The palliative society
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Our societies today are characterized by a universal algophobia: a generalized fear of pain. We strive to avoid all painful conditions – even the pain of love is treated as suspect. This algophobia extends into society: less and less space is given to conflicts and controversies that might prompt painful discussions. It takes hold of politics too: politics becomes a(...)
The palliative society
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Our societies today are characterized by a universal algophobia: a generalized fear of pain. We strive to avoid all painful conditions – even the pain of love is treated as suspect. This algophobia extends into society: less and less space is given to conflicts and controversies that might prompt painful discussions. It takes hold of politics too: politics becomes a palliative politics that is incapable of implementing radical reforms that might be painful, so all we get is more of the same. Faced with the coronavirus pandemic, the palliative society is transformed into a society of survival. The virus enters the palliative zone of well-being and turns it into a quarantine zone in which life is increasingly focused on survival. And the more life becomes survival, the greater the fear of death: the pandemic makes death, which we had carefully repressed and set aside, visible again. Everywhere, the prolongation of life at any cost is the preeminent value, and we are prepared to sacrifice everything that makes life worth living for the sake of survival. This trenchant analysis of our contemporary societies by one of the most original cultural critics of our time will appeal to a wide readership.
Théorie/ philosophie
The passionate triangle
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Triangles abounded in the intellectual culture of early modern Europe—the Christian Trinity was often mapped as a triangle, for instance, and perspective, a characteristic artistic technique, is based on a triangular theory of vision. Renaissance artists, for their part, often used shapes and lines to arrange figures into a triangle on the surface of a painting—a practice(...)
The passionate triangle
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Triangles abounded in the intellectual culture of early modern Europe—the Christian Trinity was often mapped as a triangle, for instance, and perspective, a characteristic artistic technique, is based on a triangular theory of vision. Renaissance artists, for their part, often used shapes and lines to arrange figures into a triangle on the surface of a painting—a practice modern scholars call triangular composition. But is there secret meaning in the triangular arrangements artists used, or just a pleasing symmetry? What do triangles really tell us about the European Renaissance and its most beguiling works of art? In this book, Rebecca Zorach takes us on a lively hunt for the triangle’s embedded significance. From the leisure pursuits of Egyptian priests to Jacopo Tintoretto’s love triangles, Zorach explores how the visual and mathematical properties of triangles allowed them to express new ideas and to inspire surprisingly intense passions. Examining prints and paintings as well as literary, scientific, and philosophical texts, 'The Passionate Triangle' opens up an array of new ideas, presenting unexpected stories of the irrational, passionate, melancholic, and often erotic potential of mathematical thinking before the Scientific Revolution.
Théorie de l’art
audio
Pulsar Threads.
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1 online resource.
[Place of publication not identified] : Lateral Addition, 2024.
audio
[Place of publication not identified] : Lateral Addition, 2024.
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Available in dvd format only.2003, USA, 116 minutes. "My architect" is a tale of love and art, betrayal and forgiveness - in which the illegitimate son of a legendary artist undertakes a five-year, worldwide exploration to understand his long-dead father. Louis I. Kahn, who died in 1974, is considered by many architectural historians to have been the most important(...)
My architect : a son's journey
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Available in dvd format only.2003, USA, 116 minutes. "My architect" is a tale of love and art, betrayal and forgiveness - in which the illegitimate son of a legendary artist undertakes a five-year, worldwide exploration to understand his long-dead father. Louis I. Kahn, who died in 1974, is considered by many architectural historians to have been the most important architect of the second half of the twentieth century. A Jewish immigrant who overcame poverty and the effects of a devastating childhood accident, Kahn created a handful of intensely powerful and spiritual buildings - geometric compositions of brick, concrete and light - which, in the words of one critic, 'change your life.' While Kahn's artistic legacy was an uncompromising search for truth and clarity, his personal life was filled with secrets and chaos: He died, bankrupt and unidentified, in the men's room in Penn Station, New York, leaving behind three families - one with his wife of many years and two with women with whom he'd had long-term affairs. In My Architect, the child of one of these extra-marital relationships, Kahn's only son Nathaniel, sets out on an epic journey to reconcile the life and work of this mysterious, contradictory man.
DVD vidéo
Crow
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Though people generally do not think of them in such terms, crows are remarkably graceful: from the tip of a crow’s beak to the end of its tail is a single curve, which changes rhythmically as the crow turns its head or bends toward the ground. Foraging on their long, powerful legs, crows appear to glide over the earth; they take flight almost without effort, flapping(...)
Crow
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Though people generally do not think of them in such terms, crows are remarkably graceful: from the tip of a crow’s beak to the end of its tail is a single curve, which changes rhythmically as the crow turns its head or bends toward the ground. Foraging on their long, powerful legs, crows appear to glide over the earth; they take flight almost without effort, flapping their wings easily, ascending into the air like spirits. Nevertheless, the whiskers around their beaks and an apparent smile make crows, in a scruffy sort of way, endearingly ‘human’. In a vast range of cultures from the Chinese to the Hopi Indians, crows are bearers of prophecy. Because of their courtship dances and monogamous unions, the Greeks invoked crows at weddings as symbols of conjugal love. Crows are among the most ubiquitous of birds, yet, without being in the least exotic, they remain mysterious. This book is a survey of crows, ravens, magpies and their relatives in myth, literature and life. It ranges from the raven sent out by Noah to the corvid deities of the Eskimo, to Taoist legends, Victorian novels and contemporary films. It will be of interest to all people who have ever been intrigued, puzzled, annoyed or charmed by these wonderfully intelligent birds.
Faune et flore
Radical intimacy
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Capitalist ideology wants us to believe that there is an optimal way to live. 'Making connections' means networking for work. Our emotional needs are to be fulfilled by a single romantic partner, and self-care equates to taking personal responsibility for our suffering. We must be productive and heterosexual, we must have babies and buy a house. But the kicker is most(...)
Radical intimacy
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Capitalist ideology wants us to believe that there is an optimal way to live. 'Making connections' means networking for work. Our emotional needs are to be fulfilled by a single romantic partner, and self-care equates to taking personal responsibility for our suffering. We must be productive and heterosexual, we must have babies and buy a house. But the kicker is most people cannot and do not want to achieve all, or any of these life goals. Instead we are left feeling atomised, exhausted and disempowered. ''Radical intimacy'' shows that it doesn't need to be this way. A punchy and impassioned account of inspiring ideas about alternative ways to live, Sophie K Rosa demands we use our radical imagination to discover a new form of intimacy and to transform our personal lives and in turn society as a whole. Including critiques of the 'wellness' industry that ignores rising poverty rates, the mental health crisis and racist and misogynist state violence; transcending love and sex under capitalism to move towards feminist, decolonial and queer thinking; asking whether we should abolish the family; interrogating the framing of ageing and death and much more, ''Radical intimacy'' is the compassionate antidote to a callous society.
Social
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Preserving New York: Winning the Right to Protect A Citys Landmarks is the largely unknown inspiring story of the origins of New York Citys nationally acclaimed landmarks law. The decades of struggle behind the law, its intellectual origins, the men and women who fought for it, the forces that shaped it, and the buildings lost and saved on the way to its ultimate passage,(...)
octobre 2007, New York, London
Preserving New York: winning the right to protect a City's landmark
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Preserving New York: Winning the Right to Protect A Citys Landmarks is the largely unknown inspiring story of the origins of New York Citys nationally acclaimed landmarks law. The decades of struggle behind the law, its intellectual origins, the men and women who fought for it, the forces that shaped it, and the buildings lost and saved on the way to its ultimate passage, span from 1913 to 1965. Intended for the interested public as well as students of New York City history, architecture, and preservation itself, over 100 illustrations help reveal a history richer and more complex than the accepted myth that the landmarks law sprang from the wreckage of the great Pennsylvania Station. Images include those by noted historic photographers as well as those from newspaper accounts of the time. Forgotten civic leaders such as Albert S. Bard and lost buildings including the Brokaw Mansions, are unveiled in an extensively researched narrative bringing this essential episode in New Yorks history to futuregenerations tasked with protecting the citys landmarks. For the first time, the story of how New York won the right to protect its treasured buildings, neighborhoods and special places is brought together to enjoy, inform, and inspire all who love New York.
Montreal moods
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Millions of people love Montreal with a passion. It has a beauty of its own that sets it apart from the other great cities of the world. Over the years, Montreal has never ceased to change or grow in beauty. In this volume, Georges-Hébert Germain paints an arresting portrait of this fascinating metropolis. In this precise, colourful writing style, he describes, with(...)
Architecture de Montréal
septembre 2006, Québec
Montreal moods
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Millions of people love Montreal with a passion. It has a beauty of its own that sets it apart from the other great cities of the world. Over the years, Montreal has never ceased to change or grow in beauty. In this volume, Georges-Hébert Germain paints an arresting portrait of this fascinating metropolis. In this precise, colourful writing style, he describes, with remarkable evocatory power, the charm and seductiveness of Montreal. Linda Turgeon's photographs and Rose Élise Cialdella's captions portray the multiple facets-history, architecture, cultural life and human dimension-of this great city. Experience the special moods that permeate it. You will be captivated by the visual treasure trove scattered throughout Montreal. You will almost smell the scents wafting through the city's parks. You will imagine you can hear the hubbub of this teeming metropolis and its cosmopolitan population. The cultural and historical face of Montréal, the principal city of French America, has been shaped by the torment and fantasies of a people besieged but outspoken in their demands. This volume is a reminder that Montreal is a setting for gems occasionaly unbeknownst to even its own inhabitants. Discover them here and let yourself be bewitched by this city lovingly stretched out on its island.
Architecture de Montréal
The photographer's cookbook
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In the late 1970s, the George Eastman Museum approached a group of photographers to ask for their favorite recipes and food-related photographs to go with them, in pursuit of publishing a cookbook. Playing off George Eastman’s own famous recipe for lemon meringue pie, as well as former director Beaumont Newhall’s love of food, the cookbook grew from the idea that(...)
The photographer's cookbook
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In the late 1970s, the George Eastman Museum approached a group of photographers to ask for their favorite recipes and food-related photographs to go with them, in pursuit of publishing a cookbook. Playing off George Eastman’s own famous recipe for lemon meringue pie, as well as former director Beaumont Newhall’s love of food, the cookbook grew from the idea that photographers’ talent in the darkroom must also translate into special skills in the kitchen. The recipes do not disappoint, with Robert Adams’ Big Sugar Cookies, Ansel Adams’ Poached Eggs in Beer, Richard Avedon’s Royal Pot Roast, Imogen Cunningham’s Borscht, William Eggleston’s Cheese Grits Casserole, Stephen Shore’s Key Lime Pie Supreme and Ed Ruscha’s Cactus Omelette, to name a few. The book was never published, and the materials have remained in George Eastman Museum’s collection ever since. Now, nearly 40 years later, this extensive and distinctive archive of untouched recipes and photographs is published in 'The Photographer’s Cookbook' for the first time. The book provides a time capsule of contemporary photographers of the 1970s many before they made a name for themselves as well as a fascinating look at how they depicted food, family and home, taking readers behind the camera and into the hearts and stomachs of some of photography’s most important practitioners.
Bouffe
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“Propositions for Non-Fascist Living” begins from the urgent need to model a world decidedly void of fascisms during a time when the rise of contemporary fascisms threatens the very foundations of a possibility for common life. Borrowing from Michel Foucault's notion of “non-fascist living” as an “art of living counter to all forms of fascism,” including that “in us all…(...)
Propositions for non-fascist living: tentative and urgent
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“Propositions for Non-Fascist Living” begins from the urgent need to model a world decidedly void of fascisms during a time when the rise of contemporary fascisms threatens the very foundations of a possibility for common life. Borrowing from Michel Foucault's notion of “non-fascist living” as an “art of living counter to all forms of fascism,” including that “in us all… the fascism that causes us to love power, to desire the very thing that dominates and exploits us,” the book addresses the practice of “living” rather than the mere object of life. Artists, theorists, activists, and scholars offer texts and visual essays that engage varied perspectives on practicing life and articulate methods that support multiplicity and difference rather than vaunting power and hierarchy. Architectural theorist Eyal Weizman, for example, describes an “unlikely common” in gathering evidence against false narratives; art historian and critic Sven Lütticken develops a non-fascist proposition drawn from the intersection of art, technology, and law; philosopher Rosi Braidotti explores an ethics of affirmation and the practices of dying. “Propositions for Non-Fascist Living” is the first in a BASICS series of readers from BAK, “basis voor actuele kunst”, Utrecht, engaging some of the most urgent problems of our time through theoretically informed and politically driven artistic research and practice.
Théorie/ philosophie