1438 Résultats
Classification:
livres
livres
Numéro de référence:
ARCH286649
Description:
Notebook reproduced from digital scans (ARCH276525). Reproduction created by the CCA for the exhibition Rooms You May Have Missed, held at the CCA November 4, 2014-April 19, 2015.
ARCH286649
Description:
Notebook reproduced from digital scans (ARCH276525). Reproduction created by the CCA for the exhibition Rooms You May Have Missed, held at the CCA November 4, 2014-April 19, 2015.
Personnes et institutions:
Date:
November 2009-January 2010
November 2009-January 2010
Titre:
Copper House II : notebook of carpenter sketches and calculations
Actions:
ARCH286649
Description:
Notebook reproduced from digital scans (ARCH276525). Reproduction created by the CCA for the exhibition Rooms You May Have Missed, held at the CCA November 4, 2014-April 19, 2015.
Copper House II : notebook of carpenter sketches and calculations
Actions:
ARCH286649
Description:
Notebook reproduced from digital scans (ARCH276525). Reproduction created by the CCA for the exhibition Rooms You May Have Missed, held at the CCA November 4, 2014-April 19, 2015.
Classification:
livres
livres
Date:
November 2009-January 2010
November 2009-January 2010
Personnes et institutions:
Classification:
livres
livres
Numéro de référence:
ARCH278307
Description:
Notebook reproduced from digital scans (ARCH276525). Reproduction created by the CCA for the exhibition Rooms You May Have Missed, held at the CCA November 4, 2014-April 19, 2015.
ARCH278307
Description:
Notebook reproduced from digital scans (ARCH276525). Reproduction created by the CCA for the exhibition Rooms You May Have Missed, held at the CCA November 4, 2014-April 19, 2015.
Personnes et institutions:
Date:
November 2009-January 2010
November 2009-January 2010
Titre:
Copper House II : notebook of carpenter sketches and calculations
Actions:
ARCH278307
Description:
Notebook reproduced from digital scans (ARCH276525). Reproduction created by the CCA for the exhibition Rooms You May Have Missed, held at the CCA November 4, 2014-April 19, 2015.
Copper House II : notebook of carpenter sketches and calculations
Actions:
ARCH278307
Description:
Notebook reproduced from digital scans (ARCH276525). Reproduction created by the CCA for the exhibition Rooms You May Have Missed, held at the CCA November 4, 2014-April 19, 2015.
Classification:
livres
livres
Date:
November 2009-January 2010
November 2009-January 2010
Personnes et institutions:
Classification:
né numérique
né numérique
Numéro de référence:
AP177.S1.001
Description:
This file consists of images corresponding to renderings from CAD software created after the competition, likely for exhibitions or publications. It was transferred to CCA on a CD identified “RUR Architecture Kansai inventory 2/17/14”. Original directory name: "Digital". Most common file formats: Tagged Image File Format.
AP177.S1.001
Description:
This file consists of images corresponding to renderings from CAD software created after the competition, likely for exhibitions or publications. It was transferred to CCA on a CD identified “RUR Architecture Kansai inventory 2/17/14”. Original directory name: "Digital". Most common file formats: Tagged Image File Format.
Personnes et institutions:
Date:
1996-2014
1996-2014
Titre:
Renderings of the Kansai-kan of the National Diet Library
Actions:
AP177.S1.001
Description:
This file consists of images corresponding to renderings from CAD software created after the competition, likely for exhibitions or publications. It was transferred to CCA on a CD identified “RUR Architecture Kansai inventory 2/17/14”. Original directory name: "Digital". Most common file formats: Tagged Image File Format.
Renderings of the Kansai-kan of the National Diet Library
Actions:
AP177.S1.001
Description:
This file consists of images corresponding to renderings from CAD software created after the competition, likely for exhibitions or publications. It was transferred to CCA on a CD identified “RUR Architecture Kansai inventory 2/17/14”. Original directory name: "Digital". Most common file formats: Tagged Image File Format.
Classification:
né numérique
né numérique
Date:
1996-2014
1996-2014
Personnes et institutions:
Classification:
documents textuels
documents textuels
Titre:
Colloquium 8 October 1999
Colloquium 8 October 1999
Numéro de référence:
ARCH252233
Description:
-Invitations to symposium participants and related correspondence re: symposium and dinner evening prior -Invitations to exhibition and symposium sent to sponsors and related correspondence -Invitation lists: colloquium 8 October 1999 and dinner 7 October 1999
ARCH252233
Description:
-Invitations to symposium participants and related correspondence re: symposium and dinner evening prior -Invitations to exhibition and symposium sent to sponsors and related correspondence -Invitation lists: colloquium 8 October 1999 and dinner 7 October 1999
Personnes et institutions:
Date:
1999
1999
Titre:
Colloquium 8 October 1999
Actions:
ARCH252233
Description:
-Invitations to symposium participants and related correspondence re: symposium and dinner evening prior -Invitations to exhibition and symposium sent to sponsors and related correspondence -Invitation lists: colloquium 8 October 1999 and dinner 7 October 1999
Colloquium 8 October 1999
Actions:
ARCH252233
Description:
-Invitations to symposium participants and related correspondence re: symposium and dinner evening prior -Invitations to exhibition and symposium sent to sponsors and related correspondence -Invitation lists: colloquium 8 October 1999 and dinner 7 October 1999
Classification:
documents textuels
documents textuels
Date:
1999
1999
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH2023:0011:009
Description:
Exhibition print created for the CCA for the exhibition The Lives of Documents—Photography as Project, on view from 3 May 2023 to 7 April 2024.
PH2023:0011:009
Description:
Exhibition print created for the CCA for the exhibition The Lives of Documents—Photography as Project, on view from 3 May 2023 to 7 April 2024.
Personnes et institutions:
Date:
1996 (printed 2023)
1996 (printed 2023)
Titre:
Untitled, from the series Sezioni del paesaggio italiano / Italy: Cross Sections of a Country. From Milano to Como
Actions:
PH2023:0011:009
Description:
Exhibition print created for the CCA for the exhibition The Lives of Documents—Photography as Project, on view from 3 May 2023 to 7 April 2024.
Untitled, from the series Sezioni del paesaggio italiano / Italy: Cross Sections of a Country. From Milano to Como
Actions:
PH2023:0011:009
Description:
Exhibition print created for the CCA for the exhibition The Lives of Documents—Photography as Project, on view from 3 May 2023 to 7 April 2024.
Classification:
photographies
photographies
Date:
1996 (printed 2023)
1996 (printed 2023)
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH2023:0011:014
Description:
Exhibition print created for the CCA for the exhibition The Lives of Documents—Photography as Project, on view from 3 May 2023 to 7 April 2024.
PH2023:0011:014
Description:
Exhibition print created for the CCA for the exhibition The Lives of Documents—Photography as Project, on view from 3 May 2023 to 7 April 2024.
Personnes et institutions:
Date:
1996 (printed 2023)
1996 (printed 2023)
Titre:
Untitled, from the series Sezioni del paesaggio italiano / Italy: Cross Sections of a Country. From Milano to Como
Actions:
PH2023:0011:014
Description:
Exhibition print created for the CCA for the exhibition The Lives of Documents—Photography as Project, on view from 3 May 2023 to 7 April 2024.
Untitled, from the series Sezioni del paesaggio italiano / Italy: Cross Sections of a Country. From Milano to Como
Actions:
PH2023:0011:014
Description:
Exhibition print created for the CCA for the exhibition The Lives of Documents—Photography as Project, on view from 3 May 2023 to 7 April 2024.
Classification:
photographies
photographies
Date:
1996 (printed 2023)
1996 (printed 2023)
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH2023:0011:015
Description:
Exhibition print created for the CCA for the exhibition The Lives of Documents—Photography as Project, on view from 3 May 2023 to 7 April 2024.
PH2023:0011:015
Description:
Exhibition print created for the CCA for the exhibition The Lives of Documents—Photography as Project, on view from 3 May 2023 to 7 April 2024.
Personnes et institutions:
Date:
1996 (printed 2023)
1996 (printed 2023)
Titre:
Untitled, from the series Sezioni del paesaggio italiano / Italy: Cross Sections of a Country. From Milano to Como
Actions:
PH2023:0011:015
Description:
Exhibition print created for the CCA for the exhibition The Lives of Documents—Photography as Project, on view from 3 May 2023 to 7 April 2024.
Untitled, from the series Sezioni del paesaggio italiano / Italy: Cross Sections of a Country. From Milano to Como
Actions:
PH2023:0011:015
Description:
Exhibition print created for the CCA for the exhibition The Lives of Documents—Photography as Project, on view from 3 May 2023 to 7 April 2024.
Classification:
photographies
photographies
Date:
1996 (printed 2023)
1996 (printed 2023)
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH2023:0011:016
Description:
Exhibition print created for the CCA for the exhibition The Lives of Documents—Photography as Project, on view from 3 May 2023 to 7 April 2024.
PH2023:0011:016
Description:
Exhibition print created for the CCA for the exhibition The Lives of Documents—Photography as Project, on view from 3 May 2023 to 7 April 2024.
Personnes et institutions:
Date:
1996 (printed 2023)
1996 (printed 2023)
Titre:
Untitled, from the series Sezioni del paesaggio italiano / Italy: Cross Sections of a Country. From Milano to Como
Actions:
PH2023:0011:016
Description:
Exhibition print created for the CCA for the exhibition The Lives of Documents—Photography as Project, on view from 3 May 2023 to 7 April 2024.
Untitled, from the series Sezioni del paesaggio italiano / Italy: Cross Sections of a Country. From Milano to Como
Actions:
PH2023:0011:016
Description:
Exhibition print created for the CCA for the exhibition The Lives of Documents—Photography as Project, on view from 3 May 2023 to 7 April 2024.
Classification:
photographies
photographies
Date:
1996 (printed 2023)
1996 (printed 2023)
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH2023:0011:017
Description:
Exhibition print created for the CCA for the exhibition The Lives of Documents—Photography as Project, on view from 3 May 2023 to 7 April 2024.
PH2023:0011:017
Description:
Exhibition print created for the CCA for the exhibition The Lives of Documents—Photography as Project, on view from 3 May 2023 to 7 April 2024.
Personnes et institutions:
Date:
1996 (printed 2023)
1996 (printed 2023)
Titre:
Untitled, from the series Sezioni del paesaggio italiano / Italy: Cross Sections of a Country. From Milano to Como
Actions:
PH2023:0011:017
Description:
Exhibition print created for the CCA for the exhibition The Lives of Documents—Photography as Project, on view from 3 May 2023 to 7 April 2024.
Untitled, from the series Sezioni del paesaggio italiano / Italy: Cross Sections of a Country. From Milano to Como
Actions:
PH2023:0011:017
Description:
Exhibition print created for the CCA for the exhibition The Lives of Documents—Photography as Project, on view from 3 May 2023 to 7 April 2024.
Classification:
photographies
photographies
Date:
1996 (printed 2023)
1996 (printed 2023)
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP143.S4.D108
Description:
The project series documents the executed project for Cites of Artificial Excavation, Madrid, Spain. Material in was produced between 1994 and 1995. In 1993, the CCA invited Peter Eisenman to design an installation for the exhibition 'Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988'. The exhibition was presented at the CCA from 2 March to 29 May 1994. The drawings and models in this project series document the development of Eisenman's installation design from late 1993 through March 1994, as well as the various processes used by the architect in his investigation of the 'Cities of Artificial Excavation'. Eisenman uses a computer to superimpose, distort and multiply a Greek cross, while simultaneously modifying its plan and section. The computer enables the architect to generate geometric figures that are extremely difficult to produce by traditional means. It also constitutes a new phase in Eisenman's research into the depersonalization of the creative process, a central concern of his 'Cities of Artificial Excavation' (1978-1988). The Greek cross was one of the elements of the grid developed for the 'Museum of Artifical Excavation', and part of the project he submitted for the Internationale Bauausstellung in Berlin (1980-1986). The project series contains material by Eisenman's office including material for schemes A and B, the first and second proposals for the installation, as well as material for the exhibition installation. Material for scheme A includes conceptual drawings (DR1994:0030:001-005), hardline design development drawings (DR1994:0030:006-011), design development computer-aided drawings (DR1994:0030:012-027), and fully developed drawings (DR1994:0030:028-034). Material for scheme B, a design which is closer to the final project, includes hardline drawings (DR1994:0030:035-044) and computer-aided drawings (DR1994:0030:045-069). Material for the exhibition installation includes: computer-aided drawings (DR1994:0030:070-196) which were generated to construct models for the installation, notably a preliminary model (DR1994:0035) and the final model (DR1994:0036) which was used for planning the exhibition layout; hardline drawings which are the final drawings for the installation (DR1994:0030:262-265); a preliminary exhibition layout (DR1994:0030:280); and Iris colour prints of computer-aided conceptual axonometrics (DR1994:0030:281-282). Three working models show different stages of the design development (DR1994:0031 - DR1994:0034). Also included are photographs of the completed installation by Richard Pare (DR1994:0037:001-028), fragments of the installation preserved after its demolition (DR1994:0038:001-0028), and paint samples (DR1994:0038:035-037). The project series contains design development drawings, working drawings, photographic materials, publication drawings, reference drawings, textual records, and models.
AP143.S4.D108
Description:
The project series documents the executed project for Cites of Artificial Excavation, Madrid, Spain. Material in was produced between 1994 and 1995. In 1993, the CCA invited Peter Eisenman to design an installation for the exhibition 'Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988'. The exhibition was presented at the CCA from 2 March to 29 May 1994. The drawings and models in this project series document the development of Eisenman's installation design from late 1993 through March 1994, as well as the various processes used by the architect in his investigation of the 'Cities of Artificial Excavation'. Eisenman uses a computer to superimpose, distort and multiply a Greek cross, while simultaneously modifying its plan and section. The computer enables the architect to generate geometric figures that are extremely difficult to produce by traditional means. It also constitutes a new phase in Eisenman's research into the depersonalization of the creative process, a central concern of his 'Cities of Artificial Excavation' (1978-1988). The Greek cross was one of the elements of the grid developed for the 'Museum of Artifical Excavation', and part of the project he submitted for the Internationale Bauausstellung in Berlin (1980-1986). The project series contains material by Eisenman's office including material for schemes A and B, the first and second proposals for the installation, as well as material for the exhibition installation. Material for scheme A includes conceptual drawings (DR1994:0030:001-005), hardline design development drawings (DR1994:0030:006-011), design development computer-aided drawings (DR1994:0030:012-027), and fully developed drawings (DR1994:0030:028-034). Material for scheme B, a design which is closer to the final project, includes hardline drawings (DR1994:0030:035-044) and computer-aided drawings (DR1994:0030:045-069). Material for the exhibition installation includes: computer-aided drawings (DR1994:0030:070-196) which were generated to construct models for the installation, notably a preliminary model (DR1994:0035) and the final model (DR1994:0036) which was used for planning the exhibition layout; hardline drawings which are the final drawings for the installation (DR1994:0030:262-265); a preliminary exhibition layout (DR1994:0030:280); and Iris colour prints of computer-aided conceptual axonometrics (DR1994:0030:281-282). Three working models show different stages of the design development (DR1994:0031 - DR1994:0034). Also included are photographs of the completed installation by Richard Pare (DR1994:0037:001-028), fragments of the installation preserved after its demolition (DR1994:0038:001-0028), and paint samples (DR1994:0038:035-037). The project series contains design development drawings, working drawings, photographic materials, publication drawings, reference drawings, textual records, and models.
Personnes et institutions:
Date:
1994-1995
1994-1995
Titre:
Cities of Artificial Excavation, Madrid
Actions:
AP143.S4.D108
Description:
The project series documents the executed project for Cites of Artificial Excavation, Madrid, Spain. Material in was produced between 1994 and 1995. In 1993, the CCA invited Peter Eisenman to design an installation for the exhibition 'Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988'. The exhibition was presented at the CCA from 2 March to 29 May 1994. The drawings and models in this project series document the development of Eisenman's installation design from late 1993 through March 1994, as well as the various processes used by the architect in his investigation of the 'Cities of Artificial Excavation'. Eisenman uses a computer to superimpose, distort and multiply a Greek cross, while simultaneously modifying its plan and section. The computer enables the architect to generate geometric figures that are extremely difficult to produce by traditional means. It also constitutes a new phase in Eisenman's research into the depersonalization of the creative process, a central concern of his 'Cities of Artificial Excavation' (1978-1988). The Greek cross was one of the elements of the grid developed for the 'Museum of Artifical Excavation', and part of the project he submitted for the Internationale Bauausstellung in Berlin (1980-1986). The project series contains material by Eisenman's office including material for schemes A and B, the first and second proposals for the installation, as well as material for the exhibition installation. Material for scheme A includes conceptual drawings (DR1994:0030:001-005), hardline design development drawings (DR1994:0030:006-011), design development computer-aided drawings (DR1994:0030:012-027), and fully developed drawings (DR1994:0030:028-034). Material for scheme B, a design which is closer to the final project, includes hardline drawings (DR1994:0030:035-044) and computer-aided drawings (DR1994:0030:045-069). Material for the exhibition installation includes: computer-aided drawings (DR1994:0030:070-196) which were generated to construct models for the installation, notably a preliminary model (DR1994:0035) and the final model (DR1994:0036) which was used for planning the exhibition layout; hardline drawings which are the final drawings for the installation (DR1994:0030:262-265); a preliminary exhibition layout (DR1994:0030:280); and Iris colour prints of computer-aided conceptual axonometrics (DR1994:0030:281-282). Three working models show different stages of the design development (DR1994:0031 - DR1994:0034). Also included are photographs of the completed installation by Richard Pare (DR1994:0037:001-028), fragments of the installation preserved after its demolition (DR1994:0038:001-0028), and paint samples (DR1994:0038:035-037). The project series contains design development drawings, working drawings, photographic materials, publication drawings, reference drawings, textual records, and models.
Cities of Artificial Excavation, Madrid
Actions:
AP143.S4.D108
Description:
The project series documents the executed project for Cites of Artificial Excavation, Madrid, Spain. Material in was produced between 1994 and 1995. In 1993, the CCA invited Peter Eisenman to design an installation for the exhibition 'Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988'. The exhibition was presented at the CCA from 2 March to 29 May 1994. The drawings and models in this project series document the development of Eisenman's installation design from late 1993 through March 1994, as well as the various processes used by the architect in his investigation of the 'Cities of Artificial Excavation'. Eisenman uses a computer to superimpose, distort and multiply a Greek cross, while simultaneously modifying its plan and section. The computer enables the architect to generate geometric figures that are extremely difficult to produce by traditional means. It also constitutes a new phase in Eisenman's research into the depersonalization of the creative process, a central concern of his 'Cities of Artificial Excavation' (1978-1988). The Greek cross was one of the elements of the grid developed for the 'Museum of Artifical Excavation', and part of the project he submitted for the Internationale Bauausstellung in Berlin (1980-1986). The project series contains material by Eisenman's office including material for schemes A and B, the first and second proposals for the installation, as well as material for the exhibition installation. Material for scheme A includes conceptual drawings (DR1994:0030:001-005), hardline design development drawings (DR1994:0030:006-011), design development computer-aided drawings (DR1994:0030:012-027), and fully developed drawings (DR1994:0030:028-034). Material for scheme B, a design which is closer to the final project, includes hardline drawings (DR1994:0030:035-044) and computer-aided drawings (DR1994:0030:045-069). Material for the exhibition installation includes: computer-aided drawings (DR1994:0030:070-196) which were generated to construct models for the installation, notably a preliminary model (DR1994:0035) and the final model (DR1994:0036) which was used for planning the exhibition layout; hardline drawings which are the final drawings for the installation (DR1994:0030:262-265); a preliminary exhibition layout (DR1994:0030:280); and Iris colour prints of computer-aided conceptual axonometrics (DR1994:0030:281-282). Three working models show different stages of the design development (DR1994:0031 - DR1994:0034). Also included are photographs of the completed installation by Richard Pare (DR1994:0037:001-028), fragments of the installation preserved after its demolition (DR1994:0038:001-0028), and paint samples (DR1994:0038:035-037). The project series contains design development drawings, working drawings, photographic materials, publication drawings, reference drawings, textual records, and models.
Niveau de description archivistique:
File 108
File 108
Date:
1994-1995
1994-1995
Personnes et institutions:
