PB 06 In Class with Tavora
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The 6th title in the AMAG Pocket Books Collection explores the enduring pedagogical legacy of Fernando Távora, a pivotal figure in Portuguese architecture and a key influence on the Porto School. Celebrating the continued relevance of his teachings, the authors delve into his philosophy of making architecture for living, emphasizing the interplay between modernity and(...)
PB 06 In Class with Tavora
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The 6th title in the AMAG Pocket Books Collection explores the enduring pedagogical legacy of Fernando Távora, a pivotal figure in Portuguese architecture and a key influence on the Porto School. Celebrating the continued relevance of his teachings, the authors delve into his philosophy of making architecture for living, emphasizing the interplay between modernity and tradition, the humanity of space, and the essence of spatial composition. While numerous studies on Távora exist, most remain within Portugal; this volume seeks to bring his insights to a broader audience, reaffirming his influence on new generations of architects.
Revues
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This singular work is one of the most outstanding buildings of the last decade in the oeuvre of Álvaro Siza, Pritzker Prize recipient in 1992. On a high plain by the river in the Roman city of Chaves, deep in the interior of his home country, Siza has built the Nadir Afonso Museum. Blending the modernity of elevation of the ground (and above the river’s flood plain) and a(...)
Architecture, monographies
février 2017
Alvaro Siza: Museu Nadir Afonso
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This singular work is one of the most outstanding buildings of the last decade in the oeuvre of Álvaro Siza, Pritzker Prize recipient in 1992. On a high plain by the river in the Roman city of Chaves, deep in the interior of his home country, Siza has built the Nadir Afonso Museum. Blending the modernity of elevation of the ground (and above the river’s flood plain) and a vernacular indented plan, the building reveals the exceptional mastery of this architect and the very condition of contemporary architecture.
Architecture, monographies
Cabinet 65: Knowledge
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The sophist Hippias claimed to be able to lecture on any subject, but with modernity, this ancient desire took new forms. The Renaissance invented the encyclopedia. The modern state began to dream of knowing what every citizen does and says. Cabinet issue 65, with a special section on ''Knowledge,'' includes Simon Critchley on Philip K. Dick's vision that a fish pendant(...)
Cabinet 65: Knowledge
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The sophist Hippias claimed to be able to lecture on any subject, but with modernity, this ancient desire took new forms. The Renaissance invented the encyclopedia. The modern state began to dream of knowing what every citizen does and says. Cabinet issue 65, with a special section on ''Knowledge,'' includes Simon Critchley on Philip K. Dick's vision that a fish pendant had revealed all of knowledge to him; June Halloway on the paranoid knowledge of the modern state; and Cecilia Sjöholm on the relationship between naming and knowing.
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This volume gathers and expands upon the results of the research project "Theater, Garden, Bestiary: A Materialist History of Exhibitions," held at ECAL/University of Art and Design Lausanne, and proposes a history of exhibitions sourced from a wide corpus reaching beyond the framework of art institutions. It undertakes a transdisciplinary history at the nexus of art(...)
Theater, garden, bestiary: a materialist history of exhibitions
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This volume gathers and expands upon the results of the research project "Theater, Garden, Bestiary: A Materialist History of Exhibitions," held at ECAL/University of Art and Design Lausanne, and proposes a history of exhibitions sourced from a wide corpus reaching beyond the framework of art institutions. It undertakes a transdisciplinary history at the nexus of art history, science studies, and philosophy, exploring the role the exhibition played in the construction of the conceptual categories of modernity, and outlines a historiographical model that conceptualizes the exhibition as both an aesthetic and an epistemic site.
Muséologie
East German modern
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The buildings constructed in East Germany after the Second World War are often dismissed as drab, Soviet-style, prefabricated blocks of cement. But the architecture of the German Democratic Republic was created with an eye toward modernity and efficiency, and heralded the birth of a new country and a new economic and social system. Hans Engels has traveled throughout(...)
East German modern
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The buildings constructed in East Germany after the Second World War are often dismissed as drab, Soviet-style, prefabricated blocks of cement. But the architecture of the German Democratic Republic was created with an eye toward modernity and efficiency, and heralded the birth of a new country and a new economic and social system. Hans Engels has traveled throughout East Germany to photograph iconic modernist buildings that survived demolition. From movie theaters, high-rises, and restaurants to museums, convention centers, and transit stations, these buildings have all stood the test of time.
Modernisme
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Illuminated fêtes and civic celebrations began in Renaissance Italy and spread through the courts of Europe. Their fireworks, torches, lamps, and special effects glorified the monarch, marked the birth of a prince, or celebrated military victory. Nineteenth-century Americans rejected such monarchial pomp and adapted spectacular lighting to their democratic, commercial(...)
American illuminations: urban lighting 1800-1920
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Illuminated fêtes and civic celebrations began in Renaissance Italy and spread through the courts of Europe. Their fireworks, torches, lamps, and special effects glorified the monarch, marked the birth of a prince, or celebrated military victory. Nineteenth-century Americans rejected such monarchial pomp and adapted spectacular lighting to their democratic, commercial culture. In American Illuminations, David Nye explains how they experimented with gas and electric light to create illuminated cityscapes far brighter and more dynamic than those of Europe, and how these illuminations became symbols of modernity and the conquest of nature.
Théorie de l’urbanisme
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Spanning the history of literature, art, and architecture from John Ruskin, Henry James, and Ezra Pound to Manfredo Tafuri, Italo Calvino, Jeanette Winterson, and Robert Coover ''Killing the Moonlight'' tracks the pressures that modernity has placed on the legacy of romantic Venice, and the distinctive strains of aesthetic invention that resulted from the clash. In(...)
Killing the moonlight: Modernism in Venice
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Spanning the history of literature, art, and architecture from John Ruskin, Henry James, and Ezra Pound to Manfredo Tafuri, Italo Calvino, Jeanette Winterson, and Robert Coover ''Killing the Moonlight'' tracks the pressures that modernity has placed on the legacy of romantic Venice, and the distinctive strains of aesthetic invention that resulted from the clash. In Venetian incarnations of modernism, the anachronistic urban fabric and vestigial sentiment that both the nation-state of Italy and the historical avant-garde would cast off become incompletely assimilated parts of the new.
Théorie de l’architecture
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Throughout the twentieth century, the ancient city of Athens underwent a massive transformation into simple sets of apartment blocks, or polykatoikia. Today, these multifamily residential units define the city’s landscape from center to periphery and house a majority of Greece’s population. Yet specific circumstances and cultural patterns set Athens’s transformation apart(...)
The public-private house: modern Athens and its Polykatoikia
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Throughout the twentieth century, the ancient city of Athens underwent a massive transformation into simple sets of apartment blocks, or polykatoikia. Today, these multifamily residential units define the city’s landscape from center to periphery and house a majority of Greece’s population. Yet specific circumstances and cultural patterns set Athens’s transformation apart from the arrival of architectural modernity in other countries, and what has emerged in Athens is a distinctly Greek variety of modern urban development. "The Public-Private House" examines Athens’s urban character and the apparently unlimited adaptability of polykatoikia.
Théorie de l’architecture
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Between the 1930s and 1960s, the spread of new transportation networks and the democratization of paid vacations struck many observers as a sign that tourism was growing into a folkway of modern American life. Easy mobility and free time lay at the heart of this idealized vision, and vacations were seen as a ritualized expression of the movement and egalitarianism that(...)
The holiday makers: magazines, advertising, and mass tourism in Postwar America
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Between the 1930s and 1960s, the spread of new transportation networks and the democratization of paid vacations struck many observers as a sign that tourism was growing into a folkway of modern American life. Easy mobility and free time lay at the heart of this idealized vision, and vacations were seen as a ritualized expression of the movement and egalitarianism that characterized midcentury modernity. The Holiday Makers tells the story of how advertisers sold tourist travel in popular magazines during this era, transforming consumer culture in the process.
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Jeffrey L. Kosky focuses on a handful of artists — Walter De Maria, Diller + Scofidio, James Turrell, and Andy Goldworthy to show how they introduce spaces hospitable to mystery and wonder, redemption and revelation, and transcendence and creation. What might be thought of as religious longings, he argues, are crucial aspects of enchanting secularity when developed(...)
Arts of wonder : enchanting secularity - Walter de Maria, Diller + Scofidio, James Turelle, Andy Goldsworthy
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Jeffrey L. Kosky focuses on a handful of artists — Walter De Maria, Diller + Scofidio, James Turrell, and Andy Goldworthy to show how they introduce spaces hospitable to mystery and wonder, redemption and revelation, and transcendence and creation. What might be thought of as religious longings, he argues, are crucial aspects of enchanting secularity when developed through encounters with these works of art. Developing a model of religion that might be significant to secular culture, Kosky shows how this model can be employed to deepen interpretation of the art we usually view as representing secular modernity.
Théorie de l’art