43395 Résultats
Classification:
né numérique
né numérique
Numéro de référence:
AP167.S2.002
Description:
This directory contains approximately 700 photographs documenting ONL's work on the construction and installation of their exhibit at the Centre George Pompidou. This includes both the Muscle and the 3D models of the A2 Cockpit and Soundbarrier. The photographs are particularly strong in illustrating construction methods and materials. Original directory name: "2.3 DCIM". Most common file formats: Exchangeable Image File Format (Compressed), JPEG File Interchange Format, MPEG-1 Program Stream, Adobe Photoshop, Graphics Interchange Format.
AP167.S2.002
Description:
This directory contains approximately 700 photographs documenting ONL's work on the construction and installation of their exhibit at the Centre George Pompidou. This includes both the Muscle and the 3D models of the A2 Cockpit and Soundbarrier. The photographs are particularly strong in illustrating construction methods and materials. Original directory name: "2.3 DCIM". Most common file formats: Exchangeable Image File Format (Compressed), JPEG File Interchange Format, MPEG-1 Program Stream, Adobe Photoshop, Graphics Interchange Format.
Personnes et institutions:
Date:
3 July 2003 - 20 February 2013
3 July 2003 - 20 February 2013
Titre:
Photographs of the NSA Muscle and 3D models of the A2 Cockpit and Soundbarrier
Actions:
AP167.S2.002
Description:
This directory contains approximately 700 photographs documenting ONL's work on the construction and installation of their exhibit at the Centre George Pompidou. This includes both the Muscle and the 3D models of the A2 Cockpit and Soundbarrier. The photographs are particularly strong in illustrating construction methods and materials. Original directory name: "2.3 DCIM". Most common file formats: Exchangeable Image File Format (Compressed), JPEG File Interchange Format, MPEG-1 Program Stream, Adobe Photoshop, Graphics Interchange Format.
Photographs of the NSA Muscle and 3D models of the A2 Cockpit and Soundbarrier
Actions:
AP167.S2.002
Description:
This directory contains approximately 700 photographs documenting ONL's work on the construction and installation of their exhibit at the Centre George Pompidou. This includes both the Muscle and the 3D models of the A2 Cockpit and Soundbarrier. The photographs are particularly strong in illustrating construction methods and materials. Original directory name: "2.3 DCIM". Most common file formats: Exchangeable Image File Format (Compressed), JPEG File Interchange Format, MPEG-1 Program Stream, Adobe Photoshop, Graphics Interchange Format.
Classification:
né numérique
né numérique
Date:
3 July 2003 - 20 February 2013
3 July 2003 - 20 February 2013
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
DR2012:0012:106:007
Description:
File containing documents in English, including correspondence, invoices, notes, and art consignment lists related to the transport of five pieces of work to the William Turner Gallery, including: - In flight series ... French paratroopers, Zaire, 1994; - Trees ... via dell'Arancera, Borghese gardens, November 2000, no. 6; - Trees ... Parc de Sceaux, France, May 2001/1; - Trees ... Parc de Sceaux, France, May 2001/2; - Tree ... North Rustico, P.E.I. Original folder inscribed in graphite: TURNER GALLERY, LOS ANGELES
DR2012:0012:106:007
Description:
File containing documents in English, including correspondence, invoices, notes, and art consignment lists related to the transport of five pieces of work to the William Turner Gallery, including: - In flight series ... French paratroopers, Zaire, 1994; - Trees ... via dell'Arancera, Borghese gardens, November 2000, no. 6; - Trees ... Parc de Sceaux, France, May 2001/1; - Trees ... Parc de Sceaux, France, May 2001/2; - Tree ... North Rustico, P.E.I. Original folder inscribed in graphite: TURNER GALLERY, LOS ANGELES
Personnes et institutions:
Date:
2009
2009
Titre:
Correspondence, invoices, notes and consignement lists related to artworks transportation
Actions:
DR2012:0012:106:007
Description:
File containing documents in English, including correspondence, invoices, notes, and art consignment lists related to the transport of five pieces of work to the William Turner Gallery, including: - In flight series ... French paratroopers, Zaire, 1994; - Trees ... via dell'Arancera, Borghese gardens, November 2000, no. 6; - Trees ... Parc de Sceaux, France, May 2001/1; - Trees ... Parc de Sceaux, France, May 2001/2; - Tree ... North Rustico, P.E.I. Original folder inscribed in graphite: TURNER GALLERY, LOS ANGELES
Correspondence, invoices, notes and consignement lists related to artworks transportation
Actions:
DR2012:0012:106:007
Description:
File containing documents in English, including correspondence, invoices, notes, and art consignment lists related to the transport of five pieces of work to the William Turner Gallery, including: - In flight series ... French paratroopers, Zaire, 1994; - Trees ... via dell'Arancera, Borghese gardens, November 2000, no. 6; - Trees ... Parc de Sceaux, France, May 2001/1; - Trees ... Parc de Sceaux, France, May 2001/2; - Tree ... North Rustico, P.E.I. Original folder inscribed in graphite: TURNER GALLERY, LOS ANGELES
Classification:
documents textuels
documents textuels
Date:
2009
2009
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1993:0213
Description:
- This photograph shows Vladimir Tatlin (1885-1953) with three assistants from the "creative collective" which was organized so that he could continue work on the Monument to the Third International design while the model was being constructed (the model was completed for the third anniversary of the October Revolution, 7 November 1920). The assistants are (left to right): Sofia Isaakovna Dymshits-Tolstaia (1888-1963), [Tatlin], Tevel' Markovich Shapiro (1898-1984 or later), and Iosif Aizikovich Meerzon (1900-1941).
PH1993:0213
Description:
- This photograph shows Vladimir Tatlin (1885-1953) with three assistants from the "creative collective" which was organized so that he could continue work on the Monument to the Third International design while the model was being constructed (the model was completed for the third anniversary of the October Revolution, 7 November 1920). The assistants are (left to right): Sofia Isaakovna Dymshits-Tolstaia (1888-1963), [Tatlin], Tevel' Markovich Shapiro (1898-1984 or later), and Iosif Aizikovich Meerzon (1900-1941).
Personnes et institutions:
Sujet:
architecture, portrait
architecture, portrait
Date:
between March and 7 November 1920
between March and 7 November 1920
Titre:
Vladimir Tatlin and his assistants S. Dymshits-Tolstaia, T.M. Shapiro and I.A. Meerzon constructing the first model for the monument to the Third International, Petrograd (now Saint Petersburg)
Actions:
PH1993:0213
Description:
- This photograph shows Vladimir Tatlin (1885-1953) with three assistants from the "creative collective" which was organized so that he could continue work on the Monument to the Third International design while the model was being constructed (the model was completed for the third anniversary of the October Revolution, 7 November 1920). The assistants are (left to right): Sofia Isaakovna Dymshits-Tolstaia (1888-1963), [Tatlin], Tevel' Markovich Shapiro (1898-1984 or later), and Iosif Aizikovich Meerzon (1900-1941).
Vladimir Tatlin and his assistants S. Dymshits-Tolstaia, T.M. Shapiro and I.A. Meerzon constructing the first model for the monument to the Third International, Petrograd (now Saint Petersburg)
Actions:
PH1993:0213
Description:
- This photograph shows Vladimir Tatlin (1885-1953) with three assistants from the "creative collective" which was organized so that he could continue work on the Monument to the Third International design while the model was being constructed (the model was completed for the third anniversary of the October Revolution, 7 November 1920). The assistants are (left to right): Sofia Isaakovna Dymshits-Tolstaia (1888-1963), [Tatlin], Tevel' Markovich Shapiro (1898-1984 or later), and Iosif Aizikovich Meerzon (1900-1941).
Classification:
photographies
photographies
Date:
between March and 7 November 1920
between March and 7 November 1920
Personnes et institutions:
Sujet:
architecture, portrait
architecture, portrait
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.2004.D2
Description:
The project series documents the competition entry for the library and botanical garden for the University of Alcalá de Henares, Spain. The firm identified the project as number 180. As described by the architects, the project “[…] concentrates on building two heads, different from each other, Library and Dining hall, shortening the fronts of the central building which are without interest and evidently expensive to undertake a functional and economic work. The project is therefore converted into a basic restoration of the old hangars and the construction of two new low cost buildings which also can be constructed when necessary or depending on economic availability” (ARCH270975). Documenting the project are models, conceptual, design development and presentation drawings, textual records and photographic materials.
AP164.S1.2004.D2
Description:
The project series documents the competition entry for the library and botanical garden for the University of Alcalá de Henares, Spain. The firm identified the project as number 180. As described by the architects, the project “[…] concentrates on building two heads, different from each other, Library and Dining hall, shortening the fronts of the central building which are without interest and evidently expensive to undertake a functional and economic work. The project is therefore converted into a basic restoration of the old hangars and the construction of two new low cost buildings which also can be constructed when necessary or depending on economic availability” (ARCH270975). Documenting the project are models, conceptual, design development and presentation drawings, textual records and photographic materials.
Personnes et institutions:
Date:
circa 2003-2004
circa 2003-2004
Titre:
Edificio de equipamiento, Alcalá de Henares, Spain (2004)
Actions:
AP164.S1.2004.D2
Description:
The project series documents the competition entry for the library and botanical garden for the University of Alcalá de Henares, Spain. The firm identified the project as number 180. As described by the architects, the project “[…] concentrates on building two heads, different from each other, Library and Dining hall, shortening the fronts of the central building which are without interest and evidently expensive to undertake a functional and economic work. The project is therefore converted into a basic restoration of the old hangars and the construction of two new low cost buildings which also can be constructed when necessary or depending on economic availability” (ARCH270975). Documenting the project are models, conceptual, design development and presentation drawings, textual records and photographic materials.
Edificio de equipamiento, Alcalá de Henares, Spain (2004)
Actions:
AP164.S1.2004.D2
Description:
The project series documents the competition entry for the library and botanical garden for the University of Alcalá de Henares, Spain. The firm identified the project as number 180. As described by the architects, the project “[…] concentrates on building two heads, different from each other, Library and Dining hall, shortening the fronts of the central building which are without interest and evidently expensive to undertake a functional and economic work. The project is therefore converted into a basic restoration of the old hangars and the construction of two new low cost buildings which also can be constructed when necessary or depending on economic availability” (ARCH270975). Documenting the project are models, conceptual, design development and presentation drawings, textual records and photographic materials.
Niveau de description archivistique:
Project
Project
Date:
circa 2003-2004
circa 2003-2004
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.2004.D16
Description:
The project series documents consultation work for the urban development of Madrid`s historique center and the Mazanares riverside, in Spain. The firm identified the project as number 187. “A MADRID + PEDESTRIAN. A MADRID + GREEN. A MADRID + SOCIALLY INTEGRATED. [Abalos & Herreros] purpose is [a] strategy based in BLOBS, of new urban public spaces, directly or indirectly joined to a new pedestrian Castellana, a group of HOLLOWS situated in critical points of the urban dynamism which allow us to LINK, SEW, INTEGRATE and ENJOY TOGETHER the town.” (ARCH270975). This project is related to the project M30: parque lineal del río Manzanares (AP164.S1.2005.D6). Documenting the project are conceptual drawings, presentation documents, cartographic materials, project descriptions, notes and a dummy.
AP164.S1.2004.D16
Description:
The project series documents consultation work for the urban development of Madrid`s historique center and the Mazanares riverside, in Spain. The firm identified the project as number 187. “A MADRID + PEDESTRIAN. A MADRID + GREEN. A MADRID + SOCIALLY INTEGRATED. [Abalos & Herreros] purpose is [a] strategy based in BLOBS, of new urban public spaces, directly or indirectly joined to a new pedestrian Castellana, a group of HOLLOWS situated in critical points of the urban dynamism which allow us to LINK, SEW, INTEGRATE and ENJOY TOGETHER the town.” (ARCH270975). This project is related to the project M30: parque lineal del río Manzanares (AP164.S1.2005.D6). Documenting the project are conceptual drawings, presentation documents, cartographic materials, project descriptions, notes and a dummy.
Personnes et institutions:
Date:
1997-2004
1997-2004
Titre:
+ Madrid, Spain (2004)
Actions:
AP164.S1.2004.D16
Description:
The project series documents consultation work for the urban development of Madrid`s historique center and the Mazanares riverside, in Spain. The firm identified the project as number 187. “A MADRID + PEDESTRIAN. A MADRID + GREEN. A MADRID + SOCIALLY INTEGRATED. [Abalos & Herreros] purpose is [a] strategy based in BLOBS, of new urban public spaces, directly or indirectly joined to a new pedestrian Castellana, a group of HOLLOWS situated in critical points of the urban dynamism which allow us to LINK, SEW, INTEGRATE and ENJOY TOGETHER the town.” (ARCH270975). This project is related to the project M30: parque lineal del río Manzanares (AP164.S1.2005.D6). Documenting the project are conceptual drawings, presentation documents, cartographic materials, project descriptions, notes and a dummy.
+ Madrid, Spain (2004)
Actions:
AP164.S1.2004.D16
Description:
The project series documents consultation work for the urban development of Madrid`s historique center and the Mazanares riverside, in Spain. The firm identified the project as number 187. “A MADRID + PEDESTRIAN. A MADRID + GREEN. A MADRID + SOCIALLY INTEGRATED. [Abalos & Herreros] purpose is [a] strategy based in BLOBS, of new urban public spaces, directly or indirectly joined to a new pedestrian Castellana, a group of HOLLOWS situated in critical points of the urban dynamism which allow us to LINK, SEW, INTEGRATE and ENJOY TOGETHER the town.” (ARCH270975). This project is related to the project M30: parque lineal del río Manzanares (AP164.S1.2005.D6). Documenting the project are conceptual drawings, presentation documents, cartographic materials, project descriptions, notes and a dummy.
Niveau de description archivistique:
Project
Project
Date:
1997-2004
1997-2004
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1980.PR06
Description:
This project series documents the Casa J. M. Teixeira in Guimarães, Portugal. While the records were held in the office’s archives this project was assigned the number 11/80. The office assigned the date 1981 to this project. The project files document the repurposing of an old barn into a house. Additions to the site included a swimming pool, a fountain, and several decorative elements in the garden. The house also included a gymnasium. Granite blocks were used on the exterior of the house. The house was built between 1980 and 1990. Documenting this project are sketches, studies, working drawings, structural drawings, and technical drawings. Textual material includes project documentation. Photographic material documents the models, construction work, and the built project.
AP178.S1.1980.PR06
Description:
This project series documents the Casa J. M. Teixeira in Guimarães, Portugal. While the records were held in the office’s archives this project was assigned the number 11/80. The office assigned the date 1981 to this project. The project files document the repurposing of an old barn into a house. Additions to the site included a swimming pool, a fountain, and several decorative elements in the garden. The house also included a gymnasium. Granite blocks were used on the exterior of the house. The house was built between 1980 and 1990. Documenting this project are sketches, studies, working drawings, structural drawings, and technical drawings. Textual material includes project documentation. Photographic material documents the models, construction work, and the built project.
Personnes et institutions:
Date:
1979-1991
1979-1991
Titre:
Casa J. M. Teixeira [J.M. Teixeira house], Quinta do Forno, Briteiros - Guimarães, Portugal (1980-1991)
Actions:
AP178.S1.1980.PR06
Description:
This project series documents the Casa J. M. Teixeira in Guimarães, Portugal. While the records were held in the office’s archives this project was assigned the number 11/80. The office assigned the date 1981 to this project. The project files document the repurposing of an old barn into a house. Additions to the site included a swimming pool, a fountain, and several decorative elements in the garden. The house also included a gymnasium. Granite blocks were used on the exterior of the house. The house was built between 1980 and 1990. Documenting this project are sketches, studies, working drawings, structural drawings, and technical drawings. Textual material includes project documentation. Photographic material documents the models, construction work, and the built project.
Casa J. M. Teixeira [J.M. Teixeira house], Quinta do Forno, Briteiros - Guimarães, Portugal (1980-1991)
Actions:
AP178.S1.1980.PR06
Description:
This project series documents the Casa J. M. Teixeira in Guimarães, Portugal. While the records were held in the office’s archives this project was assigned the number 11/80. The office assigned the date 1981 to this project. The project files document the repurposing of an old barn into a house. Additions to the site included a swimming pool, a fountain, and several decorative elements in the garden. The house also included a gymnasium. Granite blocks were used on the exterior of the house. The house was built between 1980 and 1990. Documenting this project are sketches, studies, working drawings, structural drawings, and technical drawings. Textual material includes project documentation. Photographic material documents the models, construction work, and the built project.
Niveau de description archivistique:
Project
Project
Date:
1979-1991
1979-1991
Personnes et institutions:
Classification:
événements
événements
Actions:
Description:
La troisième conférence Architecture comme sujet dintérêt public appuie le Réseau de recherche du CCA, une entité qui rassemble les anciens participants à près de quatre décennies de programmes de recherche au CCA. Cette conférence annuelle explore le thème de la bourse Architecture comme sujet dintérêt public 2025, en posant la question suivante : comment construire des(...)
La troisième conférence Architecture comme sujet dintérêt public appuie le Réseau de recherche du CCA, une entité qui rassemble les anciens participants à près de quatre décennies de programmes de recherche au CCA. Cette conférence annuelle explore le thème de la bourse Architecture comme sujet dintérêt public 2025, en posant la question suivante : comment construire des(...)
Mot(s)-clé(s):
Réseau de recherche du CCA
Réseau de recherche du CCA
Date:
12 novembre 2025, 10h à 11h30
12 novembre 2025, 10h à 11h30
Titre:
2025 Conférence L’architecture comme sujet d’intérêt public : comment construire des relations?
Actions:
Description:
La troisième conférence Architecture comme sujet dintérêt public appuie le Réseau de recherche du CCA, une entité qui rassemble les anciens participants à près de quatre décennies de programmes de recherche au CCA. Cette conférence annuelle explore le thème de la bourse Architecture comme sujet dintérêt public 2025, en posant la question suivante : comment construire des(...)
2025 Conférence L’architecture comme sujet d’intérêt public : comment construire des relations?
Actions:
Description:
La troisième conférence Architecture comme sujet dintérêt public appuie le Réseau de recherche du CCA, une entité qui rassemble les anciens participants à près de quatre décennies de programmes de recherche au CCA. Cette conférence annuelle explore le thème de la bourse Architecture comme sujet dintérêt public 2025, en posant la question suivante : comment construire des(...)
Classification:
événements
événements
Date:
12 novembre 2025
10h à 11h30
12 novembre 2025
10h à 11h30
Mot(s)-clé(s):
Réseau de recherche du CCA
Réseau de recherche du CCA
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP027.S1
Description:
The abbreviation "n.c.", which represents "no client", occasionally appears in the project descriptions. This indicates that the client is unknown for that particular project or that the project was initiated by Van Ginkel Associates. Throughout its practice, Van Ginkel Associates devoted much of its time to research and design projects that were generated and paid for by the firm itself. Several of these projects were initiated by members of the staff. Project drawings, because of the multi-disciplinary nature of the firm's work and the scale of some of its commissions, differ greatly in extent, content, format, and size. The drawings therefore have been kept in their original groupings. The original titles assigned to the material by the creators while stored in tubes was transferred to their present folders.
AP027.S1
Description:
The abbreviation "n.c.", which represents "no client", occasionally appears in the project descriptions. This indicates that the client is unknown for that particular project or that the project was initiated by Van Ginkel Associates. Throughout its practice, Van Ginkel Associates devoted much of its time to research and design projects that were generated and paid for by the firm itself. Several of these projects were initiated by members of the staff. Project drawings, because of the multi-disciplinary nature of the firm's work and the scale of some of its commissions, differ greatly in extent, content, format, and size. The drawings therefore have been kept in their original groupings. The original titles assigned to the material by the creators while stored in tubes was transferred to their present folders.
Personnes et institutions:
Date:
1957-1991
1957-1991
Titre:
Project and Proposal Documentation
Actions:
AP027.S1
Description:
The abbreviation "n.c.", which represents "no client", occasionally appears in the project descriptions. This indicates that the client is unknown for that particular project or that the project was initiated by Van Ginkel Associates. Throughout its practice, Van Ginkel Associates devoted much of its time to research and design projects that were generated and paid for by the firm itself. Several of these projects were initiated by members of the staff. Project drawings, because of the multi-disciplinary nature of the firm's work and the scale of some of its commissions, differ greatly in extent, content, format, and size. The drawings therefore have been kept in their original groupings. The original titles assigned to the material by the creators while stored in tubes was transferred to their present folders.
Project and Proposal Documentation
Actions:
AP027.S1
Description:
The abbreviation "n.c.", which represents "no client", occasionally appears in the project descriptions. This indicates that the client is unknown for that particular project or that the project was initiated by Van Ginkel Associates. Throughout its practice, Van Ginkel Associates devoted much of its time to research and design projects that were generated and paid for by the firm itself. Several of these projects were initiated by members of the staff. Project drawings, because of the multi-disciplinary nature of the firm's work and the scale of some of its commissions, differ greatly in extent, content, format, and size. The drawings therefore have been kept in their original groupings. The original titles assigned to the material by the creators while stored in tubes was transferred to their present folders.
Niveau de description archivistique:
Series
Series
Date:
1957-1991
1957-1991
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Titre:
Photographs and negatives
Photographs and negatives
Numéro de référence:
AP140.S2.SS7.D1
Description:
The sub-series documents some of the early architectural interests of James Stirling, the work and activities of the successive firms of Stirling and Gowan; James Stirling; James Stirling and Partner; and James Stirling, Michael Wilford, and Associates, as well as office personnel and events and travels. Material in this file was produced between probably the 1950s and 1992. The subs-series contains photographs, including views of Liverpool and of Le Corbusier's buildings taken by James Stirling. It also contains several portraits of James Stirling, Michael Wilford and colleagues, interior views of the office, and views of drawings, models and of completed buildings by the firm, by photographers Geoff Beeckman, Martin Charles, John Donat Photography, Marlies Hentrup, Klaus Lehnartz, and Ray Williams.
AP140.S2.SS7.D1
Description:
The sub-series documents some of the early architectural interests of James Stirling, the work and activities of the successive firms of Stirling and Gowan; James Stirling; James Stirling and Partner; and James Stirling, Michael Wilford, and Associates, as well as office personnel and events and travels. Material in this file was produced between probably the 1950s and 1992. The subs-series contains photographs, including views of Liverpool and of Le Corbusier's buildings taken by James Stirling. It also contains several portraits of James Stirling, Michael Wilford and colleagues, interior views of the office, and views of drawings, models and of completed buildings by the firm, by photographers Geoff Beeckman, Martin Charles, John Donat Photography, Marlies Hentrup, Klaus Lehnartz, and Ray Williams.
Personnes et institutions:
Date:
circa 1950s-1992
circa 1950s-1992
Titre:
Photographs and negatives
Actions:
AP140.S2.SS7.D1
Description:
The sub-series documents some of the early architectural interests of James Stirling, the work and activities of the successive firms of Stirling and Gowan; James Stirling; James Stirling and Partner; and James Stirling, Michael Wilford, and Associates, as well as office personnel and events and travels. Material in this file was produced between probably the 1950s and 1992. The subs-series contains photographs, including views of Liverpool and of Le Corbusier's buildings taken by James Stirling. It also contains several portraits of James Stirling, Michael Wilford and colleagues, interior views of the office, and views of drawings, models and of completed buildings by the firm, by photographers Geoff Beeckman, Martin Charles, John Donat Photography, Marlies Hentrup, Klaus Lehnartz, and Ray Williams.
Photographs and negatives
Actions:
AP140.S2.SS7.D1
Description:
The sub-series documents some of the early architectural interests of James Stirling, the work and activities of the successive firms of Stirling and Gowan; James Stirling; James Stirling and Partner; and James Stirling, Michael Wilford, and Associates, as well as office personnel and events and travels. Material in this file was produced between probably the 1950s and 1992. The subs-series contains photographs, including views of Liverpool and of Le Corbusier's buildings taken by James Stirling. It also contains several portraits of James Stirling, Michael Wilford and colleagues, interior views of the office, and views of drawings, models and of completed buildings by the firm, by photographers Geoff Beeckman, Martin Charles, John Donat Photography, Marlies Hentrup, Klaus Lehnartz, and Ray Williams.
Niveau de description archivistique:
File 1
File 1
Date:
circa 1950s-1992
circa 1950s-1992
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
CI007.S3
Description:
The series documents the work of the students of Mies van der Rohe's architectural design class at the Armour Institute of Technology in Chicago, Illinois.The material in this series was produced between 1939 and 1940. The series contains drawings related or produced by Mies' students during the class he taught. The drawings are predominantly by George Danforth during the first and second year Mies taught this class and also include copies of Mies' sketches for some of his past projects, as well as photographs of the graduate students of 1940 at the Armour Institure of Technology, including George Danforth. The series also includes photographs by Pius E. Pahl of Mies van der Rohe during a seminar at the Bauhaus in Germany, in 1931.
CI007.S3
Description:
The series documents the work of the students of Mies van der Rohe's architectural design class at the Armour Institute of Technology in Chicago, Illinois.The material in this series was produced between 1939 and 1940. The series contains drawings related or produced by Mies' students during the class he taught. The drawings are predominantly by George Danforth during the first and second year Mies taught this class and also include copies of Mies' sketches for some of his past projects, as well as photographs of the graduate students of 1940 at the Armour Institure of Technology, including George Danforth. The series also includes photographs by Pius E. Pahl of Mies van der Rohe during a seminar at the Bauhaus in Germany, in 1931.
Personnes et institutions:
Date:
1938-1943
1938-1943
Titre:
Architectural projects by Mies' students
CI007.S3
Description:
The series documents the work of the students of Mies van der Rohe's architectural design class at the Armour Institute of Technology in Chicago, Illinois.The material in this series was produced between 1939 and 1940. The series contains drawings related or produced by Mies' students during the class he taught. The drawings are predominantly by George Danforth during the first and second year Mies taught this class and also include copies of Mies' sketches for some of his past projects, as well as photographs of the graduate students of 1940 at the Armour Institure of Technology, including George Danforth. The series also includes photographs by Pius E. Pahl of Mies van der Rohe during a seminar at the Bauhaus in Germany, in 1931.
Architectural projects by Mies' students
CI007.S3
Description:
The series documents the work of the students of Mies van der Rohe's architectural design class at the Armour Institute of Technology in Chicago, Illinois.The material in this series was produced between 1939 and 1940. The series contains drawings related or produced by Mies' students during the class he taught. The drawings are predominantly by George Danforth during the first and second year Mies taught this class and also include copies of Mies' sketches for some of his past projects, as well as photographs of the graduate students of 1940 at the Armour Institure of Technology, including George Danforth. The series also includes photographs by Pius E. Pahl of Mies van der Rohe during a seminar at the Bauhaus in Germany, in 1931.
Niveau de description archivistique:
series
series
Date:
1938-1943
1938-1943
Personnes et institutions:
