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Noxious Sector Press 2016
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Noxious Sector Press 2016
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1 volume (unpaged) : illustrations, facsimile ; 15 cm
Leipzig : Spectormag GbR, ©2017.
Space colonies : a galactic freeman's journal / Fabian Reimann.
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1 volume (unpaged) : illustrations, facsimile ; 15 cm
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Leipzig : Spectormag GbR, ©2017.
$63.95
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A world-famous eighteenth-century British figure, Lancelot “Capability” Brown (1716-1783) is today considered the father of landscape architecture. Moving Heaven and Earth reveals the driven polymath behind the famous nickname, exploring both Brown’s artistic legacy and his pioneering work with water in the landscape. The book evaluates the rise of the English landscape(...)
Moving heaven and earth: Capability Brown's gift of landscape
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A world-famous eighteenth-century British figure, Lancelot “Capability” Brown (1716-1783) is today considered the father of landscape architecture. Moving Heaven and Earth reveals the driven polymath behind the famous nickname, exploring both Brown’s artistic legacy and his pioneering work with water in the landscape. The book evaluates the rise of the English landscape garden in the context of his designs. It also provides a comprehensive guide for travelers, with an overview of the 250 sites throughout England and Wales attributed to or connected with Brown. Over 350 color photographs pin-point Brown’s enduring views and surprisingly vibrant planting palette, showcasing his enduring significance.
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ix, 308 pages : illustrations ; 21 cm.
Bloomington : Indiana University Press, [1967], ©1967
Environment for man : the next fifty years / edited by William R. Ewald. Jr.
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ix, 308 pages : illustrations ; 21 cm.
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Bloomington : Indiana University Press, [1967], ©1967
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x, 550 pages : illustrations (some color) ; 29 cm
New Haven : Yale University Press, ©2002.
Venice : fragile city, 1797-1997 / Margaret Plant.
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x, 550 pages : illustrations (some color) ; 29 cm
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New Haven : Yale University Press, ©2002.
$54.95
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The projects featured in this issue are presented under three themes: “The habitable wall”, “Cities of the dead”, and “Down to earth”. The first considers two new linear projects in Italy – Herzong & de Meuron’s Feltrinelli Porta Volta in Milan and City of Sun by Labics in Rome – both of which interject a modern palisade along the edge of well-defined urban district. The(...)
C3 389 : The habitable wall, cities of the dead, down to earth
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The projects featured in this issue are presented under three themes: “The habitable wall”, “Cities of the dead”, and “Down to earth”. The first considers two new linear projects in Italy – Herzong & de Meuron’s Feltrinelli Porta Volta in Milan and City of Sun by Labics in Rome – both of which interject a modern palisade along the edge of well-defined urban district. The second theme looks at the fascinating challenge of building for the dead through four new projects in Taiwan, Korea, Japan, and the Netherlands. The final section takes rammed earth as its subject, highlighting five architects who show that this ancient material can still be used to produce exciting modern architecture.
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Science tells us that a new and dangerous stage in planetary evolution has begun--the Anthropocene, a time of rising temperatures, extreme weather, rising oceans, and mass species extinctions. Humanity faces not just more pollution or warmer weather, but a crisis of the Earth System. If business as usual continues, this century will be marked by rapid deterioration of our(...)
Facing the Anthropocene: Fossil capitalism and the crisis of the earth system
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Science tells us that a new and dangerous stage in planetary evolution has begun--the Anthropocene, a time of rising temperatures, extreme weather, rising oceans, and mass species extinctions. Humanity faces not just more pollution or warmer weather, but a crisis of the Earth System. If business as usual continues, this century will be marked by rapid deterioration of our physical, social, and economic environment. Large parts of Earth will become uninhabitable, and civilization itself will be threatened. Facing the Anthropocene shows what has caused this planetary emergency, and what we must do to meet the challenge.
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xxiv, 422 p. : ill. ; 23 cm.
Toronto : University of Toronto Press, c2012.
The domestic space reader / edited by Chiara Briganti and Kathy Mezei.
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xxiv, 422 p. : ill. ; 23 cm.
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Toronto : University of Toronto Press, c2012.
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Le livre raconte la naissance, le développement et la fin d’un magazine qui parut cinq fois entre le début et la fin des années 1970, se diffusa hors de tout cadre institutionnel et économique traditionnel, se vendit à un million d’exemplaires aux États-Unis et en Europe et inspira une version française. Il informait très concrètement ses lecteurs de l’actualité des(...)
L'aventure du Whole Earth Catalog
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Le livre raconte la naissance, le développement et la fin d’un magazine qui parut cinq fois entre le début et la fin des années 1970, se diffusa hors de tout cadre institutionnel et économique traditionnel, se vendit à un million d’exemplaires aux États-Unis et en Europe et inspira une version française. Il informait très concrètement ses lecteurs de l’actualité des recherches de la contre-culture américaine pour vivre différemment : comment construire un dôme géodésique, fabriquer son compost ou concevoir une architecture solaire, ainsi que des dernières publications dans les domaines pratique ou scientifique. La transformation du mode de vie était abordée également sur un plan personnel, avec par exemple l’intérêt pour le yoga qui apparaît en filigrane. Le catalogue associait également démarche écologique, sensibilité hippie et intérêt pour la cybernétique. Paradoxalement, il annonçait ainsi la transformation de nos sociétés par les nouvelles technologies de l’information.
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In this latest work, art historian T. J. Clark sets out to investigate the different ways painting has depicted the dream of God's kingdom come: heaven descended to earth. He goes back to the late Middle Ages and Renaissance- to Giotto in Padua, Bruegel facing the horrors of religious war, Poussin painting the Sacraments, and Veronese unfolding the human comedy, in(...)
Heaven on earth: painting and the life to come
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In this latest work, art historian T. J. Clark sets out to investigate the different ways painting has depicted the dream of God's kingdom come: heaven descended to earth. He goes back to the late Middle Ages and Renaissance- to Giotto in Padua, Bruegel facing the horrors of religious war, Poussin painting the Sacraments, and Veronese unfolding the human comedy, in particular his inscrutable Allegory of Love. Was it ultimately to painting's advantage that in an age of orthodoxy and enforced censorship (threats of hellfire, burnings at the stake) artists found ways reflect on the powers and limitations of religion without putting their thoughts into words? In conclusion Clark brings us into the Nuclear Age with Picasso's Fall of Icarus, made for UNESCO in 1958, which already seems to signal, or even prescribe, an age when all futures are dead.
Théorie de l’art