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This publication takes on a controversial theme in Slovak architecture: the influence of totalitarian or authoritarian political regimes on architectural production. Particular attention is devoted to the relationship between modernity and totalitarian/authoritarian order. Using selected works of 20th-century architecture in Slovakia, it is shown how the different ideas(...)
Modern and/or totalitarian in the architecture of the 20th century in Slovakia
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This publication takes on a controversial theme in Slovak architecture: the influence of totalitarian or authoritarian political regimes on architectural production. Particular attention is devoted to the relationship between modernity and totalitarian/authoritarian order. Using selected works of 20th-century architecture in Slovakia, it is shown how the different ideas of the state authorities had varying effects on the formal aspects of architecture, and how the architects themselves reacted to these ideas. At the same time, an indication is provided of how this architecture was received by the public at the time of its creation and how it is evaluated today, at a distance of several decades.
Modernisme
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xiii, 191 pages : illustrations (some color) ; 28 cm.
Honolulu : University of Hawaiʻi Press, [2013]
Architecture and urbanism in modern Korea / Inha Jung.
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Description:
xiii, 191 pages : illustrations (some color) ; 28 cm.
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Honolulu : University of Hawaiʻi Press, [2013]
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In the late nineteenth century the conventions of Victorian domesticity came under scrutiny by British writers, designers, artists, and architects intent on bringing a modern spirit into the home. Seeking to redefine the spaces of middle-class private life, figures such as E. M. Forster, Roger Fry, Oscar Wilde, James McNeill Whistler, and Virginia Woolf attempted to(...)
Modernism and the architecture of private life
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In the late nineteenth century the conventions of Victorian domesticity came under scrutiny by British writers, designers, artists, and architects intent on bringing a modern spirit into the home. Seeking to redefine the spaces of middle-class private life, figures such as E. M. Forster, Roger Fry, Oscar Wilde, James McNeill Whistler, and Virginia Woolf attempted to rethink Victorian design and reconstruct the form, function, and meaning of the home to meet the demands of modernity. In this study, Rosner draws on a host of previously unexamined archival sources and reveals the many personal and aesthetic connections among modern British writers, interior designers, and architects, elegantly synthesizing modernist literature with architectural plans, room designs, and decorative art.
Théorie de l’architecture
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An important critic of modern culture, American economist Thorstein Veblen is best known for the concept of "conspicuous consumption," the ostentatious and wasteful display of goods in the service of social status—a term he coined in his 1899 classic "The Theory of the Leisure Class". In the field of architectural history, scholars have employed Veblen in support of a(...)
Barbarian architecture: Thorstein Veblen's Chicago
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An important critic of modern culture, American economist Thorstein Veblen is best known for the concept of "conspicuous consumption," the ostentatious and wasteful display of goods in the service of social status—a term he coined in his 1899 classic "The Theory of the Leisure Class". In the field of architectural history, scholars have employed Veblen in support of a wide range of arguments about modern architecture, but never has he attracted a comprehensive and critical treatment from the viewpoint of architectural history. In "Barbarian architecture", Joanna Merwood-Salisbury corrects this omission by reexamining Veblen's famous book as an original theory of modernity and situating it in a particular place and time—Chicago in the 1890s.
Théorie de l’architecture
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The devastation left in the wake of modernity and globalization is revealing a fragile and unfamiliar planet, and humanity has awakened to a new real. If the old “realist” tools of objectivism have contributed to capitalist society’s divorce from the natural world, how are artists finding new ways to make us really see—and feel—the planet? Surveying a body of(...)
Planetary realism: Art against end times
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The devastation left in the wake of modernity and globalization is revealing a fragile and unfamiliar planet, and humanity has awakened to a new real. If the old “realist” tools of objectivism have contributed to capitalist society’s divorce from the natural world, how are artists finding new ways to make us really see—and feel—the planet? Surveying a body of planet-facing art, communal practices, and activism, Josephine Berry investigates art’s power to break with capitalist realism and decarbonize the imagination. With chapters on feeling as world-making, the rupture of petroleum landscapes, artists’ urban exodus, and migration as survival, ''Planetary Realism'' delves deeply into art’s necessary reimagining of life on Earth.
Théorie de l’art
Architecture in spain
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Delayed by the Spanish Civil War and the ensuing dictatorship under Franco, the emergence of modernity in Spain may have been late in coming, but today's young architects are making up for lost time in a spectacular way. Original personalities like César Manrique Cabrera marked a move toward the modern in the 1960s while Richard Bofill's innovative work in the 70s helped(...)
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novembre 2007, Hong Kong, Köln, London, Los Angeles, Madrid
Architecture in spain
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Delayed by the Spanish Civil War and the ensuing dictatorship under Franco, the emergence of modernity in Spain may have been late in coming, but today's young architects are making up for lost time in a spectacular way. Original personalities like César Manrique Cabrera marked a move toward the modern in the 1960s while Richard Bofill's innovative work in the 70s helped bring Spanish architecture to the world stage. In the 1990s, architects such as Rafael Moneo and Santiago Calatrava began to create the look of contemporary architecture in Spain as we know it today. From a modern interpretation of a bullring to cutting-edge green architecture, the book covers a dizzying variety of architectural innovation.
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The New Old House presents 18 private historic homes, from North America to Europe, and traces the ingenious ways architects have revitalized and refreshed them for a new generation. Most of the renovations occurred in the last decade, but all of the homes have origins reaching back into the past, in some cases hundreds of years. Projects and firms featured include(...)
The new old house: historic and modern architecture combined
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The New Old House presents 18 private historic homes, from North America to Europe, and traces the ingenious ways architects have revitalized and refreshed them for a new generation. Most of the renovations occurred in the last decade, but all of the homes have origins reaching back into the past, in some cases hundreds of years. Projects and firms featured include Greenwich House, Allan Greenberg; Longbranch, Jim Olson; Astley Castle, Witherford Watson Mann; Hunsett Mill, Acme; Cotswolds House, Richard Found; plus more than a dozen others. These projects address such timely factors as sustainability, multiculturalism, preservation, and style, and demonstrate the unique beauty and elegance that comes from the interweaving of modernity and history.
Architecture résidentielle
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From 1960–1980, both eastern and western Europe experienced a construction boom of new dimensions. Cybernetics, the science of planning, and sociology, as well as the new possibilities offered by technology and production, paved the way to large-scale processes and systems in architecture and urban design, which favored technocratic and utopian concepts. Increasingly,(...)
Re-scaling the environment: New landscapes of design, 1960-1980. East-West central, Vol. 2
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From 1960–1980, both eastern and western Europe experienced a construction boom of new dimensions. Cybernetics, the science of planning, and sociology, as well as the new possibilities offered by technology and production, paved the way to large-scale processes and systems in architecture and urban design, which favored technocratic and utopian concepts. Increasingly, architects and planners saw themselves as designers of comprehensive infrastructure and mega-structures in a technology-focused world. The authors assesses these developments on the back of a knowledge transfer between East and West. It confirms a change in attitude that can still be felt today – recession, social changes, and environmental problems led to criticism of the then contemporary concepts of modernity.
Théorie de l’architecture
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The publication begins from the Andrea Branzi’s reflection on the relationship civility-design, from the Radical’s research on mass-production civilization to the 'infinite territories', proposing new territories able to interpret and anticipate the new dynamics of society. In particular, if the first chapters review the historical/critical works of Andrea Branzi and of(...)
E=mc2 The project in the age of relativity
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The publication begins from the Andrea Branzi’s reflection on the relationship civility-design, from the Radical’s research on mass-production civilization to the 'infinite territories', proposing new territories able to interpret and anticipate the new dynamics of society. In particular, if the first chapters review the historical/critical works of Andrea Branzi and of Radical Movement, the last opens a new parenthesis of research, right now never expressed: the issues ignored by Modernity, like life, death, destiny and the sacred: themes which underline the new drama and the fracture between tragedy and normality, between consumerism and death, between theology and technology, between the silence of reason and the voice of an irrational reality.
Théorie de l’architecture
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"Perspecta 32" is an investigation into architectural modernism in a postmodern age and exploration of surface as a subject with depth. If it is understood that we are now in age that that does not look at modernity uncritically, how does its optimistic imagery continue to play a vital role in architecture? The issue, "Resurfacing modernism", is composed of essays and(...)
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mai 2001, New Haven
Perspecta 32 : resurfacing modernism
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"Perspecta 32" is an investigation into architectural modernism in a postmodern age and exploration of surface as a subject with depth. If it is understood that we are now in age that that does not look at modernity uncritically, how does its optimistic imagery continue to play a vital role in architecture? The issue, "Resurfacing modernism", is composed of essays and images that invoke the two simultaneous meanings of the verb tu resurface. In the first sense, some of the contributors interrogate ongoing returns of past "stylistics", specially the recent vogue for postwar, mostly American, production loosely united under the rubric "The fifties". In the second, other contributors reflect upon current emphasis being placed on architectural surfaces.
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