166 Résultats
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xv, 382 pages : illustrations (some color) ; 31 cm
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xv, 382 pages : illustrations (some color) ; 31 cm
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New Haven : Yale University Press ; New York : in association with the Finnish Cultural Institute in New York ; Helsinki : The Museum of Finnish Architecture ; Washington, D.C. : The National Building Museum ; New Haven : Yale University School of Architecture, ©2006.
New Haven : Yale University Press ; New York : in association with the Finnish Cultural Institute in New York ; Helsinki : The Museum of Finnish Architecture ; Washington, D.C. : The National Building Museum ; New Haven : Yale University School of Architecture, ©2006.
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Eero Saarinen : shaping the future / edited by Eeva-Liisa Pelkonen and Donald Albrecht ; with essays by Donald Albrecht [and others].
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xv, 382 pages : illustrations (some color) ; 31 cm
Eero Saarinen : shaping the future / edited by Eeva-Liisa Pelkonen and Donald Albrecht ; with essays by Donald Albrecht [and others].
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xv, 382 pages : illustrations (some color) ; 31 cm
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New Haven : Yale University Press ; New York : in association with the Finnish Cultural Institute in New York ; Helsinki : The Museum of Finnish Architecture ; Washington, D.C. : The National Building Museum ; New Haven : Yale University School of Architecture, ©2006.
New Haven : Yale University Press ; New York : in association with the Finnish Cultural Institute in New York ; Helsinki : The Museum of Finnish Architecture ; Washington, D.C. : The National Building Museum ; New Haven : Yale University School of Architecture, ©2006.
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xxvi, 146 pages : illustrations (some color) ; 26 cm
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xxvi, 146 pages : illustrations (some color) ; 26 cm
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[Jackson, MS] : University Press of Mississippi in association with the Ogden Museum of Southern Art, University of New Orleans, 2009., ©2009
[Jackson, MS] : University Press of Mississippi in association with the Ogden Museum of Southern Art, University of New Orleans, 2009., ©2009
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It happened by design : the life and work of Arthur Q. Davis / Arthur Q. Davis ; introductory essay by J. Richard Gruber.
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xxvi, 146 pages : illustrations (some color) ; 26 cm
It happened by design : the life and work of Arthur Q. Davis / Arthur Q. Davis ; introductory essay by J. Richard Gruber.
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xxvi, 146 pages : illustrations (some color) ; 26 cm
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[Jackson, MS] : University Press of Mississippi in association with the Ogden Museum of Southern Art, University of New Orleans, 2009., ©2009
[Jackson, MS] : University Press of Mississippi in association with the Ogden Museum of Southern Art, University of New Orleans, 2009., ©2009
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$50.50
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"Let us listen to the counsels of American engineers. But let us beware of American architects!" declared Le Corbusier, who like other European architects of his time believed that he saw in the work of American industrial builders a model of the way architecture should develop. It was a vision of an ideal world, a "concrete Atlantis" made up of daylight factories and(...)
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"Let us listen to the counsels of American engineers. But let us beware of American architects!" declared Le Corbusier, who like other European architects of his time believed that he saw in the work of American industrial builders a model of the way architecture should develop. It was a vision of an ideal world, a "concrete Atlantis" made up of daylight factories and(...)
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A concrete atlantis: U.S. industrial buildings and European modern archtiecture 1900-1925
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"Let us listen to the counsels of American engineers. But let us beware of American architects!" declared Le Corbusier, who like other European architects of his time believed that he saw in the work of American industrial builders a model of the way architecture should develop. It was a vision of an ideal world, a "concrete Atlantis" made up of daylight factories and grain elevators. In a book that suggests how good Modern was before it went wrong, Reyner Banham details the European discovery of this concrete Atlantis and examines a number of striking architectural instances where aspects of the International Style are anticipated by US industrial buildings.
A concrete atlantis: U.S. industrial buildings and European modern archtiecture 1900-1925
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"Let us listen to the counsels of American engineers. But let us beware of American architects!" declared Le Corbusier, who like other European architects of his time believed that he saw in the work of American industrial builders a model of the way architecture should develop. It was a vision of an ideal world, a "concrete Atlantis" made up of daylight factories and grain elevators. In a book that suggests how good Modern was before it went wrong, Reyner Banham details the European discovery of this concrete Atlantis and examines a number of striking architectural instances where aspects of the International Style are anticipated by US industrial buildings.
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livres
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mai 1989, Cambridge, London
mai 1989, Cambridge, London
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Théorie de l’architecture
Théorie de l’architecture
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2 parts in 1 volume : illustrations ; 30 x 39 cm
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2 parts in 1 volume : illustrations ; 30 x 39 cm
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A la Haye : Chez Beuckel Nieulandt pour Henry Hondius demeurant a Leyden, [1604-1605]
A la Haye : Chez Beuckel Nieulandt pour Henry Hondius demeurant a Leyden, [1604-1605]
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Perspective, c'est a dire, le tresrenommé art du poinct oculaire d'vne veuë dedans où travers regardante, estant sur vne muraille vnie, sur vn tableau, ou sur dela toile, en laquelle y ayt quelques edifices, soyt d'eglises, temples, palais, sales, chambres, galeries, places, allées, jardins, marchés & ruës, a l'antique ou moderne, & autres telles choses icy demonstrées, le tout posé sur les lignes fondamentales, & le fondement d'icelles clairement expliquées par descriptions, fort vtile & necessaire, pour tous peintres, tailleurs en cuivre, imaginaires, orfevres, architectes, ingenieurs, tailleurs de pierre, menusiers, charpentiers, & tous amateurs des arts, pour y estudier a leur plaisir, avec peu de peine / inventé par Ioan Vredeman Frison.
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2 parts in 1 volume : illustrations ; 30 x 39 cm
Perspective, c'est a dire, le tresrenommé art du poinct oculaire d'vne veuë dedans où travers regardante, estant sur vne muraille vnie, sur vn tableau, ou sur dela toile, en laquelle y ayt quelques edifices, soyt d'eglises, temples, palais, sales, chambres, galeries, places, allées, jardins, marchés & ruës, a l'antique ou moderne, & autres telles choses icy demonstrées, le tout posé sur les lignes fondamentales, & le fondement d'icelles clairement expliquées par descriptions, fort vtile & necessaire, pour tous peintres, tailleurs en cuivre, imaginaires, orfevres, architectes, ingenieurs, tailleurs de pierre, menusiers, charpentiers, & tous amateurs des arts, pour y estudier a leur plaisir, avec peu de peine / inventé par Ioan Vredeman Frison.
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2 parts in 1 volume : illustrations ; 30 x 39 cm
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A la Haye : Chez Beuckel Nieulandt pour Henry Hondius demeurant a Leyden, [1604-1605]
A la Haye : Chez Beuckel Nieulandt pour Henry Hondius demeurant a Leyden, [1604-1605]
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xii, 420 pages : illustrations (some color), maps, plans ; 28 cm
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xii, 420 pages : illustrations (some color), maps, plans ; 28 cm
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San Francisco : Applied Research and Design, [2019], ©2019
San Francisco : Applied Research and Design, [2019], ©2019
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Monotown : urban dreams brutal imperatives / Clayton Strange.
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xii, 420 pages : illustrations (some color), maps, plans ; 28 cm
Monotown : urban dreams brutal imperatives / Clayton Strange.
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xii, 420 pages : illustrations (some color), maps, plans ; 28 cm
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San Francisco : Applied Research and Design, [2019], ©2019
San Francisco : Applied Research and Design, [2019], ©2019
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481 pages : illustrations, plans ; 25 cm
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481 pages : illustrations, plans ; 25 cm
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Berlin : Reimer, ©2015.
Berlin : Reimer, ©2015.
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Staatsbauten und Sakralarchitektur in Washington/DC : Stilkonzepte patriotischer Baukunst / Anna Minta.
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481 pages : illustrations, plans ; 25 cm
Staatsbauten und Sakralarchitektur in Washington/DC : Stilkonzepte patriotischer Baukunst / Anna Minta.
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481 pages : illustrations, plans ; 25 cm
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Berlin : Reimer, ©2015.
Berlin : Reimer, ©2015.
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xx, 802 pages, 32 unnumbered pages of plates : illustrations (some color), maps (some color), plans (some color), portraits ; 21 cm.
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xx, 802 pages, 32 unnumbered pages of plates : illustrations (some color), maps (some color), plans (some color), portraits ; 21 cm.
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New York : Literary Classics of the United States, ©2015.
New York : Literary Classics of the United States, ©2015.
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Frederick Law Olmsted : writings on landscape, culture, and society / Frederick Law Olmsted ; Charles E. Beveridge, editor.
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xx, 802 pages, 32 unnumbered pages of plates : illustrations (some color), maps (some color), plans (some color), portraits ; 21 cm.
Frederick Law Olmsted : writings on landscape, culture, and society / Frederick Law Olmsted ; Charles E. Beveridge, editor.
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xx, 802 pages, 32 unnumbered pages of plates : illustrations (some color), maps (some color), plans (some color), portraits ; 21 cm.
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New York : Literary Classics of the United States, ©2015.
New York : Literary Classics of the United States, ©2015.
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Prefab modern
Prefab modern
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$32.99
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Résumé:
For many, the idea of prefab may bring to mind trailers and other less desirable images of housing.Instead, the new prefab is becoming the inevitable next step to "cool" housing as home buyers look for distinctive yet reasonably priced first and second homes. One in six new houses today is a prefab and 400,000 units are now produced in the U.S. each year. More than 50% of(...)
$32.99
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For many, the idea of prefab may bring to mind trailers and other less desirable images of housing.Instead, the new prefab is becoming the inevitable next step to "cool" housing as home buyers look for distinctive yet reasonably priced first and second homes. One in six new houses today is a prefab and 400,000 units are now produced in the U.S. each year. More than 50% of(...)
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Prefab modern
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$32.99
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For many, the idea of prefab may bring to mind trailers and other less desirable images of housing.Instead, the new prefab is becoming the inevitable next step to "cool" housing as home buyers look for distinctive yet reasonably priced first and second homes. One in six new houses today is a prefab and 400,000 units are now produced in the U.S. each year. More than 50% of all homes are constructed in whole or in part by using building systems - modular, panelized components produced in quality controlled environments. This exploration of the best prefabricated houses on the market today, from all over the world, along with a resource directory on how you can purchase them, is an invaluable reference for those interested in this alternative.
Prefab modern
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$32.99
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For many, the idea of prefab may bring to mind trailers and other less desirable images of housing.Instead, the new prefab is becoming the inevitable next step to "cool" housing as home buyers look for distinctive yet reasonably priced first and second homes. One in six new houses today is a prefab and 400,000 units are now produced in the U.S. each year. More than 50% of all homes are constructed in whole or in part by using building systems - modular, panelized components produced in quality controlled environments. This exploration of the best prefabricated houses on the market today, from all over the world, along with a resource directory on how you can purchase them, is an invaluable reference for those interested in this alternative.
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livres
livres
Publication:
janvier 1900, New York
janvier 1900, New York
Sujet:
Architecture préfabriquée
Architecture préfabriquée
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livres
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$84.50
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"Crafting a Modern World" is the first comprehensive book in English on Antonin and Noémi Raymond, a duo that creatively transformed design from 1917 to 1966. Best known for a series of finely detailed structures built in Japan during the 1930s, the Raymonds had prolific careers that included designs for factories, office buildings, churches, and schools as well as(...)
$84.50
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"Crafting a Modern World" is the first comprehensive book in English on Antonin and Noémi Raymond, a duo that creatively transformed design from 1917 to 1966. Best known for a series of finely detailed structures built in Japan during the 1930s, the Raymonds had prolific careers that included designs for factories, office buildings, churches, and schools as well as(...)
Sujet:
Architecture, monographies
Architecture, monographies
Publication:
septembre 2006, New York
septembre 2006, New York
Titre:
Crafting a modern world : the architecture and design of Antonin and Noémi Raymond
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$84.50
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"Crafting a Modern World" is the first comprehensive book in English on Antonin and Noémi Raymond, a duo that creatively transformed design from 1917 to 1966. Best known for a series of finely detailed structures built in Japan during the 1930s, the Raymonds had prolific careers that included designs for factories, office buildings, churches, and schools as well as furniture, fabrics, and graphic design. The Raymonds combined their European modern roots with the vernacular craft traditions they discovered in regions as diverse as Japan, India, and rural Pennsylvania. They also collaborated with some of the twentieth century's leading thinkers and artists, including Frank Lloyd Wright, Cass Gilbert, Isamu Noguchi, George Nakashima, and Fernand Léger. Inspired by the conventions of traditional Japanese buildings, they brought a high level of attention to craft to all their work, from churches in Chicago and Karuizawa to the Tokyo Tennis Club, the Pacific Cable Company Station in Guam, the Golconde Dormitory in India, and houses throughout the northeastern U.S., including their own modernist interventions at a rural farmhouse in New Hope, Pennsylvania. Four essays round out this examination of the Raymonds' careers.
Crafting a modern world : the architecture and design of Antonin and Noémi Raymond
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$84.50
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Résumé:
"Crafting a Modern World" is the first comprehensive book in English on Antonin and Noémi Raymond, a duo that creatively transformed design from 1917 to 1966. Best known for a series of finely detailed structures built in Japan during the 1930s, the Raymonds had prolific careers that included designs for factories, office buildings, churches, and schools as well as furniture, fabrics, and graphic design. The Raymonds combined their European modern roots with the vernacular craft traditions they discovered in regions as diverse as Japan, India, and rural Pennsylvania. They also collaborated with some of the twentieth century's leading thinkers and artists, including Frank Lloyd Wright, Cass Gilbert, Isamu Noguchi, George Nakashima, and Fernand Léger. Inspired by the conventions of traditional Japanese buildings, they brought a high level of attention to craft to all their work, from churches in Chicago and Karuizawa to the Tokyo Tennis Club, the Pacific Cable Company Station in Guam, the Golconde Dormitory in India, and houses throughout the northeastern U.S., including their own modernist interventions at a rural farmhouse in New Hope, Pennsylvania. Four essays round out this examination of the Raymonds' careers.
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livres
livres
Publication:
septembre 2006, New York
septembre 2006, New York
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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$90.00
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In the interwar period and immediately following World War II, the U.S. government promoted the vision of a modern, progressive, and democratic Latin America and worked to cast the region as a partner in the fight against fascism and communism. This effort was bolstered by the work and products of many institutions, including the Museum of Modern Art, New York. Using(...)
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In the interwar period and immediately following World War II, the U.S. government promoted the vision of a modern, progressive, and democratic Latin America and worked to cast the region as a partner in the fight against fascism and communism. This effort was bolstered by the work and products of many institutions, including the Museum of Modern Art, New York. Using(...)
Publication:
août 2022
août 2022
Titre:
Constructing Latin America: Architecture, politics and race at the Museum of Modern Art
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$90.00
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In the interwar period and immediately following World War II, the U.S. government promoted the vision of a modern, progressive, and democratic Latin America and worked to cast the region as a partner in the fight against fascism and communism. This effort was bolstered by the work and products of many institutions, including the Museum of Modern Art, New York. Using modern architecture to imagine a Latin America under postwar U.S. leadership, MoMA presented blockbuster shows, including Brazil Builds (1943) and Latin American Architecture since 1945 (1955), that deployed racially coded aesthetics and emphasized the confluence of ''Americanness'' and ''modernity'' in a globalizing world. Delving into the heated debates of the period and presenting never-before-published internal documents and photos from the museum and the Nelson A. Rockefeller archives, Patricio del Real is the first to fully address MoMA’s role in U.S. cultural imperialism and its consequences through its exhibitions on Latin American art and architecture.
Constructing Latin America: Architecture, politics and race at the Museum of Modern Art
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$90.00
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In the interwar period and immediately following World War II, the U.S. government promoted the vision of a modern, progressive, and democratic Latin America and worked to cast the region as a partner in the fight against fascism and communism. This effort was bolstered by the work and products of many institutions, including the Museum of Modern Art, New York. Using modern architecture to imagine a Latin America under postwar U.S. leadership, MoMA presented blockbuster shows, including Brazil Builds (1943) and Latin American Architecture since 1945 (1955), that deployed racially coded aesthetics and emphasized the confluence of ''Americanness'' and ''modernity'' in a globalizing world. Delving into the heated debates of the period and presenting never-before-published internal documents and photos from the museum and the Nelson A. Rockefeller archives, Patricio del Real is the first to fully address MoMA’s role in U.S. cultural imperialism and its consequences through its exhibitions on Latin American art and architecture.
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livres
livres
Publication:
août 2022
août 2022
