3669 Résultats
Niveau de description archivistique:
Projet
Projet
Titre:
San Diego Convention Center
San Diego Convention Center
Numéro de référence:
AP022.S1.1981.PR16
Description:
File documents a built convention centre comprised of exhibit spaces, meeting rooms and offices on the upper level, a 250.000 square-foot exhibition hall at street level, and underground parking, San Diego, California. File contains photographic materials, publication drawings, a presentation drawing, textual records and a model.
AP022.S1.1981.PR16
Description:
File documents a built convention centre comprised of exhibit spaces, meeting rooms and offices on the upper level, a 250.000 square-foot exhibition hall at street level, and underground parking, San Diego, California. File contains photographic materials, publication drawings, a presentation drawing, textual records and a model.
Personnes et institutions:
Date:
1981-1985
1981-1985
Titre:
San Diego Convention Center
Actions:
AP022.S1.1981.PR16
Description:
File documents a built convention centre comprised of exhibit spaces, meeting rooms and offices on the upper level, a 250.000 square-foot exhibition hall at street level, and underground parking, San Diego, California. File contains photographic materials, publication drawings, a presentation drawing, textual records and a model.
San Diego Convention Center
Actions:
AP022.S1.1981.PR16
Description:
File documents a built convention centre comprised of exhibit spaces, meeting rooms and offices on the upper level, a 250.000 square-foot exhibition hall at street level, and underground parking, San Diego, California. File contains photographic materials, publication drawings, a presentation drawing, textual records and a model.
Niveau de description archivistique:
Project
Project
Date:
1981-1985
1981-1985
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
AP140.S2.SS1.D4.P4
Description:
views of presentation drawings, a publication drawing for the first-floor plan with highlighted circulation spaces, and a publication perspective for the two-level entrance hall
AP140.S2.SS1.D4.P4
Description:
views of presentation drawings, a publication drawing for the first-floor plan with highlighted circulation spaces, and a publication perspective for the two-level entrance hall
Personnes et institutions:
Date:
circa 1951-1970s
circa 1951-1970s
Titre:
Views of presentation drawings, floor plan, and interior perspective, Poole College of Further Education Competition, Poole, United Kingdom
Actions:
AP140.S2.SS1.D4.P4
Description:
views of presentation drawings, a publication drawing for the first-floor plan with highlighted circulation spaces, and a publication perspective for the two-level entrance hall
Views of presentation drawings, floor plan, and interior perspective, Poole College of Further Education Competition, Poole, United Kingdom
Actions:
AP140.S2.SS1.D4.P4
Description:
views of presentation drawings, a publication drawing for the first-floor plan with highlighted circulation spaces, and a publication perspective for the two-level entrance hall
Classification:
photographies
photographies
Date:
circa 1951-1970s
circa 1951-1970s
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
L’exposition Laboratoires explore comment l’architecture peut réagir au monde incertain de l’après 11 septembre et construire un nouveau cadre de réflexion. Six jeunes agences présentent des environnements ou des installations qui examinent le langage fondamental de la pensée architecturale et réaffirment les pouvoirs civilisateurs de l’imagination. Ont participé à cette(...)
L’exposition Laboratoires explore comment l’architecture peut réagir au monde incertain de l’après 11 septembre et construire un nouveau cadre de réflexion. Six jeunes agences présentent des environnements ou des installations qui examinent le langage fondamental de la pensée architecturale et réaffirment les pouvoirs civilisateurs de l’imagination. Ont participé à cette(...)
Localisation:
Salles principales
Salles principales
Date:
18 avril 2002 au 15 septembre 2002
18 avril 2002 au 15 septembre 2002
Titre:
Laboratoires : Six agences de jeunes architectes dans les salles du CCA
Actions:
Description:
L’exposition Laboratoires explore comment l’architecture peut réagir au monde incertain de l’après 11 septembre et construire un nouveau cadre de réflexion. Six jeunes agences présentent des environnements ou des installations qui examinent le langage fondamental de la pensée architecturale et réaffirment les pouvoirs civilisateurs de l’imagination. Ont participé à cette(...)
