périodiques
Volume 11 : cities unbuilt
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It seems an eternal distinction: sometimes people build, sometimes they destroy. However, since we have a concept of modernity, we also understand that building is very often based on sheer destruction. It is ‘the price of progress’. A new insight is now emerging: much destruction also has an agenda. It has a precision that reminds us of architecture. It has a formal(...)
Volume 11 : cities unbuilt
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$35.50
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It seems an eternal distinction: sometimes people build, sometimes they destroy. However, since we have a concept of modernity, we also understand that building is very often based on sheer destruction. It is ‘the price of progress’. A new insight is now emerging: much destruction also has an agenda. It has a precision that reminds us of architecture. It has a formal dimension that reminds us of design. In this issue: explore the sinister creativity of Cities Unbuilt.
périodiques
mai 2007, Amsterdam
Revues
$66.00
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Charles Marville: Photographer of Modernity surveys the artist's entire career. This book, which begins with the city scenes and architectural studies Marville made throughout France and Germany in the 1850s, and also explores his landscapes and portraits, as well as his photographs of Paris both before and after many of its medieval streets were razed to make way for the(...)
Charles Marville : photographer of Paris
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Charles Marville: Photographer of Modernity surveys the artist's entire career. This book, which begins with the city scenes and architectural studies Marville made throughout France and Germany in the 1850s, and also explores his landscapes and portraits, as well as his photographs of Paris both before and after many of its medieval streets were razed to make way for the broad boulevards, parks, and monumental buildings we have come to associate with the City of Light.
Monographies photo
livres
Description:
253 pages : illustrations ; 22 cm
London : Reaktion Books, 2002.
Repressed spaces : the poetics of agoraphobia / Paul Carter.
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Description:
253 pages : illustrations ; 22 cm
livres
London : Reaktion Books, 2002.
$32.95
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The Bauhaus, as we know it, never truly existed. Instead, it is a construct of clichés, interpretations, and ideological appropriations. While celebrated as the most important art school of modernity, it also reflected the decline of art and architecture under capitalism. Bauhaus Clouds takes these contradictions as a point of departure. It explores how new narratives,(...)
Théorie de l’architecture
septembre 2025
Bauhaus Clouds. Challenges to the Nebula of Architectural Histories and Archives
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The Bauhaus, as we know it, never truly existed. Instead, it is a construct of clichés, interpretations, and ideological appropriations. While celebrated as the most important art school of modernity, it also reflected the decline of art and architecture under capitalism. Bauhaus Clouds takes these contradictions as a point of departure. It explores how new narratives, centered on architectural archives, shape Bauhaus debates. At the same time, it examines how such narratives influence both architectural culture and society’s broader relationship with building.
Théorie de l’architecture
$62.50
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In this book, Sandy Isenstadt examines electric light as a form of architecture- as a new, uniquely modern kind of building material. Electric light was more than just a novel way of brightening a room or illuminating a streetscape; it brought with it new ways of perceiving and experiencing space itself. If modernity can be characterized by rapid, incessant change, and(...)
Electric light: an architectural history
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In this book, Sandy Isenstadt examines electric light as a form of architecture- as a new, uniquely modern kind of building material. Electric light was more than just a novel way of brightening a room or illuminating a streetscape; it brought with it new ways of perceiving and experiencing space itself. If modernity can be characterized by rapid, incessant change, and modernism as the creative response to such change, Isenstadt argues, then electricity- instantaneous, malleable, ubiquitous, evanescent- is modernity's medium.
Théorie de l’architecture
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It is highly unlikely that the big challenges posed by the current enviromental crisis may be overcome without reconciling increasingly effective technologies with the development of new ways of social life. In the face of this challenge, architecture can contribute the many valuable experiences built throughout the twentieth century. Based on this hypothesis, the(...)
Théorie de l’architecture
novembre 2015
The construction of climate in modern architectural culture, 1920-1980
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It is highly unlikely that the big challenges posed by the current enviromental crisis may be overcome without reconciling increasingly effective technologies with the development of new ways of social life. In the face of this challenge, architecture can contribute the many valuable experiences built throughout the twentieth century. Based on this hypothesis, the articles included in this book set out to go through some of the cultural constructions regarding the relationship between architecture and climate in the context of modernity.
Théorie de l’architecture
Feeling photography
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This innovative collection demonstrates the profound effects of feeling on our experiences and understanding of photography. It includes essays on the tactile nature of photos, the relation of photography to sentiment and intimacy, and the ways that affect pervades the photographic archive. Concerns associated with the affective turn—intimacy, alterity, and ephemerality,(...)
Feeling photography
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This innovative collection demonstrates the profound effects of feeling on our experiences and understanding of photography. It includes essays on the tactile nature of photos, the relation of photography to sentiment and intimacy, and the ways that affect pervades the photographic archive. Concerns associated with the affective turn—intimacy, alterity, and ephemerality, as well as queerness, modernity, and loss—run through the essays. At the same time, the contributions are informed by developments in critical race theory, postcolonial studies, and feminist theory.
Théorie de la photographie
$31.50
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An investigation into Shanghai’s rise from peripheral port to urban center. Even before the romanticized golden era of Shanghai in the 1930s, the famed Asian city was remarkable for its uniqueness and East-meets-West cosmopolitanism. Meng Yue analyzes a century-long shift of urbanity from China’s heartland to its shore. During the period between the decline of Jiangnan(...)
Shanghai and the edges of empires
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An investigation into Shanghai’s rise from peripheral port to urban center. Even before the romanticized golden era of Shanghai in the 1930s, the famed Asian city was remarkable for its uniqueness and East-meets-West cosmopolitanism. Meng Yue analyzes a century-long shift of urbanity from China’s heartland to its shore. During the period between the decline of Jiangnan cities such as Suzhou and Yangzhou and Shanghai’s early twentieth-century rise, the overlapping cultural edges of a failing Chinese royal order and the encroachment of Western imperialists converged. Simultaneously appropriating and resisting imposing forces, Shanghai opened itself to unruly, subversive practices, becoming a crucible of creativity and modernism. Calling into question conventional ways of conceptualizing modernity, colonialism, and intercultural relations, Meng Yue examines such cultural practices as the work of the commercial press, street theater, and literary arts, and shows that what appear to be minor cultural changes often signal the presence of larger political and economic developments. Engaging theories of modernity and postcolonial and global cultural studies, Meng Yue reveals the paradoxical interdependence between imperial and imperialist histories and the retranslation of culture that characterized the most notable result of China’s urban relocation—the emergence of the international city of Shanghai.
livres
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In this fascinating and innovative look at nineteenth-century London, this book offers a new account of modernity and metropolitan life. It charts the relationship between London's formation into a modern organized city in the 1860s and the emergence of new(...)
Victorian Babylon : people, streets and images in nineteenth-century London
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In this fascinating and innovative look at nineteenth-century London, this book offers a new account of modernity and metropolitan life. It charts the relationship between London's formation into a modern organized city in the 1860s and the emergence of new types of production and consumption of visual culture. She considers the role visual images played in the creation of a vibrant and diverse urban culture and how new kinds of publics were created for these representations. Shifting the focus of the history of modernity from Paris to London, Nead here argues for a different understanding of gender and public space in a society where women joined the everyday life of city streets and entered the debates concerning morality, spectacle, and adventure. The book draws on texts and images of many kinds -- including acts of Parliament, literature, newspaper reports, private letters, maps, paintings, advertisements, posters, and banned obscene publications. Taking a highly interdisciplinary approach, Nead explores such intriguing topics as the efforts of urban improvers to move water, air, traffic, goods, and people in the Victorian metropolis; the impact of gas lighting and glass on urban leisure; and the obscenity legislation that emerged in response to new forms of visual mass culture that were perceived as dangerous and pervasive.
livres
novembre 2000, New Haven
Théorie de l’urbanisme
The society of the spectacle
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First published in 1967, Guy Debord's stinging revolutionary critique of contemporary society, ''The society of the spectacle'' has since acquired a cult status. The ''Das Kapital'' of the 20th century. An essential text, and the main theoretical work of the Situationists. Few works of political and cultural theory have been as enduringly provocative. From its publication(...)
The society of the spectacle
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First published in 1967, Guy Debord's stinging revolutionary critique of contemporary society, ''The society of the spectacle'' has since acquired a cult status. The ''Das Kapital'' of the 20th century. An essential text, and the main theoretical work of the Situationists. Few works of political and cultural theory have been as enduringly provocative. From its publication amid the social upheavals of the 1960's up to the present, the volatile theses of this book have decisively transformed debates on the shape of modernity, capitalism, and everyday life.
Théorie/ philosophie