1685 Résultats
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This book consists of twelve chapters written by leading scholars, each spotlighting ideas emanating from a particular field which helped to shape Modernism, including eugenics, primitivism, Freudianism, and Nietzscheanism. Each contributor goes into their topic in some depth, but also pays attention to the impact it had on overarching issues. At the same time, the(...)
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This book consists of twelve chapters written by leading scholars, each spotlighting ideas emanating from a particular field which helped to shape Modernism, including eugenics, primitivism, Freudianism, and Nietzscheanism. Each contributor goes into their topic in some depth, but also pays attention to the impact it had on overarching issues. At the same time, the(...)
Titre:
A concise companion to modernism
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This book consists of twelve chapters written by leading scholars, each spotlighting ideas emanating from a particular field which helped to shape Modernism, including eugenics, primitivism, Freudianism, and Nietzscheanism. Each contributor goes into their topic in some depth, but also pays attention to the impact it had on overarching issues. At the same time, the contributors identify contemporary developments in other disciplines, especially art, architecture, music, film and philosophy, which paralleled developments in poetry, fiction and drama. Each chapter concludes with a brief guide to further reading.
A concise companion to modernism
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This book consists of twelve chapters written by leading scholars, each spotlighting ideas emanating from a particular field which helped to shape Modernism, including eugenics, primitivism, Freudianism, and Nietzscheanism. Each contributor goes into their topic in some depth, but also pays attention to the impact it had on overarching issues. At the same time, the contributors identify contemporary developments in other disciplines, especially art, architecture, music, film and philosophy, which paralleled developments in poetry, fiction and drama. Each chapter concludes with a brief guide to further reading.
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livres
livres
Publication:
mars 2002, Oxford
mars 2002, Oxford
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
Titre:
An ecotopian lexicon
An ecotopian lexicon
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As the scale and gravity of climate change becomes undeniable, a cultural revolution must ultimately match progress in the realms of policy, infrastructure, and technology. Proceeding from the notion that dominant Western cultures lack the terms and concepts to describe or respond to our environmental crisis, ''An ecotopian lexicon'' is a collaborative volume of short,(...)
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As the scale and gravity of climate change becomes undeniable, a cultural revolution must ultimately match progress in the realms of policy, infrastructure, and technology. Proceeding from the notion that dominant Western cultures lack the terms and concepts to describe or respond to our environmental crisis, ''An ecotopian lexicon'' is a collaborative volume of short,(...)
Publication:
octobre 2019
octobre 2019
Titre:
An ecotopian lexicon
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As the scale and gravity of climate change becomes undeniable, a cultural revolution must ultimately match progress in the realms of policy, infrastructure, and technology. Proceeding from the notion that dominant Western cultures lack the terms and concepts to describe or respond to our environmental crisis, ''An ecotopian lexicon'' is a collaborative volume of short, engaging essays that offer ecologically productive terms—drawn from other languages, science fiction, and subcultures of resistance—to envision and inspire responses and alternatives to fossil-fueled neoliberal capitalism.
An ecotopian lexicon
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As the scale and gravity of climate change becomes undeniable, a cultural revolution must ultimately match progress in the realms of policy, infrastructure, and technology. Proceeding from the notion that dominant Western cultures lack the terms and concepts to describe or respond to our environmental crisis, ''An ecotopian lexicon'' is a collaborative volume of short, engaging essays that offer ecologically productive terms—drawn from other languages, science fiction, and subcultures of resistance—to envision and inspire responses and alternatives to fossil-fueled neoliberal capitalism.
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livres
livres
Publication:
octobre 2019
octobre 2019
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livres
livres
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$29.95
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Castillo closely follows the course of this escalating rivalry between competing consumer cultures through the 1950s, concluding that the Soviet bloc's inability to make good on the claim that it could emulate goods and living standards offered by the West was a contributing factor in communism's eventual demise. Using a mosaic of sources ranging from recently(...)
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Castillo closely follows the course of this escalating rivalry between competing consumer cultures through the 1950s, concluding that the Soviet bloc's inability to make good on the claim that it could emulate goods and living standards offered by the West was a contributing factor in communism's eventual demise. Using a mosaic of sources ranging from recently(...)
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Cold war on the home front, the soft power of midcentury design
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Castillo closely follows the course of this escalating rivalry between competing consumer cultures through the 1950s, concluding that the Soviet bloc's inability to make good on the claim that it could emulate goods and living standards offered by the West was a contributing factor in communism's eventual demise. Using a mosaic of sources ranging from recently declassified government documents to homemaking journals and popular fiction, this book contributes an engaging new perspective on midcentury modernist style and its political uses at the dawn of the cold war.
Cold war on the home front, the soft power of midcentury design
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Castillo closely follows the course of this escalating rivalry between competing consumer cultures through the 1950s, concluding that the Soviet bloc's inability to make good on the claim that it could emulate goods and living standards offered by the West was a contributing factor in communism's eventual demise. Using a mosaic of sources ranging from recently declassified government documents to homemaking journals and popular fiction, this book contributes an engaging new perspective on midcentury modernist style and its political uses at the dawn of the cold war.
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livres
livres
Publication:
février 2010
février 2010
Sujet:
Théorie du design
Théorie du design
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livres
livres
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$72.00
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Allen Ruppersberg came of age as an artist in late-1960s Los Angeles, where he was part of the burgeoning L.A. Conceptual movement—that unique band of artists that included Bas Jan Ader, Allan McColllum and other. Like these artists and other L.A. Conceptual pioneers such as Ed Ruscha and John Baldessari, Ruppersberg used photographs (both made and found) in combination(...)
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Allen Ruppersberg came of age as an artist in late-1960s Los Angeles, where he was part of the burgeoning L.A. Conceptual movement—that unique band of artists that included Bas Jan Ader, Allan McColllum and other. Like these artists and other L.A. Conceptual pioneers such as Ed Ruscha and John Baldessari, Ruppersberg used photographs (both made and found) in combination(...)
Titre:
Alan Ruppersberg: you and me or the art of give and take
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Allen Ruppersberg came of age as an artist in late-1960s Los Angeles, where he was part of the burgeoning L.A. Conceptual movement—that unique band of artists that included Bas Jan Ader, Allan McColllum and other. Like these artists and other L.A. Conceptual pioneers such as Ed Ruscha and John Baldessari, Ruppersberg used photographs (both made and found) in combination with text and narrative strategies to mingle, blend and upend both fiction and fact—most famously in “Where's Al?” (1972) and “Between the Scenes”(1973).
Alan Ruppersberg: you and me or the art of give and take
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Allen Ruppersberg came of age as an artist in late-1960s Los Angeles, where he was part of the burgeoning L.A. Conceptual movement—that unique band of artists that included Bas Jan Ader, Allan McColllum and other. Like these artists and other L.A. Conceptual pioneers such as Ed Ruscha and John Baldessari, Ruppersberg used photographs (both made and found) in combination with text and narrative strategies to mingle, blend and upend both fiction and fact—most famously in “Where's Al?” (1972) and “Between the Scenes”(1973).
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livres
livres
Publication:
février 2010
février 2010
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livres
livres
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This thesis investigates the role of the term plot in mediating relations between architecture and narrativity. Examining organisational strategies in the creation of real and virtual spaces, it identifies literary works by novelists who have resisted, or subverted, plot conventions in fiction (Joris-Karl Huysmans, Edmond de Goncourt, Xavier de Maistre and Neal(...)
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This thesis investigates the role of the term plot in mediating relations between architecture and narrativity. Examining organisational strategies in the creation of real and virtual spaces, it identifies literary works by novelists who have resisted, or subverted, plot conventions in fiction (Joris-Karl Huysmans, Edmond de Goncourt, Xavier de Maistre and Neal(...)
Titre:
Losing the plot: architecture and narrativity in fin-de-siècle media cultures
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This thesis investigates the role of the term plot in mediating relations between architecture and narrativity. Examining organisational strategies in the creation of real and virtual spaces, it identifies literary works by novelists who have resisted, or subverted, plot conventions in fiction (Joris-Karl Huysmans, Edmond de Goncourt, Xavier de Maistre and Neal Stephenson), and introduces architectural spaces such as Thomas Edison s film-studio Black Maria, and the plotless productions of early cinematography, to juxtapose concepts of plot and spatiality in a study of the production and consumption of pre-digital virtual spaces.
Losing the plot: architecture and narrativity in fin-de-siècle media cultures
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This thesis investigates the role of the term plot in mediating relations between architecture and narrativity. Examining organisational strategies in the creation of real and virtual spaces, it identifies literary works by novelists who have resisted, or subverted, plot conventions in fiction (Joris-Karl Huysmans, Edmond de Goncourt, Xavier de Maistre and Neal Stephenson), and introduces architectural spaces such as Thomas Edison s film-studio Black Maria, and the plotless productions of early cinematography, to juxtapose concepts of plot and spatiality in a study of the production and consumption of pre-digital virtual spaces.
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livres
livres
Publication:
janvier 1900, Stockholm
janvier 1900, Stockholm
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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Publication de l'exposition Musée Ziem, Martigues, 7 avril - 10 juin 2001. Cette exposition rassemble des oeuvres issues des collections du Fonds régional d'art contemporain Provence-Alpes-Côte d'Azur et du Fonds national d'art contemporain autour du thème architecture et fiction. Une architecture parasitée par des fictions diverses, qu'elles soient poétiques,(...)
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Publication de l'exposition Musée Ziem, Martigues, 7 avril - 10 juin 2001. Cette exposition rassemble des oeuvres issues des collections du Fonds régional d'art contemporain Provence-Alpes-Côte d'Azur et du Fonds national d'art contemporain autour du thème architecture et fiction. Une architecture parasitée par des fictions diverses, qu'elles soient poétiques,(...)
Titre:
(Que saurions nous construire d'autre?)
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Publication de l'exposition Musée Ziem, Martigues, 7 avril - 10 juin 2001. Cette exposition rassemble des oeuvres issues des collections du Fonds régional d'art contemporain Provence-Alpes-Côte d'Azur et du Fonds national d'art contemporain autour du thème architecture et fiction. Une architecture parasitée par des fictions diverses, qu'elles soient poétiques, humoristiques, ou dérisoires. Le titre de l'exposition est emprunté à Kafka dans Le Château, phrase qui permet d'appréhender l'architecture telle que les artistes l'envisagent, sous la forme de digresssions et de décalages. Chaque artiste invité apporte une proposition qui déjoue toute volonté de système.
(Que saurions nous construire d'autre?)
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Publication de l'exposition Musée Ziem, Martigues, 7 avril - 10 juin 2001. Cette exposition rassemble des oeuvres issues des collections du Fonds régional d'art contemporain Provence-Alpes-Côte d'Azur et du Fonds national d'art contemporain autour du thème architecture et fiction. Une architecture parasitée par des fictions diverses, qu'elles soient poétiques, humoristiques, ou dérisoires. Le titre de l'exposition est emprunté à Kafka dans Le Château, phrase qui permet d'appréhender l'architecture telle que les artistes l'envisagent, sous la forme de digresssions et de décalages. Chaque artiste invité apporte une proposition qui déjoue toute volonté de système.
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livres
livres
Publication:
mars 2001
mars 2001
Classification:
livres
livres
Titre:
Coralations
Coralations
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Résumé:
"Coralations" is a philosophical exploration of the media that come into focus when we shift our attention from the highly recognizable coral of the tropics. Focusing on soft corals and deep-water corals leads to different narratives about climate change and involves different analogies to media. Through thought-provoking analyses of photography, science fiction, visual(...)
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"Coralations" is a philosophical exploration of the media that come into focus when we shift our attention from the highly recognizable coral of the tropics. Focusing on soft corals and deep-water corals leads to different narratives about climate change and involves different analogies to media. Through thought-provoking analyses of photography, science fiction, visual(...)
Titre:
Coralations
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"Coralations" is a philosophical exploration of the media that come into focus when we shift our attention from the highly recognizable coral of the tropics. Focusing on soft corals and deep-water corals leads to different narratives about climate change and involves different analogies to media. Through thought-provoking analyses of photography, science fiction, visual art, and scientific images, Melody Jue renews our curiosity and broadens our understanding of corals beyond the dominant narratives about their endangerment. "Coralations" shows how paying attention to particular corals can change what we take for granted.
Coralations
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"Coralations" is a philosophical exploration of the media that come into focus when we shift our attention from the highly recognizable coral of the tropics. Focusing on soft corals and deep-water corals leads to different narratives about climate change and involves different analogies to media. Through thought-provoking analyses of photography, science fiction, visual art, and scientific images, Melody Jue renews our curiosity and broadens our understanding of corals beyond the dominant narratives about their endangerment. "Coralations" shows how paying attention to particular corals can change what we take for granted.
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livres
livres
Publication:
février 2025
février 2025
Sujet:
Théorie/ philosophie
Théorie/ philosophie
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livres
livres
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$90.00
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Based on the photographs and writings of his great-grandfather, photographer and video artist Andréas Lang embarks on a search for traces and research into a lost chapter of German colonial history in Central Africa: a frontier expedition to take possession of the territory of French Congo. His photographs and videos depict places and landscapes in which the phantoms of(...)
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Based on the photographs and writings of his great-grandfather, photographer and video artist Andréas Lang embarks on a search for traces and research into a lost chapter of German colonial history in Central Africa: a frontier expedition to take possession of the territory of French Congo. His photographs and videos depict places and landscapes in which the phantoms of(...)
Titre:
Andréas Lang: A Phantom Geography. Cameroon and Congo
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Based on the photographs and writings of his great-grandfather, photographer and video artist Andréas Lang embarks on a search for traces and research into a lost chapter of German colonial history in Central Africa: a frontier expedition to take possession of the territory of French Congo. His photographs and videos depict places and landscapes in which the phantoms of the colonial era are still present, in a state of limbo between reality and fiction, past and present. He contrasts this with previously unpublished historical material that reflects the bleak reality of colonialism.
Andréas Lang: A Phantom Geography. Cameroon and Congo
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Based on the photographs and writings of his great-grandfather, photographer and video artist Andréas Lang embarks on a search for traces and research into a lost chapter of German colonial history in Central Africa: a frontier expedition to take possession of the territory of French Congo. His photographs and videos depict places and landscapes in which the phantoms of the colonial era are still present, in a state of limbo between reality and fiction, past and present. He contrasts this with previously unpublished historical material that reflects the bleak reality of colonialism.
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livres
livres
Publication:
avril 2025
avril 2025
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
Paris review spring 2025
Paris review spring 2025
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Ludmilla Petrushevskaya on the Art of Fiction: "Don’t you know my life story by now? I don’t experience fear." Margo Jefferson on the Art of Criticism: "You can be willing to be wrong if you have enough confidence in your brain." Prose by Amie Barrodale, A. M. Homes, Marie NDiaye, Domenico Starnone, Miriam Toews, and Zheng Zhi. Poetry by Abigail Dembo, Nora Fulton,(...)
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Ludmilla Petrushevskaya on the Art of Fiction: "Don’t you know my life story by now? I don’t experience fear." Margo Jefferson on the Art of Criticism: "You can be willing to be wrong if you have enough confidence in your brain." Prose by Amie Barrodale, A. M. Homes, Marie NDiaye, Domenico Starnone, Miriam Toews, and Zheng Zhi. Poetry by Abigail Dembo, Nora Fulton,(...)
Titre:
Paris review spring 2025
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Ludmilla Petrushevskaya on the Art of Fiction: "Don’t you know my life story by now? I don’t experience fear." Margo Jefferson on the Art of Criticism: "You can be willing to be wrong if you have enough confidence in your brain." Prose by Amie Barrodale, A. M. Homes, Marie NDiaye, Domenico Starnone, Miriam Toews, and Zheng Zhi. Poetry by Abigail Dembo, Nora Fulton, Susan Howe, D. A. Powell, Nasser Rabah, Edward Salem, and Nanna Storr-Hansen. Art by Em Kettner, Agosto Machado, and Lady Shalamar Montague; cover by Anna Weyant.
Paris review spring 2025
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Ludmilla Petrushevskaya on the Art of Fiction: "Don’t you know my life story by now? I don’t experience fear." Margo Jefferson on the Art of Criticism: "You can be willing to be wrong if you have enough confidence in your brain." Prose by Amie Barrodale, A. M. Homes, Marie NDiaye, Domenico Starnone, Miriam Toews, and Zheng Zhi. Poetry by Abigail Dembo, Nora Fulton, Susan Howe, D. A. Powell, Nasser Rabah, Edward Salem, and Nanna Storr-Hansen. Art by Em Kettner, Agosto Machado, and Lady Shalamar Montague; cover by Anna Weyant.
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livres
livres
Publication:
mai 2025
mai 2025
Sujet:
Revues
Revues
Classification:
livres
livres
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$32.00
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"I am concerned with the power of sound! and what it can do to the body and the mind," wrote composer Pauline Oliveros. In the body, histories and politics come together with sound and listening, memory and feeling. "Bodies of sound" offers a resonant exploration of feminist sonic cultures and radical listening in over fifty contributions. In this book of echoes, a(...)
$32.00
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"I am concerned with the power of sound! and what it can do to the body and the mind," wrote composer Pauline Oliveros. In the body, histories and politics come together with sound and listening, memory and feeling. "Bodies of sound" offers a resonant exploration of feminist sonic cultures and radical listening in over fifty contributions. In this book of echoes, a(...)
Titre:
Bodies of sound: Becoming a feminist ear
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"I am concerned with the power of sound! and what it can do to the body and the mind," wrote composer Pauline Oliveros. In the body, histories and politics come together with sound and listening, memory and feeling. "Bodies of sound" offers a resonant exploration of feminist sonic cultures and radical listening in over fifty contributions. In this book of echoes, a variety of forms – from essays to text scores to art, fiction and memoir – speak across gender, ways of knowing, witnessing, sounding and voicing, translation, displacement, violence and peace.
Bodies of sound: Becoming a feminist ear
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$32.00
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"I am concerned with the power of sound! and what it can do to the body and the mind," wrote composer Pauline Oliveros. In the body, histories and politics come together with sound and listening, memory and feeling. "Bodies of sound" offers a resonant exploration of feminist sonic cultures and radical listening in over fifty contributions. In this book of echoes, a variety of forms – from essays to text scores to art, fiction and memoir – speak across gender, ways of knowing, witnessing, sounding and voicing, translation, displacement, violence and peace.
Classification:
livres
livres
Publication:
février 2025
février 2025
Sujet:
Acoustique
Acoustique
