2904 Résultats
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
CI001.S2.D4
Description:
The CCA collection includes albums of drawings for some of Charles Rohault de Fleury's most important public architectural projects, built and unbuilt. They provide valuable insight into his design development process, construction techniques, and flexibility regarding building types and styles, as well as illuminating the larger issues of urban planning and the complex interaction between architect, contractor, and entrepreneur in mid-19th century France. The neo-Moorish Hippodrome National (DR1974:0002:017:001-060) - an ephemeral structure constructed of a wood frame with canvas sheathing- was built adjacent to the Place de l'Étoile in 1845 and destroyed in 1856. The documents and drawings in the album provide a highly detailed and complete overview of the project from the study of historical models to contract drawings. Written documentation, including cost estimates, a contract, daily accounts of construction, entrepreneur's accounts, and correspondence with the principal contractor, is particularly revealing of the working procedures on a large commercial project. In 1855 Charles and Auguste Joseph Pellechet constructed the Chambre des Notaires on the newly transformed Place du Chatelet - the intended centre point of Haussmann's 'Nouveau Paris' (1). The CCA album contains primarily transfer lithographed working and contract drawings signed by the entrepreneurs and/or contractors (DR1974:0002:022:001-021). The plans reflect Charles' sensitive integration of iron and masonry construction, which allowed for abundant fenestration on the side facades, while maintaining the traditional aspects of character and solidity required in a prominent urban building. Charles' approach to the design of more utilitarian structures is indicated in his album of competition drawings for a municipal slaughterhouse submitted to the city of Saint-Germain-en-Laye, 1846-1847 (DR1974:0002:023:001-012). His interpretation of the written programme (included in the album) and the resulting design, is strongly influenced by his father's previous slaughterhouse projects, as well as his own for La Villete, 1835-1836 (see DR1974:0002:014:001-104 in Hubert Rohault de Fleury's Public and Urban Architecture (file CI001.S3.D1)). The pared down Neoclassical style of the slaughterhouse is typical of both Charles and Hubert's utilitarian structures. Charles' largest public urban project outside of Paris was for an unexecuted Hôtel de Prefecture (Departement de la Vienne) and Hôtel de Ville for the city of Poitiers, 1859-1860 (DR1974:0002:020:001-050). The project for the Louis XIIIth style Hotel de Prefecture is fairly complete and includes many working drawings, while the Francis Ist style Hotel de Ville is much less developed and consists primarily of unbound sketches and finished drawings. A site plan indicates that Charles intended the Hôtel de Prefecture and Hôtel de Ville to be located nearly opposite each other and connected by a major thoroughfare. The placement of both structures in the western quarter of the city probably reflects an earlier urban renewal plan proposed by the architects Morandiere et Compaing in 1849. The Hôtel de Prefecture (1864-1868) and Hotel de Ville (1869-1876) were eventually built after designs by Antoine Guerinot, in the same style, and on sites close to those proposed by Charles. Drawings and engravings of antique and contemporary theatres, fountains, honorific monuments, and large public projects by other architects are collected in album DR1974:0002:010:001-048 for reference purposes (some of these may have been collected by his father Hubert). (1) David Van Zanten, "Building Paris: Architectural Institutions and the Transformation of the French Capital, 1830-1870" (Cambridge, Eng.: Cambridge University Press, 1994), p. 235 and pp. 233-241 for the development of the Place du Chatelet.
CI001.S2.D4
Description:
The CCA collection includes albums of drawings for some of Charles Rohault de Fleury's most important public architectural projects, built and unbuilt. They provide valuable insight into his design development process, construction techniques, and flexibility regarding building types and styles, as well as illuminating the larger issues of urban planning and the complex interaction between architect, contractor, and entrepreneur in mid-19th century France. The neo-Moorish Hippodrome National (DR1974:0002:017:001-060) - an ephemeral structure constructed of a wood frame with canvas sheathing- was built adjacent to the Place de l'Étoile in 1845 and destroyed in 1856. The documents and drawings in the album provide a highly detailed and complete overview of the project from the study of historical models to contract drawings. Written documentation, including cost estimates, a contract, daily accounts of construction, entrepreneur's accounts, and correspondence with the principal contractor, is particularly revealing of the working procedures on a large commercial project. In 1855 Charles and Auguste Joseph Pellechet constructed the Chambre des Notaires on the newly transformed Place du Chatelet - the intended centre point of Haussmann's 'Nouveau Paris' (1). The CCA album contains primarily transfer lithographed working and contract drawings signed by the entrepreneurs and/or contractors (DR1974:0002:022:001-021). The plans reflect Charles' sensitive integration of iron and masonry construction, which allowed for abundant fenestration on the side facades, while maintaining the traditional aspects of character and solidity required in a prominent urban building. Charles' approach to the design of more utilitarian structures is indicated in his album of competition drawings for a municipal slaughterhouse submitted to the city of Saint-Germain-en-Laye, 1846-1847 (DR1974:0002:023:001-012). His interpretation of the written programme (included in the album) and the resulting design, is strongly influenced by his father's previous slaughterhouse projects, as well as his own for La Villete, 1835-1836 (see DR1974:0002:014:001-104 in Hubert Rohault de Fleury's Public and Urban Architecture (file CI001.S3.D1)). The pared down Neoclassical style of the slaughterhouse is typical of both Charles and Hubert's utilitarian structures. Charles' largest public urban project outside of Paris was for an unexecuted Hôtel de Prefecture (Departement de la Vienne) and Hôtel de Ville for the city of Poitiers, 1859-1860 (DR1974:0002:020:001-050). The project for the Louis XIIIth style Hotel de Prefecture is fairly complete and includes many working drawings, while the Francis Ist style Hotel de Ville is much less developed and consists primarily of unbound sketches and finished drawings. A site plan indicates that Charles intended the Hôtel de Prefecture and Hôtel de Ville to be located nearly opposite each other and connected by a major thoroughfare. The placement of both structures in the western quarter of the city probably reflects an earlier urban renewal plan proposed by the architects Morandiere et Compaing in 1849. The Hôtel de Prefecture (1864-1868) and Hotel de Ville (1869-1876) were eventually built after designs by Antoine Guerinot, in the same style, and on sites close to those proposed by Charles. Drawings and engravings of antique and contemporary theatres, fountains, honorific monuments, and large public projects by other architects are collected in album DR1974:0002:010:001-048 for reference purposes (some of these may have been collected by his father Hubert). (1) David Van Zanten, "Building Paris: Architectural Institutions and the Transformation of the French Capital, 1830-1870" (Cambridge, Eng.: Cambridge University Press, 1994), p. 235 and pp. 233-241 for the development of the Place du Chatelet.
Personnes et institutions:
Date:
[1840-1860]
[1840-1860]
Titre:
Public and Urban Architecture
CI001.S2.D4
Description:
The CCA collection includes albums of drawings for some of Charles Rohault de Fleury's most important public architectural projects, built and unbuilt. They provide valuable insight into his design development process, construction techniques, and flexibility regarding building types and styles, as well as illuminating the larger issues of urban planning and the complex interaction between architect, contractor, and entrepreneur in mid-19th century France. The neo-Moorish Hippodrome National (DR1974:0002:017:001-060) - an ephemeral structure constructed of a wood frame with canvas sheathing- was built adjacent to the Place de l'Étoile in 1845 and destroyed in 1856. The documents and drawings in the album provide a highly detailed and complete overview of the project from the study of historical models to contract drawings. Written documentation, including cost estimates, a contract, daily accounts of construction, entrepreneur's accounts, and correspondence with the principal contractor, is particularly revealing of the working procedures on a large commercial project. In 1855 Charles and Auguste Joseph Pellechet constructed the Chambre des Notaires on the newly transformed Place du Chatelet - the intended centre point of Haussmann's 'Nouveau Paris' (1). The CCA album contains primarily transfer lithographed working and contract drawings signed by the entrepreneurs and/or contractors (DR1974:0002:022:001-021). The plans reflect Charles' sensitive integration of iron and masonry construction, which allowed for abundant fenestration on the side facades, while maintaining the traditional aspects of character and solidity required in a prominent urban building. Charles' approach to the design of more utilitarian structures is indicated in his album of competition drawings for a municipal slaughterhouse submitted to the city of Saint-Germain-en-Laye, 1846-1847 (DR1974:0002:023:001-012). His interpretation of the written programme (included in the album) and the resulting design, is strongly influenced by his father's previous slaughterhouse projects, as well as his own for La Villete, 1835-1836 (see DR1974:0002:014:001-104 in Hubert Rohault de Fleury's Public and Urban Architecture (file CI001.S3.D1)). The pared down Neoclassical style of the slaughterhouse is typical of both Charles and Hubert's utilitarian structures. Charles' largest public urban project outside of Paris was for an unexecuted Hôtel de Prefecture (Departement de la Vienne) and Hôtel de Ville for the city of Poitiers, 1859-1860 (DR1974:0002:020:001-050). The project for the Louis XIIIth style Hotel de Prefecture is fairly complete and includes many working drawings, while the Francis Ist style Hotel de Ville is much less developed and consists primarily of unbound sketches and finished drawings. A site plan indicates that Charles intended the Hôtel de Prefecture and Hôtel de Ville to be located nearly opposite each other and connected by a major thoroughfare. The placement of both structures in the western quarter of the city probably reflects an earlier urban renewal plan proposed by the architects Morandiere et Compaing in 1849. The Hôtel de Prefecture (1864-1868) and Hotel de Ville (1869-1876) were eventually built after designs by Antoine Guerinot, in the same style, and on sites close to those proposed by Charles. Drawings and engravings of antique and contemporary theatres, fountains, honorific monuments, and large public projects by other architects are collected in album DR1974:0002:010:001-048 for reference purposes (some of these may have been collected by his father Hubert). (1) David Van Zanten, "Building Paris: Architectural Institutions and the Transformation of the French Capital, 1830-1870" (Cambridge, Eng.: Cambridge University Press, 1994), p. 235 and pp. 233-241 for the development of the Place du Chatelet.
Public and Urban Architecture
CI001.S2.D4
Description:
The CCA collection includes albums of drawings for some of Charles Rohault de Fleury's most important public architectural projects, built and unbuilt. They provide valuable insight into his design development process, construction techniques, and flexibility regarding building types and styles, as well as illuminating the larger issues of urban planning and the complex interaction between architect, contractor, and entrepreneur in mid-19th century France. The neo-Moorish Hippodrome National (DR1974:0002:017:001-060) - an ephemeral structure constructed of a wood frame with canvas sheathing- was built adjacent to the Place de l'Étoile in 1845 and destroyed in 1856. The documents and drawings in the album provide a highly detailed and complete overview of the project from the study of historical models to contract drawings. Written documentation, including cost estimates, a contract, daily accounts of construction, entrepreneur's accounts, and correspondence with the principal contractor, is particularly revealing of the working procedures on a large commercial project. In 1855 Charles and Auguste Joseph Pellechet constructed the Chambre des Notaires on the newly transformed Place du Chatelet - the intended centre point of Haussmann's 'Nouveau Paris' (1). The CCA album contains primarily transfer lithographed working and contract drawings signed by the entrepreneurs and/or contractors (DR1974:0002:022:001-021). The plans reflect Charles' sensitive integration of iron and masonry construction, which allowed for abundant fenestration on the side facades, while maintaining the traditional aspects of character and solidity required in a prominent urban building. Charles' approach to the design of more utilitarian structures is indicated in his album of competition drawings for a municipal slaughterhouse submitted to the city of Saint-Germain-en-Laye, 1846-1847 (DR1974:0002:023:001-012). His interpretation of the written programme (included in the album) and the resulting design, is strongly influenced by his father's previous slaughterhouse projects, as well as his own for La Villete, 1835-1836 (see DR1974:0002:014:001-104 in Hubert Rohault de Fleury's Public and Urban Architecture (file CI001.S3.D1)). The pared down Neoclassical style of the slaughterhouse is typical of both Charles and Hubert's utilitarian structures. Charles' largest public urban project outside of Paris was for an unexecuted Hôtel de Prefecture (Departement de la Vienne) and Hôtel de Ville for the city of Poitiers, 1859-1860 (DR1974:0002:020:001-050). The project for the Louis XIIIth style Hotel de Prefecture is fairly complete and includes many working drawings, while the Francis Ist style Hotel de Ville is much less developed and consists primarily of unbound sketches and finished drawings. A site plan indicates that Charles intended the Hôtel de Prefecture and Hôtel de Ville to be located nearly opposite each other and connected by a major thoroughfare. The placement of both structures in the western quarter of the city probably reflects an earlier urban renewal plan proposed by the architects Morandiere et Compaing in 1849. The Hôtel de Prefecture (1864-1868) and Hotel de Ville (1869-1876) were eventually built after designs by Antoine Guerinot, in the same style, and on sites close to those proposed by Charles. Drawings and engravings of antique and contemporary theatres, fountains, honorific monuments, and large public projects by other architects are collected in album DR1974:0002:010:001-048 for reference purposes (some of these may have been collected by his father Hubert). (1) David Van Zanten, "Building Paris: Architectural Institutions and the Transformation of the French Capital, 1830-1870" (Cambridge, Eng.: Cambridge University Press, 1994), p. 235 and pp. 233-241 for the development of the Place du Chatelet.
Niveau de description archivistique:
File 4
File 4
Date:
[1840-1860]
[1840-1860]
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Gene Summers
Fonds Gene Summers
Numéro de référence:
AP114
Résumé:
The Gene Summers fonds documents primarily the later part of Gene Summers' career as an architect, developer, artist and art collector. Summer's early work with the Office of Mies van der Rohe and C.F. Murphy Associates is summarily represented by notes, sketches and photographs.
AP114
Résumé:
The Gene Summers fonds documents primarily the later part of Gene Summers' career as an architect, developer, artist and art collector. Summer's early work with the Office of Mies van der Rohe and C.F. Murphy Associates is summarily represented by notes, sketches and photographs.
Personnes et institutions:
Date:
1957 - 2004
1957 - 2004
Titre:
Fonds Gene Summers
Actions:
AP114
Résumé:
The Gene Summers fonds documents primarily the later part of Gene Summers' career as an architect, developer, artist and art collector. Summer's early work with the Office of Mies van der Rohe and C.F. Murphy Associates is summarily represented by notes, sketches and photographs.
Fonds Gene Summers
Actions:
AP114
Résumé:
The Gene Summers fonds documents primarily the later part of Gene Summers' career as an architect, developer, artist and art collector. Summer's early work with the Office of Mies van der Rohe and C.F. Murphy Associates is summarily represented by notes, sketches and photographs.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1957 - 2004
1957 - 2004
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
Archéologie du numérique : complexité et convention représente le troisième et dernier volet d’une série d’expositions liées à la constitution d’archives numériques au CCA. Le programme Archéologie du numérique comprend vingt-cinq projets pour lesquels les documents numériques constituent des éléments essentiels à la compréhension du processus de conception(...)
Archéologie du numérique : complexité et convention représente le troisième et dernier volet d’une série d’expositions liées à la constitution d’archives numériques au CCA. Le programme Archéologie du numérique comprend vingt-cinq projets pour lesquels les documents numériques constituent des éléments essentiels à la compréhension du processus de conception(...)
Date:
11 mai 2016 au 16 octobre 2016
11 mai 2016 au 16 octobre 2016
Titre:
Archéologie du numérique : complexité et convention
Actions:
Description:
Archéologie du numérique : complexité et convention représente le troisième et dernier volet d’une série d’expositions liées à la constitution d’archives numériques au CCA. Le programme Archéologie du numérique comprend vingt-cinq projets pour lesquels les documents numériques constituent des éléments essentiels à la compréhension du processus de conception(...)
Archéologie du numérique : complexité et convention
Actions:
Description:
Archéologie du numérique : complexité et convention représente le troisième et dernier volet d’une série d’expositions liées à la constitution d’archives numériques au CCA. Le programme Archéologie du numérique comprend vingt-cinq projets pour lesquels les documents numériques constituent des éléments essentiels à la compréhension du processus de conception(...)
Classification:
expositions
expositions
Date:
11 mai 2016 au
16 octobre 2016
11 mai 2016 au
16 octobre 2016
Classification:
dessins
dessins
Numéro de référence:
ARCH274360
Description:
Plans de la salle des transformateurs, de la salle des disjoncteurs, des circuits d'arrivés sous-terrains et extérieurs, du panneau de contrôle électrique, des circuits de 12 kilovolts et de 120 volts du bureau terrase et de la chaufferie.
ARCH274360
Description:
Plans de la salle des transformateurs, de la salle des disjoncteurs, des circuits d'arrivés sous-terrains et extérieurs, du panneau de contrôle électrique, des circuits de 12 kilovolts et de 120 volts du bureau terrase et de la chaufferie.
Personnes et institutions:
Date:
1955
1955
Titre:
Plans et détails de l'électricité du bâtiment et de la chaufferie
Actions:
ARCH274360
Description:
Plans de la salle des transformateurs, de la salle des disjoncteurs, des circuits d'arrivés sous-terrains et extérieurs, du panneau de contrôle électrique, des circuits de 12 kilovolts et de 120 volts du bureau terrase et de la chaufferie.
Plans et détails de l'électricité du bâtiment et de la chaufferie
Actions:
ARCH274360
Description:
Plans de la salle des transformateurs, de la salle des disjoncteurs, des circuits d'arrivés sous-terrains et extérieurs, du panneau de contrôle électrique, des circuits de 12 kilovolts et de 120 volts du bureau terrase et de la chaufferie.
Classification:
dessins
dessins
Date:
1955
1955
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP143.S4.D162
Description:
File documents an unsuccessful entry to an ideas competition to transform a four-mile stretch along the banks of the Manzanares River in Madrid, Spain, in 2005.
AP143.S4.D162
Description:
File documents an unsuccessful entry to an ideas competition to transform a four-mile stretch along the banks of the Manzanares River in Madrid, Spain, in 2005.
Personnes et institutions:
Date:
2005
2005
Titre:
Parque de Rio Manzanares
Actions:
AP143.S4.D162
Description:
File documents an unsuccessful entry to an ideas competition to transform a four-mile stretch along the banks of the Manzanares River in Madrid, Spain, in 2005.
Parque de Rio Manzanares
Actions:
AP143.S4.D162
Description:
File documents an unsuccessful entry to an ideas competition to transform a four-mile stretch along the banks of the Manzanares River in Madrid, Spain, in 2005.
Niveau de description archivistique:
File 162
File 162
Date:
2005
2005
Personnes et institutions:
Classification:
événements
événements
Actions:
Description:
1er décembre 2022
1er décembre 2022
Localisation:
Maison Shaughnessy Mot(s)-clé(s):
chercheur en résidence 2022, séminaire, recherche, Manu P. Sobti, Chandigarh, Pierre Jeanneret, paysage, photographie, 1er décembre 2022
Maison Shaughnessy Mot(s)-clé(s):
chercheur en résidence 2022, séminaire, recherche, Manu P. Sobti, Chandigarh, Pierre Jeanneret, paysage, photographie, 1er décembre 2022
Date:
1 décembre 2022, 18h
1 décembre 2022, 18h
Classification:
événements
événements
Date:
1 décembre 2022
18h
1 décembre 2022
18h
Localisation:
Maison Shaughnessy Mot(s)-clé(s):
chercheur en résidence 2022, séminaire, recherche, Manu P. Sobti, Chandigarh, Pierre Jeanneret, paysage, photographie, 1er décembre 2022
Maison Shaughnessy Mot(s)-clé(s):
chercheur en résidence 2022, séminaire, recherche, Manu P. Sobti, Chandigarh, Pierre Jeanneret, paysage, photographie, 1er décembre 2022
Classification:
dessins
dessins
Numéro de référence:
ARCH8928
Description:
Électricité (centrale électrique) : aménagement des équipements de la salle de contrôle, des salles de transformateurs et de la salle des turbines; détails des panneaux de contrôle pour les genérateurs et la distribution d'électricité et d'éclairage (dessins PP-25 à PP-30).
ARCH8928
Description:
Électricité (centrale électrique) : aménagement des équipements de la salle de contrôle, des salles de transformateurs et de la salle des turbines; détails des panneaux de contrôle pour les genérateurs et la distribution d'électricité et d'éclairage (dessins PP-25 à PP-30).
Personnes et institutions:
Date:
1932-1937
1932-1937
Titre:
Plans d'électricité
Actions:
ARCH8928
Description:
Électricité (centrale électrique) : aménagement des équipements de la salle de contrôle, des salles de transformateurs et de la salle des turbines; détails des panneaux de contrôle pour les genérateurs et la distribution d'électricité et d'éclairage (dessins PP-25 à PP-30).
Plans d'électricité
Actions:
ARCH8928
Description:
Électricité (centrale électrique) : aménagement des équipements de la salle de contrôle, des salles de transformateurs et de la salle des turbines; détails des panneaux de contrôle pour les genérateurs et la distribution d'électricité et d'éclairage (dessins PP-25 à PP-30).
Classification:
dessins
dessins
Date:
1932-1937
1932-1937
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
ARCH273954
Description:
Plans du coffrage, de l'armature, des colonnes et des poutres. Tribunes aux élévations. Détails des travées type de la nef, des arcades à l'extrémité est de la nef, des murs des fondations extérieures, de la chambre des transformateurs et des manchons pour le passage des conduits électriques.
ARCH273954
Description:
Plans du coffrage, de l'armature, des colonnes et des poutres. Tribunes aux élévations. Détails des travées type de la nef, des arcades à l'extrémité est de la nef, des murs des fondations extérieures, de la chambre des transformateurs et des manchons pour le passage des conduits électriques.
Personnes et institutions:
Date:
circa 1940
circa 1940
Titre:
Plans du coffrage, de l'armature, des colonnes et des poutres
Actions:
ARCH273954
Description:
Plans du coffrage, de l'armature, des colonnes et des poutres. Tribunes aux élévations. Détails des travées type de la nef, des arcades à l'extrémité est de la nef, des murs des fondations extérieures, de la chambre des transformateurs et des manchons pour le passage des conduits électriques.
Plans du coffrage, de l'armature, des colonnes et des poutres
Actions:
ARCH273954
Description:
Plans du coffrage, de l'armature, des colonnes et des poutres. Tribunes aux élévations. Détails des travées type de la nef, des arcades à l'extrémité est de la nef, des murs des fondations extérieures, de la chambre des transformateurs et des manchons pour le passage des conduits électriques.
Classification:
dessins
dessins
Date:
circa 1940
circa 1940
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
ARCH251110
Description:
photography rooms, x-ray and dark room, toilets, vent openings, column position, change of beam, servery, chapel, equipment rooms, transformer vault, ventilations, projector room
ARCH251110
Description:
photography rooms, x-ray and dark room, toilets, vent openings, column position, change of beam, servery, chapel, equipment rooms, transformer vault, ventilations, projector room
Personnes et institutions:
Titre:
Photography rooms, x-ray and dark room, toilets, vent openings, column position, change of beam
Actions:
ARCH251110
Description:
photography rooms, x-ray and dark room, toilets, vent openings, column position, change of beam, servery, chapel, equipment rooms, transformer vault, ventilations, projector room
Photography rooms, x-ray and dark room, toilets, vent openings, column position, change of beam
Actions:
ARCH251110
Description:
photography rooms, x-ray and dark room, toilets, vent openings, column position, change of beam, servery, chapel, equipment rooms, transformer vault, ventilations, projector room
Classification:
dessins
dessins
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
AP178.S1.1988.PR07.SS9.057.2
Description:
Original file title :Edificio no 4 Sinistrada do Chiado, projectos de especialidades, desenhos ultrapassados This file includes details of the wall sockets, transformers, and sprinklers.
AP178.S1.1988.PR07.SS9.057.2
Description:
Original file title :Edificio no 4 Sinistrada do Chiado, projectos de especialidades, desenhos ultrapassados This file includes details of the wall sockets, transformers, and sprinklers.
Personnes et institutions:
Date:
1997-1998
1997-1998
Titre:
Mechanical drawings, Recuperaçäo do Edifício dos Grandes Armazéns, Bloco C, Reconstrução do Chiado, Lisbon (folder 2 of 3)
Actions:
AP178.S1.1988.PR07.SS9.057.2
Description:
Original file title :Edificio no 4 Sinistrada do Chiado, projectos de especialidades, desenhos ultrapassados This file includes details of the wall sockets, transformers, and sprinklers.
Mechanical drawings, Recuperaçäo do Edifício dos Grandes Armazéns, Bloco C, Reconstrução do Chiado, Lisbon (folder 2 of 3)
Actions:
AP178.S1.1988.PR07.SS9.057.2
Description:
Original file title :Edificio no 4 Sinistrada do Chiado, projectos de especialidades, desenhos ultrapassados This file includes details of the wall sockets, transformers, and sprinklers.
Classification:
dessins
dessins
Date:
1997-1998
1997-1998
Personnes et institutions:
