1789 Résultats
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1 unpaged volume : color illustrations ; 26 cm
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1 unpaged volume : color illustrations ; 26 cm
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Cinisello Balsamo, Milano : Silvana editoriale, 2022, ©2022
Cinisello Balsamo, Milano : Silvana editoriale, 2022, ©2022
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Memphis again / a cura di/curated by Christoph Radl.
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1 unpaged volume : color illustrations ; 26 cm
Memphis again / a cura di/curated by Christoph Radl.
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1 unpaged volume : color illustrations ; 26 cm
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Cinisello Balsamo, Milano : Silvana editoriale, 2022, ©2022
Cinisello Balsamo, Milano : Silvana editoriale, 2022, ©2022
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$92.00
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Ce catalogue a été publié à l'occasion de l'exposition Bridget Rilet Rétrospective organisée par le Musée d'Art moderne de la ville de Paris et présentée du 12 juin au 14 septembre 2008.
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Ce catalogue a été publié à l'occasion de l'exposition Bridget Rilet Rétrospective organisée par le Musée d'Art moderne de la ville de Paris et présentée du 12 juin au 14 septembre 2008.
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Bridget Riley rétrospective: musée d'art moderne de la ville de Paris
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$92.00
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Ce catalogue a été publié à l'occasion de l'exposition Bridget Rilet Rétrospective organisée par le Musée d'Art moderne de la ville de Paris et présentée du 12 juin au 14 septembre 2008.
Bridget Riley rétrospective: musée d'art moderne de la ville de Paris
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$92.00
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Ce catalogue a été publié à l'occasion de l'exposition Bridget Rilet Rétrospective organisée par le Musée d'Art moderne de la ville de Paris et présentée du 12 juin au 14 septembre 2008.
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septembre 2008, Paris, Londres
septembre 2008, Paris, Londres
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97 pages, 15 unnumbered pages : illustrations (some color) ; 20 cm
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97 pages, 15 unnumbered pages : illustrations (some color) ; 20 cm
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Chicago, IL : The Graham Foundation, 2015., ©2015
Chicago, IL : The Graham Foundation, 2015., ©2015
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Mis-guided tactics for propriety calibration / Design With Company ; Stewart Hicks, Allison Newmeyer.
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97 pages, 15 unnumbered pages : illustrations (some color) ; 20 cm
Mis-guided tactics for propriety calibration / Design With Company ; Stewart Hicks, Allison Newmeyer.
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97 pages, 15 unnumbered pages : illustrations (some color) ; 20 cm
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Chicago, IL : The Graham Foundation, 2015., ©2015
Chicago, IL : The Graham Foundation, 2015., ©2015
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Legende
Legende
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$27.50
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Ce livre paraît à l'occasion de l'exposition LEGENDE 25 Mai - 28 Septembre 2008.
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Ce livre paraît à l'occasion de l'exposition LEGENDE 25 Mai - 28 Septembre 2008.
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septembre 2008, Berlin, New York
septembre 2008, Berlin, New York
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Legende
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Ce livre paraît à l'occasion de l'exposition LEGENDE 25 Mai - 28 Septembre 2008.
Legende
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Ce livre paraît à l'occasion de l'exposition LEGENDE 25 Mai - 28 Septembre 2008.
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septembre 2008, Berlin, New York
septembre 2008, Berlin, New York
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384 pages : illustrations, plans ; 30 cm
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384 pages : illustrations, plans ; 30 cm
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Valencia, Spain : General de Ediciones de Arquitectura, 2024., ©2024
Valencia, Spain : General de Ediciones de Arquitectura, 2024., ©2024
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Alison Brooks Architects : arquitectura 2004-2024 / edited by Ricardo Merí de la Maza.
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384 pages : illustrations, plans ; 30 cm
Alison Brooks Architects : arquitectura 2004-2024 / edited by Ricardo Merí de la Maza.
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384 pages : illustrations, plans ; 30 cm
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Valencia, Spain : General de Ediciones de Arquitectura, 2024., ©2024
Valencia, Spain : General de Ediciones de Arquitectura, 2024., ©2024
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$44.95
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This book documents the historical and contemporary contributions that First Peoples, radicalized, differently abled, and LGBTQ artists and administrators have made to the media arts in Canada.
$44.95
(disponible en magasin)
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This book documents the historical and contemporary contributions that First Peoples, radicalized, differently abled, and LGBTQ artists and administrators have made to the media arts in Canada.
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Other places: reflections on media arts in Canada
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$44.95
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This book documents the historical and contemporary contributions that First Peoples, radicalized, differently abled, and LGBTQ artists and administrators have made to the media arts in Canada.
Other places: reflections on media arts in Canada
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$44.95
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This book documents the historical and contemporary contributions that First Peoples, radicalized, differently abled, and LGBTQ artists and administrators have made to the media arts in Canada.
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janvier 2020
janvier 2020
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93 pages, 15 unnumbered pages : illustrations (some color) ; 20 cm
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93 pages, 15 unnumbered pages : illustrations (some color) ; 20 cm
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Chicago, IL : The Graham Foundation, 2015., ©2015
Chicago, IL : The Graham Foundation, 2015., ©2015
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Architectural replicas : four hypotheses on the use of agonistic copies in the architectural field / Fake Industries Architectural Agonism, Cristina Goberna, Urtzi Grau.
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93 pages, 15 unnumbered pages : illustrations (some color) ; 20 cm
Architectural replicas : four hypotheses on the use of agonistic copies in the architectural field / Fake Industries Architectural Agonism, Cristina Goberna, Urtzi Grau.
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93 pages, 15 unnumbered pages : illustrations (some color) ; 20 cm
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Chicago, IL : The Graham Foundation, 2015., ©2015
Chicago, IL : The Graham Foundation, 2015., ©2015
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Institute of Network Cultures 2014
Institute of Network Cultures 2014
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Institute of Network Cultures 2014
Institute of Network Cultures 2014
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$24.00
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Visual artist and theorist Suzanne Anker opened the 2007 international online conference Bioscience and Visual Culture with the following words: "The ubiquitous employment of digital technologies within the practices of research science and medicine, architecture and design, filmmaking and video production, as well as the visual and performing arts, has set ajar a(...)
$24.00
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Visual artist and theorist Suzanne Anker opened the 2007 international online conference Bioscience and Visual Culture with the following words: "The ubiquitous employment of digital technologies within the practices of research science and medicine, architecture and design, filmmaking and video production, as well as the visual and performing arts, has set ajar a(...)
Titre:
Visual culture and bioscience
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$24.00
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Visual artist and theorist Suzanne Anker opened the 2007 international online conference Bioscience and Visual Culture with the following words: "The ubiquitous employment of digital technologies within the practices of research science and medicine, architecture and design, filmmaking and video production, as well as the visual and performing arts, has set ajar a multiplex of communication networks which crisscross traditional boundaries." This volume documents the virtual symposium, which was hosted by the National Academy of Sciences in Washington, D.C. and the Center for Art, Design and Visual Culture at the University of Maryland, Baltimore County. Herein, artists, scientists, historians, ethicists, curators, sociologists and writers discuss the myriad intersections between visual culture and the biosciences. The impressive list of international panelists includes Carl Djerassi of Stanford University, Troy Duster of NYU, Marvin Heiferman of SVA, David Freedberg of Columbia University, artist Catherine Chalmers, Art in America Senior Editor Nancy Princenthal and writer Andrew Solomon.
Visual culture and bioscience
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$24.00
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Visual artist and theorist Suzanne Anker opened the 2007 international online conference Bioscience and Visual Culture with the following words: "The ubiquitous employment of digital technologies within the practices of research science and medicine, architecture and design, filmmaking and video production, as well as the visual and performing arts, has set ajar a multiplex of communication networks which crisscross traditional boundaries." This volume documents the virtual symposium, which was hosted by the National Academy of Sciences in Washington, D.C. and the Center for Art, Design and Visual Culture at the University of Maryland, Baltimore County. Herein, artists, scientists, historians, ethicists, curators, sociologists and writers discuss the myriad intersections between visual culture and the biosciences. The impressive list of international panelists includes Carl Djerassi of Stanford University, Troy Duster of NYU, Marvin Heiferman of SVA, David Freedberg of Columbia University, artist Catherine Chalmers, Art in America Senior Editor Nancy Princenthal and writer Andrew Solomon.
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livres
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novembre 2008
novembre 2008
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$67.50
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In the intricate wire sculptures of the German-born Venezuelan artist Gego (1912–94), lines are given new dimension, describing architectural space and engaging with the human body. Here are gathered key works from the artist’s oeuvre, from her famed entropic sculpture of the ‘70s to the works on paper created at the end of her long career. This fully illustrated(...)
$67.50
(disponible sur commande)
Résumé:
In the intricate wire sculptures of the German-born Venezuelan artist Gego (1912–94), lines are given new dimension, describing architectural space and engaging with the human body. Here are gathered key works from the artist’s oeuvre, from her famed entropic sculpture of the ‘70s to the works on paper created at the end of her long career. This fully illustrated(...)
Titre:
Gego: autobiography of a line
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$67.50
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In the intricate wire sculptures of the German-born Venezuelan artist Gego (1912–94), lines are given new dimension, describing architectural space and engaging with the human body. Here are gathered key works from the artist’s oeuvre, from her famed entropic sculpture of the ‘70s to the works on paper created at the end of her long career. This fully illustrated publication is among the first to position Gego’s work in a global context, and features texts by curator Chus Martínez, head of the Institute of Art of the FHNW Academy of Arts and Design in Basel, Switzerland; art historian Kaira Cabañas; and Gego’s grandson, Daniel Crespin; as well as previously unpublished archival material. The book also includes "GEGO," a new poem by poet, artist and composer Anne Tardos, performing a linguistic intervention in Gego’s work.
Gego: autobiography of a line
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$67.50
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In the intricate wire sculptures of the German-born Venezuelan artist Gego (1912–94), lines are given new dimension, describing architectural space and engaging with the human body. Here are gathered key works from the artist’s oeuvre, from her famed entropic sculpture of the ‘70s to the works on paper created at the end of her long career. This fully illustrated publication is among the first to position Gego’s work in a global context, and features texts by curator Chus Martínez, head of the Institute of Art of the FHNW Academy of Arts and Design in Basel, Switzerland; art historian Kaira Cabañas; and Gego’s grandson, Daniel Crespin; as well as previously unpublished archival material. The book also includes "GEGO," a new poem by poet, artist and composer Anne Tardos, performing a linguistic intervention in Gego’s work.
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livres
livres
Publication:
août 2016
août 2016
