5712 Résultats
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
Personnes et institutions:
Date:
1994 - 2004
1994 - 2004
Titre:
Project records from Neil Denari
Actions:
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
Project records from Neil Denari
Actions:
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
Niveau de description archivistique:
Series
Series
Date:
1994 - 2004
1994 - 2004
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
AP197.S1.SS9.015
Description:
The box contains drafts, final copies, correspondence and notes for various articles, book projects, interviews, keynote addresses, and lectures by Kenneth Frampton. The materials are organized in alphabetical order, from I-K. The largest portion of this box consists of: drafts and transcripts of interviews with Kenneth Frampton; drafts, articles, correspondence and research materials for an unpublished book project on Japanese Building Practices/Japanese Contemporary Architecture; correspondence and drafts for the Jerusalem Seminar in Architecture; and correspondence and notes for a Panos Koulermos book project. Other subjects and architects explored in these texts include Arata Isozaki, Kritsin Jaramund, Michael Kagan, Louis Kahn, Rem Koolhaas, Kengo Kuma, and Kisho Kurakawa.
AP197.S1.SS9.015
Description:
The box contains drafts, final copies, correspondence and notes for various articles, book projects, interviews, keynote addresses, and lectures by Kenneth Frampton. The materials are organized in alphabetical order, from I-K. The largest portion of this box consists of: drafts and transcripts of interviews with Kenneth Frampton; drafts, articles, correspondence and research materials for an unpublished book project on Japanese Building Practices/Japanese Contemporary Architecture; correspondence and drafts for the Jerusalem Seminar in Architecture; and correspondence and notes for a Panos Koulermos book project. Other subjects and architects explored in these texts include Arata Isozaki, Kritsin Jaramund, Michael Kagan, Louis Kahn, Rem Koolhaas, Kengo Kuma, and Kisho Kurakawa.
Personnes et institutions:
Date:
1985-2016
1985-2016
Titre:
Kenneth Frampton writings (I-K)
Actions:
AP197.S1.SS9.015
Description:
The box contains drafts, final copies, correspondence and notes for various articles, book projects, interviews, keynote addresses, and lectures by Kenneth Frampton. The materials are organized in alphabetical order, from I-K. The largest portion of this box consists of: drafts and transcripts of interviews with Kenneth Frampton; drafts, articles, correspondence and research materials for an unpublished book project on Japanese Building Practices/Japanese Contemporary Architecture; correspondence and drafts for the Jerusalem Seminar in Architecture; and correspondence and notes for a Panos Koulermos book project. Other subjects and architects explored in these texts include Arata Isozaki, Kritsin Jaramund, Michael Kagan, Louis Kahn, Rem Koolhaas, Kengo Kuma, and Kisho Kurakawa.
Kenneth Frampton writings (I-K)
Actions:
AP197.S1.SS9.015
Description:
The box contains drafts, final copies, correspondence and notes for various articles, book projects, interviews, keynote addresses, and lectures by Kenneth Frampton. The materials are organized in alphabetical order, from I-K. The largest portion of this box consists of: drafts and transcripts of interviews with Kenneth Frampton; drafts, articles, correspondence and research materials for an unpublished book project on Japanese Building Practices/Japanese Contemporary Architecture; correspondence and drafts for the Jerusalem Seminar in Architecture; and correspondence and notes for a Panos Koulermos book project. Other subjects and architects explored in these texts include Arata Isozaki, Kritsin Jaramund, Michael Kagan, Louis Kahn, Rem Koolhaas, Kengo Kuma, and Kisho Kurakawa.
Classification:
documents textuels
documents textuels
Date:
1985-2016
1985-2016
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
AP197.S2.013
Description:
These files are comprised of clippings and writings about various architectural subjects, including the Swedish Central bank in Stockholm and Japanese urbanism, as well as writings by or about Gottfried Semper, Gunter Nitschke, H.P. Berlage, Albert Eide Parr, Tomás Maldonado, Fumihiko Maki, Le Corbusier and Richard Neutra.
AP197.S2.013
Description:
These files are comprised of clippings and writings about various architectural subjects, including the Swedish Central bank in Stockholm and Japanese urbanism, as well as writings by or about Gottfried Semper, Gunter Nitschke, H.P. Berlage, Albert Eide Parr, Tomás Maldonado, Fumihiko Maki, Le Corbusier and Richard Neutra.
Personnes et institutions:
Date:
circa 1964-1990
circa 1964-1990
Titre:
Architect and other research files
Actions:
AP197.S2.013
Description:
These files are comprised of clippings and writings about various architectural subjects, including the Swedish Central bank in Stockholm and Japanese urbanism, as well as writings by or about Gottfried Semper, Gunter Nitschke, H.P. Berlage, Albert Eide Parr, Tomás Maldonado, Fumihiko Maki, Le Corbusier and Richard Neutra.
Architect and other research files
Actions:
AP197.S2.013
Description:
These files are comprised of clippings and writings about various architectural subjects, including the Swedish Central bank in Stockholm and Japanese urbanism, as well as writings by or about Gottfried Semper, Gunter Nitschke, H.P. Berlage, Albert Eide Parr, Tomás Maldonado, Fumihiko Maki, Le Corbusier and Richard Neutra.
Classification:
documents textuels
documents textuels
Date:
circa 1964-1990
circa 1964-1990
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
DR2012:0012:085:010
Description:
Assorted documents in English, French (predominant), and Japanese, including contracts, invitations, press releases, newspaper clippings, notes, sketches, and waybills related to the group exhibition, Pour la suite du monde, at the Musée d'art contemporain de Montréal. Original folder inscribed in graphite: MUSEE D'ART CONTEMPORAIN, MTL. 1992.
DR2012:0012:085:010
Description:
Assorted documents in English, French (predominant), and Japanese, including contracts, invitations, press releases, newspaper clippings, notes, sketches, and waybills related to the group exhibition, Pour la suite du monde, at the Musée d'art contemporain de Montréal. Original folder inscribed in graphite: MUSEE D'ART CONTEMPORAIN, MTL. 1992.
Personnes et institutions:
Date:
1990-1992
1990-1992
Titre:
Contracts, invitations, press releases, newspaper clippings, notes, sketches, and waybills related to the group exhibition "Pour la suite du monde"
Actions:
DR2012:0012:085:010
Description:
Assorted documents in English, French (predominant), and Japanese, including contracts, invitations, press releases, newspaper clippings, notes, sketches, and waybills related to the group exhibition, Pour la suite du monde, at the Musée d'art contemporain de Montréal. Original folder inscribed in graphite: MUSEE D'ART CONTEMPORAIN, MTL. 1992.
Contracts, invitations, press releases, newspaper clippings, notes, sketches, and waybills related to the group exhibition "Pour la suite du monde"
Actions:
DR2012:0012:085:010
Description:
Assorted documents in English, French (predominant), and Japanese, including contracts, invitations, press releases, newspaper clippings, notes, sketches, and waybills related to the group exhibition, Pour la suite du monde, at the Musée d'art contemporain de Montréal. Original folder inscribed in graphite: MUSEE D'ART CONTEMPORAIN, MTL. 1992.
Classification:
documents textuels
documents textuels
Date:
1990-1992
1990-1992
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH257104
Description:
Permanent Files - Block 80 Marathon Realties (1973); The De Anza Resort Master Plan, Mission Bay, San Diego (1985); Museum of History and Technology proposal, Hong Kong (1985); Japanese Pavilion, Vancouver Expo site (1985), Hotel Complex proposal, Quesnel (1986); Georgia Street Second Century Project (1986)
ARCH257104
Description:
Permanent Files - Block 80 Marathon Realties (1973); The De Anza Resort Master Plan, Mission Bay, San Diego (1985); Museum of History and Technology proposal, Hong Kong (1985); Japanese Pavilion, Vancouver Expo site (1985), Hotel Complex proposal, Quesnel (1986); Georgia Street Second Century Project (1986)
Personnes et institutions:
Date:
1973, 1985-1986
1973, 1985-1986
Titre:
Permanent files for various projects
Actions:
ARCH257104
Description:
Permanent Files - Block 80 Marathon Realties (1973); The De Anza Resort Master Plan, Mission Bay, San Diego (1985); Museum of History and Technology proposal, Hong Kong (1985); Japanese Pavilion, Vancouver Expo site (1985), Hotel Complex proposal, Quesnel (1986); Georgia Street Second Century Project (1986)
Permanent files for various projects
Actions:
ARCH257104
Description:
Permanent Files - Block 80 Marathon Realties (1973); The De Anza Resort Master Plan, Mission Bay, San Diego (1985); Museum of History and Technology proposal, Hong Kong (1985); Japanese Pavilion, Vancouver Expo site (1985), Hotel Complex proposal, Quesnel (1986); Georgia Street Second Century Project (1986)
Classification:
documents textuels
documents textuels
Date:
1973, 1985-1986
1973, 1985-1986
Personnes et institutions:
Classification:
dessins
dessins
Actions:
Numéro de référence:
DR1986:0325
Description:
- This drawing is an incomplete design identified by the more finished woodcut print reproduced in Drexler (plate 52) as model C3. While the bookshelves, cupboards, and drawers, and the table and chair are drawn to near-completion, the top right area of the drawing is unfinished. Drawn in two-point perspective, the strong diagonals and flat areas recall the influence of Japanese prints.
DR1986:0325
Description:
- This drawing is an incomplete design identified by the more finished woodcut print reproduced in Drexler (plate 52) as model C3. While the bookshelves, cupboards, and drawers, and the table and chair are drawn to near-completion, the top right area of the drawing is unfinished. Drawn in two-point perspective, the strong diagonals and flat areas recall the influence of Japanese prints.
Personnes et institutions:
Sujet:
architecture, design d'intérieur
architecture, design d'intérieur
Date:
1911-1916
1911-1916
Titre:
Interior perspective of the living room for the American System Ready-Cut House model C3
Actions:
DR1986:0325
Description:
- This drawing is an incomplete design identified by the more finished woodcut print reproduced in Drexler (plate 52) as model C3. While the bookshelves, cupboards, and drawers, and the table and chair are drawn to near-completion, the top right area of the drawing is unfinished. Drawn in two-point perspective, the strong diagonals and flat areas recall the influence of Japanese prints.
Interior perspective of the living room for the American System Ready-Cut House model C3
Actions:
DR1986:0325
Description:
- This drawing is an incomplete design identified by the more finished woodcut print reproduced in Drexler (plate 52) as model C3. While the bookshelves, cupboards, and drawers, and the table and chair are drawn to near-completion, the top right area of the drawing is unfinished. Drawn in two-point perspective, the strong diagonals and flat areas recall the influence of Japanese prints.
Classification:
dessins
dessins
Date:
1911-1916
1911-1916
Personnes et institutions:
Sujet:
architecture, design d'intérieur
architecture, design d'intérieur
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP144.S2
Description:
Series documents Cedric Price's projects from his early work in the late 1950s to work dating from the time he founded his own practice in 1960 until 2000. Material includes numerous competition entries, planning and building projects, transportation-related projects, exhibitions, conceptual projects, furniture and interior designs, and monuments, follies, and decorations. Some projects also reflect his teaching, research, lecture and publication activities. Price also worked on several competition juries (see projects Musique, Elephant). Many of Cedric Price's projects in the series are unexecuted. Significant unrealized projects from the 1960s and 1970s include Fun Palace (1961-1974), Potteries Thinkbelt (1963-1967), Oxford Corner House (1965-1966), and Generator (1976-1980). Significant built projects from the same period include the New Aviary (1960-1966), his first major realized project (with Lord Snowdon and Frank Newby), and Inter-Action Centre (1971-1979). Other realized projects include an office building (BTDB Computer, 1968-1973) and restaurant (Blackpool Project, 1971-1975). Planning projects from the 1960s and 1970s include Potteries Thinkbelt, Detroit Think Grid (1969-1971) and Rice University's design charette, Atom (1967). In the 1980s and 1990s, Cedric Price worked on several building proposals including greenhouses (Serre, Serre (2)), museums, galleries, and pavilions (Trafalgar, Pertpavs, Snake), a railway station (Strate (2)), a cultural centre (Tiff), houses (Perthut, Castel), a bus station (Walsall), an aviary (CP Aviary) and office buildings (Domain, Berlin). Planning projects from the same time include parks and cultural complexes, (Parc, South Bank), urban areas, (Strate, Stratton, IFPRI, Haven, Mills), university campuses (Frankfurt, Unibad, Bedford), and rural areas (Stark, Arkage). Transportation-related projects include railways (Strate, Control, Rink), roadways (Stratton) and pedestrian links (Magnet, Halmag, South Bank). Only a few of his projects from that period were executed and those include the renovation projects Congress and SAS 29; a mobile market stall design for Westminster City Council (Westal) for which prototypes were built; a coffee cup design (Crowbar); and building conversion projects Gatard and Juke. Exhibition projects in the series include some devoted to Cedric Price's works (AA Exhibition, Aedes, AFX, Afella), some designed by him (Strike, Food for the Future, Topolski/Waterloo, Ashmole, Mean, AFX), as well as projects designed for exhibition (Citlin, Castel). The series also contains self-financed research and client-less projects, which form a significant part of Cedric Price's practice. Undertaken in anticipation of future clients or new planning needs, they include research into air structures and lightweight enclosures as well as integrated construction and transportation solutions (Trucksafe Air Portable Dock Ahoy), and housing research. South Bank, Magnet, and Duck Land represent a few of the client-less projects. The material in this series documents Cedric Price's work in the United Kingdom, in particular England (the Greater London area, and other areas) and Scotland, Germany, France, Austria, Australia, Japan, the United Arab Emirates, and the United States and other locations such as Canada, Nigeria, and Norway. Major clients include J. Lyons & Co. (Oxford Corner House), David Keddie (Two Tree Island, Southend Roof), Howard Gilman (Generator), British Railways (Strate and Strate (2), and others), the McAlpine family , particularly Alistair McAlpine, and their company Sir Robert McAlpine & Sons Ltd. (McAppy, Perthut, Trafalgar, Pertpavs, Ashmole, Perth, Obeliq, McVance); Établissement Public du Parc de la Villette (Parc, Serre, Serre (2), Musique) and the Canadian Centre for Architecture (IFPRI, Mean). He collaborated with several architects and engineers during the course of his career, his closest association being with engineer Frank Newby and quantity surveyor Douglas Smith. Some of his other collaborators include engineer Max Fordham (Strate (2), Tiff, Berlin), engineering firms Scott Wilson Kirkpatrick and Partners (Stratton, Rink, Control), and Sir Frederick Snow & Partners (South Bank), cybernetician Gordon Pask (Kawasaki/Japnet), architectural firm YRM/Yorke Rosenberg Mardall (Unibad), and architect Richard Rogers (Marman). He also collaborated with members of Archigram on the Trondheim Competition, (1972-1974), and with John and Julia Frazer who provided the computer modelling for Generator. David Price, Cedric Price's brother was the model maker for several projects. The series contains conceptual drawings, design development drawings, reference drawings and maps, presentation drawings (particularly for competitions), and working drawings. A significant amount of textual records are included, especially for projects involving a large amount of research or publicity (Air Structures, Lightweight Enclosures, South Bank, CP Aviary, Stratton), for executed projects, and for the larger unrealized projects like Fun Palace and Generator. Also includes photographic materials of project sites and models. Some models included in the series are made from durable materials (wood, metal, plastic), while others are in-office constructions made out of paper, cardboard and Fome-Cor (TM). Of particular note are the 11 models for Magnet, and a full-size prototype of a market stall for Westal. Series also contains publication layouts, including material for the "Cedric Price Supplement", 'Architectural Design' vols. 40- 42 (1970-1972). Changes in office practice are noted around 1971, evident in the Blackpool Project and later, including the adoption of the metric system, and the creation of working and detail drawings on A4 size paper and filed with textual records (e.g. approximately 300 such drawings are included in the textual records for Blackpool Project). At the same time fewer preamble drawings that relate to site sensing, progress and life-cycle graphs and tables are created for the projects (a common feature from the 1960s), although project progress tables are still used. Of particular interest is material in the Early Work and Miscellaneous Records file (AP144.S2.D1) that relates to office work methods and programmes.
AP144.S2
Description:
Series documents Cedric Price's projects from his early work in the late 1950s to work dating from the time he founded his own practice in 1960 until 2000. Material includes numerous competition entries, planning and building projects, transportation-related projects, exhibitions, conceptual projects, furniture and interior designs, and monuments, follies, and decorations. Some projects also reflect his teaching, research, lecture and publication activities. Price also worked on several competition juries (see projects Musique, Elephant). Many of Cedric Price's projects in the series are unexecuted. Significant unrealized projects from the 1960s and 1970s include Fun Palace (1961-1974), Potteries Thinkbelt (1963-1967), Oxford Corner House (1965-1966), and Generator (1976-1980). Significant built projects from the same period include the New Aviary (1960-1966), his first major realized project (with Lord Snowdon and Frank Newby), and Inter-Action Centre (1971-1979). Other realized projects include an office building (BTDB Computer, 1968-1973) and restaurant (Blackpool Project, 1971-1975). Planning projects from the 1960s and 1970s include Potteries Thinkbelt, Detroit Think Grid (1969-1971) and Rice University's design charette, Atom (1967). In the 1980s and 1990s, Cedric Price worked on several building proposals including greenhouses (Serre, Serre (2)), museums, galleries, and pavilions (Trafalgar, Pertpavs, Snake), a railway station (Strate (2)), a cultural centre (Tiff), houses (Perthut, Castel), a bus station (Walsall), an aviary (CP Aviary) and office buildings (Domain, Berlin). Planning projects from the same time include parks and cultural complexes, (Parc, South Bank), urban areas, (Strate, Stratton, IFPRI, Haven, Mills), university campuses (Frankfurt, Unibad, Bedford), and rural areas (Stark, Arkage). Transportation-related projects include railways (Strate, Control, Rink), roadways (Stratton) and pedestrian links (Magnet, Halmag, South Bank). Only a few of his projects from that period were executed and those include the renovation projects Congress and SAS 29; a mobile market stall design for Westminster City Council (Westal) for which prototypes were built; a coffee cup design (Crowbar); and building conversion projects Gatard and Juke. Exhibition projects in the series include some devoted to Cedric Price's works (AA Exhibition, Aedes, AFX, Afella), some designed by him (Strike, Food for the Future, Topolski/Waterloo, Ashmole, Mean, AFX), as well as projects designed for exhibition (Citlin, Castel). The series also contains self-financed research and client-less projects, which form a significant part of Cedric Price's practice. Undertaken in anticipation of future clients or new planning needs, they include research into air structures and lightweight enclosures as well as integrated construction and transportation solutions (Trucksafe Air Portable Dock Ahoy), and housing research. South Bank, Magnet, and Duck Land represent a few of the client-less projects. The material in this series documents Cedric Price's work in the United Kingdom, in particular England (the Greater London area, and other areas) and Scotland, Germany, France, Austria, Australia, Japan, the United Arab Emirates, and the United States and other locations such as Canada, Nigeria, and Norway. Major clients include J. Lyons & Co. (Oxford Corner House), David Keddie (Two Tree Island, Southend Roof), Howard Gilman (Generator), British Railways (Strate and Strate (2), and others), the McAlpine family , particularly Alistair McAlpine, and their company Sir Robert McAlpine & Sons Ltd. (McAppy, Perthut, Trafalgar, Pertpavs, Ashmole, Perth, Obeliq, McVance); Établissement Public du Parc de la Villette (Parc, Serre, Serre (2), Musique) and the Canadian Centre for Architecture (IFPRI, Mean). He collaborated with several architects and engineers during the course of his career, his closest association being with engineer Frank Newby and quantity surveyor Douglas Smith. Some of his other collaborators include engineer Max Fordham (Strate (2), Tiff, Berlin), engineering firms Scott Wilson Kirkpatrick and Partners (Stratton, Rink, Control), and Sir Frederick Snow & Partners (South Bank), cybernetician Gordon Pask (Kawasaki/Japnet), architectural firm YRM/Yorke Rosenberg Mardall (Unibad), and architect Richard Rogers (Marman). He also collaborated with members of Archigram on the Trondheim Competition, (1972-1974), and with John and Julia Frazer who provided the computer modelling for Generator. David Price, Cedric Price's brother was the model maker for several projects. The series contains conceptual drawings, design development drawings, reference drawings and maps, presentation drawings (particularly for competitions), and working drawings. A significant amount of textual records are included, especially for projects involving a large amount of research or publicity (Air Structures, Lightweight Enclosures, South Bank, CP Aviary, Stratton), for executed projects, and for the larger unrealized projects like Fun Palace and Generator. Also includes photographic materials of project sites and models. Some models included in the series are made from durable materials (wood, metal, plastic), while others are in-office constructions made out of paper, cardboard and Fome-Cor (TM). Of particular note are the 11 models for Magnet, and a full-size prototype of a market stall for Westal. Series also contains publication layouts, including material for the "Cedric Price Supplement", 'Architectural Design' vols. 40- 42 (1970-1972). Changes in office practice are noted around 1971, evident in the Blackpool Project and later, including the adoption of the metric system, and the creation of working and detail drawings on A4 size paper and filed with textual records (e.g. approximately 300 such drawings are included in the textual records for Blackpool Project). At the same time fewer preamble drawings that relate to site sensing, progress and life-cycle graphs and tables are created for the projects (a common feature from the 1960s), although project progress tables are still used. Of particular interest is material in the Early Work and Miscellaneous Records file (AP144.S2.D1) that relates to office work methods and programmes.
Personnes et institutions:
Date:
1903-2003, predominant 1960-2000
1903-2003, predominant 1960-2000
Titre:
Projects
Actions:
AP144.S2
Description:
Series documents Cedric Price's projects from his early work in the late 1950s to work dating from the time he founded his own practice in 1960 until 2000. Material includes numerous competition entries, planning and building projects, transportation-related projects, exhibitions, conceptual projects, furniture and interior designs, and monuments, follies, and decorations. Some projects also reflect his teaching, research, lecture and publication activities. Price also worked on several competition juries (see projects Musique, Elephant). Many of Cedric Price's projects in the series are unexecuted. Significant unrealized projects from the 1960s and 1970s include Fun Palace (1961-1974), Potteries Thinkbelt (1963-1967), Oxford Corner House (1965-1966), and Generator (1976-1980). Significant built projects from the same period include the New Aviary (1960-1966), his first major realized project (with Lord Snowdon and Frank Newby), and Inter-Action Centre (1971-1979). Other realized projects include an office building (BTDB Computer, 1968-1973) and restaurant (Blackpool Project, 1971-1975). Planning projects from the 1960s and 1970s include Potteries Thinkbelt, Detroit Think Grid (1969-1971) and Rice University's design charette, Atom (1967). In the 1980s and 1990s, Cedric Price worked on several building proposals including greenhouses (Serre, Serre (2)), museums, galleries, and pavilions (Trafalgar, Pertpavs, Snake), a railway station (Strate (2)), a cultural centre (Tiff), houses (Perthut, Castel), a bus station (Walsall), an aviary (CP Aviary) and office buildings (Domain, Berlin). Planning projects from the same time include parks and cultural complexes, (Parc, South Bank), urban areas, (Strate, Stratton, IFPRI, Haven, Mills), university campuses (Frankfurt, Unibad, Bedford), and rural areas (Stark, Arkage). Transportation-related projects include railways (Strate, Control, Rink), roadways (Stratton) and pedestrian links (Magnet, Halmag, South Bank). Only a few of his projects from that period were executed and those include the renovation projects Congress and SAS 29; a mobile market stall design for Westminster City Council (Westal) for which prototypes were built; a coffee cup design (Crowbar); and building conversion projects Gatard and Juke. Exhibition projects in the series include some devoted to Cedric Price's works (AA Exhibition, Aedes, AFX, Afella), some designed by him (Strike, Food for the Future, Topolski/Waterloo, Ashmole, Mean, AFX), as well as projects designed for exhibition (Citlin, Castel). The series also contains self-financed research and client-less projects, which form a significant part of Cedric Price's practice. Undertaken in anticipation of future clients or new planning needs, they include research into air structures and lightweight enclosures as well as integrated construction and transportation solutions (Trucksafe Air Portable Dock Ahoy), and housing research. South Bank, Magnet, and Duck Land represent a few of the client-less projects. The material in this series documents Cedric Price's work in the United Kingdom, in particular England (the Greater London area, and other areas) and Scotland, Germany, France, Austria, Australia, Japan, the United Arab Emirates, and the United States and other locations such as Canada, Nigeria, and Norway. Major clients include J. Lyons & Co. (Oxford Corner House), David Keddie (Two Tree Island, Southend Roof), Howard Gilman (Generator), British Railways (Strate and Strate (2), and others), the McAlpine family , particularly Alistair McAlpine, and their company Sir Robert McAlpine & Sons Ltd. (McAppy, Perthut, Trafalgar, Pertpavs, Ashmole, Perth, Obeliq, McVance); Établissement Public du Parc de la Villette (Parc, Serre, Serre (2), Musique) and the Canadian Centre for Architecture (IFPRI, Mean). He collaborated with several architects and engineers during the course of his career, his closest association being with engineer Frank Newby and quantity surveyor Douglas Smith. Some of his other collaborators include engineer Max Fordham (Strate (2), Tiff, Berlin), engineering firms Scott Wilson Kirkpatrick and Partners (Stratton, Rink, Control), and Sir Frederick Snow & Partners (South Bank), cybernetician Gordon Pask (Kawasaki/Japnet), architectural firm YRM/Yorke Rosenberg Mardall (Unibad), and architect Richard Rogers (Marman). He also collaborated with members of Archigram on the Trondheim Competition, (1972-1974), and with John and Julia Frazer who provided the computer modelling for Generator. David Price, Cedric Price's brother was the model maker for several projects. The series contains conceptual drawings, design development drawings, reference drawings and maps, presentation drawings (particularly for competitions), and working drawings. A significant amount of textual records are included, especially for projects involving a large amount of research or publicity (Air Structures, Lightweight Enclosures, South Bank, CP Aviary, Stratton), for executed projects, and for the larger unrealized projects like Fun Palace and Generator. Also includes photographic materials of project sites and models. Some models included in the series are made from durable materials (wood, metal, plastic), while others are in-office constructions made out of paper, cardboard and Fome-Cor (TM). Of particular note are the 11 models for Magnet, and a full-size prototype of a market stall for Westal. Series also contains publication layouts, including material for the "Cedric Price Supplement", 'Architectural Design' vols. 40- 42 (1970-1972). Changes in office practice are noted around 1971, evident in the Blackpool Project and later, including the adoption of the metric system, and the creation of working and detail drawings on A4 size paper and filed with textual records (e.g. approximately 300 such drawings are included in the textual records for Blackpool Project). At the same time fewer preamble drawings that relate to site sensing, progress and life-cycle graphs and tables are created for the projects (a common feature from the 1960s), although project progress tables are still used. Of particular interest is material in the Early Work and Miscellaneous Records file (AP144.S2.D1) that relates to office work methods and programmes.
Projects
Actions:
AP144.S2
Description:
Series documents Cedric Price's projects from his early work in the late 1950s to work dating from the time he founded his own practice in 1960 until 2000. Material includes numerous competition entries, planning and building projects, transportation-related projects, exhibitions, conceptual projects, furniture and interior designs, and monuments, follies, and decorations. Some projects also reflect his teaching, research, lecture and publication activities. Price also worked on several competition juries (see projects Musique, Elephant). Many of Cedric Price's projects in the series are unexecuted. Significant unrealized projects from the 1960s and 1970s include Fun Palace (1961-1974), Potteries Thinkbelt (1963-1967), Oxford Corner House (1965-1966), and Generator (1976-1980). Significant built projects from the same period include the New Aviary (1960-1966), his first major realized project (with Lord Snowdon and Frank Newby), and Inter-Action Centre (1971-1979). Other realized projects include an office building (BTDB Computer, 1968-1973) and restaurant (Blackpool Project, 1971-1975). Planning projects from the 1960s and 1970s include Potteries Thinkbelt, Detroit Think Grid (1969-1971) and Rice University's design charette, Atom (1967). In the 1980s and 1990s, Cedric Price worked on several building proposals including greenhouses (Serre, Serre (2)), museums, galleries, and pavilions (Trafalgar, Pertpavs, Snake), a railway station (Strate (2)), a cultural centre (Tiff), houses (Perthut, Castel), a bus station (Walsall), an aviary (CP Aviary) and office buildings (Domain, Berlin). Planning projects from the same time include parks and cultural complexes, (Parc, South Bank), urban areas, (Strate, Stratton, IFPRI, Haven, Mills), university campuses (Frankfurt, Unibad, Bedford), and rural areas (Stark, Arkage). Transportation-related projects include railways (Strate, Control, Rink), roadways (Stratton) and pedestrian links (Magnet, Halmag, South Bank). Only a few of his projects from that period were executed and those include the renovation projects Congress and SAS 29; a mobile market stall design for Westminster City Council (Westal) for which prototypes were built; a coffee cup design (Crowbar); and building conversion projects Gatard and Juke. Exhibition projects in the series include some devoted to Cedric Price's works (AA Exhibition, Aedes, AFX, Afella), some designed by him (Strike, Food for the Future, Topolski/Waterloo, Ashmole, Mean, AFX), as well as projects designed for exhibition (Citlin, Castel). The series also contains self-financed research and client-less projects, which form a significant part of Cedric Price's practice. Undertaken in anticipation of future clients or new planning needs, they include research into air structures and lightweight enclosures as well as integrated construction and transportation solutions (Trucksafe Air Portable Dock Ahoy), and housing research. South Bank, Magnet, and Duck Land represent a few of the client-less projects. The material in this series documents Cedric Price's work in the United Kingdom, in particular England (the Greater London area, and other areas) and Scotland, Germany, France, Austria, Australia, Japan, the United Arab Emirates, and the United States and other locations such as Canada, Nigeria, and Norway. Major clients include J. Lyons & Co. (Oxford Corner House), David Keddie (Two Tree Island, Southend Roof), Howard Gilman (Generator), British Railways (Strate and Strate (2), and others), the McAlpine family , particularly Alistair McAlpine, and their company Sir Robert McAlpine & Sons Ltd. (McAppy, Perthut, Trafalgar, Pertpavs, Ashmole, Perth, Obeliq, McVance); Établissement Public du Parc de la Villette (Parc, Serre, Serre (2), Musique) and the Canadian Centre for Architecture (IFPRI, Mean). He collaborated with several architects and engineers during the course of his career, his closest association being with engineer Frank Newby and quantity surveyor Douglas Smith. Some of his other collaborators include engineer Max Fordham (Strate (2), Tiff, Berlin), engineering firms Scott Wilson Kirkpatrick and Partners (Stratton, Rink, Control), and Sir Frederick Snow & Partners (South Bank), cybernetician Gordon Pask (Kawasaki/Japnet), architectural firm YRM/Yorke Rosenberg Mardall (Unibad), and architect Richard Rogers (Marman). He also collaborated with members of Archigram on the Trondheim Competition, (1972-1974), and with John and Julia Frazer who provided the computer modelling for Generator. David Price, Cedric Price's brother was the model maker for several projects. The series contains conceptual drawings, design development drawings, reference drawings and maps, presentation drawings (particularly for competitions), and working drawings. A significant amount of textual records are included, especially for projects involving a large amount of research or publicity (Air Structures, Lightweight Enclosures, South Bank, CP Aviary, Stratton), for executed projects, and for the larger unrealized projects like Fun Palace and Generator. Also includes photographic materials of project sites and models. Some models included in the series are made from durable materials (wood, metal, plastic), while others are in-office constructions made out of paper, cardboard and Fome-Cor (TM). Of particular note are the 11 models for Magnet, and a full-size prototype of a market stall for Westal. Series also contains publication layouts, including material for the "Cedric Price Supplement", 'Architectural Design' vols. 40- 42 (1970-1972). Changes in office practice are noted around 1971, evident in the Blackpool Project and later, including the adoption of the metric system, and the creation of working and detail drawings on A4 size paper and filed with textual records (e.g. approximately 300 such drawings are included in the textual records for Blackpool Project). At the same time fewer preamble drawings that relate to site sensing, progress and life-cycle graphs and tables are created for the projects (a common feature from the 1960s), although project progress tables are still used. Of particular interest is material in the Early Work and Miscellaneous Records file (AP144.S2.D1) that relates to office work methods and programmes.
Niveau de description archivistique:
Series
Series
Date:
1903-2003, predominant 1960-2000
1903-2003, predominant 1960-2000
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
AP197.S2.019
Description:
The box includes writings about Kundera and Tschumi, the poetics of performance, realism and nationalism, medieval Japanese thought, Francesco Rosi, Gustav Mahler, and theatre/cinema. Also included are copies of various publications such as the ARUP Journal (1981), the Granda catalogue (1990), History and Truth by Paul Ricoeur (1965), the Pecularities of English by E.P. Thompson, and German art and German politics by Richard Wagner.
AP197.S2.019
Description:
The box includes writings about Kundera and Tschumi, the poetics of performance, realism and nationalism, medieval Japanese thought, Francesco Rosi, Gustav Mahler, and theatre/cinema. Also included are copies of various publications such as the ARUP Journal (1981), the Granda catalogue (1990), History and Truth by Paul Ricoeur (1965), the Pecularities of English by E.P. Thompson, and German art and German politics by Richard Wagner.
Personnes et institutions:
Date:
circa 1961- 1990
circa 1961- 1990
Titre:
Various research files about theory, history, art, and the avant-garde
Actions:
AP197.S2.019
Description:
The box includes writings about Kundera and Tschumi, the poetics of performance, realism and nationalism, medieval Japanese thought, Francesco Rosi, Gustav Mahler, and theatre/cinema. Also included are copies of various publications such as the ARUP Journal (1981), the Granda catalogue (1990), History and Truth by Paul Ricoeur (1965), the Pecularities of English by E.P. Thompson, and German art and German politics by Richard Wagner.
Various research files about theory, history, art, and the avant-garde
Actions:
AP197.S2.019
Description:
The box includes writings about Kundera and Tschumi, the poetics of performance, realism and nationalism, medieval Japanese thought, Francesco Rosi, Gustav Mahler, and theatre/cinema. Also included are copies of various publications such as the ARUP Journal (1981), the Granda catalogue (1990), History and Truth by Paul Ricoeur (1965), the Pecularities of English by E.P. Thompson, and German art and German politics by Richard Wagner.
Classification:
documents textuels
documents textuels
Date:
circa 1961- 1990
circa 1961- 1990
Personnes et institutions:
Classification:
graphique
graphique
Numéro de référence:
ARCH153789
Description:
Various posters advertising IAUS related programming and publications: Oppositions, nos 5, 6, 7, 8; 1975 (2) Oppositions Books, [no date] (2) A New Wave of Japanese Architecture; September 25 to November 14, 1978 (2) A New Wave of Austrian Architecture; March 24 to May 19, 1980 (2) The Advanced Studio Workshop: '80/'81 (2)
ARCH153789
Description:
Various posters advertising IAUS related programming and publications: Oppositions, nos 5, 6, 7, 8; 1975 (2) Oppositions Books, [no date] (2) A New Wave of Japanese Architecture; September 25 to November 14, 1978 (2) A New Wave of Austrian Architecture; March 24 to May 19, 1980 (2) The Advanced Studio Workshop: '80/'81 (2)
Personnes et institutions:
Date:
1975-1981
1975-1981
Titre:
Various posters advertising IAUS related programming and publications
Actions:
ARCH153789
Description:
Various posters advertising IAUS related programming and publications: Oppositions, nos 5, 6, 7, 8; 1975 (2) Oppositions Books, [no date] (2) A New Wave of Japanese Architecture; September 25 to November 14, 1978 (2) A New Wave of Austrian Architecture; March 24 to May 19, 1980 (2) The Advanced Studio Workshop: '80/'81 (2)
Various posters advertising IAUS related programming and publications
Actions:
ARCH153789
Description:
Various posters advertising IAUS related programming and publications: Oppositions, nos 5, 6, 7, 8; 1975 (2) Oppositions Books, [no date] (2) A New Wave of Japanese Architecture; September 25 to November 14, 1978 (2) A New Wave of Austrian Architecture; March 24 to May 19, 1980 (2) The Advanced Studio Workshop: '80/'81 (2)
Classification:
graphique
graphique
Date:
1975-1981
1975-1981
Personnes et institutions:
Numéro de référence:
ARCH273835
Description:
Honours given to Arthur Erickson, including a plaque from the S-20 & Nisei Veteran's Association recognizing the group of veterans who where in or attached to the Canadian Intelligence Corps for duties involving the use of Japanese Language during World War II, medal and plaque of appreciation from the National Ballet of Canada and the Ballet British Columbia, Letter of Appointment (carved wood) for the Advisory Board of Kumming Urban Planning.
ARCH273835
Description:
Honours given to Arthur Erickson, including a plaque from the S-20 & Nisei Veteran's Association recognizing the group of veterans who where in or attached to the Canadian Intelligence Corps for duties involving the use of Japanese Language during World War II, medal and plaque of appreciation from the National Ballet of Canada and the Ballet British Columbia, Letter of Appointment (carved wood) for the Advisory Board of Kumming Urban Planning.
Personnes et institutions:
Date:
1989-2004
1989-2004
Titre:
Various awards and honours to Arthur Erickson
Actions:
ARCH273835
Description:
Honours given to Arthur Erickson, including a plaque from the S-20 & Nisei Veteran's Association recognizing the group of veterans who where in or attached to the Canadian Intelligence Corps for duties involving the use of Japanese Language during World War II, medal and plaque of appreciation from the National Ballet of Canada and the Ballet British Columbia, Letter of Appointment (carved wood) for the Advisory Board of Kumming Urban Planning.
Various awards and honours to Arthur Erickson
Actions:
ARCH273835
Description:
Honours given to Arthur Erickson, including a plaque from the S-20 & Nisei Veteran's Association recognizing the group of veterans who where in or attached to the Canadian Intelligence Corps for duties involving the use of Japanese Language during World War II, medal and plaque of appreciation from the National Ballet of Canada and the Ballet British Columbia, Letter of Appointment (carved wood) for the Advisory Board of Kumming Urban Planning.
Date:
1989-2004
1989-2004
Personnes et institutions:
