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Makeshift Metropolis describes how current ideas about urban planning evolved from the movements that defined the twentieth century, such as City Beautiful, the Garden City, and the seminal ideas of Frank Lloyd Wright and Jane Jacobs. If the twentieth century was the age of planning, we now find ourselves in the age of the market, Rybczynski argues, where entrepreneurial(...)
Makeshift metropolis: ideas about cities
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Makeshift Metropolis describes how current ideas about urban planning evolved from the movements that defined the twentieth century, such as City Beautiful, the Garden City, and the seminal ideas of Frank Lloyd Wright and Jane Jacobs. If the twentieth century was the age of planning, we now find ourselves in the age of the market, Rybczynski argues, where entrepreneurial developers are shaping the twenty-first-century city with mixed-use developments, downtown living, heterogeneity, density, and liveliness. He introduces readers to projects like Brooklyn Bridge Park, the Yards in Washington, D.C., and, further afield, to the new city of Modi’in, Israel—sites that, in this age of resource scarcity, economic turmoil, and changing human demands, challenge our notion of the city.
Théorie de l’urbanisme
livres
Women's clubs in California : architecture and organization, 1880-1940 / Amelia Ritzenberg Crary.
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ii, 187 pages : illustrations
2016.
Women's clubs in California : architecture and organization, 1880-1940 / Amelia Ritzenberg Crary.
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ii, 187 pages : illustrations
livres
2016.
Loving the High Line
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As an elevated rail line, designed to lift freight trains serving the Hudson River docks above street level circulation, The High Line was originally constructed as material infrastructure for an industrial city. It was closed in 1960s and stood abandoned for the next forty years. In this time organic debris accumulated and decayed, and seeds landed on the newly forming(...)
Loving the High Line
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As an elevated rail line, designed to lift freight trains serving the Hudson River docks above street level circulation, The High Line was originally constructed as material infrastructure for an industrial city. It was closed in 1960s and stood abandoned for the next forty years. In this time organic debris accumulated and decayed, and seeds landed on the newly forming soil creating a meadow on the derelict railbed. This microcosmic biome then also became a heterotopic, other space, in the social ecology of the city as an efflorescence of new art forms and underground subcultures flourished in the evacuated post-industrial spaces of Chelsea. These processes would unfold as New York City was being transformed into a global center in an emerging political-economy defined by the integration of finance capital with media and information industries. In this, marginal spaces of the kind that developed in Chelsea, and the cultures that create them, became important sources of new aesthetic and cultural innovation, that offer an exploitable social ground from which to extract semiotic value. As the Bloomberg administration gave shape to this new regime, a project was initiated to convert the High Line into a publicly accessible, linear park. This would be realized through a convoluted process in which the manifold tensions and contradictions of the postmodern city would be dramatically played out and the disjunctions between ideal image regimes and the reality of the material substrates that support them would be brought to light, if only to be newly obscured. The High Line urban park has been both heralded as a definitive model for new urban development, and denounced as a driver, or at least a morbid symptom, of devastating gentrification, and the destructive financialization of urban space. This text, originally published in 2015 as part of the Deconstructing the High Line anthology, edited by Mark Linder and Brian Rosa, tracks a collection of interconnected historical treads that converge in the reconstruction of the High Line, and situates the project within architectural discourse and practice, and social and material conditions with which it struggles to engage.
Paysages urbains
livres
Description:
399 pages : illustrations (chiefly color) ; 25 cm
New Haven, CT : Yale University Press, [2014], ©2014
The World Atlas of Street Photography / Jackie Higgins ; foreword by Max Kozloff.
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399 pages : illustrations (chiefly color) ; 25 cm
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New Haven, CT : Yale University Press, [2014], ©2014
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Frederick Law Olmsted (1822-1903) designed New York City's Central Park, Brooklyn's Prospect Park, Chicago's South Park and Jackson Park, Montreal's Mount Royal Park, the park systems of Boston and Buffalo, and many others. But Olmsted's concerns extended beyond the hills and lakes, the flora and fauna of the park: he also designed parkways and neighborhoods, reshaping(...)
Civilizing american cities: writings on city landscapes
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Frederick Law Olmsted (1822-1903) designed New York City's Central Park, Brooklyn's Prospect Park, Chicago's South Park and Jackson Park, Montreal's Mount Royal Park, the park systems of Boston and Buffalo, and many others. But Olmsted's concerns extended beyond the hills and lakes, the flora and fauna of the park: he also designed parkways and neighborhoods, reshaping cities around their parks. He thus reinvented the American urban landscape as a democratic outdoor setting that encouraged a new kind of participation in city life. Olmsted was one of the most gifted of American writers of his generation: prior to designing Central Park, he had written five important books, including The Cotton Kingdom (an account of his travels in the slave states, also available from Da Capo Press); and his writings on American landscapes are unfailingly lively, eloquent, and passionate. Civilizing American Cities collects Olmsted's plans for New York, San Francisco, Buffalo, Montreal, Chicago, and Boston; his suburban plans for Berkeley, California and Riverside, Illinois; and a generous helping of his writings on urban landscape in general. These selections, expertly edited and introduced, are not only enjoyable but essential reading for anyone interested in the history - and the future - of America's cities.
Jardins
livres
City speculations
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Originally an exhibition at the Queens Museum, 'City Specualtions' includes projects by: Balch & Baratloo; Diller + Scofidio; Keller Easterling; the Environmental Simulation Center; Andrea Kahn; Ana Marton; Brian(...)
City speculations
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Originally an exhibition at the Queens Museum, 'City Specualtions' includes projects by: Balch & Baratloo; Diller + Scofidio; Keller Easterling; the Environmental Simulation Center; Andrea Kahn; Ana Marton; Brian McGrath; Kyong Park; Richard Plunz; RAAUm; Mark Robbins; Newark Metametrics; Wellington Reiter; Mierle Ukeles; and Camilio Vergara.
livres
avril 1996, New York
Théorie de l’urbanisme
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Art Parks is a useful guide to outdoor sculpture parks throughout the United States in both urban and suburban environments.
Art parks : a tour of America's sculpture Parks and Gardens
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Art Parks is a useful guide to outdoor sculpture parks throughout the United States in both urban and suburban environments.
Jardins
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Frederick Law Olmsted, who designed New York's Central Park, landscape architect John Charles Olmsted believed that pastoral spaces were integral to a healthy urban life. The success of Central Park brought attention to the company and sparked a nation-wide movement to beautify cities. By 1884, John Charles Olmsted had become a full partner in the Olmsted firm. In 1903,(...)
Greenscapes, Olmsted's Pacific northwest
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Frederick Law Olmsted, who designed New York's Central Park, landscape architect John Charles Olmsted believed that pastoral spaces were integral to a healthy urban life. The success of Central Park brought attention to the company and sparked a nation-wide movement to beautify cities. By 1884, John Charles Olmsted had become a full partner in the Olmsted firm. In 1903, he traveled to Portland and Seattle, submitting master plans for park systems in both. He produced designs for several of the region's university campuses and smaller cities, as well as Spokane's premier Manito Park.
Théorie du paysage
Tschumi: parc de La Villette
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The Park de la Villette in Paris is Bernard Tschumi's groundbreaking first project - an urban park for the twenty-first century that combines abstract thinking with a dizzying array of real-life activities. Documented by photographs of the park in action and a collection of never-before seen archival drawings, this book assembles in one volume selections from the nearly(...)
Tschumi: parc de La Villette
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The Park de la Villette in Paris is Bernard Tschumi's groundbreaking first project - an urban park for the twenty-first century that combines abstract thinking with a dizzying array of real-life activities. Documented by photographs of the park in action and a collection of never-before seen archival drawings, this book assembles in one volume selections from the nearly 4,000 drawings, models, photographs, and written texts created in the development stages of the project.
Architecture, monographies
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Depuis plus de trois siècles, se pose la question de la place de la nature dans l'aménagement des villes. Des premiers jardins ouverts au public à la fin du XVIe siècle, comme les Tuileries à Paris ou Hyde Park à Londres, aux forêts urbaines contemporaines, les réponses apportées par les architectes, ingénieurs, paysagistes et leurs commanditaires sont inséparables de(...)
Natures urbaines : Une histoire technique et sociale 1600-2030
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Depuis plus de trois siècles, se pose la question de la place de la nature dans l'aménagement des villes. Des premiers jardins ouverts au public à la fin du XVIe siècle, comme les Tuileries à Paris ou Hyde Park à Londres, aux forêts urbaines contemporaines, les réponses apportées par les architectes, ingénieurs, paysagistes et leurs commanditaires sont inséparables de préoccupations sociales. En même temps qu'elle contribue à l'hygiène publique, la nature participe à créer des liens entre les citadins. L'histoire révèle également la dimension technique de ces jardins et parcs urbains, inséparable par exemple des plantations de Paris sous le Second Empire ou de la création de Central Park à New York à la même époque. Face à la crise climatique actuelle, la nature joue un rôle central. Etudier l'évolution de la ou des natures urbaines, c'est aussi s'interroger sur le devenir des villes.
Paysages urbains