14780 Résultats
Classification:
périodiques
périodiques
Numéro de référence:
PH2008:0037:009
Description:
An image of Gordon Matta-Clark's project Window Blow-Out appears on p. 89.
PH2008:0037:009
Description:
An image of Gordon Matta-Clark's project Window Blow-Out appears on p. 89.
Personnes et institutions:
Date:
2008
2008
Titre:
New Glass Review
Actions:
PH2008:0037:009
Description:
An image of Gordon Matta-Clark's project Window Blow-Out appears on p. 89.
New Glass Review
Actions:
PH2008:0037:009
Description:
An image of Gordon Matta-Clark's project Window Blow-Out appears on p. 89.
Classification:
périodiques
périodiques
Date:
2008
2008
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP140.S2.SS3.D7
Description:
File documents the participation of the office of James Stirling and Partner to the Roma Interrotta exhibition at the Mercati di Traiano, in Rome, Italy. The exhibition also travelled to other venues including the Architectural Association School of Architecture in London, England, United Kingdom, and the Cooper-Hewitt Museum in New York, New York, United States. Material in this file was produced between 1977 and 1979. File contains reference drawings, design development drawings, a presentation drawing, photographic materials and textual records.
AP140.S2.SS3.D7
Description:
File documents the participation of the office of James Stirling and Partner to the Roma Interrotta exhibition at the Mercati di Traiano, in Rome, Italy. The exhibition also travelled to other venues including the Architectural Association School of Architecture in London, England, United Kingdom, and the Cooper-Hewitt Museum in New York, New York, United States. Material in this file was produced between 1977 and 1979. File contains reference drawings, design development drawings, a presentation drawing, photographic materials and textual records.
Personnes et institutions:
Date:
1977-1979
1977-1979
Titre:
Roma Interrotta, Mercati di Traiano
Actions:
AP140.S2.SS3.D7
Description:
File documents the participation of the office of James Stirling and Partner to the Roma Interrotta exhibition at the Mercati di Traiano, in Rome, Italy. The exhibition also travelled to other venues including the Architectural Association School of Architecture in London, England, United Kingdom, and the Cooper-Hewitt Museum in New York, New York, United States. Material in this file was produced between 1977 and 1979. File contains reference drawings, design development drawings, a presentation drawing, photographic materials and textual records.
Roma Interrotta, Mercati di Traiano
Actions:
AP140.S2.SS3.D7
Description:
File documents the participation of the office of James Stirling and Partner to the Roma Interrotta exhibition at the Mercati di Traiano, in Rome, Italy. The exhibition also travelled to other venues including the Architectural Association School of Architecture in London, England, United Kingdom, and the Cooper-Hewitt Museum in New York, New York, United States. Material in this file was produced between 1977 and 1979. File contains reference drawings, design development drawings, a presentation drawing, photographic materials and textual records.
Niveau de description archivistique:
File 7
File 7
Date:
1977-1979
1977-1979
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Exhibitions
Exhibitions
Numéro de référence:
AP180.S3
Description:
This series documents Umberto Riva's designs for exhibitions and museum installations. The projects are predominantly in Italy, but also include projects in Canada and in Austria. The series includes Riva's various projects for the Milan Triennale from the 1960s to the 1990s and his designs for exhibitions at the Palazzo Barbaran da Porto in Vicenza, Italy. The series includes design development and presentation drawings for installations. Projects for redesigns of gallery spaces by Umberto Riva are arranged in series AP180.S1 Architectural projects.
AP180.S3
Description:
This series documents Umberto Riva's designs for exhibitions and museum installations. The projects are predominantly in Italy, but also include projects in Canada and in Austria. The series includes Riva's various projects for the Milan Triennale from the 1960s to the 1990s and his designs for exhibitions at the Palazzo Barbaran da Porto in Vicenza, Italy. The series includes design development and presentation drawings for installations. Projects for redesigns of gallery spaces by Umberto Riva are arranged in series AP180.S1 Architectural projects.
Personnes et institutions:
Date:
1962-2004
1962-2004
Titre:
Exhibitions
Actions:
AP180.S3
Description:
This series documents Umberto Riva's designs for exhibitions and museum installations. The projects are predominantly in Italy, but also include projects in Canada and in Austria. The series includes Riva's various projects for the Milan Triennale from the 1960s to the 1990s and his designs for exhibitions at the Palazzo Barbaran da Porto in Vicenza, Italy. The series includes design development and presentation drawings for installations. Projects for redesigns of gallery spaces by Umberto Riva are arranged in series AP180.S1 Architectural projects.
