Art in Canada
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This catalogue takes the reader on a remarkable journey via the legends, themes and worlds that have shaped Canada’s cultural heritage. One hundred and fifty works in all media and created from time immemorial to present day are featured in full page colour plates and foldouts. This range of works documents and celebrates the magnetic north, inhabited landscapes, the(...)
Art in Canada
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This catalogue takes the reader on a remarkable journey via the legends, themes and worlds that have shaped Canada’s cultural heritage. One hundred and fifty works in all media and created from time immemorial to present day are featured in full page colour plates and foldouts. This range of works documents and celebrates the magnetic north, inhabited landscapes, the dignity of labour, Canadians abroad, and the emergence of Inuit art. Central to the publication is a new approach to telling the history of Indigenous visual art with outstanding historical art objects by Indigenous artists, at times in dialogue with those by settler Canadians, while at others, reflecting a distinct Indigenous path.
Art canadien
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How do you get from here to there? Where is there? Psychologist Colin Ellard demonstrates that navigating through space is both complex and utterly fascinating. Beginning with the neurological and muscular coordination involved in the simple act of reaching for an object, he then investigates our interaction with space--how near and distant landmarks, for example, are(...)
Where am I? why we can find our way to the moon but get lost in the mall
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How do you get from here to there? Where is there? Psychologist Colin Ellard demonstrates that navigating through space is both complex and utterly fascinating. Beginning with the neurological and muscular coordination involved in the simple act of reaching for an object, he then investigates our interaction with space--how near and distant landmarks, for example, are used differently in navigation. From the complex behaviour of insects to the epic journeys of sea turtles, from the subtle knowledge of the environment demonstrated by such famed navigators as the Inuit and South Pacific sailors to the conceptual worlds of cyberspace, Where Am I? reveals just how deeply our unique relationship with space defines what it means to be human.
Théorie de l’architecture
Old stories, new ways: Conversations about an architecture inspired by indigenous ways of knowing
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Vivian Manasc, one of the founders of Manasc Isaac Architects, has pioneered sustainable architecture in Canada. Her work in partnership with Indigenous communities has been her greatest inspiration, and it has transformed the very nature of her practice. Through the profound lessons of the seven Grandfather Teachings, Vivian came to understand that the process of(...)
décembre 2020
Old stories, new ways: Conversations about an architecture inspired by indigenous ways of knowing
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Vivian Manasc, one of the founders of Manasc Isaac Architects, has pioneered sustainable architecture in Canada. Her work in partnership with Indigenous communities has been her greatest inspiration, and it has transformed the very nature of her practice. Through the profound lessons of the seven Grandfather Teachings, Vivian came to understand that the process of planning and designing a building should be a circle, with the beginning and end of the story linked together. The stories Vivian tells in this book are also framed by these teachings of Courage, Love, Wisdom, Respect, Truth, Humility and Honesty, with each teaching illuminating an aspect of how working with Dene, Cree, Saulteaux, Métis, Inuit and Inuvialuit communities has influenced her design practice.
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Born in Kinngait (Cape Dorset) in 1961, Shuvinai is part of a famed dynasty of artists that includes her grandmother Pitseolak Ashoona and her Sobey Art Award–winning cousin, the late Annie Pootoogook. Shuvinai is recognized as a member of a new generation of artists that engage with drawing in innovative ways. Her highly imaginative work combines aspects of traditional(...)
mars 2019
Shuvinai Ashoona : life & work
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Born in Kinngait (Cape Dorset) in 1961, Shuvinai is part of a famed dynasty of artists that includes her grandmother Pitseolak Ashoona and her Sobey Art Award–winning cousin, the late Annie Pootoogook. Shuvinai is recognized as a member of a new generation of artists that engage with drawing in innovative ways. Her highly imaginative work combines aspects of traditional Inuit culture and mythology with influences derived from the non-Arctic world. This publication explores the world of an artist whose rich graphic imagery conveys an intricate and textured personal vision. Using pencil, pen and ink, and markers to render dense, highly imaginative drawings, Shuvinai creates art that reflects the intersection of values between the traditional and the contemporary in the North.
Hunter with harpoon
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Published fifty years ago under the title "Harpoon of the hunter", Markoosie Patsauq's novel helped establish the genre of Indigenous fiction in Canada. This new English translation unfolds the story of Kamik, a young hero who comes to manhood while on a perilous hunt for a wounded polar bear. In this astonishing tale of a people struggling for survival in a brutal(...)
Hunter with harpoon
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Published fifty years ago under the title "Harpoon of the hunter", Markoosie Patsauq's novel helped establish the genre of Indigenous fiction in Canada. This new English translation unfolds the story of Kamik, a young hero who comes to manhood while on a perilous hunt for a wounded polar bear. In this astonishing tale of a people struggling for survival in a brutal environment, Patsauq describes a life in the Canadian Arctic as one that is reliant on cooperation and vigilance. Whether revisiting this classic or discovering it for the first time, readers will find in this book a sophisticated coming-of-age tale illustrating a way of life not as it appeared to southerners, but as it has survived in the memory of the Inuit themselves.
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Oarjemáilmmi dáiddárat ja cállit leat govvádallan ja ovdanbuktán Davviriikkaid jahkecudiid cada, mii lea dagahan ahte, logijagiid suksessiva akkumulašuvnnain diskurssaiguin, leat ráhkaduvvon “davi govvádallamat” - mat vulget “Davvin” Skandinávias, Ruonáeatnamis ja Ruoššas, “davvi allagassii” dahje Davvináhpái. Oarjemáilmmálaccat leat johtán davvináhpái beare jahkecuodi(...)
Mii lea "davi govvádallan"? Ehtalaš prinsihpat
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Oarjemáilmmi dáiddárat ja cállit leat govvádallan ja ovdanbuktán Davviriikkaid jahkecudiid cada, mii lea dagahan ahte, logijagiid suksessiva akkumulašuvnnain diskurssaiguin, leat ráhkaduvvon “davi govvádallamat” - mat vulget “Davvin” Skandinávias, Ruonáeatnamis ja Ruoššas, “davvi allagassii” dahje Davvináhpái. Oarjemáilmmálaccat leat johtán davvináhpái beare jahkecuodi dás ovdal, mii dagaha ahte “Davvi” lea buodus duppalgeahcastagas: Geahcastat mii boahtá olggobealde - hábmejuvvon erenoamážit oarjemáilmmálaš govvádallamiiguin - ja geahcastat mii boahtá siskkáldasat - Davi kultuvrrain (Inuit, Skandináva, Cree, jna.). Dat vuosttaš dávjá álkiduvvo ja nubbi hilgojuvvo. Jus mii háliidat áddet mii “Davvi” lea oppalaš perspektiivvas, fertet jearrat guokte jearaldaga: mo definerejit govvádallamat davi, ja makkár ehtalaš prinsihpat berrejit stivret mo mii dulkot davi kultuvrraid oažžun dihte ollislaš oainnu das (maiddá, erenoamážit daid maid lullin leat badjelgeahccan)? Dán artihkkalis geahccala cálli loktet dán guokte jearaldaga, vuos dan bokte ahte definere mat leat govvádallamat daviin, ja dasto evttohusain fátmmastit prográmma “rekomplekseret” kultuvrralaš Árktisa.
Expositions en cours
Border crossings issue 145
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Border Crossings takes an in-depth look at California-based American artist Nancy Rubins. For over forty years, Rubins’ work has contained unpredictable elements as she has transformed industrial materials such as mattresses, television sets, RV campers and boat parts into large-scale installations. This issue also includes a look into the world of one of Canada’s most(...)
Border crossings issue 145
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Border Crossings takes an in-depth look at California-based American artist Nancy Rubins. For over forty years, Rubins’ work has contained unpredictable elements as she has transformed industrial materials such as mattresses, television sets, RV campers and boat parts into large-scale installations. This issue also includes a look into the world of one of Canada’s most important conceptual artists, Toronto-based Kelly Mark; a portfolio of charcoal drawings by Berlin-based Canadian artist Ambera Wellmann, winner of the 2017 RBC painting competition; Stephen Horne looks at artifact and artifice in Sophie Calle’s and Serena Carone’s quiet insertions into the quirky, lavish and eccentric Paris museum, La Musée de la Chasse et de la Nature; Robin Laurence presents a profile of Inuit artist Shuvinai Ashoona and writes about the work recently presented at the Marion Scott Gallery; Ray Cronin looks at "Places, paths and pauses", a retrospective of Newfoundland photographer Marlene Creates.
Revues
Trois cents ans après
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En lisant ce roman, le deuxième de la littérature groenlandaise, le lecteur découvrira la vision de l’avenir de l’Arctique en 2021 telle qu’imaginée en 1931 par Augo Lynge, auteur né à Qeqertarsuatsiaat. Selon Per Kunuk Lynge, qui en signe l’avant-propos, «?à la lecture de ses anticipations, dont certaines se sont réalisées longtemps après la publication de son roman, on(...)
Trois cents ans après
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En lisant ce roman, le deuxième de la littérature groenlandaise, le lecteur découvrira la vision de l’avenir de l’Arctique en 2021 telle qu’imaginée en 1931 par Augo Lynge, auteur né à Qeqertarsuatsiaat. Selon Per Kunuk Lynge, qui en signe l’avant-propos, «?à la lecture de ses anticipations, dont certaines se sont réalisées longtemps après la publication de son roman, on ne peut s’empêcher de voir en l’auteur le chaman inuit d’autrefois, qui voyageait librement autour du monde et était capable de prédire l’avenir?». La vision que nous offre Lynge dans cette intrigue policière entre les villages et l’immense inlandsis glacé est celle d’un pays technologiquement avancé et socialement serein, où les personnages inuits sont devenus ce que sont les Groenlandais d’aujourd’hui?: une preuve vivante d’un peuple qui a la capacité de «?s’adapter à l’un des climats les plus froids et les plus rudes de la planète?» tout en conservant sa langue et sa culture.
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157 pages ; 21 cm
Harstad, Norvège : Artic Arts Summit ; Montréal, Québec : Imaginaire/Nord, 2018., ©2018
Qu'est-ce que l'imaginaire du Nord? : principes éthiques / Daniel Chartier.
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157 pages ; 21 cm
livres
Harstad, Norvège : Artic Arts Summit ; Montréal, Québec : Imaginaire/Nord, 2018., ©2018
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Itee Pootoogook belonged to a new generation of Inuit artists who are transforming and reshaping the creative traditions that were successfully pioneered by their parents and grandparents in the second half of the 20th century. A meticulous draughtsman who worked with graphite and coloured pencil, Itee depicted buildings in Kinngait that incorporated a perspectival view,(...)
juin 2021
Itee Pootoogook : hymns to the silence
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Itee Pootoogook belonged to a new generation of Inuit artists who are transforming and reshaping the creative traditions that were successfully pioneered by their parents and grandparents in the second half of the 20th century. A meticulous draughtsman who worked with graphite and coloured pencil, Itee depicted buildings in Kinngait that incorporated a perspectival view, a relatively recent practice influenced by his training as a carpenter and his interest in photography. His portraits of acquaintances and family members similarly bear witness to the contemporary North. Whether he depicts them at work or resting, his subjects are engaged in a range of activities from preparing carcasses brought in from hunting to playing music or contemplating the landscape of the North. Itee was also an inventive landscapist. Many of his finest Arctic scenes emphasize the open horizon that separates land from sky and the ever-shifting colours of the Arctic. Rendering the variable light of the landscape with precision, he brought a level of attention that contributed, over time, to his style.