Laboratoires : Six agences de jeunes architectes dans les salles du CCA
Actions:
Description:
L’exposition Laboratoires explore comment l’architecture peut réagir au monde incertain de l’après 11 septembre et construire un nouveau cadre de réflexion. Six jeunes agences présentent des environnements ou des installations qui examinent le langage fondamental de la pensée architecturale et réaffirment les pouvoirs civilisateurs de l’imagination. Ont participé à cette(...)
Classification:
expositions
expositions
Date:
18 avril 2002 au
15 septembre 2002
18 avril 2002 au
15 septembre 2002
Localisation:
Salles principales
Salles principales
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Titre:
Collection Eva Hollo Vecsei
Collection Eva Hollo Vecsei
Numéro de référence:
CD041
Résumé:
The Eva Hollo Vecsei collection documents the career of Hungarian-Canadian architect Eva Hollo Vecsei with a few materials from her husband’s, Andrei Vecsei, work. Records in this collection, ranging from 1959 to 2019, document key elements of several of Vecsei’s projects, including built and unbuilt designs.
CD041
Résumé:
The Eva Hollo Vecsei collection documents the career of Hungarian-Canadian architect Eva Hollo Vecsei with a few materials from her husband’s, Andrei Vecsei, work. Records in this collection, ranging from 1959 to 2019, document key elements of several of Vecsei’s projects, including built and unbuilt designs.
Personnes et institutions:
Date:
1959-2019
1959-2019
Titre:
Collection Eva Hollo Vecsei
Actions:
CD041
Résumé:
The Eva Hollo Vecsei collection documents the career of Hungarian-Canadian architect Eva Hollo Vecsei with a few materials from her husband’s, Andrei Vecsei, work. Records in this collection, ranging from 1959 to 2019, document key elements of several of Vecsei’s projects, including built and unbuilt designs.
Collection Eva Hollo Vecsei
Actions:
CD041
Résumé:
The Eva Hollo Vecsei collection documents the career of Hungarian-Canadian architect Eva Hollo Vecsei with a few materials from her husband’s, Andrei Vecsei, work. Records in this collection, ranging from 1959 to 2019, document key elements of several of Vecsei’s projects, including built and unbuilt designs.
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Date:
1959-2019
1959-2019
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP178.S1.1988.PR07.SS9
Description:
This project series documents the restoration of the Grandes Armazéns do Chiado building in Lisbon, Portugal. While the records were held in the office’s archives this project was assigned the number 58/80 N4. The office assigned the dates 1988-1998 for this project. The Grandes Armazéns do Chiado was part of Bloco C and identified as building 4 in Siza's reconstruction plan. The site of the Grandes Armazéns served several different functions in its history, including a hotel, a palace, and a convent, before becoming a department store in 1894. In the 1920s, a hotel was created at the top floors. After the destructive fire of 1988, the new owners of the building were interested in using the totality of the building for a shopping mall and restaurants. On the other hand, Siza's proposal included the expansion of the hotel in the building to introduce more public activity in the area after the regular work and shopping hours. Several programs were proposed to the owners of the building, and it was decided in 1996 that the hotel space would be reduced to the two top floors to have more room for the shopping center. The new division included 41 hotel rooms and 41 stores. The interior of the shopping mall was designed by Eduardo Souto Moura. Drawings include studies, working drawings, mechanical drawings, and structural drawings. Textual material includes project documentation, studies, meeting reports, and correspondence. Photographic material includes photographs of the building before the fire, ruins, model, and construction work. Documentation for this project can also be found in subseries AP178.S1.1988.PR07.SS1 and AP178.S1.1988.PR07.SS7 of this project series.
AP178.S1.1988.PR07.SS9
Description:
This project series documents the restoration of the Grandes Armazéns do Chiado building in Lisbon, Portugal. While the records were held in the office’s archives this project was assigned the number 58/80 N4. The office assigned the dates 1988-1998 for this project. The Grandes Armazéns do Chiado was part of Bloco C and identified as building 4 in Siza's reconstruction plan. The site of the Grandes Armazéns served several different functions in its history, including a hotel, a palace, and a convent, before becoming a department store in 1894. In the 1920s, a hotel was created at the top floors. After the destructive fire of 1988, the new owners of the building were interested in using the totality of the building for a shopping mall and restaurants. On the other hand, Siza's proposal included the expansion of the hotel in the building to introduce more public activity in the area after the regular work and shopping hours. Several programs were proposed to the owners of the building, and it was decided in 1996 that the hotel space would be reduced to the two top floors to have more room for the shopping center. The new division included 41 hotel rooms and 41 stores. The interior of the shopping mall was designed by Eduardo Souto Moura. Drawings include studies, working drawings, mechanical drawings, and structural drawings. Textual material includes project documentation, studies, meeting reports, and correspondence. Photographic material includes photographs of the building before the fire, ruins, model, and construction work. Documentation for this project can also be found in subseries AP178.S1.1988.PR07.SS1 and AP178.S1.1988.PR07.SS7 of this project series.
Personnes et institutions:
Date:
1988-2000
1988-2000
Titre:
Recuperação do Edifício dos Grandes Armazéns, Bloco C, Reconstrução do Chiado [Restoration of Grandes Armazéns do Chiado building, Block C, Reconstruction of the Chiado] Lisbon, Portugal (1988-1998)
Actions:
AP178.S1.1988.PR07.SS9
Description:
This project series documents the restoration of the Grandes Armazéns do Chiado building in Lisbon, Portugal. While the records were held in the office’s archives this project was assigned the number 58/80 N4. The office assigned the dates 1988-1998 for this project. The Grandes Armazéns do Chiado was part of Bloco C and identified as building 4 in Siza's reconstruction plan. The site of the Grandes Armazéns served several different functions in its history, including a hotel, a palace, and a convent, before becoming a department store in 1894. In the 1920s, a hotel was created at the top floors. After the destructive fire of 1988, the new owners of the building were interested in using the totality of the building for a shopping mall and restaurants. On the other hand, Siza's proposal included the expansion of the hotel in the building to introduce more public activity in the area after the regular work and shopping hours. Several programs were proposed to the owners of the building, and it was decided in 1996 that the hotel space would be reduced to the two top floors to have more room for the shopping center. The new division included 41 hotel rooms and 41 stores. The interior of the shopping mall was designed by Eduardo Souto Moura. Drawings include studies, working drawings, mechanical drawings, and structural drawings. Textual material includes project documentation, studies, meeting reports, and correspondence. Photographic material includes photographs of the building before the fire, ruins, model, and construction work. Documentation for this project can also be found in subseries AP178.S1.1988.PR07.SS1 and AP178.S1.1988.PR07.SS7 of this project series.
Recuperação do Edifício dos Grandes Armazéns, Bloco C, Reconstrução do Chiado [Restoration of Grandes Armazéns do Chiado building, Block C, Reconstruction of the Chiado] Lisbon, Portugal (1988-1998)
Actions:
AP178.S1.1988.PR07.SS9
Description:
This project series documents the restoration of the Grandes Armazéns do Chiado building in Lisbon, Portugal. While the records were held in the office’s archives this project was assigned the number 58/80 N4. The office assigned the dates 1988-1998 for this project. The Grandes Armazéns do Chiado was part of Bloco C and identified as building 4 in Siza's reconstruction plan. The site of the Grandes Armazéns served several different functions in its history, including a hotel, a palace, and a convent, before becoming a department store in 1894. In the 1920s, a hotel was created at the top floors. After the destructive fire of 1988, the new owners of the building were interested in using the totality of the building for a shopping mall and restaurants. On the other hand, Siza's proposal included the expansion of the hotel in the building to introduce more public activity in the area after the regular work and shopping hours. Several programs were proposed to the owners of the building, and it was decided in 1996 that the hotel space would be reduced to the two top floors to have more room for the shopping center. The new division included 41 hotel rooms and 41 stores. The interior of the shopping mall was designed by Eduardo Souto Moura. Drawings include studies, working drawings, mechanical drawings, and structural drawings. Textual material includes project documentation, studies, meeting reports, and correspondence. Photographic material includes photographs of the building before the fire, ruins, model, and construction work. Documentation for this project can also be found in subseries AP178.S1.1988.PR07.SS1 and AP178.S1.1988.PR07.SS7 of this project series.
Niveau de description archivistique:
Project
Project
Date:
1988-2000
1988-2000
Personnes et institutions:
Classification:
articles
articles
Titre:
Avez-vous peur dans le noir?
Avez-vous peur dans le noir?
Actions:
Zainab Marvi sur la façon dont les superstitions régissent l'expérience urbaine des femmes à Karachi
Titre:
Avez-vous peur dans le noir?
Zainab Marvi sur la façon dont les superstitions régissent l'expérience urbaine des femmes à Karachi
Actions:
Avez-vous peur dans le noir?
Zainab Marvi sur la façon dont les superstitions régissent l'expérience urbaine des femmes à Karachi
Actions:
Dossier:
Pour votre sécurité
Pour votre sécurité
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP167
Résumé:
The ONL [Oosterhuis_Lénárd] NSA Muscle project records, 1995-2013, contain approximately 5,000 digital working files for the NSA Muscle, a built prototype commissioned for the Non-Standard Architecture exhibition at the Centre George Pompidou in Paris in 2003. The NSA Muscle is a programmable structure that changes its shape and content in real time. The records are entirely digital, and include administrative files, CAD files, Virtools files, publicity materials and photographs. They document the planning, design development, construction and exhibition of the NSA Muscle and related projects.
AP167
Résumé:
The ONL [Oosterhuis_Lénárd] NSA Muscle project records, 1995-2013, contain approximately 5,000 digital working files for the NSA Muscle, a built prototype commissioned for the Non-Standard Architecture exhibition at the Centre George Pompidou in Paris in 2003. The NSA Muscle is a programmable structure that changes its shape and content in real time. The records are entirely digital, and include administrative files, CAD files, Virtools files, publicity materials and photographs. They document the planning, design development, construction and exhibition of the NSA Muscle and related projects.
Personnes et institutions:
Date:
1995-2013
1995-2013
Titre:
Documents d’archives de ONL [Oosterhuis_Lénárd] pour le projet NSA Muscle
Actions:
AP167
Résumé:
The ONL [Oosterhuis_Lénárd] NSA Muscle project records, 1995-2013, contain approximately 5,000 digital working files for the NSA Muscle, a built prototype commissioned for the Non-Standard Architecture exhibition at the Centre George Pompidou in Paris in 2003. The NSA Muscle is a programmable structure that changes its shape and content in real time. The records are entirely digital, and include administrative files, CAD files, Virtools files, publicity materials and photographs. They document the planning, design development, construction and exhibition of the NSA Muscle and related projects.
Documents d’archives de ONL [Oosterhuis_Lénárd] pour le projet NSA Muscle
Actions:
AP167
Résumé:
The ONL [Oosterhuis_Lénárd] NSA Muscle project records, 1995-2013, contain approximately 5,000 digital working files for the NSA Muscle, a built prototype commissioned for the Non-Standard Architecture exhibition at the Centre George Pompidou in Paris in 2003. The NSA Muscle is a programmable structure that changes its shape and content in real time. The records are entirely digital, and include administrative files, CAD files, Virtools files, publicity materials and photographs. They document the planning, design development, construction and exhibition of the NSA Muscle and related projects.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1995-2013
1995-2013
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP148.S1.1970.PR02
Description:
The project series documents Poli's work on the Interplanetary Architecture project, which was also made into a film by Superstudio directed by Alessandro Poli (the film is not included in the fonds). The project reflects Poli's deep fascination with the moon landing in 1969. Poli uses this major media event as a catalyst for thinking about a new approach to architecture and tools for design, including the idea that film and the movie camera should become part of the toolset. The project also seems to be in some way a response to Epoch magazine's challenge for a "Primo concorso di architettura nello spazio" (the first architectural competition in space), and includes much imagery and textual references to a new road or architectural links between the earth and other planets, including an earth moon highway. In his storyboard, Poli also makes reference to his earlier Piper project, and some imagery features wheels and an amusement park. The Interplanetary Architecture project was exhibited by Superstudio in Rome in 1972 and featured in "Casabella" magazine in April 1972 (no. 364). The project was also featured in the 2010 CCA exhibition "Other Space Odysseys". In the accompanying CCA publication, Poli describes this project as "a voyage off earthbound routes in quest of architecture unfettered by the urban nightmare, by induced needs or by planning as the only tool for regulating and solving the world's problems" (Poli quoted in Borasi and Zardini, 2010, 110). Poli's work on this project is deeply tied to the Zeno project, which was also featured in this exhibition and is included in this fonds (see AP148.S1.1972.PR01). For the Zeno project, Poli envisioned a dialogue between astronaut Buzz Aldrin and an Italian peasant, Zeno of Riparbella. Poli felt that these two shared a similarity in that both their homes were isolated capsules, one that provided a lens from which to see the rest of the world and understand their place in it. The material in the series includes numerous photomontages and collages of astronauts in space, as well as drawings of plantery shapes and structures. There are also texts, some of which include calculations of distances and diameters of planets, as well as notebooks and sketchbooks, many of which Poli included in a folder he entitled "Storyboard." The series also includes an unsent letter from Poli to Adolfo Natalini which describes how, after the moon landing, everything - the planet, the moon, the stars - is architecture, and that this will necessitate the need for new design tools, such as the movie camera. Some works are signed Alessandro Poli-Superstudio. Source cited: Giovanna Borasi and Mirko Zardini, eds., Other Space Odysseys, Montreal and Baden: Canadian Centre for Architecture/Lars Müller Publishers, 2010.
AP148.S1.1970.PR02
Description:
The project series documents Poli's work on the Interplanetary Architecture project, which was also made into a film by Superstudio directed by Alessandro Poli (the film is not included in the fonds). The project reflects Poli's deep fascination with the moon landing in 1969. Poli uses this major media event as a catalyst for thinking about a new approach to architecture and tools for design, including the idea that film and the movie camera should become part of the toolset. The project also seems to be in some way a response to Epoch magazine's challenge for a "Primo concorso di architettura nello spazio" (the first architectural competition in space), and includes much imagery and textual references to a new road or architectural links between the earth and other planets, including an earth moon highway. In his storyboard, Poli also makes reference to his earlier Piper project, and some imagery features wheels and an amusement park. The Interplanetary Architecture project was exhibited by Superstudio in Rome in 1972 and featured in "Casabella" magazine in April 1972 (no. 364). The project was also featured in the 2010 CCA exhibition "Other Space Odysseys". In the accompanying CCA publication, Poli describes this project as "a voyage off earthbound routes in quest of architecture unfettered by the urban nightmare, by induced needs or by planning as the only tool for regulating and solving the world's problems" (Poli quoted in Borasi and Zardini, 2010, 110). Poli's work on this project is deeply tied to the Zeno project, which was also featured in this exhibition and is included in this fonds (see AP148.S1.1972.PR01). For the Zeno project, Poli envisioned a dialogue between astronaut Buzz Aldrin and an Italian peasant, Zeno of Riparbella. Poli felt that these two shared a similarity in that both their homes were isolated capsules, one that provided a lens from which to see the rest of the world and understand their place in it. The material in the series includes numerous photomontages and collages of astronauts in space, as well as drawings of plantery shapes and structures. There are also texts, some of which include calculations of distances and diameters of planets, as well as notebooks and sketchbooks, many of which Poli included in a folder he entitled "Storyboard." The series also includes an unsent letter from Poli to Adolfo Natalini which describes how, after the moon landing, everything - the planet, the moon, the stars - is architecture, and that this will necessitate the need for new design tools, such as the movie camera. Some works are signed Alessandro Poli-Superstudio. Source cited: Giovanna Borasi and Mirko Zardini, eds., Other Space Odysseys, Montreal and Baden: Canadian Centre for Architecture/Lars Müller Publishers, 2010.
Personnes et institutions:
Date:
1969-1971
1969-1971
Titre:
Architettura Interplanetaria [Interplanetary Architecture] (1970-1971)
Actions:
AP148.S1.1970.PR02
Description:
The project series documents Poli's work on the Interplanetary Architecture project, which was also made into a film by Superstudio directed by Alessandro Poli (the film is not included in the fonds). The project reflects Poli's deep fascination with the moon landing in 1969. Poli uses this major media event as a catalyst for thinking about a new approach to architecture and tools for design, including the idea that film and the movie camera should become part of the toolset. The project also seems to be in some way a response to Epoch magazine's challenge for a "Primo concorso di architettura nello spazio" (the first architectural competition in space), and includes much imagery and textual references to a new road or architectural links between the earth and other planets, including an earth moon highway. In his storyboard, Poli also makes reference to his earlier Piper project, and some imagery features wheels and an amusement park. The Interplanetary Architecture project was exhibited by Superstudio in Rome in 1972 and featured in "Casabella" magazine in April 1972 (no. 364). The project was also featured in the 2010 CCA exhibition "Other Space Odysseys". In the accompanying CCA publication, Poli describes this project as "a voyage off earthbound routes in quest of architecture unfettered by the urban nightmare, by induced needs or by planning as the only tool for regulating and solving the world's problems" (Poli quoted in Borasi and Zardini, 2010, 110). Poli's work on this project is deeply tied to the Zeno project, which was also featured in this exhibition and is included in this fonds (see AP148.S1.1972.PR01). For the Zeno project, Poli envisioned a dialogue between astronaut Buzz Aldrin and an Italian peasant, Zeno of Riparbella. Poli felt that these two shared a similarity in that both their homes were isolated capsules, one that provided a lens from which to see the rest of the world and understand their place in it. The material in the series includes numerous photomontages and collages of astronauts in space, as well as drawings of plantery shapes and structures. There are also texts, some of which include calculations of distances and diameters of planets, as well as notebooks and sketchbooks, many of which Poli included in a folder he entitled "Storyboard." The series also includes an unsent letter from Poli to Adolfo Natalini which describes how, after the moon landing, everything - the planet, the moon, the stars - is architecture, and that this will necessitate the need for new design tools, such as the movie camera. Some works are signed Alessandro Poli-Superstudio. Source cited: Giovanna Borasi and Mirko Zardini, eds., Other Space Odysseys, Montreal and Baden: Canadian Centre for Architecture/Lars Müller Publishers, 2010.
Architettura Interplanetaria [Interplanetary Architecture] (1970-1971)
Actions:
AP148.S1.1970.PR02
Description:
The project series documents Poli's work on the Interplanetary Architecture project, which was also made into a film by Superstudio directed by Alessandro Poli (the film is not included in the fonds). The project reflects Poli's deep fascination with the moon landing in 1969. Poli uses this major media event as a catalyst for thinking about a new approach to architecture and tools for design, including the idea that film and the movie camera should become part of the toolset. The project also seems to be in some way a response to Epoch magazine's challenge for a "Primo concorso di architettura nello spazio" (the first architectural competition in space), and includes much imagery and textual references to a new road or architectural links between the earth and other planets, including an earth moon highway. In his storyboard, Poli also makes reference to his earlier Piper project, and some imagery features wheels and an amusement park. The Interplanetary Architecture project was exhibited by Superstudio in Rome in 1972 and featured in "Casabella" magazine in April 1972 (no. 364). The project was also featured in the 2010 CCA exhibition "Other Space Odysseys". In the accompanying CCA publication, Poli describes this project as "a voyage off earthbound routes in quest of architecture unfettered by the urban nightmare, by induced needs or by planning as the only tool for regulating and solving the world's problems" (Poli quoted in Borasi and Zardini, 2010, 110). Poli's work on this project is deeply tied to the Zeno project, which was also featured in this exhibition and is included in this fonds (see AP148.S1.1972.PR01). For the Zeno project, Poli envisioned a dialogue between astronaut Buzz Aldrin and an Italian peasant, Zeno of Riparbella. Poli felt that these two shared a similarity in that both their homes were isolated capsules, one that provided a lens from which to see the rest of the world and understand their place in it. The material in the series includes numerous photomontages and collages of astronauts in space, as well as drawings of plantery shapes and structures. There are also texts, some of which include calculations of distances and diameters of planets, as well as notebooks and sketchbooks, many of which Poli included in a folder he entitled "Storyboard." The series also includes an unsent letter from Poli to Adolfo Natalini which describes how, after the moon landing, everything - the planet, the moon, the stars - is architecture, and that this will necessitate the need for new design tools, such as the movie camera. Some works are signed Alessandro Poli-Superstudio. Source cited: Giovanna Borasi and Mirko Zardini, eds., Other Space Odysseys, Montreal and Baden: Canadian Centre for Architecture/Lars Müller Publishers, 2010.
Niveau de description archivistique:
Project
Project
Date:
1969-1971
1969-1971
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Aditya Prakash fonds
Aditya Prakash fonds
Numéro de référence:
AP206
Résumé:
The Aditya Prakash fonds documents the professional practice of modernist Indian architect Aditya Prakash from his studies in London in 1947 to his death in 2008. His seminal work as a junior architect on the Chandigarh Capitol Project in the 1950s is recorded along with documentation from his solo career after 1960, including approximately 82 architectural projects. His professional work as an artist, photographer, writer, academic and theatre enthusiast are also well documented through drawings, photographic materials and textual records.
AP206
Résumé:
The Aditya Prakash fonds documents the professional practice of modernist Indian architect Aditya Prakash from his studies in London in 1947 to his death in 2008. His seminal work as a junior architect on the Chandigarh Capitol Project in the 1950s is recorded along with documentation from his solo career after 1960, including approximately 82 architectural projects. His professional work as an artist, photographer, writer, academic and theatre enthusiast are also well documented through drawings, photographic materials and textual records.
Personnes et institutions:
Date:
1947-2008
1947-2008
Titre:
Aditya Prakash fonds
Actions:
AP206
Résumé:
The Aditya Prakash fonds documents the professional practice of modernist Indian architect Aditya Prakash from his studies in London in 1947 to his death in 2008. His seminal work as a junior architect on the Chandigarh Capitol Project in the 1950s is recorded along with documentation from his solo career after 1960, including approximately 82 architectural projects. His professional work as an artist, photographer, writer, academic and theatre enthusiast are also well documented through drawings, photographic materials and textual records.
Aditya Prakash fonds
Actions:
AP206
Résumé:
The Aditya Prakash fonds documents the professional practice of modernist Indian architect Aditya Prakash from his studies in London in 1947 to his death in 2008. His seminal work as a junior architect on the Chandigarh Capitol Project in the 1950s is recorded along with documentation from his solo career after 1960, including approximately 82 architectural projects. His professional work as an artist, photographer, writer, academic and theatre enthusiast are also well documented through drawings, photographic materials and textual records.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1947-2008
1947-2008
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1995.PR07
Description:
This project series documents the Renovação e extensão do Museu Stedelijk in Amsterdam, The Netherlands. While the records were held in the office’s archives this project was assigned the number 57/90. The office assigned the date 1995 to this project. At the beginning of the nineties, Rem Koolhaas, Wim Quist, Carel Weeber, and Robert Venturi were invited to propose a design for the extension and renovations of the Stedelijk Museum. Robert Venturi was the architect selected, but the project was suspended in 1993 due to the infeasibility of the program and budget restrictions. The following year, five applicants, including Siza, were asked to present a new design to a committee. In December 1995, Siza was officially announced as the new design architect for the project by the city of Amsterdam. The firm A+D+P was selected as the executive architect. Siza's first proposal was presented in 1998. His master plan included the demolition of the Marmottenhuis, the renovation of the 19th-century patios, and the relocation of the public toilets to the basement in order to create exhibition halls. The master plan also included the construction of three new wings and two underground passages to connect the newer and older buildings. A new wing, located to one side of Sandbergplein, included offices in the basement and on the ground floor as well as exhibition halls on the first floor. A new building surrounding the museum garden included storage space in the basement, a restaurant on the ground floor, and exhibition halls at the first floor. Construction work was projected to start in June 2000, however due to budget restrictions the project was not realized and a new competition was held in 2004. The firm Benthem Crouwel Architects realized the project. Documenting this project are sketches, studies, preliminary drawings, plans, and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
AP178.S1.1995.PR07
Description:
This project series documents the Renovação e extensão do Museu Stedelijk in Amsterdam, The Netherlands. While the records were held in the office’s archives this project was assigned the number 57/90. The office assigned the date 1995 to this project. At the beginning of the nineties, Rem Koolhaas, Wim Quist, Carel Weeber, and Robert Venturi were invited to propose a design for the extension and renovations of the Stedelijk Museum. Robert Venturi was the architect selected, but the project was suspended in 1993 due to the infeasibility of the program and budget restrictions. The following year, five applicants, including Siza, were asked to present a new design to a committee. In December 1995, Siza was officially announced as the new design architect for the project by the city of Amsterdam. The firm A+D+P was selected as the executive architect. Siza's first proposal was presented in 1998. His master plan included the demolition of the Marmottenhuis, the renovation of the 19th-century patios, and the relocation of the public toilets to the basement in order to create exhibition halls. The master plan also included the construction of three new wings and two underground passages to connect the newer and older buildings. A new wing, located to one side of Sandbergplein, included offices in the basement and on the ground floor as well as exhibition halls on the first floor. A new building surrounding the museum garden included storage space in the basement, a restaurant on the ground floor, and exhibition halls at the first floor. Construction work was projected to start in June 2000, however due to budget restrictions the project was not realized and a new competition was held in 2004. The firm Benthem Crouwel Architects realized the project. Documenting this project are sketches, studies, preliminary drawings, plans, and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
Personnes et institutions:
Date:
1989-2002
1989-2002
Titre:
Renovação e extensão do Museu Stedelijk [Restoration and extension of Stedelijk Museum], Amsterdam, The Netherlands (1995)
Actions:
AP178.S1.1995.PR07
Description:
This project series documents the Renovação e extensão do Museu Stedelijk in Amsterdam, The Netherlands. While the records were held in the office’s archives this project was assigned the number 57/90. The office assigned the date 1995 to this project. At the beginning of the nineties, Rem Koolhaas, Wim Quist, Carel Weeber, and Robert Venturi were invited to propose a design for the extension and renovations of the Stedelijk Museum. Robert Venturi was the architect selected, but the project was suspended in 1993 due to the infeasibility of the program and budget restrictions. The following year, five applicants, including Siza, were asked to present a new design to a committee. In December 1995, Siza was officially announced as the new design architect for the project by the city of Amsterdam. The firm A+D+P was selected as the executive architect. Siza's first proposal was presented in 1998. His master plan included the demolition of the Marmottenhuis, the renovation of the 19th-century patios, and the relocation of the public toilets to the basement in order to create exhibition halls. The master plan also included the construction of three new wings and two underground passages to connect the newer and older buildings. A new wing, located to one side of Sandbergplein, included offices in the basement and on the ground floor as well as exhibition halls on the first floor. A new building surrounding the museum garden included storage space in the basement, a restaurant on the ground floor, and exhibition halls at the first floor. Construction work was projected to start in June 2000, however due to budget restrictions the project was not realized and a new competition was held in 2004. The firm Benthem Crouwel Architects realized the project. Documenting this project are sketches, studies, preliminary drawings, plans, and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
Renovação e extensão do Museu Stedelijk [Restoration and extension of Stedelijk Museum], Amsterdam, The Netherlands (1995)
Actions:
AP178.S1.1995.PR07
Description:
This project series documents the Renovação e extensão do Museu Stedelijk in Amsterdam, The Netherlands. While the records were held in the office’s archives this project was assigned the number 57/90. The office assigned the date 1995 to this project. At the beginning of the nineties, Rem Koolhaas, Wim Quist, Carel Weeber, and Robert Venturi were invited to propose a design for the extension and renovations of the Stedelijk Museum. Robert Venturi was the architect selected, but the project was suspended in 1993 due to the infeasibility of the program and budget restrictions. The following year, five applicants, including Siza, were asked to present a new design to a committee. In December 1995, Siza was officially announced as the new design architect for the project by the city of Amsterdam. The firm A+D+P was selected as the executive architect. Siza's first proposal was presented in 1998. His master plan included the demolition of the Marmottenhuis, the renovation of the 19th-century patios, and the relocation of the public toilets to the basement in order to create exhibition halls. The master plan also included the construction of three new wings and two underground passages to connect the newer and older buildings. A new wing, located to one side of Sandbergplein, included offices in the basement and on the ground floor as well as exhibition halls on the first floor. A new building surrounding the museum garden included storage space in the basement, a restaurant on the ground floor, and exhibition halls at the first floor. Construction work was projected to start in June 2000, however due to budget restrictions the project was not realized and a new competition was held in 2004. The firm Benthem Crouwel Architects realized the project. Documenting this project are sketches, studies, preliminary drawings, plans, and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
Niveau de description archivistique:
Project
Project
Date:
1989-2002
1989-2002
Personnes et institutions:
