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viii, 312 pages : illustrations ; 25 cm
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viii, 312 pages : illustrations ; 25 cm
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New York, NY : BasicBooks, ©1993.
New York, NY : BasicBooks, ©1993.
Titre:
Going out : the rise and fall of public amusements / David Nasaw.
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Description:
viii, 312 pages : illustrations ; 25 cm
Going out : the rise and fall of public amusements / David Nasaw.
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Description:
viii, 312 pages : illustrations ; 25 cm
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livres
livres
Publication:
New York, NY : BasicBooks, ©1993.
New York, NY : BasicBooks, ©1993.
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livres
livres
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$120.00
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In a daring act of historical reconstruction, the curator Germano Celant, in dialogue with Thomas Demand and Rem Koolhaas, has recreated Harald Szeemann’s epochal Live in Your Head: When Attitudes Become Form, held at the Bern Kunsthalle in 1969, and installed by Celant at the magnificent Ca’ Corner della Regina in Venice in June–November 2013. Szeemann’s show was a(...)
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In a daring act of historical reconstruction, the curator Germano Celant, in dialogue with Thomas Demand and Rem Koolhaas, has recreated Harald Szeemann’s epochal Live in Your Head: When Attitudes Become Form, held at the Bern Kunsthalle in 1969, and installed by Celant at the magnificent Ca’ Corner della Regina in Venice in June–November 2013. Szeemann’s show was a(...)
Publication:
février 2014
février 2014
Titre:
When attitudes become form: Bern 1969/Venice 2013
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$120.00
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In a daring act of historical reconstruction, the curator Germano Celant, in dialogue with Thomas Demand and Rem Koolhaas, has recreated Harald Szeemann’s epochal Live in Your Head: When Attitudes Become Form, held at the Bern Kunsthalle in 1969, and installed by Celant at the magnificent Ca’ Corner della Regina in Venice in June–November 2013. Szeemann’s show was a dialogue with the Bern Kunsthalle, and Celant has reprised its spirit by placing the works in dialogue with the Ca’ Corner della Regina--a very different building, in its Venetian grandeur, to the Kunsthalle.
When attitudes become form: Bern 1969/Venice 2013
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In a daring act of historical reconstruction, the curator Germano Celant, in dialogue with Thomas Demand and Rem Koolhaas, has recreated Harald Szeemann’s epochal Live in Your Head: When Attitudes Become Form, held at the Bern Kunsthalle in 1969, and installed by Celant at the magnificent Ca’ Corner della Regina in Venice in June–November 2013. Szeemann’s show was a dialogue with the Bern Kunsthalle, and Celant has reprised its spirit by placing the works in dialogue with the Ca’ Corner della Regina--a very different building, in its Venetian grandeur, to the Kunsthalle.
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livres
livres
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février 2014
février 2014
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livres
livres
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$54.99
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Inherently ephemeral and often overlooked, wallpaper had by the late twentieth century become a bit of a joke in the decorative arts. But over the past decade or so, a number of contemporary avant-garde artists have created installations with backdrops of specially designed wallpaper to explore themes such as warfare, racism, gender, and sexuality. Featured are(...)
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Inherently ephemeral and often overlooked, wallpaper had by the late twentieth century become a bit of a joke in the decorative arts. But over the past decade or so, a number of contemporary avant-garde artists have created installations with backdrops of specially designed wallpaper to explore themes such as warfare, racism, gender, and sexuality. Featured are(...)
Titre:
Walls are talking: wallpaper, art and culture
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Inherently ephemeral and often overlooked, wallpaper had by the late twentieth century become a bit of a joke in the decorative arts. But over the past decade or so, a number of contemporary avant-garde artists have created installations with backdrops of specially designed wallpaper to explore themes such as warfare, racism, gender, and sexuality. Featured are wallpaper designs from more than thirty internationally renowned artists, including Damien Hirst, Sonia Boyce, Thomas Demand, Robert Gober, Abigail Lane, Francesco Simeti, and Niki de St. Phalle. Published to accompany exhibitions at the Whitworth Art Gallery in Manchester and the Victoria and Albert Museum in London.
Walls are talking: wallpaper, art and culture
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Inherently ephemeral and often overlooked, wallpaper had by the late twentieth century become a bit of a joke in the decorative arts. But over the past decade or so, a number of contemporary avant-garde artists have created installations with backdrops of specially designed wallpaper to explore themes such as warfare, racism, gender, and sexuality. Featured are wallpaper designs from more than thirty internationally renowned artists, including Damien Hirst, Sonia Boyce, Thomas Demand, Robert Gober, Abigail Lane, Francesco Simeti, and Niki de St. Phalle. Published to accompany exhibitions at the Whitworth Art Gallery in Manchester and the Victoria and Albert Museum in London.
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livres
livres
Publication:
février 2010
février 2010
Sujet:
Théorie du design
Théorie du design
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livres
livres
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$39.95
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Visual Time offers a rare consideration of the idea of time in art history. The author discusses the art, and writing about the art, of modern and contemporary artists, such as Gerard Sekoto, Thomas Demand, Hiroshi Sugimoto, and Cindy Sherman, as well as the sixteenth-century figures Pieter Bruegel the Elder, Albrecht Dürer, Matthias Grünewald, and Hans Holbein. In the(...)
$39.95
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Visual Time offers a rare consideration of the idea of time in art history. The author discusses the art, and writing about the art, of modern and contemporary artists, such as Gerard Sekoto, Thomas Demand, Hiroshi Sugimoto, and Cindy Sherman, as well as the sixteenth-century figures Pieter Bruegel the Elder, Albrecht Dürer, Matthias Grünewald, and Hans Holbein. In the(...)
Titre:
Visual time : the image in History
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Visual Time offers a rare consideration of the idea of time in art history. The author discusses the art, and writing about the art, of modern and contemporary artists, such as Gerard Sekoto, Thomas Demand, Hiroshi Sugimoto, and Cindy Sherman, as well as the sixteenth-century figures Pieter Bruegel the Elder, Albrecht Dürer, Matthias Grünewald, and Hans Holbein. In the process, he addresses the phenomenological turn in the study of the image, its application to the understanding of particular artists, the ways verisimilitude eludes time in both the past and the present, and the role of time in nationalist accounts of the past.
Visual time : the image in History
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Visual Time offers a rare consideration of the idea of time in art history. The author discusses the art, and writing about the art, of modern and contemporary artists, such as Gerard Sekoto, Thomas Demand, Hiroshi Sugimoto, and Cindy Sherman, as well as the sixteenth-century figures Pieter Bruegel the Elder, Albrecht Dürer, Matthias Grünewald, and Hans Holbein. In the process, he addresses the phenomenological turn in the study of the image, its application to the understanding of particular artists, the ways verisimilitude eludes time in both the past and the present, and the role of time in nationalist accounts of the past.
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livres
livres
Publication:
mai 2013
mai 2013
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$81.50
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Bernd and Hilla Becher's lifetime project of documenting the industrial landscape of our time secures their position in the canon of postwar photographers. Their work - at once conceptual art, typological study, and topological documentation - has influenced German photographers of a younger generation, including Thomas Struth, Thomas Demand, Candida Höfer, Thomas Ruff,(...)
$81.50
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Bernd and Hilla Becher's lifetime project of documenting the industrial landscape of our time secures their position in the canon of postwar photographers. Their work - at once conceptual art, typological study, and topological documentation - has influenced German photographers of a younger generation, including Thomas Struth, Thomas Demand, Candida Höfer, Thomas Ruff,(...)
Titre:
Bernd and Hiller Becher : life and work
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$81.50
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Bernd and Hilla Becher's lifetime project of documenting the industrial landscape of our time secures their position in the canon of postwar photographers. Their work - at once conceptual art, typological study, and topological documentation - has influenced German photographers of a younger generation, including Thomas Struth, Thomas Demand, Candida Höfer, Thomas Ruff, and Andreas Gursky. This compelling, exhaustively documented biography describes the Bechers' life and work and offers a critical assessment of their place in the history of photography. Becher scholar Susanne Lange, granted access to the photographers' archives and quoting extensively from interviews with them, writes the first sustained analysis and biography of the Bechers' extraordinary partnership. She discusses, among other topics, both the functionalist and aesthetic dimensions of the Bechers' subject matter, their typologizing (which she finds reminiscent of nineteenth-century naturalists' classificatory schemes), and the anonymous industrial building style favored by German architects. She argues that industrial building types impose themselves on our consciousness as the cathedral did on that of the Middle Ages, and that the Bechers' photographs -which seem at first glance only to record a vanishing landscape - serve to examine this shaping of our perceptions. Their work provides us with a rare opportunity to see how we see.
Bernd and Hiller Becher : life and work
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$81.50
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Résumé:
Bernd and Hilla Becher's lifetime project of documenting the industrial landscape of our time secures their position in the canon of postwar photographers. Their work - at once conceptual art, typological study, and topological documentation - has influenced German photographers of a younger generation, including Thomas Struth, Thomas Demand, Candida Höfer, Thomas Ruff, and Andreas Gursky. This compelling, exhaustively documented biography describes the Bechers' life and work and offers a critical assessment of their place in the history of photography. Becher scholar Susanne Lange, granted access to the photographers' archives and quoting extensively from interviews with them, writes the first sustained analysis and biography of the Bechers' extraordinary partnership. She discusses, among other topics, both the functionalist and aesthetic dimensions of the Bechers' subject matter, their typologizing (which she finds reminiscent of nineteenth-century naturalists' classificatory schemes), and the anonymous industrial building style favored by German architects. She argues that industrial building types impose themselves on our consciousness as the cathedral did on that of the Middle Ages, and that the Bechers' photographs -which seem at first glance only to record a vanishing landscape - serve to examine this shaping of our perceptions. Their work provides us with a rare opportunity to see how we see.
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livres
livres
Publication:
novembre 2006, Cambridge (MA), London
novembre 2006, Cambridge (MA), London
Sujet:
Monographies photo
Monographies photo
Classification:
périodiques
périodiques
Titre:
OASE #84: Models Maquettes
OASE #84: Models Maquettes
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In recent decades models have made a contribution to architectural discourse that should not be underestimated. Christophe Van Gerrewey considers the models in OMA’s oeuvre and ascertains that OMA’s models always take on a life of their own, turning into ‘a realisation of what architecture promises, yet can never attain itself’. For example, the two plaster models of(...)
$39.00
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In recent decades models have made a contribution to architectural discourse that should not be underestimated. Christophe Van Gerrewey considers the models in OMA’s oeuvre and ascertains that OMA’s models always take on a life of their own, turning into ‘a realisation of what architecture promises, yet can never attain itself’. For example, the two plaster models of(...)
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OASE #84: Models Maquettes
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$39.00
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In recent decades models have made a contribution to architectural discourse that should not be underestimated. Christophe Van Gerrewey considers the models in OMA’s oeuvre and ascertains that OMA’s models always take on a life of their own, turning into ‘a realisation of what architecture promises, yet can never attain itself’. For example, the two plaster models of the Très Grande Bibliothèque in Paris afforded new insights into a space that can be read both as mass and as counter-mass, while the model of the cruise terminal in Zeebrugge exemplified the power of the iconic form. OASE 84 devotes considerable attention to (architectural) models that play an important part in the work of various artists as well, like in the work of Mike Kelley and Thomas Demand. These models are hardly ever meant to be realised on a different scale elsewhere; they work with the dualistic connotations of the model directly. Although the two disciplines have markedly different motives for using models, we are confident that the cross-pollination brought about here will generate novel insights about the model’s significance and possibilities. With contributions by Jacob Bil, Adam Caruso, Thomas Demand, Job Floris, Kersten Geers, Christophe Van Gerrewey, Anne Holtrop, Christian Hubert, Junya Ishigami, Krijn de Koning, Véronique Patteeuw, Bas Princen, Hans Teerds, Milica Topalovic and Stefaan Vervoort OASE is an independent, international journal published in Dutch and English that features architecture, urban design and landscape design. Each issue is devoted to a topical theme and thus makes a significant contribution to international discourse within these fields. OASE is published three times a year
OASE #84: Models Maquettes
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$39.00
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Résumé:
In recent decades models have made a contribution to architectural discourse that should not be underestimated. Christophe Van Gerrewey considers the models in OMA’s oeuvre and ascertains that OMA’s models always take on a life of their own, turning into ‘a realisation of what architecture promises, yet can never attain itself’. For example, the two plaster models of the Très Grande Bibliothèque in Paris afforded new insights into a space that can be read both as mass and as counter-mass, while the model of the cruise terminal in Zeebrugge exemplified the power of the iconic form. OASE 84 devotes considerable attention to (architectural) models that play an important part in the work of various artists as well, like in the work of Mike Kelley and Thomas Demand. These models are hardly ever meant to be realised on a different scale elsewhere; they work with the dualistic connotations of the model directly. Although the two disciplines have markedly different motives for using models, we are confident that the cross-pollination brought about here will generate novel insights about the model’s significance and possibilities. With contributions by Jacob Bil, Adam Caruso, Thomas Demand, Job Floris, Kersten Geers, Christophe Van Gerrewey, Anne Holtrop, Christian Hubert, Junya Ishigami, Krijn de Koning, Véronique Patteeuw, Bas Princen, Hans Teerds, Milica Topalovic and Stefaan Vervoort OASE is an independent, international journal published in Dutch and English that features architecture, urban design and landscape design. Each issue is devoted to a topical theme and thus makes a significant contribution to international discourse within these fields. OASE is published three times a year
Classification:
périodiques
périodiques
Publication:
août 2011
août 2011
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livres
livres
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$45.00
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Speaking of Art presents 43 artists, composers and curators who have changed the course of recent art history. Collected from the archives of Audio Arts, a one-of-a-kind audiocassette magazine begun in 1973, Speaking of Art provides invaluable insight into the most creative minds of modern and contemporary art, from Marcel Duchamp, John Cage, Joseph Beuys, Jeff Wall,(...)
$45.00
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Speaking of Art presents 43 artists, composers and curators who have changed the course of recent art history. Collected from the archives of Audio Arts, a one-of-a-kind audiocassette magazine begun in 1973, Speaking of Art provides invaluable insight into the most creative minds of modern and contemporary art, from Marcel Duchamp, John Cage, Joseph Beuys, Jeff Wall,(...)
Titre:
Speaking of art: four decades of art in conversation
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$45.00
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Speaking of Art presents 43 artists, composers and curators who have changed the course of recent art history. Collected from the archives of Audio Arts, a one-of-a-kind audiocassette magazine begun in 1973, Speaking of Art provides invaluable insight into the most creative minds of modern and contemporary art, from Marcel Duchamp, John Cage, Joseph Beuys, Jeff Wall, Damien Hirst and Tacita Dean. Dennis Oppenheim, Tadeusz Kantor, Philip Glass, Richard Long, Frank Stella, Joseph Beuys, Mona Hatoum, Roy Lichtenstein, Ilya Kabakov, Jeff Koons, Anish Kapoor, Rachel Whiteread, Mike Kelley, Richard Serra, Marina Abramovic, Bill Viola, Tacita Dean, Ed Ruscha, Wolfgang Tillmans, Damien Hirst, Jeff Wall, Gilbert & George, Thomas Demand, Hans Ulrich Obrist, John Baldessari, Shirin Neshat and many more.
Speaking of art: four decades of art in conversation
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Speaking of Art presents 43 artists, composers and curators who have changed the course of recent art history. Collected from the archives of Audio Arts, a one-of-a-kind audiocassette magazine begun in 1973, Speaking of Art provides invaluable insight into the most creative minds of modern and contemporary art, from Marcel Duchamp, John Cage, Joseph Beuys, Jeff Wall, Damien Hirst and Tacita Dean. Dennis Oppenheim, Tadeusz Kantor, Philip Glass, Richard Long, Frank Stella, Joseph Beuys, Mona Hatoum, Roy Lichtenstein, Ilya Kabakov, Jeff Koons, Anish Kapoor, Rachel Whiteread, Mike Kelley, Richard Serra, Marina Abramovic, Bill Viola, Tacita Dean, Ed Ruscha, Wolfgang Tillmans, Damien Hirst, Jeff Wall, Gilbert & George, Thomas Demand, Hans Ulrich Obrist, John Baldessari, Shirin Neshat and many more.
Classification:
livres
livres
Publication:
mars 2010
mars 2010
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
périodiques
périodiques
Titre:
Border crossing issue 144
Border crossing issue 144
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$9.95
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Résumé:
In this issue, Border Crossings looks in large part at contemporary sculpture in the work of two artists, American icon Richard Serra and Montreal-based Jean-Pierre Gauthier; In the articles section, Gary Pearson discusses works by senior Canadian photographer and filmmaker, Ian Wallace, in “The Art of Deep Collecting: Ian Wallace and the Rennie Museum”. Michael Davidge(...)
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In this issue, Border Crossings looks in large part at contemporary sculpture in the work of two artists, American icon Richard Serra and Montreal-based Jean-Pierre Gauthier; In the articles section, Gary Pearson discusses works by senior Canadian photographer and filmmaker, Ian Wallace, in “The Art of Deep Collecting: Ian Wallace and the Rennie Museum”. Michael Davidge(...)
Titre:
Border crossing issue 144
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In this issue, Border Crossings looks in large part at contemporary sculpture in the work of two artists, American icon Richard Serra and Montreal-based Jean-Pierre Gauthier; In the articles section, Gary Pearson discusses works by senior Canadian photographer and filmmaker, Ian Wallace, in “The Art of Deep Collecting: Ian Wallace and the Rennie Museum”. Michael Davidge takes an in-depth look at the National Gallery of Canada after the recent reconfiguration of its Canadian and Indigenous Galleries; Stephen Horne takes the “grand tour” of arts exhibitions as the Venice Biennale, documenta, and the Münster Skulptur Projekte align in what is nearly a once-in-a-lifetime exhibition lineup; Aryen Hoekstra discuses fakery and fiction in the work of artist Thomas Demand, filmmaker Alexander Kluge and scenographer Anna Viebrock in “The Boat is Leaking. The Captain Lied.”
Border crossing issue 144
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In this issue, Border Crossings looks in large part at contemporary sculpture in the work of two artists, American icon Richard Serra and Montreal-based Jean-Pierre Gauthier; In the articles section, Gary Pearson discusses works by senior Canadian photographer and filmmaker, Ian Wallace, in “The Art of Deep Collecting: Ian Wallace and the Rennie Museum”. Michael Davidge takes an in-depth look at the National Gallery of Canada after the recent reconfiguration of its Canadian and Indigenous Galleries; Stephen Horne takes the “grand tour” of arts exhibitions as the Venice Biennale, documenta, and the Münster Skulptur Projekte align in what is nearly a once-in-a-lifetime exhibition lineup; Aryen Hoekstra discuses fakery and fiction in the work of artist Thomas Demand, filmmaker Alexander Kluge and scenographer Anna Viebrock in “The Boat is Leaking. The Captain Lied.”
Classification:
périodiques
périodiques
Publication:
décembre 2017
décembre 2017
Sujet:
Revues
Revues
Classification:
livres
livres
Titre:
Best highrises 2010-11
Best highrises 2010-11
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$38.00
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Based on nominations worldwide, The International Highrise Award is bestowed every two years jointly on the developer and planner of a completed building. Finalists are chosen by an esteemed jury of architects, engineers and property specialists who judge on the basis of a building's special aesthetics, pioneering design, sustainability, cost efficiency, integration into(...)
$38.00
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Based on nominations worldwide, The International Highrise Award is bestowed every two years jointly on the developer and planner of a completed building. Finalists are chosen by an esteemed jury of architects, engineers and property specialists who judge on the basis of a building's special aesthetics, pioneering design, sustainability, cost efficiency, integration into(...)
Titre:
Best highrises 2010-11
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$38.00
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Based on nominations worldwide, The International Highrise Award is bestowed every two years jointly on the developer and planner of a completed building. Finalists are chosen by an esteemed jury of architects, engineers and property specialists who judge on the basis of a building's special aesthetics, pioneering design, sustainability, cost efficiency, integration into its urban context and use of innovative technology. Presented by Deutsches Architekturmuseum and DekaBank Deutsche Girozentrale, the prestigious award consists of a monetary prize of 50,000 Euro and is accompanied by a certificate and a sculpture by renowned German artist Thomas Demand. This book presents the 27 nominated projects encompassing a range of uses in cities throughout the world: Bangkok, Barcelona, Brisbane, Cádiz, Chicago, Doha, Dubai, Frankfurt am Main, Hong Kong, London, Luxembourg City, Munich, New York, Osaka, Paris, Philadelphia, Rotterdam, Seoul, Shanghai, Tokyo and Winnipeg.
Best highrises 2010-11
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Based on nominations worldwide, The International Highrise Award is bestowed every two years jointly on the developer and planner of a completed building. Finalists are chosen by an esteemed jury of architects, engineers and property specialists who judge on the basis of a building's special aesthetics, pioneering design, sustainability, cost efficiency, integration into its urban context and use of innovative technology. Presented by Deutsches Architekturmuseum and DekaBank Deutsche Girozentrale, the prestigious award consists of a monetary prize of 50,000 Euro and is accompanied by a certificate and a sculpture by renowned German artist Thomas Demand. This book presents the 27 nominated projects encompassing a range of uses in cities throughout the world: Bangkok, Barcelona, Brisbane, Cádiz, Chicago, Doha, Dubai, Frankfurt am Main, Hong Kong, London, Luxembourg City, Munich, New York, Osaka, Paris, Philadelphia, Rotterdam, Seoul, Shanghai, Tokyo and Winnipeg.
Classification:
livres
livres
Publication:
mai 2011
mai 2011
Sujet:
Gratte-ciels
Gratte-ciels
Classification:
périodiques
périodiques
Titre:
Bauhaus no.7: Collective
Bauhaus no.7: Collective
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$36.00
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The Bauhaus Dessau Foundation devoted its seventh issue to an international group of contemporary collectives, unorthodox thinkers and solo artists in architecture, design and art. The publication addresses communal and cooperative models established at the Bauhaus such as Hannes Meyer’s co-op principle in the USSR and Chile, and anonymity and conflict in Gropius’s(...)
$36.00
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The Bauhaus Dessau Foundation devoted its seventh issue to an international group of contemporary collectives, unorthodox thinkers and solo artists in architecture, design and art. The publication addresses communal and cooperative models established at the Bauhaus such as Hannes Meyer’s co-op principle in the USSR and Chile, and anonymity and conflict in Gropius’s(...)
Titre:
Bauhaus no.7: Collective
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$36.00
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The Bauhaus Dessau Foundation devoted its seventh issue to an international group of contemporary collectives, unorthodox thinkers and solo artists in architecture, design and art. The publication addresses communal and cooperative models established at the Bauhaus such as Hannes Meyer’s co-op principle in the USSR and Chile, and anonymity and conflict in Gropius’s architects collaborative (TAC) in the USA while looking at the options and potentials of collective design today. It sheds light on the link between the Bauhaus and the upcoming Architecture Biennale in Venice, considers why architects in Spain currently invest more in collective design practices and discusses how current cooperative societies influence the collective identity around the world. Contributors include Pelin Tan, Alejandro Aravena, Vesna Meštric, David F. Maulen, Richard Anderson, Thomas Demand, Chris Dercon, DE - 9 architects, artists and urban planners in Berlin, Estudio SIC, Spain, plus many more.
Bauhaus no.7: Collective
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$36.00
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Résumé:
The Bauhaus Dessau Foundation devoted its seventh issue to an international group of contemporary collectives, unorthodox thinkers and solo artists in architecture, design and art. The publication addresses communal and cooperative models established at the Bauhaus such as Hannes Meyer’s co-op principle in the USSR and Chile, and anonymity and conflict in Gropius’s architects collaborative (TAC) in the USA while looking at the options and potentials of collective design today. It sheds light on the link between the Bauhaus and the upcoming Architecture Biennale in Venice, considers why architects in Spain currently invest more in collective design practices and discusses how current cooperative societies influence the collective identity around the world. Contributors include Pelin Tan, Alejandro Aravena, Vesna Meštric, David F. Maulen, Richard Anderson, Thomas Demand, Chris Dercon, DE - 9 architects, artists and urban planners in Berlin, Estudio SIC, Spain, plus many more.
Classification:
périodiques
périodiques
Publication:
mai 2016
mai 2016
Sujet:
Revues
Revues
