1540 Résultats
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In 1986 a new Barcelona Pavilion was completed on the site of the original 1929 German Pavilion in Barcelona. That same year marked the 150th anniversary of photography and the centenary of Mies van der Rohe (1886-1969). Since then, much has been written about all three, jointly and singly. Whilst the literature on Mies van der Rohe has more than doubled in the past(...)
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In 1986 a new Barcelona Pavilion was completed on the site of the original 1929 German Pavilion in Barcelona. That same year marked the 150th anniversary of photography and the centenary of Mies van der Rohe (1886-1969). Since then, much has been written about all three, jointly and singly. Whilst the literature on Mies van der Rohe has more than doubled in the past(...)
Titre:
Building desire : on the Barcelona pavilion
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In 1986 a new Barcelona Pavilion was completed on the site of the original 1929 German Pavilion in Barcelona. That same year marked the 150th anniversary of photography and the centenary of Mies van der Rohe (1886-1969). Since then, much has been written about all three, jointly and singly. Whilst the literature on Mies van der Rohe has more than doubled in the past fifteen years, no scholar has yet to seriously study, at any length, the unique phenomenon that was, is and will continue to be the Barcelona Pavilion. "Building desire" focuses on the pavilion's image of an enduring myth of modernity.
Building desire : on the Barcelona pavilion
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In 1986 a new Barcelona Pavilion was completed on the site of the original 1929 German Pavilion in Barcelona. That same year marked the 150th anniversary of photography and the centenary of Mies van der Rohe (1886-1969). Since then, much has been written about all three, jointly and singly. Whilst the literature on Mies van der Rohe has more than doubled in the past fifteen years, no scholar has yet to seriously study, at any length, the unique phenomenon that was, is and will continue to be the Barcelona Pavilion. "Building desire" focuses on the pavilion's image of an enduring myth of modernity.
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livres
livres
Publication:
janvier 2005, London, New York
janvier 2005, London, New York
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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After September 11, Smith asserts, late modern architecture suddenly seemed an indulgence. With close readings of key buildings - including Jørn Utzon’s Sydney Opera House, Minoru Yamasaki’s World Trade Center, Frank Gehry’s Guggenheim Museum Bilbao, and Richard Meier’s Getty Center - Smith traces the growth of the architecture of modernity and then charts its aftermath(...)
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After September 11, Smith asserts, late modern architecture suddenly seemed an indulgence. With close readings of key buildings - including Jørn Utzon’s Sydney Opera House, Minoru Yamasaki’s World Trade Center, Frank Gehry’s Guggenheim Museum Bilbao, and Richard Meier’s Getty Center - Smith traces the growth of the architecture of modernity and then charts its aftermath(...)
Titre:
The architecture of aftermath
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After September 11, Smith asserts, late modern architecture suddenly seemed an indulgence. With close readings of key buildings - including Jørn Utzon’s Sydney Opera House, Minoru Yamasaki’s World Trade Center, Frank Gehry’s Guggenheim Museum Bilbao, and Richard Meier’s Getty Center - Smith traces the growth of the architecture of modernity and then charts its aftermath in the conditions of contemporaneity. Smith focuses on the very culture of aftermath itself, exploring how global politics, clashing cultures, and symbolic warfare have changed the way we experience destination architecture. Like other artists everywhere, architects are responding to the idea of aftermath by questioning the viability of their forms and the validity of their purposes.
The architecture of aftermath
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After September 11, Smith asserts, late modern architecture suddenly seemed an indulgence. With close readings of key buildings - including Jørn Utzon’s Sydney Opera House, Minoru Yamasaki’s World Trade Center, Frank Gehry’s Guggenheim Museum Bilbao, and Richard Meier’s Getty Center - Smith traces the growth of the architecture of modernity and then charts its aftermath in the conditions of contemporaneity. Smith focuses on the very culture of aftermath itself, exploring how global politics, clashing cultures, and symbolic warfare have changed the way we experience destination architecture. Like other artists everywhere, architects are responding to the idea of aftermath by questioning the viability of their forms and the validity of their purposes.
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livres
livres
Publication:
janvier 2006, Chicago
janvier 2006, Chicago
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
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This slim “edition architese” volume (the fourth in the series) offers unprecedented access to one of the world’s preeminent architects: Valerio Olgiati, the award-winning Swiss designer and professor at the architecture academy in Mendriso. In an engrossing interview, Olgiati discusses the social responsibility of the architect, the difference between earlier and modern(...)
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This slim “edition architese” volume (the fourth in the series) offers unprecedented access to one of the world’s preeminent architects: Valerio Olgiati, the award-winning Swiss designer and professor at the architecture academy in Mendriso. In an engrossing interview, Olgiati discusses the social responsibility of the architect, the difference between earlier and modern(...)
Titre:
The significance of the idea in the architecture of Valerio Olgiati
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This slim “edition architese” volume (the fourth in the series) offers unprecedented access to one of the world’s preeminent architects: Valerio Olgiati, the award-winning Swiss designer and professor at the architecture academy in Mendriso. In an engrossing interview, Olgiati discusses the social responsibility of the architect, the difference between earlier and modern generations of architects, the influence of post-modernity, and the difficulties that confront an architect as a design is built. Accented with details from some of his most notable works, the book provides a definitive overview of Olgiati’s approach to the “organic unity” of his “unrelentingly precise” architectural style. Architectural historian Markus Breitschmid adds a perceptive essay.
The significance of the idea in the architecture of Valerio Olgiati
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This slim “edition architese” volume (the fourth in the series) offers unprecedented access to one of the world’s preeminent architects: Valerio Olgiati, the award-winning Swiss designer and professor at the architecture academy in Mendriso. In an engrossing interview, Olgiati discusses the social responsibility of the architect, the difference between earlier and modern generations of architects, the influence of post-modernity, and the difficulties that confront an architect as a design is built. Accented with details from some of his most notable works, the book provides a definitive overview of Olgiati’s approach to the “organic unity” of his “unrelentingly precise” architectural style. Architectural historian Markus Breitschmid adds a perceptive essay.
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livres
livres
Publication:
mars 2009
mars 2009
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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$55.00
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In this fascinating and unique book, Alexandru Balasescu explores questions of Islamic dress, modernity and public space in Paris and Tehran. How are we to understand the exclusion of the Islamic dress from public space in France if, at the same time, trendy French women and wealthy Middle Eastern tourists shop for designer-label hijab, apparently accepting its conversion(...)
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In this fascinating and unique book, Alexandru Balasescu explores questions of Islamic dress, modernity and public space in Paris and Tehran. How are we to understand the exclusion of the Islamic dress from public space in France if, at the same time, trendy French women and wealthy Middle Eastern tourists shop for designer-label hijab, apparently accepting its conversion(...)
Publication:
janvier 2007, Bucharest
janvier 2007, Bucharest
Titre:
Paris chic, Teheran thrills : aesthetic bodies, political subjects
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In this fascinating and unique book, Alexandru Balasescu explores questions of Islamic dress, modernity and public space in Paris and Tehran. How are we to understand the exclusion of the Islamic dress from public space in France if, at the same time, trendy French women and wealthy Middle Eastern tourists shop for designer-label hijab, apparently accepting its conversion into a (depoliticited, deracinated) commodity? And how are we to understand the creation of "designer label" Islamic dress, when fashionable women recast the meanings and practices associated with veiling, understood by Western observers to be the mark of their subordination to a religious regime, into couture?
Paris chic, Teheran thrills : aesthetic bodies, political subjects
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In this fascinating and unique book, Alexandru Balasescu explores questions of Islamic dress, modernity and public space in Paris and Tehran. How are we to understand the exclusion of the Islamic dress from public space in France if, at the same time, trendy French women and wealthy Middle Eastern tourists shop for designer-label hijab, apparently accepting its conversion into a (depoliticited, deracinated) commodity? And how are we to understand the creation of "designer label" Islamic dress, when fashionable women recast the meanings and practices associated with veiling, understood by Western observers to be the mark of their subordination to a religious regime, into couture?
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livres
livres
Publication:
janvier 2007, Bucharest
janvier 2007, Bucharest
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livres
livres
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Cairo's Plaster Casts
Cairo's Plaster Casts
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Artisanal production in Cairo takes place in open-air workshops and directly on the street. Stucco producers in the city are grouped into clusters where interior walls and facades are covered with patterns and serve as a catalogue of ornaments. The result is often chaotic and grotesque. Decorative styles of the Belle Époque are deconstructed and reassembled as a spatial(...)
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Artisanal production in Cairo takes place in open-air workshops and directly on the street. Stucco producers in the city are grouped into clusters where interior walls and facades are covered with patterns and serve as a catalogue of ornaments. The result is often chaotic and grotesque. Decorative styles of the Belle Époque are deconstructed and reassembled as a spatial(...)
Titre:
Cairo's Plaster Casts
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Artisanal production in Cairo takes place in open-air workshops and directly on the street. Stucco producers in the city are grouped into clusters where interior walls and facades are covered with patterns and serve as a catalogue of ornaments. The result is often chaotic and grotesque. Decorative styles of the Belle Époque are deconstructed and reassembled as a spatial collage, while symbols from pop culture are juxtaposed with historical forms. In his photos, Luc Merx reveals these unique aesthetics and diverse references to building practice and art history. The plaster casts reflect Egypt’s contradictory relationship to its colonial past, to modernity, and to the country’s own identity.
Cairo's Plaster Casts
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Artisanal production in Cairo takes place in open-air workshops and directly on the street. Stucco producers in the city are grouped into clusters where interior walls and facades are covered with patterns and serve as a catalogue of ornaments. The result is often chaotic and grotesque. Decorative styles of the Belle Époque are deconstructed and reassembled as a spatial collage, while symbols from pop culture are juxtaposed with historical forms. In his photos, Luc Merx reveals these unique aesthetics and diverse references to building practice and art history. The plaster casts reflect Egypt’s contradictory relationship to its colonial past, to modernity, and to the country’s own identity.
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livres
livres
Publication:
juin 2025
juin 2025
Sujet:
Monographies photo
Monographies photo
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livres
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Berenice Abbot (1898–1991) is best known for her work in the fields of architecture, portraiture, and science. She first learned photography in Paris, as an assistant to Man Ray. It was at his studio where she also encountered work by Eugène Atget (1857–1927), who in turn played an influential role in her practice. Abbot was committed to modernity and capturing the poetry(...)
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Berenice Abbot (1898–1991) is best known for her work in the fields of architecture, portraiture, and science. She first learned photography in Paris, as an assistant to Man Ray. It was at his studio where she also encountered work by Eugène Atget (1857–1927), who in turn played an influential role in her practice. Abbot was committed to modernity and capturing the poetry(...)
Titre:
Berenice Abbott: selected writings
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Berenice Abbot (1898–1991) is best known for her work in the fields of architecture, portraiture, and science. She first learned photography in Paris, as an assistant to Man Ray. It was at his studio where she also encountered work by Eugène Atget (1857–1927), who in turn played an influential role in her practice. Abbot was committed to modernity and capturing the poetry of the moment, whether through inventing new techniques for taking pictures of physics experiments or shooting the streets of New York. This book casts a fascinating look back at her writings, combining precise instructions and theoretical content in texts aimed towards either professionals or amateurs.
Berenice Abbott: selected writings
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Berenice Abbot (1898–1991) is best known for her work in the fields of architecture, portraiture, and science. She first learned photography in Paris, as an assistant to Man Ray. It was at his studio where she also encountered work by Eugène Atget (1857–1927), who in turn played an influential role in her practice. Abbot was committed to modernity and capturing the poetry of the moment, whether through inventing new techniques for taking pictures of physics experiments or shooting the streets of New York. This book casts a fascinating look back at her writings, combining precise instructions and theoretical content in texts aimed towards either professionals or amateurs.
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livres
livres
Publication:
mai 2020
mai 2020
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
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$66.00
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In The Moderns, we meet the men and women who invented and shaped Midcentury Modern graphic design in America. The book is made up of generously illustrated profiles, many based on interviews, of more than 60 designers whose magazine, book, and record covers; advertisements and package designs; posters; and other projects created the visual aesthetics of postwar(...)
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In The Moderns, we meet the men and women who invented and shaped Midcentury Modern graphic design in America. The book is made up of generously illustrated profiles, many based on interviews, of more than 60 designers whose magazine, book, and record covers; advertisements and package designs; posters; and other projects created the visual aesthetics of postwar(...)
Publication:
octobre 2017
octobre 2017
Titre:
The moderns: midcentury American graphic design
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In The Moderns, we meet the men and women who invented and shaped Midcentury Modern graphic design in America. The book is made up of generously illustrated profiles, many based on interviews, of more than 60 designers whose magazine, book, and record covers; advertisements and package designs; posters; and other projects created the visual aesthetics of postwar modernity. Some were émigrés from Europe; others were homegrown—all were intoxicated by elemental typography, primary colors, photography, and geometric or biomorphic forms. Some are well-known, others are honored in this volume for the first time, and together they comprised a movement that changed our design world.
The moderns: midcentury American graphic design
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In The Moderns, we meet the men and women who invented and shaped Midcentury Modern graphic design in America. The book is made up of generously illustrated profiles, many based on interviews, of more than 60 designers whose magazine, book, and record covers; advertisements and package designs; posters; and other projects created the visual aesthetics of postwar modernity. Some were émigrés from Europe; others were homegrown—all were intoxicated by elemental typography, primary colors, photography, and geometric or biomorphic forms. Some are well-known, others are honored in this volume for the first time, and together they comprised a movement that changed our design world.
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livres
livres
Publication:
octobre 2017
octobre 2017
Classification:
livres
livres
Titre:
Carlo Mollino: Giappone 1970
Carlo Mollino: Giappone 1970
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In May 1970, Carlo Mollino arrived in Osaka for the Universal Exposition. It was a long journey, with stop-offs in Bangkok, Hong Kong, Tokyo and Kyoto. He had a camera with him and, little by little, he grew to love a civilisation which he then scarcely knew. He was fascinated by the women, the traditional places (temples, gardens and pagodas), but also by the new(...)
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In May 1970, Carlo Mollino arrived in Osaka for the Universal Exposition. It was a long journey, with stop-offs in Bangkok, Hong Kong, Tokyo and Kyoto. He had a camera with him and, little by little, he grew to love a civilisation which he then scarcely knew. He was fascinated by the women, the traditional places (temples, gardens and pagodas), but also by the new(...)
Titre:
Carlo Mollino: Giappone 1970
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In May 1970, Carlo Mollino arrived in Osaka for the Universal Exposition. It was a long journey, with stop-offs in Bangkok, Hong Kong, Tokyo and Kyoto. He had a camera with him and, little by little, he grew to love a civilisation which he then scarcely knew. He was fascinated by the women, the traditional places (temples, gardens and pagodas), but also by the new architecture, the details in the constructions and the swarming crowds. Mollino captures a Japan suspended between ancient rituals and modernity, which over the years to come was to change the face of the country, a change of which the Expo was a mere foretaste.
Carlo Mollino: Giappone 1970
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In May 1970, Carlo Mollino arrived in Osaka for the Universal Exposition. It was a long journey, with stop-offs in Bangkok, Hong Kong, Tokyo and Kyoto. He had a camera with him and, little by little, he grew to love a civilisation which he then scarcely knew. He was fascinated by the women, the traditional places (temples, gardens and pagodas), but also by the new architecture, the details in the constructions and the swarming crowds. Mollino captures a Japan suspended between ancient rituals and modernity, which over the years to come was to change the face of the country, a change of which the Expo was a mere foretaste.
Classification:
livres
livres
Publication:
mai 2016
mai 2016
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
The society of the spectacle
The society of the spectacle
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$23.95
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Translated by Donald Nicholson-Smith. Few works of political and cultural theory have been as enduringly provocative as Guy Debord's "The society of the spectacle". From its publication amid the social upheavals of the 1960s up to the present, the volatile theses of this book have decisively transformed debates on the shape of modernity, capitalism and everyday life in(...)
$23.95
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Translated by Donald Nicholson-Smith. Few works of political and cultural theory have been as enduringly provocative as Guy Debord's "The society of the spectacle". From its publication amid the social upheavals of the 1960s up to the present, the volatile theses of this book have decisively transformed debates on the shape of modernity, capitalism and everyday life in(...)
Titre:
The society of the spectacle
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$23.95
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Translated by Donald Nicholson-Smith. Few works of political and cultural theory have been as enduringly provocative as Guy Debord's "The society of the spectacle". From its publication amid the social upheavals of the 1960s up to the present, the volatile theses of this book have decisively transformed debates on the shape of modernity, capitalism and everyday life in the late twentieth century. Now finally available in a superb English translation approved by the author, Debord's text remains as crucial as ever for understanding the contemporary effects of power, which are increasingly inseparable from the new virtual worlds of our rapidly changing image/information culture.
The society of the spectacle
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$23.95
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Translated by Donald Nicholson-Smith. Few works of political and cultural theory have been as enduringly provocative as Guy Debord's "The society of the spectacle". From its publication amid the social upheavals of the 1960s up to the present, the volatile theses of this book have decisively transformed debates on the shape of modernity, capitalism and everyday life in the late twentieth century. Now finally available in a superb English translation approved by the author, Debord's text remains as crucial as ever for understanding the contemporary effects of power, which are increasingly inseparable from the new virtual worlds of our rapidly changing image/information culture.
Classification:
livres
livres
Publication:
novembre 1995, New York
novembre 1995, New York
Classification:
livres
livres
Titre:
Modernidad tropical
Modernidad tropical
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From the nineteen-twenties on, Latin America became a suitable terrain in which to apply the ideal embodied by the Modern Movement. This period is approached in the works of the Venezuelan artist Alexander Apostol by exploring the remnants of that ideal of modernity from a critical standpoint. Through the texts by the architect Juan Herreros and the art critics and(...)
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From the nineteen-twenties on, Latin America became a suitable terrain in which to apply the ideal embodied by the Modern Movement. This period is approached in the works of the Venezuelan artist Alexander Apostol by exploring the remnants of that ideal of modernity from a critical standpoint. Through the texts by the architect Juan Herreros and the art critics and(...)
Titre:
Modernidad tropical
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$39.95
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From the nineteen-twenties on, Latin America became a suitable terrain in which to apply the ideal embodied by the Modern Movement. This period is approached in the works of the Venezuelan artist Alexander Apostol by exploring the remnants of that ideal of modernity from a critical standpoint. Through the texts by the architect Juan Herreros and the art critics and curators Julieta Gonzalez and Cuauhtemoc Medina, various aspects of his oeuvre are analyzed alongside the context in which it arose. Whether from the perspective of architecture, art history or a political analysis of contemporary Venezuela, each author contributes to a comprehensive study of Alexander Apostol's production.
Modernidad tropical
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From the nineteen-twenties on, Latin America became a suitable terrain in which to apply the ideal embodied by the Modern Movement. This period is approached in the works of the Venezuelan artist Alexander Apostol by exploring the remnants of that ideal of modernity from a critical standpoint. Through the texts by the architect Juan Herreros and the art critics and curators Julieta Gonzalez and Cuauhtemoc Medina, various aspects of his oeuvre are analyzed alongside the context in which it arose. Whether from the perspective of architecture, art history or a political analysis of contemporary Venezuela, each author contributes to a comprehensive study of Alexander Apostol's production.
Classification:
livres
livres
Publication:
novembre 2010
novembre 2010
Sujet:
Modernisme
Modernisme
