London. The scope of the project cannot be determined from the drawings in this file. Material in this file was produced in1955. Information on attribution based on 'Contemporary Architects, 3rd ed.' (New York: St. James Press, 1994), s.v. "Price, Cedric"; 'CCA Consignment List'; and notes by Howard Shubert, CCA Curator of Prints and Drawings, in conversation with Cedric Price. File contains working drawings.
Paston House School, Cambridge
Actions:
AP144.S2.D21
Description:
File documents a project for Paston House School, Cambridge, England, and includes drawings for new bicycle sheds and store rooms, possibly for an existing building, including details for glazing, entrance gates and screens. Cedric Price worked for architect, David Roberts, on this project. It was undertaken during the summer of 1955, after Price received his M.A. from Cambridge University and before he began studies at the Architectural Association in London. The scope of the project cannot be determined from the drawings in this file. Material in this file was produced in1955. Information on attribution based on 'Contemporary Architects, 3rd ed.' (New York: St. James Press, 1994), s.v. "Price, Cedric"; 'CCA Consignment List'; and notes by Howard Shubert, CCA Curator of Prints and Drawings, in conversation with Cedric Price. File contains working drawings.
Niveau de description archivistique:
File 21
File 21
Date:
1955
1955
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
CI007.S1.1949.PR02
Description:
This project series documents Mies van der Rohe architecture project of for the Seagram Building in New York, United States, commissioned by Samuel Bronfman, and for which he was involved as architect, in collaboration with Philip Johnson, interior designer and furniture designer. The building was built between 1949 and 1958. The materiel in this series was produced between 1949 and 1997, but predominantly between 1949 and 1963. The series contains photographs of the exterior and the interior of the building predominantly by photographer Ezra Stoller, and also photographs and portraits of architects and creative team working of the design and planning of the Seagram Building project, including Mies van der Rohe, Philip Johnson and Phyllis Lambert. The serie also includes a conceptual sketch for the building Plaza by Mies van der Rohe.
CI007.S1.1949.PR02
Description:
This project series documents Mies van der Rohe architecture project of for the Seagram Building in New York, United States, commissioned by Samuel Bronfman, and for which he was involved as architect, in collaboration with Philip Johnson, interior designer and furniture designer. The building was built between 1949 and 1958. The materiel in this series was produced between 1949 and 1997, but predominantly between 1949 and 1963. The series contains photographs of the exterior and the interior of the building predominantly by photographer Ezra Stoller, and also photographs and portraits of architects and creative team working of the design and planning of the Seagram Building project, including Mies van der Rohe, Philip Johnson and Phyllis Lambert. The serie also includes a conceptual sketch for the building Plaza by Mies van der Rohe.
Personnes et institutions:
Date:
1949-1997
1949-1997
Titre:
Seagram Building, New York, United States (1949-1958)
Actions:
CI007.S1.1949.PR02
Description:
This project series documents Mies van der Rohe architecture project of for the Seagram Building in New York, United States, commissioned by Samuel Bronfman, and for which he was involved as architect, in collaboration with Philip Johnson, interior designer and furniture designer. The building was built between 1949 and 1958. The materiel in this series was produced between 1949 and 1997, but predominantly between 1949 and 1963. The series contains photographs of the exterior and the interior of the building predominantly by photographer Ezra Stoller, and also photographs and portraits of architects and creative team working of the design and planning of the Seagram Building project, including Mies van der Rohe, Philip Johnson and Phyllis Lambert. The serie also includes a conceptual sketch for the building Plaza by Mies van der Rohe.
Seagram Building, New York, United States (1949-1958)
Actions:
CI007.S1.1949.PR02
Description:
This project series documents Mies van der Rohe architecture project of for the Seagram Building in New York, United States, commissioned by Samuel Bronfman, and for which he was involved as architect, in collaboration with Philip Johnson, interior designer and furniture designer. The building was built between 1949 and 1958. The materiel in this series was produced between 1949 and 1997, but predominantly between 1949 and 1963. The series contains photographs of the exterior and the interior of the building predominantly by photographer Ezra Stoller, and also photographs and portraits of architects and creative team working of the design and planning of the Seagram Building project, including Mies van der Rohe, Philip Johnson and Phyllis Lambert. The serie also includes a conceptual sketch for the building Plaza by Mies van der Rohe.
Niveau de description archivistique:
project
project
Date:
1949-1997
1949-1997
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1996.PR03
Description:
This project series documents the Cais de embarque para european architects in Salonica, Greece. While the records were held in the office’s archives this project was assigned the number 75/90. The office assigned the date 1996 for this project In 1997, Thessaloniki was the host city for the event "Cultural Capital of Europe." An architectural initiative named "Provoking spatial episodes - On the coast" was created to celebrate the relationship between the sea and the city. Several architects were invited to design small piers on the coast. For Siza, the program criteria included the construction of a pier able to receive 250 people, debaring area for catamarans, house ticket dispensers, waiting room, press room and food stall. Documenting this project are sketches, studies, presentation drawings, and project documentation. Slides document the project model.
AP178.S1.1996.PR03
Description:
This project series documents the Cais de embarque para european architects in Salonica, Greece. While the records were held in the office’s archives this project was assigned the number 75/90. The office assigned the date 1996 for this project In 1997, Thessaloniki was the host city for the event "Cultural Capital of Europe." An architectural initiative named "Provoking spatial episodes - On the coast" was created to celebrate the relationship between the sea and the city. Several architects were invited to design small piers on the coast. For Siza, the program criteria included the construction of a pier able to receive 250 people, debaring area for catamarans, house ticket dispensers, waiting room, press room and food stall. Documenting this project are sketches, studies, presentation drawings, and project documentation. Slides document the project model.
Personnes et institutions:
Date:
circa 1996-2012
circa 1996-2012
Titre:
Cais de embarque para european architects [Docking pier for European Architects] Salonica, Greece (1996)
Actions:
AP178.S1.1996.PR03
Description:
This project series documents the Cais de embarque para european architects in Salonica, Greece. While the records were held in the office’s archives this project was assigned the number 75/90. The office assigned the date 1996 for this project In 1997, Thessaloniki was the host city for the event "Cultural Capital of Europe." An architectural initiative named "Provoking spatial episodes - On the coast" was created to celebrate the relationship between the sea and the city. Several architects were invited to design small piers on the coast. For Siza, the program criteria included the construction of a pier able to receive 250 people, debaring area for catamarans, house ticket dispensers, waiting room, press room and food stall. Documenting this project are sketches, studies, presentation drawings, and project documentation. Slides document the project model.
Cais de embarque para european architects [Docking pier for European Architects] Salonica, Greece (1996)
Actions:
AP178.S1.1996.PR03
Description:
This project series documents the Cais de embarque para european architects in Salonica, Greece. While the records were held in the office’s archives this project was assigned the number 75/90. The office assigned the date 1996 for this project In 1997, Thessaloniki was the host city for the event "Cultural Capital of Europe." An architectural initiative named "Provoking spatial episodes - On the coast" was created to celebrate the relationship between the sea and the city. Several architects were invited to design small piers on the coast. For Siza, the program criteria included the construction of a pier able to receive 250 people, debaring area for catamarans, house ticket dispensers, waiting room, press room and food stall. Documenting this project are sketches, studies, presentation drawings, and project documentation. Slides document the project model.
Niveau de description archivistique:
Project
Project
Date:
circa 1996-2012
circa 1996-2012
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP140.S2.SS1.D91
Description:
File documents an executed project for a bookshop for the Biennale di Venezia, in Venice, Italy. The scheme, located in the Giardini di Castello, was designed by the office of James Stirling, Michael Wilford Associates in association with the architect Thomas Muirhead, and the firm Building Project. Material in this file was produced between 1989 and 1993. File contains some early conceptual drawings, and several design development and presentation drawings. Photographic materials include views of Italian vernacular architecture by architect Norbert Heyers, views of the completed building by photographer Dida Biggi and of the presentation model by John Donat Photography. Textual documents include correspondence with Francesco Dal Co, director of La Biennale di Venezia, Settore Architettura in 1991, and reprographic copies of working drawings. File also contains a presentation model.
AP140.S2.SS1.D91
Description:
File documents an executed project for a bookshop for the Biennale di Venezia, in Venice, Italy. The scheme, located in the Giardini di Castello, was designed by the office of James Stirling, Michael Wilford Associates in association with the architect Thomas Muirhead, and the firm Building Project. Material in this file was produced between 1989 and 1993. File contains some early conceptual drawings, and several design development and presentation drawings. Photographic materials include views of Italian vernacular architecture by architect Norbert Heyers, views of the completed building by photographer Dida Biggi and of the presentation model by John Donat Photography. Textual documents include correspondence with Francesco Dal Co, director of La Biennale di Venezia, Settore Architettura in 1991, and reprographic copies of working drawings. File also contains a presentation model.
Personnes et institutions:
Date:
1989-1993
1989-1993
Titre:
Biennale Bookshop, Venice, Italy
Actions:
AP140.S2.SS1.D91
Description:
File documents an executed project for a bookshop for the Biennale di Venezia, in Venice, Italy. The scheme, located in the Giardini di Castello, was designed by the office of James Stirling, Michael Wilford Associates in association with the architect Thomas Muirhead, and the firm Building Project. Material in this file was produced between 1989 and 1993. File contains some early conceptual drawings, and several design development and presentation drawings. Photographic materials include views of Italian vernacular architecture by architect Norbert Heyers, views of the completed building by photographer Dida Biggi and of the presentation model by John Donat Photography. Textual documents include correspondence with Francesco Dal Co, director of La Biennale di Venezia, Settore Architettura in 1991, and reprographic copies of working drawings. File also contains a presentation model.
Biennale Bookshop, Venice, Italy
Actions:
AP140.S2.SS1.D91
Description:
File documents an executed project for a bookshop for the Biennale di Venezia, in Venice, Italy. The scheme, located in the Giardini di Castello, was designed by the office of James Stirling, Michael Wilford Associates in association with the architect Thomas Muirhead, and the firm Building Project. Material in this file was produced between 1989 and 1993. File contains some early conceptual drawings, and several design development and presentation drawings. Photographic materials include views of Italian vernacular architecture by architect Norbert Heyers, views of the completed building by photographer Dida Biggi and of the presentation model by John Donat Photography. Textual documents include correspondence with Francesco Dal Co, director of La Biennale di Venezia, Settore Architettura in 1991, and reprographic copies of working drawings. File also contains a presentation model.
Niveau de description archivistique:
File 91
File 91
Date:
1989-1993
1989-1993
Personnes et institutions:
Classification:
dessins
dessins
Actions:
Numéro de référence:
DR1988:0411
Description:
- This reprographic copy shows the interior of a room with two rows of columns supporting a barrel vaulted arch over the central aisle. The rest of the ceiling is coffered. The room is identified as a furniture showroom because the walls of the room are lined with furniture and there are several groups of people standing around a few chairs and rugs in the centre of the room. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be linked to the article "Music in Stone" published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
DR1988:0411
Description:
- This reprographic copy shows the interior of a room with two rows of columns supporting a barrel vaulted arch over the central aisle. The rest of the ceiling is coffered. The room is identified as a furniture showroom because the walls of the room are lined with furniture and there are several groups of people standing around a few chairs and rugs in the centre of the room. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be linked to the article "Music in Stone" published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
Personnes et institutions:
Sujet:
architecture, design d'intérieur
architecture, design d'intérieur
Date:
printed in the 1920s or 1930s
printed in the 1920s or 1930s
Titre:
Perspective showing the interior of a room, probably a furniture showroom
Actions:
DR1988:0411
Description:
- This reprographic copy shows the interior of a room with two rows of columns supporting a barrel vaulted arch over the central aisle. The rest of the ceiling is coffered. The room is identified as a furniture showroom because the walls of the room are lined with furniture and there are several groups of people standing around a few chairs and rugs in the centre of the room. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be linked to the article "Music in Stone" published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
Perspective showing the interior of a room, probably a furniture showroom
Actions:
DR1988:0411
Description:
- This reprographic copy shows the interior of a room with two rows of columns supporting a barrel vaulted arch over the central aisle. The rest of the ceiling is coffered. The room is identified as a furniture showroom because the walls of the room are lined with furniture and there are several groups of people standing around a few chairs and rugs in the centre of the room. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be linked to the article "Music in Stone" published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
Classification:
dessins
dessins
Date:
printed in the 1920s or 1930s
printed in the 1920s or 1930s
Personnes et institutions:
Sujet:
architecture, design d'intérieur
architecture, design d'intérieur
Classification:
événements
événements
Description:
Legislating Architecture examine comment la loi et d’autres systèmes de règlementation sociétale façonnent l’architecture. Réalisé par Arno Brandlhuber et Christopher Roth, le film présente des extraits de conversations avec des architectes, dont Luigi Snozzi, Adam Caruso, Tom Emerson et Christian Kerez. Il a inspiré un numéro d’ARCH+ aussi intitulé Legislating(...)
Legislating Architecture examine comment la loi et d’autres systèmes de règlementation sociétale façonnent l’architecture. Réalisé par Arno Brandlhuber et Christopher Roth, le film présente des extraits de conversations avec des architectes, dont Luigi Snozzi, Adam Caruso, Tom Emerson et Christian Kerez. Il a inspiré un numéro d’ARCH+ aussi intitulé Legislating(...)
Date:
27 octobre 2016, 18h
27 octobre 2016, 18h
Titre:
Legislating Architecture : Arno Brandlhuber et Christopher Roth
Actions:
Description:
Legislating Architecture examine comment la loi et d’autres systèmes de règlementation sociétale façonnent l’architecture. Réalisé par Arno Brandlhuber et Christopher Roth, le film présente des extraits de conversations avec des architectes, dont Luigi Snozzi, Adam Caruso, Tom Emerson et Christian Kerez. Il a inspiré un numéro d’ARCH+ aussi intitulé Legislating(...)
Legislating Architecture : Arno Brandlhuber et Christopher Roth
Actions:
Description:
Legislating Architecture examine comment la loi et d’autres systèmes de règlementation sociétale façonnent l’architecture. Réalisé par Arno Brandlhuber et Christopher Roth, le film présente des extraits de conversations avec des architectes, dont Luigi Snozzi, Adam Caruso, Tom Emerson et Christian Kerez. Il a inspiré un numéro d’ARCH+ aussi intitulé Legislating(...)
Classification:
événements
événements
Date:
27 octobre 2016
18h
27 octobre 2016
18h
Classification:
événements
événements
Description:
Figure ayant profondément marqué l’architecture d’après-guerre au Japon, Kazuo Shinohara s’est surtout fait connaître pour ses maisons individuelles. Or il reste peu étudié de nos jours, particulièrement à l’extérieur du Japon. Il a joint certaines formes traditionnelles et l’exploration de principes modernistes au moment des technologies de pointe et de l’information(...)
Figure ayant profondément marqué l’architecture d’après-guerre au Japon, Kazuo Shinohara s’est surtout fait connaître pour ses maisons individuelles. Or il reste peu étudié de nos jours, particulièrement à l’extérieur du Japon. Il a joint certaines formes traditionnelles et l’exploration de principes modernistes au moment des technologies de pointe et de l’information(...)
Date:
21 septembre 2017, 18h30
21 septembre 2017, 18h30
Titre:
David B. Stewart, quel sens avait l’histoire pour Kazuo Shinohara?
Actions:
Description:
Figure ayant profondément marqué l’architecture d’après-guerre au Japon, Kazuo Shinohara s’est surtout fait connaître pour ses maisons individuelles. Or il reste peu étudié de nos jours, particulièrement à l’extérieur du Japon. Il a joint certaines formes traditionnelles et l’exploration de principes modernistes au moment des technologies de pointe et de l’information(...)
David B. Stewart, quel sens avait l’histoire pour Kazuo Shinohara?
Actions:
Description:
Figure ayant profondément marqué l’architecture d’après-guerre au Japon, Kazuo Shinohara s’est surtout fait connaître pour ses maisons individuelles. Or il reste peu étudié de nos jours, particulièrement à l’extérieur du Japon. Il a joint certaines formes traditionnelles et l’exploration de principes modernistes au moment des technologies de pointe et de l’information(...)
Classification:
événements
événements
Date:
21 septembre 2017
18h30
21 septembre 2017
18h30
