956 Résultats
Classification:
photographies
photographies
Numéro de référence:
DR2012:0012:089:006
Description:
Ring binder containing slides and transparencies related to the following projects: - Une construction à Québec 1989 (81 slides, including 10 duplicates and 6 transparencies); - The garden of a garden, Halifax 1993 (11 slides); - Canada memorial, Green park, London 1993 (5 slides, 1 transparency); - Une oeuvre d'art public à la place de l'Assemblée nationale, Québec, 1999-2000 (19 slides, including 15 duplicates); - Usines, poteaux, maisons, drapeaux, Montréal 2000 (2 slides); - Unidentified, 2003 (2 slides). Binder labelled: PUBLIC ART ORIGINAL SLIDES / 1
DR2012:0012:089:006
Description:
Ring binder containing slides and transparencies related to the following projects: - Une construction à Québec 1989 (81 slides, including 10 duplicates and 6 transparencies); - The garden of a garden, Halifax 1993 (11 slides); - Canada memorial, Green park, London 1993 (5 slides, 1 transparency); - Une oeuvre d'art public à la place de l'Assemblée nationale, Québec, 1999-2000 (19 slides, including 15 duplicates); - Usines, poteaux, maisons, drapeaux, Montréal 2000 (2 slides); - Unidentified, 2003 (2 slides). Binder labelled: PUBLIC ART ORIGINAL SLIDES / 1
Personnes et institutions:
Date:
1989-2003
1989-2003
Titre:
Photographs of various public art projects by Melvin Charney
Actions:
DR2012:0012:089:006
Description:
Ring binder containing slides and transparencies related to the following projects: - Une construction à Québec 1989 (81 slides, including 10 duplicates and 6 transparencies); - The garden of a garden, Halifax 1993 (11 slides); - Canada memorial, Green park, London 1993 (5 slides, 1 transparency); - Une oeuvre d'art public à la place de l'Assemblée nationale, Québec, 1999-2000 (19 slides, including 15 duplicates); - Usines, poteaux, maisons, drapeaux, Montréal 2000 (2 slides); - Unidentified, 2003 (2 slides). Binder labelled: PUBLIC ART ORIGINAL SLIDES / 1
Photographs of various public art projects by Melvin Charney
Actions:
DR2012:0012:089:006
Description:
Ring binder containing slides and transparencies related to the following projects: - Une construction à Québec 1989 (81 slides, including 10 duplicates and 6 transparencies); - The garden of a garden, Halifax 1993 (11 slides); - Canada memorial, Green park, London 1993 (5 slides, 1 transparency); - Une oeuvre d'art public à la place de l'Assemblée nationale, Québec, 1999-2000 (19 slides, including 15 duplicates); - Usines, poteaux, maisons, drapeaux, Montréal 2000 (2 slides); - Unidentified, 2003 (2 slides). Binder labelled: PUBLIC ART ORIGINAL SLIDES / 1
Classification:
photographies
photographies
Date:
1989-2003
1989-2003
Personnes et institutions:
Titre:
Équipement photographique
Équipement photographique
Numéro de référence:
ARCH250572
Description:
- 1 boîte de caméra "Minoxb" contenant des manuels d'instructions pour les produits "Minoxir"; - "bandes enregistreuses Le Luminographe" dans leur boîte; - 1 boîte vide portant l'inscription "MINOX / Stativkopf / Tripod Clamp"; - 1 déclencheur souple double de marque E. Leitz Wetzlar; - 1 ensemble "Le Luminographe" dans sa boîte (usage inconnu; boîte incomplète); - 1 objectif pour portrait pour chambre grand format portant l'inscription "7806 / Quick Acting / V / 8 [?] / A / Portrait Lens. Patent"; - 1 trépied de marque Minox dans un étui en cuirette; - 1 trépied dans un étui en cuir; - 1 trépied de marque E. Leitz Wetzlar "ROWI" et une tête de trépied assemblés; - 1 miroir (pour agrandisseur?) dans un emballage de papier kraft
ARCH250572
Description:
- 1 boîte de caméra "Minoxb" contenant des manuels d'instructions pour les produits "Minoxir"; - "bandes enregistreuses Le Luminographe" dans leur boîte; - 1 boîte vide portant l'inscription "MINOX / Stativkopf / Tripod Clamp"; - 1 déclencheur souple double de marque E. Leitz Wetzlar; - 1 ensemble "Le Luminographe" dans sa boîte (usage inconnu; boîte incomplète); - 1 objectif pour portrait pour chambre grand format portant l'inscription "7806 / Quick Acting / V / 8 [?] / A / Portrait Lens. Patent"; - 1 trépied de marque Minox dans un étui en cuirette; - 1 trépied dans un étui en cuir; - 1 trépied de marque E. Leitz Wetzlar "ROWI" et une tête de trépied assemblés; - 1 miroir (pour agrandisseur?) dans un emballage de papier kraft
Personnes et institutions:
Titre:
Équipement photographique
Actions:
ARCH250572
Description:
- 1 boîte de caméra "Minoxb" contenant des manuels d'instructions pour les produits "Minoxir"; - "bandes enregistreuses Le Luminographe" dans leur boîte; - 1 boîte vide portant l'inscription "MINOX / Stativkopf / Tripod Clamp"; - 1 déclencheur souple double de marque E. Leitz Wetzlar; - 1 ensemble "Le Luminographe" dans sa boîte (usage inconnu; boîte incomplète); - 1 objectif pour portrait pour chambre grand format portant l'inscription "7806 / Quick Acting / V / 8 [?] / A / Portrait Lens. Patent"; - 1 trépied de marque Minox dans un étui en cuirette; - 1 trépied dans un étui en cuir; - 1 trépied de marque E. Leitz Wetzlar "ROWI" et une tête de trépied assemblés; - 1 miroir (pour agrandisseur?) dans un emballage de papier kraft
Équipement photographique
Actions:
ARCH250572
Description:
- 1 boîte de caméra "Minoxb" contenant des manuels d'instructions pour les produits "Minoxir"; - "bandes enregistreuses Le Luminographe" dans leur boîte; - 1 boîte vide portant l'inscription "MINOX / Stativkopf / Tripod Clamp"; - 1 déclencheur souple double de marque E. Leitz Wetzlar; - 1 ensemble "Le Luminographe" dans sa boîte (usage inconnu; boîte incomplète); - 1 objectif pour portrait pour chambre grand format portant l'inscription "7806 / Quick Acting / V / 8 [?] / A / Portrait Lens. Patent"; - 1 trépied de marque Minox dans un étui en cuirette; - 1 trépied dans un étui en cuir; - 1 trépied de marque E. Leitz Wetzlar "ROWI" et une tête de trépied assemblés; - 1 miroir (pour agrandisseur?) dans un emballage de papier kraft
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Architectural projects
Architectural projects
Numéro de référence:
AP178.S1
Description:
Series AP178.S1 is the largest series of the Álvaro Siza fonds and documents over 200 of Siza’s built and unbuilt architectural projects. The series is divided into project series which are arranged chronologically by project year. Presently, materials in this series range from 1958-2012. The CCA will also receive materials documenting Siza’s more recent work in future additions. Documenting the projects are conceptual, design, presentation, and working drawings, as well as photographic materials, textual documentation, and models. Although the drawings for each project have been identified, Siza often sketches or doodles on textual documentation, such as minutes of meetings or notes. When possible, folders that include textual documents with sketches or doodles have been identified. Amounts and types of materials vary from project to project. Project documentation is usually in Portuguese, with some exceptions including French, English, German, and Dutch. Most project series include sketches, studies, and working drawings. Other drawings included are site plans, floor plans, topographic surveys, elevations, sections, as well as technical and mechanical details. Also documenting the projects are photographic materials and textual documentation, such as correspondence, building programs, contracts, notes, and other working details. Photographic materials found within this archive are slides, negatives, photomontages and photographs of project sites and models.The photomontages were often used to study the function of the project site. To fully understand Siza’s methodology, sketchbooks (Series AP178.S2) should be viewed alongside the project drawings, when possible. Each project series description highlights sketchbooks in series AP178.S2 which contain related sketches. It is important to note that not all projects are represented in the sketchbooks in Series AP178.S2. Moreover, project series descriptions only list related sketchbooks when sketches have been positively identified as related to the corresponding project. The Siza fonds will be processed in four phases. The materials processed in the first, second, and third phases are architectural projects from the 1950’s, 1960’s, and 1970’s; urban planning projects; Reconstrução do Chiado; Berlin projects submitted to the IBA competition; cultural institutions; individual houses; and the Plano de urbanização Deelgebied 5 Schilderswijk-West in The Hague. Among The Hague and the Berlin projects are the Punt en Komma social housing, Bonjour Tristesse, and the Residential settlement in Schilderswijk. This series is better understood in the context of how the records for architectural projects were arranged by Siza’s office. Earlier projects were initially numbered by Siza’s office and then received new project numbers by the office archivist, who joined the office in the 1990s. Project files have been kept in the order in which they were received by the CCA, which is how they were arranged by the office archivist. The project numbers and dates assigned by Siza’s office archivist are included in the descriptions for each project and form the basis for the arrangement of this series. The office archivist numbered projects consecutively by decade, for instance, 58/80 was the 58th project during the 1980s. Numbers which were included in square brackets, ex. [14]/75, show that the project was not a ‘full’ project and contains a small amount of documentation. When projects are followed by a letter (A, B, C) this signifies a project is connected to the first. When the project number is followed by a number (1, 2, 3) this signifies a separate building within a larger project. For the purposes of arrangement, project numbers that were assigned a letter or number are arranged as sub-series of the related project series. Exceptions to this numbering convention are projects 23/60, 25/60, 28/60, 33/60, 34/60 and 35/60. These projects were not in the office’s original project list and were not officially considered projects. The office archivist assembled documentation related to these projects and assigned them numbers. In the early 2000s a large number of photographic materials were gathered together by the office archivist from various correspondence files for a digitization project initiated by the office. These materials remained housed together as a photograph collection in the office. Not all of these materials were digitized by the office. Those that were digitized were assigned numbers which have been identified in the file descriptions. It is important to note that several photographic materials were left with the textual documentation or drawings. When this is the case they are identified in the file description. There are also several panoramic photomontages which were created by either gluing or taping several photographs together to make panoramas of project sites.
AP178.S1
Description:
Series AP178.S1 is the largest series of the Álvaro Siza fonds and documents over 200 of Siza’s built and unbuilt architectural projects. The series is divided into project series which are arranged chronologically by project year. Presently, materials in this series range from 1958-2012. The CCA will also receive materials documenting Siza’s more recent work in future additions. Documenting the projects are conceptual, design, presentation, and working drawings, as well as photographic materials, textual documentation, and models. Although the drawings for each project have been identified, Siza often sketches or doodles on textual documentation, such as minutes of meetings or notes. When possible, folders that include textual documents with sketches or doodles have been identified. Amounts and types of materials vary from project to project. Project documentation is usually in Portuguese, with some exceptions including French, English, German, and Dutch. Most project series include sketches, studies, and working drawings. Other drawings included are site plans, floor plans, topographic surveys, elevations, sections, as well as technical and mechanical details. Also documenting the projects are photographic materials and textual documentation, such as correspondence, building programs, contracts, notes, and other working details. Photographic materials found within this archive are slides, negatives, photomontages and photographs of project sites and models.The photomontages were often used to study the function of the project site. To fully understand Siza’s methodology, sketchbooks (Series AP178.S2) should be viewed alongside the project drawings, when possible. Each project series description highlights sketchbooks in series AP178.S2 which contain related sketches. It is important to note that not all projects are represented in the sketchbooks in Series AP178.S2. Moreover, project series descriptions only list related sketchbooks when sketches have been positively identified as related to the corresponding project. The Siza fonds will be processed in four phases. The materials processed in the first, second, and third phases are architectural projects from the 1950’s, 1960’s, and 1970’s; urban planning projects; Reconstrução do Chiado; Berlin projects submitted to the IBA competition; cultural institutions; individual houses; and the Plano de urbanização Deelgebied 5 Schilderswijk-West in The Hague. Among The Hague and the Berlin projects are the Punt en Komma social housing, Bonjour Tristesse, and the Residential settlement in Schilderswijk. This series is better understood in the context of how the records for architectural projects were arranged by Siza’s office. Earlier projects were initially numbered by Siza’s office and then received new project numbers by the office archivist, who joined the office in the 1990s. Project files have been kept in the order in which they were received by the CCA, which is how they were arranged by the office archivist. The project numbers and dates assigned by Siza’s office archivist are included in the descriptions for each project and form the basis for the arrangement of this series. The office archivist numbered projects consecutively by decade, for instance, 58/80 was the 58th project during the 1980s. Numbers which were included in square brackets, ex. [14]/75, show that the project was not a ‘full’ project and contains a small amount of documentation. When projects are followed by a letter (A, B, C) this signifies a project is connected to the first. When the project number is followed by a number (1, 2, 3) this signifies a separate building within a larger project. For the purposes of arrangement, project numbers that were assigned a letter or number are arranged as sub-series of the related project series. Exceptions to this numbering convention are projects 23/60, 25/60, 28/60, 33/60, 34/60 and 35/60. These projects were not in the office’s original project list and were not officially considered projects. The office archivist assembled documentation related to these projects and assigned them numbers. In the early 2000s a large number of photographic materials were gathered together by the office archivist from various correspondence files for a digitization project initiated by the office. These materials remained housed together as a photograph collection in the office. Not all of these materials were digitized by the office. Those that were digitized were assigned numbers which have been identified in the file descriptions. It is important to note that several photographic materials were left with the textual documentation or drawings. When this is the case they are identified in the file description. There are also several panoramic photomontages which were created by either gluing or taping several photographs together to make panoramas of project sites.
Personnes et institutions:
Date:
1948-2012
1948-2012
Titre:
Architectural projects
Actions:
AP178.S1
Description:
Series AP178.S1 is the largest series of the Álvaro Siza fonds and documents over 200 of Siza’s built and unbuilt architectural projects. The series is divided into project series which are arranged chronologically by project year. Presently, materials in this series range from 1958-2012. The CCA will also receive materials documenting Siza’s more recent work in future additions. Documenting the projects are conceptual, design, presentation, and working drawings, as well as photographic materials, textual documentation, and models. Although the drawings for each project have been identified, Siza often sketches or doodles on textual documentation, such as minutes of meetings or notes. When possible, folders that include textual documents with sketches or doodles have been identified. Amounts and types of materials vary from project to project. Project documentation is usually in Portuguese, with some exceptions including French, English, German, and Dutch. Most project series include sketches, studies, and working drawings. Other drawings included are site plans, floor plans, topographic surveys, elevations, sections, as well as technical and mechanical details. Also documenting the projects are photographic materials and textual documentation, such as correspondence, building programs, contracts, notes, and other working details. Photographic materials found within this archive are slides, negatives, photomontages and photographs of project sites and models.The photomontages were often used to study the function of the project site. To fully understand Siza’s methodology, sketchbooks (Series AP178.S2) should be viewed alongside the project drawings, when possible. Each project series description highlights sketchbooks in series AP178.S2 which contain related sketches. It is important to note that not all projects are represented in the sketchbooks in Series AP178.S2. Moreover, project series descriptions only list related sketchbooks when sketches have been positively identified as related to the corresponding project. The Siza fonds will be processed in four phases. The materials processed in the first, second, and third phases are architectural projects from the 1950’s, 1960’s, and 1970’s; urban planning projects; Reconstrução do Chiado; Berlin projects submitted to the IBA competition; cultural institutions; individual houses; and the Plano de urbanização Deelgebied 5 Schilderswijk-West in The Hague. Among The Hague and the Berlin projects are the Punt en Komma social housing, Bonjour Tristesse, and the Residential settlement in Schilderswijk. This series is better understood in the context of how the records for architectural projects were arranged by Siza’s office. Earlier projects were initially numbered by Siza’s office and then received new project numbers by the office archivist, who joined the office in the 1990s. Project files have been kept in the order in which they were received by the CCA, which is how they were arranged by the office archivist. The project numbers and dates assigned by Siza’s office archivist are included in the descriptions for each project and form the basis for the arrangement of this series. The office archivist numbered projects consecutively by decade, for instance, 58/80 was the 58th project during the 1980s. Numbers which were included in square brackets, ex. [14]/75, show that the project was not a ‘full’ project and contains a small amount of documentation. When projects are followed by a letter (A, B, C) this signifies a project is connected to the first. When the project number is followed by a number (1, 2, 3) this signifies a separate building within a larger project. For the purposes of arrangement, project numbers that were assigned a letter or number are arranged as sub-series of the related project series. Exceptions to this numbering convention are projects 23/60, 25/60, 28/60, 33/60, 34/60 and 35/60. These projects were not in the office’s original project list and were not officially considered projects. The office archivist assembled documentation related to these projects and assigned them numbers. In the early 2000s a large number of photographic materials were gathered together by the office archivist from various correspondence files for a digitization project initiated by the office. These materials remained housed together as a photograph collection in the office. Not all of these materials were digitized by the office. Those that were digitized were assigned numbers which have been identified in the file descriptions. It is important to note that several photographic materials were left with the textual documentation or drawings. When this is the case they are identified in the file description. There are also several panoramic photomontages which were created by either gluing or taping several photographs together to make panoramas of project sites.
Architectural projects
Actions:
AP178.S1
Description:
Series AP178.S1 is the largest series of the Álvaro Siza fonds and documents over 200 of Siza’s built and unbuilt architectural projects. The series is divided into project series which are arranged chronologically by project year. Presently, materials in this series range from 1958-2012. The CCA will also receive materials documenting Siza’s more recent work in future additions. Documenting the projects are conceptual, design, presentation, and working drawings, as well as photographic materials, textual documentation, and models. Although the drawings for each project have been identified, Siza often sketches or doodles on textual documentation, such as minutes of meetings or notes. When possible, folders that include textual documents with sketches or doodles have been identified. Amounts and types of materials vary from project to project. Project documentation is usually in Portuguese, with some exceptions including French, English, German, and Dutch. Most project series include sketches, studies, and working drawings. Other drawings included are site plans, floor plans, topographic surveys, elevations, sections, as well as technical and mechanical details. Also documenting the projects are photographic materials and textual documentation, such as correspondence, building programs, contracts, notes, and other working details. Photographic materials found within this archive are slides, negatives, photomontages and photographs of project sites and models.The photomontages were often used to study the function of the project site. To fully understand Siza’s methodology, sketchbooks (Series AP178.S2) should be viewed alongside the project drawings, when possible. Each project series description highlights sketchbooks in series AP178.S2 which contain related sketches. It is important to note that not all projects are represented in the sketchbooks in Series AP178.S2. Moreover, project series descriptions only list related sketchbooks when sketches have been positively identified as related to the corresponding project. The Siza fonds will be processed in four phases. The materials processed in the first, second, and third phases are architectural projects from the 1950’s, 1960’s, and 1970’s; urban planning projects; Reconstrução do Chiado; Berlin projects submitted to the IBA competition; cultural institutions; individual houses; and the Plano de urbanização Deelgebied 5 Schilderswijk-West in The Hague. Among The Hague and the Berlin projects are the Punt en Komma social housing, Bonjour Tristesse, and the Residential settlement in Schilderswijk. This series is better understood in the context of how the records for architectural projects were arranged by Siza’s office. Earlier projects were initially numbered by Siza’s office and then received new project numbers by the office archivist, who joined the office in the 1990s. Project files have been kept in the order in which they were received by the CCA, which is how they were arranged by the office archivist. The project numbers and dates assigned by Siza’s office archivist are included in the descriptions for each project and form the basis for the arrangement of this series. The office archivist numbered projects consecutively by decade, for instance, 58/80 was the 58th project during the 1980s. Numbers which were included in square brackets, ex. [14]/75, show that the project was not a ‘full’ project and contains a small amount of documentation. When projects are followed by a letter (A, B, C) this signifies a project is connected to the first. When the project number is followed by a number (1, 2, 3) this signifies a separate building within a larger project. For the purposes of arrangement, project numbers that were assigned a letter or number are arranged as sub-series of the related project series. Exceptions to this numbering convention are projects 23/60, 25/60, 28/60, 33/60, 34/60 and 35/60. These projects were not in the office’s original project list and were not officially considered projects. The office archivist assembled documentation related to these projects and assigned them numbers. In the early 2000s a large number of photographic materials were gathered together by the office archivist from various correspondence files for a digitization project initiated by the office. These materials remained housed together as a photograph collection in the office. Not all of these materials were digitized by the office. Those that were digitized were assigned numbers which have been identified in the file descriptions. It is important to note that several photographic materials were left with the textual documentation or drawings. When this is the case they are identified in the file description. There are also several panoramic photomontages which were created by either gluing or taping several photographs together to make panoramas of project sites.
Niveau de description archivistique:
Series
Series
Date:
1948-2012
1948-2012
Personnes et institutions:
Classification:
dessins, photographies
dessins, photographies
Numéro de référence:
ARCH270961
Description:
The materials was probably assembled for the publication El Croquis, no 118, in 2004. Contains documents from the following projects by Abalos & Herreros: - Fira 2000, Barcelona; - Centro de cirugía de mínima invasión, Cáceres; - Torres mixtas bioclimáticas en el Humedal de Salburua, Vitoria; - Planta de reciclaje de residuos urbanos de Valdemingómez; - Barcelona Forum 2004: Parque litroral nord-est, Barcelona; - Pabellón de gimnasia en el parque del Retiro; - Biblioteca Usera, Madrid; - Barcelona Forum 2004: Tersa/Edificio de oficinas y planta integral de RSU; - New Museum de Arte Contemporáneo, New York; - Plaza y torre Woermann, Las Palmas.
ARCH270961
Description:
The materials was probably assembled for the publication El Croquis, no 118, in 2004. Contains documents from the following projects by Abalos & Herreros: - Fira 2000, Barcelona; - Centro de cirugía de mínima invasión, Cáceres; - Torres mixtas bioclimáticas en el Humedal de Salburua, Vitoria; - Planta de reciclaje de residuos urbanos de Valdemingómez; - Barcelona Forum 2004: Parque litroral nord-est, Barcelona; - Pabellón de gimnasia en el parque del Retiro; - Biblioteca Usera, Madrid; - Barcelona Forum 2004: Tersa/Edificio de oficinas y planta integral de RSU; - New Museum de Arte Contemporáneo, New York; - Plaza y torre Woermann, Las Palmas.
Personnes et institutions:
Date:
1995-2004
1995-2004
Titre:
Portfolio containing a selection of plans and graphic materials for the publication El Croquis
Actions:
ARCH270961
Description:
The materials was probably assembled for the publication El Croquis, no 118, in 2004. Contains documents from the following projects by Abalos & Herreros: - Fira 2000, Barcelona; - Centro de cirugía de mínima invasión, Cáceres; - Torres mixtas bioclimáticas en el Humedal de Salburua, Vitoria; - Planta de reciclaje de residuos urbanos de Valdemingómez; - Barcelona Forum 2004: Parque litroral nord-est, Barcelona; - Pabellón de gimnasia en el parque del Retiro; - Biblioteca Usera, Madrid; - Barcelona Forum 2004: Tersa/Edificio de oficinas y planta integral de RSU; - New Museum de Arte Contemporáneo, New York; - Plaza y torre Woermann, Las Palmas.
Portfolio containing a selection of plans and graphic materials for the publication El Croquis
Actions:
ARCH270961
Description:
The materials was probably assembled for the publication El Croquis, no 118, in 2004. Contains documents from the following projects by Abalos & Herreros: - Fira 2000, Barcelona; - Centro de cirugía de mínima invasión, Cáceres; - Torres mixtas bioclimáticas en el Humedal de Salburua, Vitoria; - Planta de reciclaje de residuos urbanos de Valdemingómez; - Barcelona Forum 2004: Parque litroral nord-est, Barcelona; - Pabellón de gimnasia en el parque del Retiro; - Biblioteca Usera, Madrid; - Barcelona Forum 2004: Tersa/Edificio de oficinas y planta integral de RSU; - New Museum de Arte Contemporáneo, New York; - Plaza y torre Woermann, Las Palmas.
Classification:
dessins, photographies
dessins, photographies
Date:
1995-2004
1995-2004
Personnes et institutions:
Classification:
oeuvres d'art
oeuvres d'art
Actions:
Numéro de référence:
DR1988:0427:001-013
Description:
- This album is composed of thirteen architectural prints once in the possession of the stonemason Hans Görg Koch, and possibly assembled by him. The first two prints, DR1988:0427:001 and DR1988:0427:002, are the title page and a print showing examples of the Tuscan order from Rutger Kasemann's 'ARCHITETURA LEHR SEIVLEN BOCHG' of 1615 (Hollstein vol. 16, nos. 1 - 24). The prints DR1988:0427:003 - DR1988:0427:005 and DR1988:0427:007 are elevations and plans of early Baroque church façades in Rome, and the prints DR1988:0427:006 and DR1988:0427:008 - DR1988:0427:013, are orthographic designs for doorframes. The album pages bear three separate watermarks, none of which have been found in the literature: one on the flyleaves, another on the two Kasemann prints, and a third on the eleven prints showing churches and doorframes.
DR1988:0427:001-013
Description:
- This album is composed of thirteen architectural prints once in the possession of the stonemason Hans Görg Koch, and possibly assembled by him. The first two prints, DR1988:0427:001 and DR1988:0427:002, are the title page and a print showing examples of the Tuscan order from Rutger Kasemann's 'ARCHITETURA LEHR SEIVLEN BOCHG' of 1615 (Hollstein vol. 16, nos. 1 - 24). The prints DR1988:0427:003 - DR1988:0427:005 and DR1988:0427:007 are elevations and plans of early Baroque church façades in Rome, and the prints DR1988:0427:006 and DR1988:0427:008 - DR1988:0427:013, are orthographic designs for doorframes. The album pages bear three separate watermarks, none of which have been found in the literature: one on the flyleaves, another on the two Kasemann prints, and a third on the eleven prints showing churches and doorframes.
Personnes et institutions:
Date:
ca. 1615-1650
ca. 1615-1650
Titre:
Album of architectural prints
Actions:
DR1988:0427:001-013
Description:
- This album is composed of thirteen architectural prints once in the possession of the stonemason Hans Görg Koch, and possibly assembled by him. The first two prints, DR1988:0427:001 and DR1988:0427:002, are the title page and a print showing examples of the Tuscan order from Rutger Kasemann's 'ARCHITETURA LEHR SEIVLEN BOCHG' of 1615 (Hollstein vol. 16, nos. 1 - 24). The prints DR1988:0427:003 - DR1988:0427:005 and DR1988:0427:007 are elevations and plans of early Baroque church façades in Rome, and the prints DR1988:0427:006 and DR1988:0427:008 - DR1988:0427:013, are orthographic designs for doorframes. The album pages bear three separate watermarks, none of which have been found in the literature: one on the flyleaves, another on the two Kasemann prints, and a third on the eleven prints showing churches and doorframes.
Album of architectural prints
Actions:
DR1988:0427:001-013
Description:
- This album is composed of thirteen architectural prints once in the possession of the stonemason Hans Görg Koch, and possibly assembled by him. The first two prints, DR1988:0427:001 and DR1988:0427:002, are the title page and a print showing examples of the Tuscan order from Rutger Kasemann's 'ARCHITETURA LEHR SEIVLEN BOCHG' of 1615 (Hollstein vol. 16, nos. 1 - 24). The prints DR1988:0427:003 - DR1988:0427:005 and DR1988:0427:007 are elevations and plans of early Baroque church façades in Rome, and the prints DR1988:0427:006 and DR1988:0427:008 - DR1988:0427:013, are orthographic designs for doorframes. The album pages bear three separate watermarks, none of which have been found in the literature: one on the flyleaves, another on the two Kasemann prints, and a third on the eleven prints showing churches and doorframes.
Classification:
oeuvres d'art
oeuvres d'art
Date:
ca. 1615-1650
ca. 1615-1650
Personnes et institutions:
Classification:
vidéo
vidéo
Actions:
Exemplaires:
Description:
1 streaming video file (1 hr., 28 min., 8 sec.) : sound, colour
Description:
1 streaming video file (1 hr., 28 min., 8 sec.) : sound, colour
Auteur:
Sujet:
Publication:
[Montréal] : CCA, [2016]
[Montréal] : CCA, [2016]
Titre:
Assemble : collective practice.
Actions:
Exemplaires:
Description:
1 streaming video file (1 hr., 28 min., 8 sec.) : sound, colour
Assemble : collective practice.
Actions:
Exemplaires:
Description:
1 streaming video file (1 hr., 28 min., 8 sec.) : sound, colour
Classification:
vidéo
vidéo
Publication:
[Montréal] : CCA, [2016]
[Montréal] : CCA, [2016]
Auteur:
Sujet:
Classification:
vidéo
vidéo
Actions:
Exemplaires:
Description:
1 streaming video file (31 min., 17 sec.) : sound, colour
Description:
1 streaming video file (31 min., 17 sec.) : sound, colour
Auteur:
Sujet:
Publication:
[Montréal] : CCA, [2016]
[Montréal] : CCA, [2016]
Titre:
Assemble : an interview with Jane Hall and Lewis Jones from The Other Architect public program series.
Actions:
Exemplaires:
Description:
1 streaming video file (31 min., 17 sec.) : sound, colour
Assemble : an interview with Jane Hall and Lewis Jones from The Other Architect public program series.
Actions:
Exemplaires:
Description:
1 streaming video file (31 min., 17 sec.) : sound, colour
Classification:
vidéo
vidéo
Publication:
[Montréal] : CCA, [2016]
[Montréal] : CCA, [2016]
Auteur:
Sujet:
Classification:
graphique
graphique
Actions:
Exemplaires:
Description:
15 p., plates A-P : chiefly ill. (some col.) ; 32 cm.
Description:
15 p., plates A-P : chiefly ill. (some col.) ; 32 cm.
Auteur:
Sujet:
Publication:
New York : Dover, c1983.
New York : Dover, c1983.
Titre:
Cut & assemble Main Street : 9 easy-to-make full-color buildings in H-0 scale / A.G. Smith.
Actions:
Exemplaires:
Description:
15 p., plates A-P : chiefly ill. (some col.) ; 32 cm.
Cut & assemble Main Street : 9 easy-to-make full-color buildings in H-0 scale / A.G. Smith.
Actions:
Exemplaires:
Description:
15 p., plates A-P : chiefly ill. (some col.) ; 32 cm.
Classification:
graphique
graphique
Publication:
New York : Dover, c1983.
New York : Dover, c1983.
Auteur:
Sujet:
Classification:
graphique
graphique
Actions:
Exemplaires:
Description:
11 p., A-P leaves : col. ill. ; 31 cm.
Description:
11 p., A-P leaves : col. ill. ; 31 cm.
Auteur:
Sujet:
Publication:
New York : Dover Publications, c1987.
New York : Dover Publications, c1987.
Titre:
Cut and assemble Frank Lloyd Wright's Robie House / Edmund V. Gillon, Jr.
Actions:
Exemplaires:
Description:
11 p., A-P leaves : col. ill. ; 31 cm.
Cut and assemble Frank Lloyd Wright's Robie House / Edmund V. Gillon, Jr.
Actions:
Exemplaires:
Description:
11 p., A-P leaves : col. ill. ; 31 cm.
Classification:
graphique
graphique
Publication:
New York : Dover Publications, c1987.
New York : Dover Publications, c1987.
Auteur:
Sujet:
Classification:
livres
livres
Actions:
Exemplaires:
Description:
5 leaves : illustrations ; 30 cm
Description:
5 leaves : illustrations ; 30 cm
Auteur:
Sujet:
Publication:
Toronto, Ont. : Lindsay-Wilson Ltd., [approximately 1956]
Toronto, Ont. : Lindsay-Wilson Ltd., [approximately 1956]
Titre:
How to assemble Lindsay Structure.
Actions:
Exemplaires:
Description:
5 leaves : illustrations ; 30 cm
How to assemble Lindsay Structure.
Actions:
Exemplaires:
Description:
5 leaves : illustrations ; 30 cm
Classification:
livres
livres
Publication:
Toronto, Ont. : Lindsay-Wilson Ltd., [approximately 1956]
Toronto, Ont. : Lindsay-Wilson Ltd., [approximately 1956]
Auteur:
Sujet:
