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Marcel Dzama is a prolific artist who works in multiple disciplines, including sculpture, watercolour, ink, collage, and film. His art depicts anachronistic, fanciful, and subversive worlds that contain human figures, animals, and mythical hybrid creatures. Using a visual language strongly influenced by fables and masquerades, his complex narratives transport the viewer(...)
Marcel Dzama: drawing on a revolution
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Marcel Dzama is a prolific artist who works in multiple disciplines, including sculpture, watercolour, ink, collage, and film. His art depicts anachronistic, fanciful, and subversive worlds that contain human figures, animals, and mythical hybrid creatures. Using a visual language strongly influenced by fables and masquerades, his complex narratives transport the viewer into an enigmatic world of life and death, calm and violence, where irony, ridicule, and sexual themes disguise allusions to contemporary social and political issues. This catalogue of drawings, dioramas, and other works is published on the occasion of an exhibition of Dzamas work at La Casa Encendida in Madrid.
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The university library is Fujimoto's largest building to date, and his first major institutional project. The tranquillity, clarity and structural force with which Fujimoto completed his “forest of books” is captured by photographers Daici Ano, Naoki Ishikawa and Keiko Sasaoka, complementing the building's plans and Fujimoto's textual analysis.
Sou Fujimoto: Musashino Art University Museum and Library
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The university library is Fujimoto's largest building to date, and his first major institutional project. The tranquillity, clarity and structural force with which Fujimoto completed his “forest of books” is captured by photographers Daici Ano, Naoki Ishikawa and Keiko Sasaoka, complementing the building's plans and Fujimoto's textual analysis.
Architecture, monographies
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141 pages : illustrations (chiefly color) ; 22 cm
New York : No place Press, [2019], Cambridge, Massachusetts : MIT Press, [2019], ©2019
For want of a nail / Amy Franceschini & Michael Swaine, Futurefarmers.
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141 pages : illustrations (chiefly color) ; 22 cm
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New York : No place Press, [2019], Cambridge, Massachusetts : MIT Press, [2019], ©2019
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91 pages : illustrations (some color) ; 20 cm
Chicago, IL : The Graham Foundation, 2015., ©2015
Identity crisis / SOFTlab, Michael Szivos.
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91 pages : illustrations (some color) ; 20 cm
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Chicago, IL : The Graham Foundation, 2015., ©2015
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98 unnumbered pages : illustrations (some color) ; 20 cm
Chicago, IL : The Graham Foundation, 2015., ©2015
Speedism : the dead angle of architecture / SPEEDISM, Pieterjan Ginckels.
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98 unnumbered pages : illustrations (some color) ; 20 cm
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Chicago, IL : The Graham Foundation, 2015., ©2015
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102 pages, 14 unnumbered pages : illustrations (some color) ; 20 cm
Chicago, IL : The Graham Foundation, 2015., ©2015
The estranged object / Young & Ayata, Michael Young.
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102 pages, 14 unnumbered pages : illustrations (some color) ; 20 cm
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Chicago, IL : The Graham Foundation, 2015., ©2015
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128 pages : chiefly illustrations (chiefly color) ; 32 cm
Ciudad de México : Arquine, 2020.
Invierno : imágenes de la arquitectura chilena contemporánea = Winter : images of contemporary Chilean architecture / fotografía, Aryeh Kornfeld [and fourteen others] ; editor y curador, Cristóbal Molina Baeza.
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128 pages : chiefly illustrations (chiefly color) ; 32 cm
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Ciudad de México : Arquine, 2020.
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This publication is the first volume to address an overlooked art form that is neither artist's book nor ephemera, but is entirely its own unique entity: the artist's serial publication. Across such groundswell moments as the small press boom of the 1960s, the correspondence art movement of the early 1970s and the DIY zine culture of the 1980s and early 1990s, artists(...)
mars 2010
In numbers : serial publications by artists since 1955
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This publication is the first volume to address an overlooked art form that is neither artist's book nor ephemera, but is entirely its own unique entity: the artist's serial publication. Across such groundswell moments as the small press boom of the 1960s, the correspondence art movement of the early 1970s and the DIY zine culture of the 1980s and early 1990s, artists have seized on magazine and postcard formats as forms in themselves. These are not publications that print criticism, manifestos or reproductions of artworks; rather, they are themselves artworks, in large part they are produced by younger artists operating at the peripheries of mainstream art cultures, or by established artists looking for an alternative to the marketplace. Dating from 1955 to the present, "In Numbers" begins with Wallace Berman's Semina and continues through Joe Brainard's C Comics, Situationist Times, Eleanor Antin's 100 Boots, Ian Hamilton Finlay's Poor.Old.Tired.Horse, Fluxus, amid contemporary examples such as North Drive Press, LTTR and Continuous Project.
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Les fleurs américaines
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Réalisée avec le Museum of American Art (MoAA), Berlin et le Salon de Fleurus, New York, l'exposition Les fleurs américaines présentée au Frac Île-de-France / Le Plateau racontait, par le biais de copies anonymes, les origines de l'écriture du récit connu sous le nom d'histoire de l'art moderne, pour questionner les critères d'authenticité, d'originalité et d'unicité des(...)
mars 2015
Les fleurs américaines
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Réalisée avec le Museum of American Art (MoAA), Berlin et le Salon de Fleurus, New York, l'exposition Les fleurs américaines présentée au Frac Île-de-France / Le Plateau racontait, par le biais de copies anonymes, les origines de l'écriture du récit connu sous le nom d'histoire de l'art moderne, pour questionner les critères d'authenticité, d'originalité et d'unicité des œuvres et des artistes qui régissent toujours le monde de l'art aujourd'hui. Premier ouvrage en français consacré aux activités du MoAA et du Salon de Fleurus, ce catalogue revient sur les différentes parties de l'exposition présentée au Plateau et en prolonge les enjeux à travers un ensemble de sources iconographiques variées et de textes empruntant différents registres.
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mars 2015
audio
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1 online resource.
[Place of publication not identified] : The Funambulist, 2019.
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[Place of publication not identified] : The Funambulist, 2019.