1540 Résultats
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livres
livres
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The Argentine architect Ignacio Dahl Rocha and the Swiss architect Jacques Richter have been regarded as prominent champions of an elegant brand of modernity at least since their design of the Espacité Tower on Place Le Corbusier in La Chaux-de-Fonds and their renovation of Jean Tschumis Nestlé corporate headquarters on the shores of Lake Geneva. Their work in the United(...)
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The Argentine architect Ignacio Dahl Rocha and the Swiss architect Jacques Richter have been regarded as prominent champions of an elegant brand of modernity at least since their design of the Espacité Tower on Place Le Corbusier in La Chaux-de-Fonds and their renovation of Jean Tschumis Nestlé corporate headquarters on the shores of Lake Geneva. Their work in the United(...)
Sujet:
Architecture, monographies
Architecture, monographies
Publication:
octobre 2006, Basel, Berlin, Boston
octobre 2006, Basel, Berlin, Boston
Titre:
The Architecture of Richter & Dahl Rocha
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The Argentine architect Ignacio Dahl Rocha and the Swiss architect Jacques Richter have been regarded as prominent champions of an elegant brand of modernity at least since their design of the Espacité Tower on Place Le Corbusier in La Chaux-de-Fonds and their renovation of Jean Tschumis Nestlé corporate headquarters on the shores of Lake Geneva. Their work in the United States and Canada, which began when they were students together at Yale University, is increasingly expanding to include South America as well. In the last fifteen years, they have completed numerous projects, including cultural, educational, administrative, hospital, and residential buildings, primarily in Switzerland but also in Germany, Saudi Arabia, and Argentina. The most important are presented here, in this only current monograph on the firm.
The Architecture of Richter & Dahl Rocha
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Résumé:
The Argentine architect Ignacio Dahl Rocha and the Swiss architect Jacques Richter have been regarded as prominent champions of an elegant brand of modernity at least since their design of the Espacité Tower on Place Le Corbusier in La Chaux-de-Fonds and their renovation of Jean Tschumis Nestlé corporate headquarters on the shores of Lake Geneva. Their work in the United States and Canada, which began when they were students together at Yale University, is increasingly expanding to include South America as well. In the last fifteen years, they have completed numerous projects, including cultural, educational, administrative, hospital, and residential buildings, primarily in Switzerland but also in Germany, Saudi Arabia, and Argentina. The most important are presented here, in this only current monograph on the firm.
Classification:
livres
livres
Publication:
octobre 2006, Basel, Berlin, Boston
octobre 2006, Basel, Berlin, Boston
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
Prix:
$88.00
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Gio Ponti - architect, designer, art director, writer, poet, professor, and critic - was one of the most renowned protagonists of Italian architecture and design in the 20th century. Forty years after his death, the Museo nazionale delle arti del XXI secolo (MAXXI) in Rome is dedicating a major retrospective to this exceptional figure. Beginning with his architecture,(...)
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Gio Ponti - architect, designer, art director, writer, poet, professor, and critic - was one of the most renowned protagonists of Italian architecture and design in the 20th century. Forty years after his death, the Museo nazionale delle arti del XXI secolo (MAXXI) in Rome is dedicating a major retrospective to this exceptional figure. Beginning with his architecture,(...)
Sujet:
Architecture, monographies
Architecture, monographies
Publication:
février 2020
février 2020
Titre:
Gio Ponti: Loving architecture / Amare l'architettura
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Gio Ponti - architect, designer, art director, writer, poet, professor, and critic - was one of the most renowned protagonists of Italian architecture and design in the 20th century. Forty years after his death, the Museo nazionale delle arti del XXI secolo (MAXXI) in Rome is dedicating a major retrospective to this exceptional figure. Beginning with his architecture, which can be charaterised as a unique and original synthesis of tradition and modernity, history and design, elite culture and everyday life, the show explores his many-faceted talent, selecting projects that concretely illustrate the key concepts found throughout his architecture and design work. Included here are archival materials, models, photographs, books, magazines and objects which illustrate the many achievements of his six decade career.
Gio Ponti: Loving architecture / Amare l'architettura
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Gio Ponti - architect, designer, art director, writer, poet, professor, and critic - was one of the most renowned protagonists of Italian architecture and design in the 20th century. Forty years after his death, the Museo nazionale delle arti del XXI secolo (MAXXI) in Rome is dedicating a major retrospective to this exceptional figure. Beginning with his architecture, which can be charaterised as a unique and original synthesis of tradition and modernity, history and design, elite culture and everyday life, the show explores his many-faceted talent, selecting projects that concretely illustrate the key concepts found throughout his architecture and design work. Included here are archival materials, models, photographs, books, magazines and objects which illustrate the many achievements of his six decade career.
Classification:
livres
livres
Publication:
février 2020
février 2020
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
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$68.95
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The aesthetic of architect Hector Guimard (1867–1942) has long characterized French Art Nouveau in the popular imagination. This groundbreaking book showcases all aspects of his artistry and recognizes the fundamental modernity of his work. Known for, among other things, the decorative entrances to the Paris Métro and the associated lettering, he often looked to nature(...)
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The aesthetic of architect Hector Guimard (1867–1942) has long characterized French Art Nouveau in the popular imagination. This groundbreaking book showcases all aspects of his artistry and recognizes the fundamental modernity of his work. Known for, among other things, the decorative entrances to the Paris Métro and the associated lettering, he often looked to nature(...)
Titre:
Hector Guimard: Art Nouveau to modernism
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The aesthetic of architect Hector Guimard (1867–1942) has long characterized French Art Nouveau in the popular imagination. This groundbreaking book showcases all aspects of his artistry and recognizes the fundamental modernity of his work. Known for, among other things, the decorative entrances to the Paris Métro and the associated lettering, he often looked to nature for inspiration, and combined materials such as stone and cast iron in unique ways to create designs composed of curves and waves that evoked movement. Guimard broke away from his classical Beaux-Arts training to advocate a modern, abstract style; he also pioneered the use of standardized models for his design objects and experimented with prefabricated designs in his social housing commissions, advancing the technology of the time.
Hector Guimard: Art Nouveau to modernism
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The aesthetic of architect Hector Guimard (1867–1942) has long characterized French Art Nouveau in the popular imagination. This groundbreaking book showcases all aspects of his artistry and recognizes the fundamental modernity of his work. Known for, among other things, the decorative entrances to the Paris Métro and the associated lettering, he often looked to nature for inspiration, and combined materials such as stone and cast iron in unique ways to create designs composed of curves and waves that evoked movement. Guimard broke away from his classical Beaux-Arts training to advocate a modern, abstract style; he also pioneered the use of standardized models for his design objects and experimented with prefabricated designs in his social housing commissions, advancing the technology of the time.
Classification:
livres
livres
Publication:
mai 2021
mai 2021
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
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$79.95
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Over more than two decades of writing, Aaron Betsky has used his knowledge of architecture and urbanism to argue for the ways in which buildings, cities and landscapes help us understand where we are, where we have come from, and where we are going. He argues for modernist design as a way of making ourselves at home in the ever-changing world of modernity. In At Home(...)
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Over more than two decades of writing, Aaron Betsky has used his knowledge of architecture and urbanism to argue for the ways in which buildings, cities and landscapes help us understand where we are, where we have come from, and where we are going. He argues for modernist design as a way of making ourselves at home in the ever-changing world of modernity. In At Home(...)
Titre:
At home in sprawl: selected essays on architecture
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Over more than two decades of writing, Aaron Betsky has used his knowledge of architecture and urbanism to argue for the ways in which buildings, cities and landscapes help us understand where we are, where we have come from, and where we are going. He argues for modernist design as a way of making ourselves at home in the ever-changing world of modernity. In At Home in Sprawl, using such disparate examples as California and the Netherlands, he offers possible building blocks for better sprawl. He also believes that buildings are no longer enough to make us at home in the modern world, and that architects must look beyond such structures to landscapes, interiors, and imaginary structures to find appropriate and critical architecture.
At home in sprawl: selected essays on architecture
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Over more than two decades of writing, Aaron Betsky has used his knowledge of architecture and urbanism to argue for the ways in which buildings, cities and landscapes help us understand where we are, where we have come from, and where we are going. He argues for modernist design as a way of making ourselves at home in the ever-changing world of modernity. In At Home in Sprawl, using such disparate examples as California and the Netherlands, he offers possible building blocks for better sprawl. He also believes that buildings are no longer enough to make us at home in the modern world, and that architects must look beyond such structures to landscapes, interiors, and imaginary structures to find appropriate and critical architecture.
Classification:
livres
livres
Publication:
octobre 2012
octobre 2012
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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livres
livres
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This book is about the everyday life of memorials. It explores their relationship to the pulses of daily life, their meaning within a quotidian context, and their place within the development of modern cities. Through Andrew Shanken’s close historical readings of memorials, both well-known and obscure, two distinct strands of scholarship are thus brought together: the(...)
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This book is about the everyday life of memorials. It explores their relationship to the pulses of daily life, their meaning within a quotidian context, and their place within the development of modern cities. Through Andrew Shanken’s close historical readings of memorials, both well-known and obscure, two distinct strands of scholarship are thus brought together: the(...)
Titre:
The everyday life of memorials
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This book is about the everyday life of memorials. It explores their relationship to the pulses of daily life, their meaning within a quotidian context, and their place within the development of modern cities. Through Andrew Shanken’s close historical readings of memorials, both well-known and obscure, two distinct strands of scholarship are thus brought together: the study of the everyday and memory studies. This book explores how memorials end up where they are, grow invisible, fight with traffic, get moved, are assembled into memorial zones, and are drawn anew into commemorations and political maelstroms that their original sponsors never could have imagined. Finally, exploring how people behave at memorials and what memorials ask of people reveals just how strange the commemorative infrastructure of modernity is.
The everyday life of memorials
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This book is about the everyday life of memorials. It explores their relationship to the pulses of daily life, their meaning within a quotidian context, and their place within the development of modern cities. Through Andrew Shanken’s close historical readings of memorials, both well-known and obscure, two distinct strands of scholarship are thus brought together: the study of the everyday and memory studies. This book explores how memorials end up where they are, grow invisible, fight with traffic, get moved, are assembled into memorial zones, and are drawn anew into commemorations and political maelstroms that their original sponsors never could have imagined. Finally, exploring how people behave at memorials and what memorials ask of people reveals just how strange the commemorative infrastructure of modernity is.
Classification:
livres
livres
Publication:
septembre 2022
septembre 2022
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$62.50
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Dalibor Vesely proposes an alternative to the narrow vision of contemporary architecture as a discipline that can be treated as an instrument or commodity. In doing so, he offers nothing less than an account of the ontological and cultural foundations of modern architecture and, consequently, of the nature and cultural role of architecture through history. Vesely's(...)
$62.50
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Résumé:
Dalibor Vesely proposes an alternative to the narrow vision of contemporary architecture as a discipline that can be treated as an instrument or commodity. In doing so, he offers nothing less than an account of the ontological and cultural foundations of modern architecture and, consequently, of the nature and cultural role of architecture through history. Vesely's(...)
Titre:
Architecture in the age of divided representation : the question of creativity in the shadow of production
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Dalibor Vesely proposes an alternative to the narrow vision of contemporary architecture as a discipline that can be treated as an instrument or commodity. In doing so, he offers nothing less than an account of the ontological and cultural foundations of modern architecture and, consequently, of the nature and cultural role of architecture through history. Vesely's argument, structured as a critical dialogue, discovers the first plausible anticipation of modernity in the formation of Renaissance perspective. Understanding this notion of perspective against the background of the medieval philosophy of light, he argues, leads to an understanding of architectural space as formed by typical human situations and by light before it is structured geometrically. The central part of the book addresses the question of divided representation - the tension between the instrumental and the communicative roles of architecture - in the period of the baroque, when architectural thinking was seriously challenged by the emergence of modern science. Vesely argues that to resolve the dilemma of modernity - reconciling the inventions and achievements of modern technology with the human condition and the natural world - we can turn to architecture and its latent capacity to reconcile different levels of reality, its ability to relate abstract ideas and conceptual structures to the concrete situations of everyday life. Vesely sees the restoration of this communicative role of architecture as the key to the restoration of architecture as the topological and corporeal foundation of culture; what the book is to our literacy, he argues, architecture is to culture as a whole. He concludes by proposing a new poetics of architecture that will serve as a framework for the restoration of the humanistic role of architecture in the age of technology.
Architecture in the age of divided representation : the question of creativity in the shadow of production
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$62.50
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Résumé:
Dalibor Vesely proposes an alternative to the narrow vision of contemporary architecture as a discipline that can be treated as an instrument or commodity. In doing so, he offers nothing less than an account of the ontological and cultural foundations of modern architecture and, consequently, of the nature and cultural role of architecture through history. Vesely's argument, structured as a critical dialogue, discovers the first plausible anticipation of modernity in the formation of Renaissance perspective. Understanding this notion of perspective against the background of the medieval philosophy of light, he argues, leads to an understanding of architectural space as formed by typical human situations and by light before it is structured geometrically. The central part of the book addresses the question of divided representation - the tension between the instrumental and the communicative roles of architecture - in the period of the baroque, when architectural thinking was seriously challenged by the emergence of modern science. Vesely argues that to resolve the dilemma of modernity - reconciling the inventions and achievements of modern technology with the human condition and the natural world - we can turn to architecture and its latent capacity to reconcile different levels of reality, its ability to relate abstract ideas and conceptual structures to the concrete situations of everyday life. Vesely sees the restoration of this communicative role of architecture as the key to the restoration of architecture as the topological and corporeal foundation of culture; what the book is to our literacy, he argues, architecture is to culture as a whole. He concludes by proposing a new poetics of architecture that will serve as a framework for the restoration of the humanistic role of architecture in the age of technology.
Classification:
livres
livres
Publication:
juin 2004, Cambridge, Mass.
juin 2004, Cambridge, Mass.
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Prix:
$58.50
(disponible en magasin)
Résumé:
This book examines the ways in which a historic, and so-called 'traditional' city quietly mutated into one that was modern in its own terms not only in form but also in its use and meaning. Through a study of Delhi, the author challenges some prevalent dichotomies and myths in architecture and urbanism and identifies an interpretation of modernism that expands upon(...)
$58.50
(disponible en magasin)
Résumé:
This book examines the ways in which a historic, and so-called 'traditional' city quietly mutated into one that was modern in its own terms not only in form but also in its use and meaning. Through a study of Delhi, the author challenges some prevalent dichotomies and myths in architecture and urbanism and identifies an interpretation of modernism that expands upon(...)
Publication:
avril 2005, London
avril 2005, London
Titre:
Indigenous modernities : negotiating architecture and urbanism
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Résumé:
This book examines the ways in which a historic, and so-called 'traditional' city quietly mutated into one that was modern in its own terms not only in form but also in its use and meaning. Through a study of Delhi, the author challenges some prevalent dichotomies and myths in architecture and urbanism and identifies an interpretation of modernism that expands upon conventional understandings of it. Conventional discourse in the West defines modern as the antithesis of that which is 'not-modern' or is 'traditional.' Many scholars have debated the significance of the words and most agree that the very word 'tradition' was a modernist creation that variously implied backwardness, threatened by change, resistance to innovation. The first part of this book reflects on the transformations and discontinuities in built form and spatial culture and calls into question accepted notions of the static nature of what is normally referred to as 'traditional' and 'non-Western' architecture. The second part is a critical discussion of Delhi in the nineteenth and early twentieth centuries. It expands upon conventional understandings of modernity in a way that wrenches free the city's architecture and the society from the objectified realm of the exotic while also acknowledging cultural conditions of modernity and modern architecture outside the West. Stepping outside Western canons, this project looks at late nineteenth and early twentieth century architecture to include them in a conversation on architecture that has typically focused on Western Europe and North America. Finally, the author seeks out the 'indigenous modernities': the irregular, the uneven, and the unexpected in what uncritical observers might label a perfectly coherent 'traditional' built environment; or in the influence of local society and institutions on forms that appear modern by conventional standards in the West.
Indigenous modernities : negotiating architecture and urbanism
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$58.50
(disponible en magasin)
Résumé:
This book examines the ways in which a historic, and so-called 'traditional' city quietly mutated into one that was modern in its own terms not only in form but also in its use and meaning. Through a study of Delhi, the author challenges some prevalent dichotomies and myths in architecture and urbanism and identifies an interpretation of modernism that expands upon conventional understandings of it. Conventional discourse in the West defines modern as the antithesis of that which is 'not-modern' or is 'traditional.' Many scholars have debated the significance of the words and most agree that the very word 'tradition' was a modernist creation that variously implied backwardness, threatened by change, resistance to innovation. The first part of this book reflects on the transformations and discontinuities in built form and spatial culture and calls into question accepted notions of the static nature of what is normally referred to as 'traditional' and 'non-Western' architecture. The second part is a critical discussion of Delhi in the nineteenth and early twentieth centuries. It expands upon conventional understandings of modernity in a way that wrenches free the city's architecture and the society from the objectified realm of the exotic while also acknowledging cultural conditions of modernity and modern architecture outside the West. Stepping outside Western canons, this project looks at late nineteenth and early twentieth century architecture to include them in a conversation on architecture that has typically focused on Western Europe and North America. Finally, the author seeks out the 'indigenous modernities': the irregular, the uneven, and the unexpected in what uncritical observers might label a perfectly coherent 'traditional' built environment; or in the influence of local society and institutions on forms that appear modern by conventional standards in the West.