Exhibitions
Actions:
AP180.S3
Description:
This series documents Umberto Riva's designs for exhibitions and museum installations. The projects are predominantly in Italy, but also include projects in Canada and in Austria. The series includes Riva's various projects for the Milan Triennale from the 1960s to the 1990s and his designs for exhibitions at the Palazzo Barbaran da Porto in Vicenza, Italy. The series includes design development and presentation drawings for installations. Projects for redesigns of gallery spaces by Umberto Riva are arranged in series AP180.S1 Architectural projects.
Niveau de description archivistique:
Series
Series
Date:
1962-2004
1962-2004
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Titre:
General Textual Files
General Textual Files
Numéro de référence:
AP116.S3.SS20.D1
Description:
File documents some of the planning and editorial activities for the production of Public Fear: What's So Scary About Architecture?, issue 18 of ANY magazine (May), and the preceding In ANY Event Symposium held 25 January 1997 at the Guggenheim Museum, New York City, New York. Material in file was produced between 1996 and 1997. File contains correspondence, clippings, photographic material, lay-out mock-ups, production schedules, symposium schedule, informational texts, budgets, and invitations.
AP116.S3.SS20.D1
Description:
File documents some of the planning and editorial activities for the production of Public Fear: What's So Scary About Architecture?, issue 18 of ANY magazine (May), and the preceding In ANY Event Symposium held 25 January 1997 at the Guggenheim Museum, New York City, New York. Material in file was produced between 1996 and 1997. File contains correspondence, clippings, photographic material, lay-out mock-ups, production schedules, symposium schedule, informational texts, budgets, and invitations.
Personnes et institutions:
Date:
1996-1997
1996-1997
Titre:
General Textual Files
Actions:
AP116.S3.SS20.D1
Description:
File documents some of the planning and editorial activities for the production of Public Fear: What's So Scary About Architecture?, issue 18 of ANY magazine (May), and the preceding In ANY Event Symposium held 25 January 1997 at the Guggenheim Museum, New York City, New York. Material in file was produced between 1996 and 1997. File contains correspondence, clippings, photographic material, lay-out mock-ups, production schedules, symposium schedule, informational texts, budgets, and invitations.
General Textual Files
Actions:
AP116.S3.SS20.D1
Description:
File documents some of the planning and editorial activities for the production of Public Fear: What's So Scary About Architecture?, issue 18 of ANY magazine (May), and the preceding In ANY Event Symposium held 25 January 1997 at the Guggenheim Museum, New York City, New York. Material in file was produced between 1996 and 1997. File contains correspondence, clippings, photographic material, lay-out mock-ups, production schedules, symposium schedule, informational texts, budgets, and invitations.
Niveau de description archivistique:
File 1
File 1
Date:
1996-1997
1996-1997
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.2003.PR03
Description:
This project series documents a competition for the Ciudad del Flamenco de Jerez de la Frontera in Jerez de la Frontera, Spain. While the records were held in the office’s archives this project was assigned the number 56/00. The office assigned the date 2002 to this project. The competition for the Ciudad del Flamenco was part of an urban revitalization project for the historic center of Jerez. The competition was organized by the Ayuntamiento de Jerez. Six proposals were presented to the jury, including a design by Àlvaro Siza and Juan Miguel Hernández León. The project included the design of an auditorium, a museum, a documentation and research center, a school, and communal spaces. The buildings were to host The National Auditorium of Flamenco Art, the Museum and the Center for Investigation, and Documentation of the Art of Flamenco (CIDAF). The proposal was "a complex of prisms and courtyards wisely articulated between one another, rounded off by a sculptural trapezoidal and cantilevering piece'' (http://ciudaddelflamenco.jerez.es/flash/concurso.pdf p. 6). Jacques Herzog and Pierre de Meuron's proposal won the competition. Documenting this project are studies, competition drawings, and plans. Textual documentation includes correspondence with the client and competition documentation.
AP178.S1.2003.PR03
Description:
This project series documents a competition for the Ciudad del Flamenco de Jerez de la Frontera in Jerez de la Frontera, Spain. While the records were held in the office’s archives this project was assigned the number 56/00. The office assigned the date 2002 to this project. The competition for the Ciudad del Flamenco was part of an urban revitalization project for the historic center of Jerez. The competition was organized by the Ayuntamiento de Jerez. Six proposals were presented to the jury, including a design by Àlvaro Siza and Juan Miguel Hernández León. The project included the design of an auditorium, a museum, a documentation and research center, a school, and communal spaces. The buildings were to host The National Auditorium of Flamenco Art, the Museum and the Center for Investigation, and Documentation of the Art of Flamenco (CIDAF). The proposal was "a complex of prisms and courtyards wisely articulated between one another, rounded off by a sculptural trapezoidal and cantilevering piece'' (http://ciudaddelflamenco.jerez.es/flash/concurso.pdf p. 6). Jacques Herzog and Pierre de Meuron's proposal won the competition. Documenting this project are studies, competition drawings, and plans. Textual documentation includes correspondence with the client and competition documentation.
Personnes et institutions:
Date:
circa 2003-2004
circa 2003-2004
Titre:
Ciudad del Flamenco de Jerez de la Frontera, Jerez de la Frontera, Spain (2003)
Actions:
AP178.S1.2003.PR03
Description:
This project series documents a competition for the Ciudad del Flamenco de Jerez de la Frontera in Jerez de la Frontera, Spain. While the records were held in the office’s archives this project was assigned the number 56/00. The office assigned the date 2002 to this project. The competition for the Ciudad del Flamenco was part of an urban revitalization project for the historic center of Jerez. The competition was organized by the Ayuntamiento de Jerez. Six proposals were presented to the jury, including a design by Àlvaro Siza and Juan Miguel Hernández León. The project included the design of an auditorium, a museum, a documentation and research center, a school, and communal spaces. The buildings were to host The National Auditorium of Flamenco Art, the Museum and the Center for Investigation, and Documentation of the Art of Flamenco (CIDAF). The proposal was "a complex of prisms and courtyards wisely articulated between one another, rounded off by a sculptural trapezoidal and cantilevering piece'' (http://ciudaddelflamenco.jerez.es/flash/concurso.pdf p. 6). Jacques Herzog and Pierre de Meuron's proposal won the competition. Documenting this project are studies, competition drawings, and plans. Textual documentation includes correspondence with the client and competition documentation.
Ciudad del Flamenco de Jerez de la Frontera, Jerez de la Frontera, Spain (2003)
Actions:
AP178.S1.2003.PR03
Description:
This project series documents a competition for the Ciudad del Flamenco de Jerez de la Frontera in Jerez de la Frontera, Spain. While the records were held in the office’s archives this project was assigned the number 56/00. The office assigned the date 2002 to this project. The competition for the Ciudad del Flamenco was part of an urban revitalization project for the historic center of Jerez. The competition was organized by the Ayuntamiento de Jerez. Six proposals were presented to the jury, including a design by Àlvaro Siza and Juan Miguel Hernández León. The project included the design of an auditorium, a museum, a documentation and research center, a school, and communal spaces. The buildings were to host The National Auditorium of Flamenco Art, the Museum and the Center for Investigation, and Documentation of the Art of Flamenco (CIDAF). The proposal was "a complex of prisms and courtyards wisely articulated between one another, rounded off by a sculptural trapezoidal and cantilevering piece'' (http://ciudaddelflamenco.jerez.es/flash/concurso.pdf p. 6). Jacques Herzog and Pierre de Meuron's proposal won the competition. Documenting this project are studies, competition drawings, and plans. Textual documentation includes correspondence with the client and competition documentation.
Niveau de description archivistique:
Project
Project
Date:
circa 2003-2004
circa 2003-2004
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP142.S1.D175
Description:
File documents an executed project for a new museum for the Province of Limburg, Maastricht, Netherlands. In addition to the new building, the project included the renovation of the existing Wiebengahal ceramics factory. Material in this file was produced between 1990 and 1994. File contains conceptual drawings, design development drawings, working drawings, and presentation drawings. File also contains textual records, including sketches, drawings, photographs, correspondence, architect's statements, a building programme, calculations, lists of drawings, labels for drawings, a report, and notes.
AP142.S1.D175
Description:
File documents an executed project for a new museum for the Province of Limburg, Maastricht, Netherlands. In addition to the new building, the project included the renovation of the existing Wiebengahal ceramics factory. Material in this file was produced between 1990 and 1994. File contains conceptual drawings, design development drawings, working drawings, and presentation drawings. File also contains textual records, including sketches, drawings, photographs, correspondence, architect's statements, a building programme, calculations, lists of drawings, labels for drawings, a report, and notes.
Personnes et institutions:
Date:
1990-1994
1990-1994
Titre:
Bonnefantenmuseum, Maastricht
Actions:
AP142.S1.D175
Description:
File documents an executed project for a new museum for the Province of Limburg, Maastricht, Netherlands. In addition to the new building, the project included the renovation of the existing Wiebengahal ceramics factory. Material in this file was produced between 1990 and 1994. File contains conceptual drawings, design development drawings, working drawings, and presentation drawings. File also contains textual records, including sketches, drawings, photographs, correspondence, architect's statements, a building programme, calculations, lists of drawings, labels for drawings, a report, and notes.
Bonnefantenmuseum, Maastricht
Actions:
AP142.S1.D175
Description:
File documents an executed project for a new museum for the Province of Limburg, Maastricht, Netherlands. In addition to the new building, the project included the renovation of the existing Wiebengahal ceramics factory. Material in this file was produced between 1990 and 1994. File contains conceptual drawings, design development drawings, working drawings, and presentation drawings. File also contains textual records, including sketches, drawings, photographs, correspondence, architect's statements, a building programme, calculations, lists of drawings, labels for drawings, a report, and notes.
Niveau de description archivistique:
File 175
File 175
Date:
1990-1994
1990-1994
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Ashmole
Ashmole
Numéro de référence:
AP144.S2.D142
Description:
File documents a project for the design of an exhbition entitled 'Ancient and Modern' at the McAlpine Gallery of the Ashmolean Museum in Oxford, England. The exhibition featured ancient artifacts, alongside the works of two contemporary artists (Sidney Nolan and William Turnbull) and two contemporary architects (Cedric Price and Quinlan Terry). Material in this file was produced between 1986 and 1987, and in 1993, but predominantly in 1987. File contains conceptual drawings, design development drawings, presentation panels, models, photographs, and textual records.
AP144.S2.D142
Description:
File documents a project for the design of an exhbition entitled 'Ancient and Modern' at the McAlpine Gallery of the Ashmolean Museum in Oxford, England. The exhibition featured ancient artifacts, alongside the works of two contemporary artists (Sidney Nolan and William Turnbull) and two contemporary architects (Cedric Price and Quinlan Terry). Material in this file was produced between 1986 and 1987, and in 1993, but predominantly in 1987. File contains conceptual drawings, design development drawings, presentation panels, models, photographs, and textual records.
Personnes et institutions:
Date:
1986-1987, 1993, predominant 1987
1986-1987, 1993, predominant 1987
Titre:
Ashmole
Actions:
AP144.S2.D142
Description:
File documents a project for the design of an exhbition entitled 'Ancient and Modern' at the McAlpine Gallery of the Ashmolean Museum in Oxford, England. The exhibition featured ancient artifacts, alongside the works of two contemporary artists (Sidney Nolan and William Turnbull) and two contemporary architects (Cedric Price and Quinlan Terry). Material in this file was produced between 1986 and 1987, and in 1993, but predominantly in 1987. File contains conceptual drawings, design development drawings, presentation panels, models, photographs, and textual records.
Ashmole
Actions:
AP144.S2.D142
Description:
File documents a project for the design of an exhbition entitled 'Ancient and Modern' at the McAlpine Gallery of the Ashmolean Museum in Oxford, England. The exhibition featured ancient artifacts, alongside the works of two contemporary artists (Sidney Nolan and William Turnbull) and two contemporary architects (Cedric Price and Quinlan Terry). Material in this file was produced between 1986 and 1987, and in 1993, but predominantly in 1987. File contains conceptual drawings, design development drawings, presentation panels, models, photographs, and textual records.
Niveau de description archivistique:
File 142
File 142
Date:
1986-1987, 1993, predominant 1987
1986-1987, 1993, predominant 1987
Personnes et institutions:
Classification:
expositions
expositions
Description:
Enthousiasmés par les vues radicalement nouvelles de l’art cubiste, et animés par le désir d’introduire une esthétique entièrement différente et de manifester leur présence sur la scène politique, les cubistes tchèques ont créé non seulement des œuvres remarquables et visionnaires, mais ils sont passés de la théorie à la pratique. Le cubisme tchèque : architecture et(...)
Enthousiasmés par les vues radicalement nouvelles de l’art cubiste, et animés par le désir d’introduire une esthétique entièrement différente et de manifester leur présence sur la scène politique, les cubistes tchèques ont créé non seulement des œuvres remarquables et visionnaires, mais ils sont passés de la théorie à la pratique. Le cubisme tchèque : architecture et(...)
Localisation:
Salles principales
Salles principales
Date:
10 juin 1992 au 2 août 1992
10 juin 1992 au 2 août 1992
Titre:
Le cubisme tchèque : architecture et design, 1910-1925
Actions:
Description:
Enthousiasmés par les vues radicalement nouvelles de l’art cubiste, et animés par le désir d’introduire une esthétique entièrement différente et de manifester leur présence sur la scène politique, les cubistes tchèques ont créé non seulement des œuvres remarquables et visionnaires, mais ils sont passés de la théorie à la pratique. Le cubisme tchèque : architecture et(...)
Le cubisme tchèque : architecture et design, 1910-1925
Actions:
Description:
Enthousiasmés par les vues radicalement nouvelles de l’art cubiste, et animés par le désir d’introduire une esthétique entièrement différente et de manifester leur présence sur la scène politique, les cubistes tchèques ont créé non seulement des œuvres remarquables et visionnaires, mais ils sont passés de la théorie à la pratique. Le cubisme tchèque : architecture et(...)
Classification:
expositions
expositions
Date:
10 juin 1992 au
2 août 1992
10 juin 1992 au
2 août 1992
Localisation:
Salles principales
Salles principales
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Shoei Yoh
Fonds Shoei Yoh
Numéro de référence:
AP166
Résumé:
The Shoei Yoh fonds (1976-2014, predominant 1990-1996) documents a selection of works by the Japanese architect and designer Shoei Yoh and the firm Shoei Yoh + Architects. The selection is comprised of two projects that were featured in the CCA exhibition Archaeology of the Digital (May 7-October 27, 2013)—the Galaxy Toyama Gymnasium and the unbuilt Odawara Municipal Sports Complex --and five other projects.The fonds also includes some published material by and about Shoei Yoh.
AP166
Résumé:
The Shoei Yoh fonds (1976-2014, predominant 1990-1996) documents a selection of works by the Japanese architect and designer Shoei Yoh and the firm Shoei Yoh + Architects. The selection is comprised of two projects that were featured in the CCA exhibition Archaeology of the Digital (May 7-October 27, 2013)—the Galaxy Toyama Gymnasium and the unbuilt Odawara Municipal Sports Complex --and five other projects.The fonds also includes some published material by and about Shoei Yoh.
Personnes et institutions:
Date:
1976-2014, predominant 1990-1996
1976-2014, predominant 1990-1996
Titre:
Fonds Shoei Yoh
Actions:
AP166
Résumé:
The Shoei Yoh fonds (1976-2014, predominant 1990-1996) documents a selection of works by the Japanese architect and designer Shoei Yoh and the firm Shoei Yoh + Architects. The selection is comprised of two projects that were featured in the CCA exhibition Archaeology of the Digital (May 7-October 27, 2013)—the Galaxy Toyama Gymnasium and the unbuilt Odawara Municipal Sports Complex --and five other projects.The fonds also includes some published material by and about Shoei Yoh.
Fonds Shoei Yoh
Actions:
AP166
Résumé:
The Shoei Yoh fonds (1976-2014, predominant 1990-1996) documents a selection of works by the Japanese architect and designer Shoei Yoh and the firm Shoei Yoh + Architects. The selection is comprised of two projects that were featured in the CCA exhibition Archaeology of the Digital (May 7-October 27, 2013)—the Galaxy Toyama Gymnasium and the unbuilt Odawara Municipal Sports Complex --and five other projects.The fonds also includes some published material by and about Shoei Yoh.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1976-2014, predominant 1990-1996
1976-2014, predominant 1990-1996
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.2014.PR01
Description:
The project series documents the installation "Architettura "Correta"" designed by Pettena for the exhibition "Soleil Politique" at the Museion in Bolzano, in 2014. The project was a design for a new museum entrance. The installation was made of three glass walls on which were drawn facade details of three historical buildings of the city. The central glass wall represents the entrance from the Piacentini square in Bolzano, with, at its left, a ‘serlian’ arch, and, at its right, a detail of the portico of a ‘Piazza d’Italia’ by Giorgio de Chirico. The idea was to "connect the museum to the city’s history, an architectural element was chosen, one which, in addition to favoring the idea of ‘entrance’ to the exhibit also permitted a view both of the urban and the natural setting, the sky, the mountains, an environment typical of the area in which the city itself rises." [1] The project series contains a sketch and a spiral bound volume with correspondence between Pettena and Pierre Bal Blanc, curator of the exhibitions, and proposals for the installation. The project series also contains photographs of the installation, including printouts. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-revised-architecture-2014/ (last accessed 27 January 2020)
AP207.S1.2014.PR01
Description:
The project series documents the installation "Architettura "Correta"" designed by Pettena for the exhibition "Soleil Politique" at the Museion in Bolzano, in 2014. The project was a design for a new museum entrance. The installation was made of three glass walls on which were drawn facade details of three historical buildings of the city. The central glass wall represents the entrance from the Piacentini square in Bolzano, with, at its left, a ‘serlian’ arch, and, at its right, a detail of the portico of a ‘Piazza d’Italia’ by Giorgio de Chirico. The idea was to "connect the museum to the city’s history, an architectural element was chosen, one which, in addition to favoring the idea of ‘entrance’ to the exhibit also permitted a view both of the urban and the natural setting, the sky, the mountains, an environment typical of the area in which the city itself rises." [1] The project series contains a sketch and a spiral bound volume with correspondence between Pettena and Pierre Bal Blanc, curator of the exhibitions, and proposals for the installation. The project series also contains photographs of the installation, including printouts. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-revised-architecture-2014/ (last accessed 27 January 2020)
Personnes et institutions:
Date:
2014-2015
2014-2015
Titre:
Architettura "Correta" ["Revised" Architecture] (2014)
Actions:
AP207.S1.2014.PR01
Description:
The project series documents the installation "Architettura "Correta"" designed by Pettena for the exhibition "Soleil Politique" at the Museion in Bolzano, in 2014. The project was a design for a new museum entrance. The installation was made of three glass walls on which were drawn facade details of three historical buildings of the city. The central glass wall represents the entrance from the Piacentini square in Bolzano, with, at its left, a ‘serlian’ arch, and, at its right, a detail of the portico of a ‘Piazza d’Italia’ by Giorgio de Chirico. The idea was to "connect the museum to the city’s history, an architectural element was chosen, one which, in addition to favoring the idea of ‘entrance’ to the exhibit also permitted a view both of the urban and the natural setting, the sky, the mountains, an environment typical of the area in which the city itself rises." [1] The project series contains a sketch and a spiral bound volume with correspondence between Pettena and Pierre Bal Blanc, curator of the exhibitions, and proposals for the installation. The project series also contains photographs of the installation, including printouts. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-revised-architecture-2014/ (last accessed 27 January 2020)
Architettura "Correta" ["Revised" Architecture] (2014)
Actions:
AP207.S1.2014.PR01
Description:
The project series documents the installation "Architettura "Correta"" designed by Pettena for the exhibition "Soleil Politique" at the Museion in Bolzano, in 2014. The project was a design for a new museum entrance. The installation was made of three glass walls on which were drawn facade details of three historical buildings of the city. The central glass wall represents the entrance from the Piacentini square in Bolzano, with, at its left, a ‘serlian’ arch, and, at its right, a detail of the portico of a ‘Piazza d’Italia’ by Giorgio de Chirico. The idea was to "connect the museum to the city’s history, an architectural element was chosen, one which, in addition to favoring the idea of ‘entrance’ to the exhibit also permitted a view both of the urban and the natural setting, the sky, the mountains, an environment typical of the area in which the city itself rises." [1] The project series contains a sketch and a spiral bound volume with correspondence between Pettena and Pierre Bal Blanc, curator of the exhibitions, and proposals for the installation. The project series also contains photographs of the installation, including printouts. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-revised-architecture-2014/ (last accessed 27 January 2020)
Niveau de description archivistique:
Project
Project
Date:
2014-2015
2014-2015
Personnes et institutions:
