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Martin Mostböck works across design, material and craft. "The state of things" reveals how furniture, objects and houses emerge from production, testing and experimentation. On display are chairs, tables, lamps as well as residential houses and pavilions — works that make his distinctive material language and hands-on, craft-based approach, tangible. As an architect and(...)
Martin Mostböck: Setting things up (Der Stand der Dinge)
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Martin Mostböck works across design, material and craft. "The state of things" reveals how furniture, objects and houses emerge from production, testing and experimentation. On display are chairs, tables, lamps as well as residential houses and pavilions — works that make his distinctive material language and hands-on, craft-based approach, tangible. As an architect and designer, he develops ideas into objects: knife, saw and prototype in hand, he tests and shapes his designs, making decisions through an immediate dialogue between material and production. Balancing functional clarity with playful form, the works tell stories, shift scales and open new perspectives on space, material and everyday life. The exhibition at Aedes presents a multifaceted view of a practice that melds together processes from architecture to design through its craftsmanship.
Architecture, monographies
Les chants de l'Asphodèle
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Pour aborder la crise migratoire contemporaine en échappant à l’iconographie sensationnelle dont les médias débordent, le photographe Mathias Benguigui a choisi la voie de l’histoire, celle de l’île de Lesbos où se côtoient deux récits de migrations : l’actuelle, dans tous les esprits, et celle qui a vu arriver sur l’île 45 000 Grecs orthodoxes fuyant la Turquie d’Atatürk(...)
Les chants de l'Asphodèle
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Pour aborder la crise migratoire contemporaine en échappant à l’iconographie sensationnelle dont les médias débordent, le photographe Mathias Benguigui a choisi la voie de l’histoire, celle de l’île de Lesbos où se côtoient deux récits de migrations : l’actuelle, dans tous les esprits, et celle qui a vu arriver sur l’île 45 000 Grecs orthodoxes fuyant la Turquie d’Atatürk en 1922. 'Les Chants de l'Asphodèle' – lieu mythologique où les âmes n’ayant commis ni crimes ni action vertueuse patientent éternellement – puise dans ces deux strates historiques. En rompant avec l’actualité, le photographe ouvre un espace poétique où se mêlent paysages et portraits en dialogue avec les textes d’Agathe Kalfas et ceux de poètes grecs du XXe siècle, et nous invitent dans l’épaisseur du quotidien de l’île.
Monographies photo
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Les objets qui nous entourent, depuis le simple nid d'une hirondelle jusqu'à la halle d'un marché couvert, ne cessent de nous interroger sur les liens étroits et parfois mystérieux qui unissent formes, forces et matières. Mais la science des structures, indispensable à l'architecte qui les dessine tout comme à l'amateur qui cherche à les comprendre, peut s'avérer d'un(...)
Faire tenir : structure et architecture
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Les objets qui nous entourent, depuis le simple nid d'une hirondelle jusqu'à la halle d'un marché couvert, ne cessent de nous interroger sur les liens étroits et parfois mystérieux qui unissent formes, forces et matières. Mais la science des structures, indispensable à l'architecte qui les dessine tout comme à l'amateur qui cherche à les comprendre, peut s'avérer d'un abord intimidant. Ne requérant aucune connaissance préalable (outre les quatre opérations mathématiques de base), l'ouvrage de l'ingénieur et l'architecte Marc Leyral vise à instruire tout lecteur sur les principes simples qui sous-tendent les structures les plus complexes. Guidé par une volonté didactique affichée, l'ouvrage prend forme d'un dialogue socratique entre un jeune élève et son maître qui l'introduit pas à pas aux notions fondamentales de l'art de bâtir.
Structures d’ingénierie
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When architecture and fashion meet in the creation of ephemeral spaces for the immediate presentation of new collections, for example, these temporary but real spaces are brought into the realm of the everlasting digital space as they are shared and re-shared on platforms like Instagram. Fashion spaces can best be defined, then, as co-created, ever changing and prevailing(...)
février 2021
Fashion spaces: a theoretical view
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When architecture and fashion meet in the creation of ephemeral spaces for the immediate presentation of new collections, for example, these temporary but real spaces are brought into the realm of the everlasting digital space as they are shared and re-shared on platforms like Instagram. Fashion spaces can best be defined, then, as co-created, ever changing and prevailing metaspaces where the dialogue amongst designers, consumers and industry leaders continues well after the real space has vanished. Can these fashion spaces have a bigger impact on consumers than real-time experience of space? How may the dialogues developing within and as result of fashion spaces influence physical retail design? Can designers use fashion spaces as sites for new cultural production?
Beginning with the Seventies
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Looking at the relationship between art, archives and activism, this publication begins with the 1970s, an era when social movements – feminism, environmentalism, LGBTQ2SIA+ rights, Indigenous rights, access to health services and housing – began to coalesce into models of self-organization that overlapped with the production of art and culture. Noting the resurgence of(...)
Beginning with the Seventies
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Looking at the relationship between art, archives and activism, this publication begins with the 1970s, an era when social movements – feminism, environmentalism, LGBTQ2SIA+ rights, Indigenous rights, access to health services and housing – began to coalesce into models of self-organization that overlapped with the production of art and culture. Noting the resurgence of art practice involved with social activism and an increasing interest in the 1970s from younger producers, the Belkin connected with diverse archives and activist networks to bring forward these histories, to commission new works of art and writing and to provide a space for discussion and debate. This book brings contemporary art practices into active dialogue with the past, interweaving archive with artwork, poetry, prose and critical investigation.
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A rare document of the 1960s Black Arts Movement, “The Cricket” fostered critical and political dialogue for Black musicians and writers. Edited by poets and writers Amiri Baraka, A.B. Spellman, and Larry Neal between 1968 and 1969 and published by Baraka’s New Jersey–based Jihad productions shortly after the time of the Newark Riots, this experimental music magazine ran(...)
The Cricket: Black music in evolution, 1968-69
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A rare document of the 1960s Black Arts Movement, “The Cricket” fostered critical and political dialogue for Black musicians and writers. Edited by poets and writers Amiri Baraka, A.B. Spellman, and Larry Neal between 1968 and 1969 and published by Baraka’s New Jersey–based Jihad productions shortly after the time of the Newark Riots, this experimental music magazine ran poetry, position papers, and gossip alongside concert and record reviews and essays on music and politics. Over four mimeographed issues, “The Cricket” laid out an anticommercial ideology and took aim at the conservative jazz press, providing a space for critics, poets, and journalists, and a range of musicians to devise new styles of music writing. This publication gathers all issues of the magazine.
Acoustique
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Alchimie moderne est née de la rencontre entre Viviane Sassen et Emanuele Coccia. Ces deux figures majeures de la photographie et de la philosophie tissent ensemble un dialogue constitué de mots et d’images, enraciné dans le territoire champenois, et ancré dans les inspirations d’art et de nature de la Maison Perrier-Jouët. Dans cet ouvrage, une série de 80(...)
Emanuele Coccia & Viviane Sassen : Alchimie moderne
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Alchimie moderne est née de la rencontre entre Viviane Sassen et Emanuele Coccia. Ces deux figures majeures de la photographie et de la philosophie tissent ensemble un dialogue constitué de mots et d’images, enraciné dans le territoire champenois, et ancré dans les inspirations d’art et de nature de la Maison Perrier-Jouët. Dans cet ouvrage, une série de 80 photographies et un essai se croisent et s’unissent pour offrir un émerveillement neuf sur la puissance créatrice de la matière au sein du vivant. Les photographies et les mots, l’histoire de la Terre et l’histoire de la création, l’esprit et la matière, se mêlent, se confondent, se superposent et produisent un art infini pouvant prendre mille formes, une alchimie moderne qui bouleverse le regard et l’esprit.
Monographies photo
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This publication is the brainchild of Viviane Sassen and Emanuele Coccia. The photographer and the philosopher—both leading figures in their fields—weaved together images and words, engaging in a fruitful dialogue deeply rooted in the Champagne terroir and the inspiring relationship Maison Perrier-Jouët entertains with art and nature. A series of 80 photographs and an(...)
Viviane Sassen & Emanuele Coccia: Modern Alchemy
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This publication is the brainchild of Viviane Sassen and Emanuele Coccia. The photographer and the philosopher—both leading figures in their fields—weaved together images and words, engaging in a fruitful dialogue deeply rooted in the Champagne terroir and the inspiring relationship Maison Perrier-Jouët entertains with art and nature. A series of 80 photographs and an essay intersect and collide, creating a space where the creativity of matter throughout all living things can be marveled at anew. Pictures mix and match with ideas, the history of planet Earth encounters that of artistic creation, and matter joins hands with the mind—producing an infinitely manifold work of art and establishing a modern alchemy where both vision and thought can be upended and renewed.
Monographies photo
Scales Naoya Hatakeyama
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What if someone looked at an actual building and said, “That model is very large”? Scales is the result of a commission by the Canadian Centre for Architecture (CCA), Montréal, given to Naoya Hatakeyama to create a work in response to photographs of architectural models in the Collection. The commission was issued in the context of the Tangent project curated for the CCA(...)
Scales Naoya Hatakeyama
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What if someone looked at an actual building and said, “That model is very large”? Scales is the result of a commission by the Canadian Centre for Architecture (CCA), Montréal, given to Naoya Hatakeyama to create a work in response to photographs of architectural models in the Collection. The commission was issued in the context of the Tangent project curated for the CCA by Hubertus von Amelunxen. Tangent is a project constructed to bring contemporary artists into dialogue with the CCA's extraordinary collection. As described by von Amelunxen, the camera's eye, once it is trained on an architectural subject, acts as a tangent that touches a volume, a tangent that in turn undergoes a new tangential translation as it meets the gaze of a contemporary artist.
Publications du CCA
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In the summer of 2003, Thomas Joshua Cooper traveled to Shoshone Falls in southern Idaho to photograph where the Snake River had tumbled across a 212-foot precipice, once one of the most sublime landscapes in the American West. Cooper's images were a response to the work of Timothy H. O'Sullivan, photographer on the late-nineteenth-century geologic and geographic surveys(...)
Thomas Joshua Cooper & Timothy O'Sullivan: Shoshone Falls
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In the summer of 2003, Thomas Joshua Cooper traveled to Shoshone Falls in southern Idaho to photograph where the Snake River had tumbled across a 212-foot precipice, once one of the most sublime landscapes in the American West. Cooper's images were a response to the work of Timothy H. O'Sullivan, photographer on the late-nineteenth-century geologic and geographic surveys led by Clarence King and George M. Wheeler. Traveling to Shoshone Falls in 1868, and again in 1874, O'Sullivan made images that capture both the physical grandeur and emotional resonance of this unique landscape. Cooper's photographs simultaneously engage the work of his predecessor while expanding his own formal vocabulary in a project that generates a dialogue around history, geography and photographic process.
Monographies photo