Classification:
livres
livres
Publication:
avril 2005, London
avril 2005, London
Classification:
livres
livres
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$31.50
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Résumé:
In this long-awaited work, Dalibor Vesely proposes an alternative to the narrow vision of contemporary architecture as a discipline that can be treated as an instrument or commodity. In doing so, he offers an account of the ontological and cultural foundations of modern architecture and, consequently, of the nature and cultural role of architecture through history.(...)
$31.50
(disponible sur commande)
Résumé:
In this long-awaited work, Dalibor Vesely proposes an alternative to the narrow vision of contemporary architecture as a discipline that can be treated as an instrument or commodity. In doing so, he offers an account of the ontological and cultural foundations of modern architecture and, consequently, of the nature and cultural role of architecture through history.(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
octobre 2006, Cambridge (MA), London
octobre 2006, Cambridge (MA), London
Titre:
Architecture in the age of divided representation : the question of creativity in the shadow of production
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Prix:
$31.50
(disponible sur commande)
Résumé:
In this long-awaited work, Dalibor Vesely proposes an alternative to the narrow vision of contemporary architecture as a discipline that can be treated as an instrument or commodity. In doing so, he offers an account of the ontological and cultural foundations of modern architecture and, consequently, of the nature and cultural role of architecture through history. Vesely's argument, structured as a critical dialogue, discovers the first plausible anticipation of modernity in the formation of Renaissance perspective. Understanding this notion of perspective against the background of the medieval philosophy of light, he argues, leads to an understanding of architectural space as formed by typical human situations and by light before it is structured geometrically. The central part of the book addresses the question of divided representation - the tension between the instrumental and the communicative roles of architecture - in the period of the baroque, when architectural thinking was seriously challenged by the emergence of modern science. Vesely argues that to resolve the dilemma of modernity - reconciling the inventions and achievements of modern technology with the human condition and the natural world - we can turn to architecture and its latent capacity to reconcile different levels of reality, its ability to relate abstract ideas and conceptual structures to the concrete situations of everyday life. Vesely sees the restoration of this communicative role of architecture as the key to the restoration of architecture as the topological and corporeal foundation of culture; what the book is to our literacy, he argues, architecture is to culture as a whole. He concludes by proposing a new poetics of architecture that will serve as a framework for the restoration of the humanistic role of architecture in the age of technology.
Architecture in the age of divided representation : the question of creativity in the shadow of production
Actions:
Prix:
$31.50
(disponible sur commande)
Résumé:
In this long-awaited work, Dalibor Vesely proposes an alternative to the narrow vision of contemporary architecture as a discipline that can be treated as an instrument or commodity. In doing so, he offers an account of the ontological and cultural foundations of modern architecture and, consequently, of the nature and cultural role of architecture through history. Vesely's argument, structured as a critical dialogue, discovers the first plausible anticipation of modernity in the formation of Renaissance perspective. Understanding this notion of perspective against the background of the medieval philosophy of light, he argues, leads to an understanding of architectural space as formed by typical human situations and by light before it is structured geometrically. The central part of the book addresses the question of divided representation - the tension between the instrumental and the communicative roles of architecture - in the period of the baroque, when architectural thinking was seriously challenged by the emergence of modern science. Vesely argues that to resolve the dilemma of modernity - reconciling the inventions and achievements of modern technology with the human condition and the natural world - we can turn to architecture and its latent capacity to reconcile different levels of reality, its ability to relate abstract ideas and conceptual structures to the concrete situations of everyday life. Vesely sees the restoration of this communicative role of architecture as the key to the restoration of architecture as the topological and corporeal foundation of culture; what the book is to our literacy, he argues, architecture is to culture as a whole. He concludes by proposing a new poetics of architecture that will serve as a framework for the restoration of the humanistic role of architecture in the age of technology.
Classification:
livres
livres
Publication:
octobre 2006, Cambridge (MA), London
octobre 2006, Cambridge (MA), London
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
périodiques
périodiques
Titre:
Real Review 14
Real Review 14
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This issue of Real Review (with accompanying foldout poster) is dedicated to Direct Perception: At one pole is a purely rational description of the cosmos. At the other, a rich cultural soup of narrative. A direct perception of reality emerges from the tension between these two extremes. Material reality is not always meaningful. Human meaning is not really true. But(...)
$22.50
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Résumé:
This issue of Real Review (with accompanying foldout poster) is dedicated to Direct Perception: At one pole is a purely rational description of the cosmos. At the other, a rich cultural soup of narrative. A direct perception of reality emerges from the tension between these two extremes. Material reality is not always meaningful. Human meaning is not really true. But(...)
Titre:
Real Review 14
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$22.50
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Résumé:
This issue of Real Review (with accompanying foldout poster) is dedicated to Direct Perception: At one pole is a purely rational description of the cosmos. At the other, a rich cultural soup of narrative. A direct perception of reality emerges from the tension between these two extremes. Material reality is not always meaningful. Human meaning is not really true. But as a charged exchange, we can tell stories about hardcore science in order to comprehend its truths; and we can acknowledge myth as a symbolic function, stripping their power to distort, misinform and miseducate. For exactly seven years, this magazine has tried to capture something of what it means to live today... we now understand that Real Review is a magazine recording the terminal period of capitalist modernity.
Real Review 14
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$22.50
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Résumé:
This issue of Real Review (with accompanying foldout poster) is dedicated to Direct Perception: At one pole is a purely rational description of the cosmos. At the other, a rich cultural soup of narrative. A direct perception of reality emerges from the tension between these two extremes. Material reality is not always meaningful. Human meaning is not really true. But as a charged exchange, we can tell stories about hardcore science in order to comprehend its truths; and we can acknowledge myth as a symbolic function, stripping their power to distort, misinform and miseducate. For exactly seven years, this magazine has tried to capture something of what it means to live today... we now understand that Real Review is a magazine recording the terminal period of capitalist modernity.
Classification:
périodiques
périodiques
Publication:
juillet 2023
juillet 2023
Sujet:
Revues
Revues
Classification:
livres
livres
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$55.00
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Résumé:
In ''The Villa'', James Ackerman explores villa building in the West from ancient Rome to twentieth-century France and America. In this wide-ranging book, he illuminates such topics as the early villas of the Medici, the rise of the Palladian villa in England, and the modern villas of Frank Lloyd Wright and Le Corbusier. Ackerman uses the phenomenon of the 'country place'(...)
$55.00
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Résumé:
In ''The Villa'', James Ackerman explores villa building in the West from ancient Rome to twentieth-century France and America. In this wide-ranging book, he illuminates such topics as the early villas of the Medici, the rise of the Palladian villa in England, and the modern villas of Frank Lloyd Wright and Le Corbusier. Ackerman uses the phenomenon of the 'country place'(...)
Titre:
The Villa: Form and ideology of country houses
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$55.00
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In ''The Villa'', James Ackerman explores villa building in the West from ancient Rome to twentieth-century France and America. In this wide-ranging book, he illuminates such topics as the early villas of the Medici, the rise of the Palladian villa in England, and the modern villas of Frank Lloyd Wright and Le Corbusier. Ackerman uses the phenomenon of the 'country place' as a focus for examining the relationships between urban and rural life, between building and the natural environment, and between architectural design and social, cultural, economic, and political forces. ''The villa,'' he reminds us, ''accommodates a fantasy which is impervious to reality.'' As city dwellers idealized country life, the villa, unlike the farmhouse, became associated with pleasure and asserted its modernity and status as a product of the architect’s imagination.
The Villa: Form and ideology of country houses
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Résumé:
In ''The Villa'', James Ackerman explores villa building in the West from ancient Rome to twentieth-century France and America. In this wide-ranging book, he illuminates such topics as the early villas of the Medici, the rise of the Palladian villa in England, and the modern villas of Frank Lloyd Wright and Le Corbusier. Ackerman uses the phenomenon of the 'country place' as a focus for examining the relationships between urban and rural life, between building and the natural environment, and between architectural design and social, cultural, economic, and political forces. ''The villa,'' he reminds us, ''accommodates a fantasy which is impervious to reality.'' As city dwellers idealized country life, the villa, unlike the farmhouse, became associated with pleasure and asserted its modernity and status as a product of the architect’s imagination.
Classification:
livres
livres
Publication:
août 2023
août 2023
Sujet:
Théorie de l’architecture
Théorie de l’architecture
