1755 Résultats
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Résumé:
The beauty of impermanence has many manifestations whether in the artistic, natural or spiritual realms. Each transitory piece elicits a precious response in the participant a heightened awareness of the senses occurs in order to capture impressions before it is too late. The design of exhibition and trade show stands exemplifies this temporary quality, providing(...)
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The beauty of impermanence has many manifestations whether in the artistic, natural or spiritual realms. Each transitory piece elicits a precious response in the participant a heightened awareness of the senses occurs in order to capture impressions before it is too late. The design of exhibition and trade show stands exemplifies this temporary quality, providing(...)
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On show: temporary design for fairs, special events, and art exhibition
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$59.95
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The beauty of impermanence has many manifestations whether in the artistic, natural or spiritual realms. Each transitory piece elicits a precious response in the participant a heightened awareness of the senses occurs in order to capture impressions before it is too late. The design of exhibition and trade show stands exemplifies this temporary quality, providing intriguing displays that are at once eye catching, sophisticated and memorable. Whether controlled or interactive, the installations featured frequently make use of all surfaces from floor to ceiling to arrest ones attention and direct further explorations. Through the innovative use of lighting, multimedia displays and custom fixtures, a story is told, creating a unique experience for the visitor and a reference for future recommendations.
On show: temporary design for fairs, special events, and art exhibition
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$59.95
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The beauty of impermanence has many manifestations whether in the artistic, natural or spiritual realms. Each transitory piece elicits a precious response in the participant a heightened awareness of the senses occurs in order to capture impressions before it is too late. The design of exhibition and trade show stands exemplifies this temporary quality, providing intriguing displays that are at once eye catching, sophisticated and memorable. Whether controlled or interactive, the installations featured frequently make use of all surfaces from floor to ceiling to arrest ones attention and direct further explorations. Through the innovative use of lighting, multimedia displays and custom fixtures, a story is told, creating a unique experience for the visitor and a reference for future recommendations.
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livres
livres
Publication:
juillet 2012
juillet 2012
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Étalages
Étalages
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livres
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Description:
232 pages : illustrations (some color) ; 27 cm
Description:
232 pages : illustrations (some color) ; 27 cm
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New Haven : Yale University Press, ©1996.
New Haven : Yale University Press, ©1996.
Titre:
Ornament : a social history since 1450 / [Michael Snodin & Maurice Howard].
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Description:
232 pages : illustrations (some color) ; 27 cm
Ornament : a social history since 1450 / [Michael Snodin & Maurice Howard].
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Description:
232 pages : illustrations (some color) ; 27 cm
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livres
livres
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New Haven : Yale University Press, ©1996.
New Haven : Yale University Press, ©1996.
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livres
livres
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Description:
xxviii, 186 pages : illustrations ; 24 cm
Description:
xxviii, 186 pages : illustrations ; 24 cm
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London ; New York : Routledge, 2017.
London ; New York : Routledge, 2017.
Titre:
House and home : cultural contexts, ontological roles / Thomas Barrie.
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xxviii, 186 pages : illustrations ; 24 cm
House and home : cultural contexts, ontological roles / Thomas Barrie.
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Description:
xxviii, 186 pages : illustrations ; 24 cm
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livres
livres
Publication:
London ; New York : Routledge, 2017.
London ; New York : Routledge, 2017.
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livres
livres
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$50.00
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Résumé:
Pigeon languages our cities. When a speckled grey pigeon is trapped by artists and spray-painted in a miniature car wash, and released as an ultramarine green pigeon streaking through a public space, what happens to the "flying rat"? How do we really know we have seen what we think we have seen? How is our perception always trapped and released? "Some pigeons are more(...)
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Pigeon languages our cities. When a speckled grey pigeon is trapped by artists and spray-painted in a miniature car wash, and released as an ultramarine green pigeon streaking through a public space, what happens to the "flying rat"? How do we really know we have seen what we think we have seen? How is our perception always trapped and released? "Some pigeons are more(...)
Publication:
juillet 2015
juillet 2015
Titre:
Some pigeons are more equal than others
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$50.00
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Résumé:
Pigeon languages our cities. When a speckled grey pigeon is trapped by artists and spray-painted in a miniature car wash, and released as an ultramarine green pigeon streaking through a public space, what happens to the "flying rat"? How do we really know we have seen what we think we have seen? How is our perception always trapped and released? "Some pigeons are more equal than others" began as an artwork by Julius von Bismarck and Julian Charrière and is now a book which treats the on-going art work as a place of contact with poets, philosophers, historians, architects, and other species. This book examines our relationship to the world and history in a non-human-centered way; an urban manifesto evolving ideas on the role of public domains and the encounter with contemporary art today. With contributions by Ben Marcus, CA Conrad, Craig Dworkin, Lyn Hejinian, Marjorie Welish, Juliana Spahr, Ian Bogost, David Graham Burnett, Claudia Roden, Olafur Eliasson, and others.
Some pigeons are more equal than others
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$50.00
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Résumé:
Pigeon languages our cities. When a speckled grey pigeon is trapped by artists and spray-painted in a miniature car wash, and released as an ultramarine green pigeon streaking through a public space, what happens to the "flying rat"? How do we really know we have seen what we think we have seen? How is our perception always trapped and released? "Some pigeons are more equal than others" began as an artwork by Julius von Bismarck and Julian Charrière and is now a book which treats the on-going art work as a place of contact with poets, philosophers, historians, architects, and other species. This book examines our relationship to the world and history in a non-human-centered way; an urban manifesto evolving ideas on the role of public domains and the encounter with contemporary art today. With contributions by Ben Marcus, CA Conrad, Craig Dworkin, Lyn Hejinian, Marjorie Welish, Juliana Spahr, Ian Bogost, David Graham Burnett, Claudia Roden, Olafur Eliasson, and others.
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livres
livres
Publication:
juillet 2015
juillet 2015
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livres
livres
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$40.00
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Every Man Is an Artist investigates Joseph Beuys’ (1921–1986) voluminous output of multiples. For Beuys, multiples were a vehicle for communication, discussion and debate--a means for disseminating his philosophy beyond a collector audience and putting broader progressive ideas into circulation. While other artists focused on creating games or do-it-yourself performances,(...)
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Every Man Is an Artist investigates Joseph Beuys’ (1921–1986) voluminous output of multiples. For Beuys, multiples were a vehicle for communication, discussion and debate--a means for disseminating his philosophy beyond a collector audience and putting broader progressive ideas into circulation. While other artists focused on creating games or do-it-yourself performances,(...)
Titre:
Joseph Beuys: every man Is an artist
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Every Man Is an Artist investigates Joseph Beuys’ (1921–1986) voluminous output of multiples. For Beuys, multiples were a vehicle for communication, discussion and debate--a means for disseminating his philosophy beyond a collector audience and putting broader progressive ideas into circulation. While other artists focused on creating games or do-it-yourself performances, Beuys’ pieces generally function as didactic tokens of a larger spiritual agenda, such as a set of wooden boxes in which people may store their thoughts. With a wealth of reproductions (120 in color), this volume offers a concise overview of Beuys’ politicization of aesthetics and the distribution of art.
Joseph Beuys: every man Is an artist
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Every Man Is an Artist investigates Joseph Beuys’ (1921–1986) voluminous output of multiples. For Beuys, multiples were a vehicle for communication, discussion and debate--a means for disseminating his philosophy beyond a collector audience and putting broader progressive ideas into circulation. While other artists focused on creating games or do-it-yourself performances, Beuys’ pieces generally function as didactic tokens of a larger spiritual agenda, such as a set of wooden boxes in which people may store their thoughts. With a wealth of reproductions (120 in color), this volume offers a concise overview of Beuys’ politicization of aesthetics and the distribution of art.
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livres
livres
Publication:
janvier 2013
janvier 2013
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livres
livres
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$40.00
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Since 2004, Open has conducted an interdisciplinary investigation into the changing conditions of public space, fostering new ideas about the public sphere and focusing on the impact of current processes of privatization, mediatization and globalization on society and cultural production. This volume collects key texts from Open, published between 2004 and 2012.
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Since 2004, Open has conducted an interdisciplinary investigation into the changing conditions of public space, fostering new ideas about the public sphere and focusing on the impact of current processes of privatization, mediatization and globalization on society and cultural production. This volume collects key texts from Open, published between 2004 and 2012.
Titre:
Open! Key texts 2004-2012 : art culture & the public domain
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$40.00
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Since 2004, Open has conducted an interdisciplinary investigation into the changing conditions of public space, fostering new ideas about the public sphere and focusing on the impact of current processes of privatization, mediatization and globalization on society and cultural production. This volume collects key texts from Open, published between 2004 and 2012.
Open! Key texts 2004-2012 : art culture & the public domain
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$40.00
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Résumé:
Since 2004, Open has conducted an interdisciplinary investigation into the changing conditions of public space, fostering new ideas about the public sphere and focusing on the impact of current processes of privatization, mediatization and globalization on society and cultural production. This volume collects key texts from Open, published between 2004 and 2012.
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livres
livres
Publication:
février 2013
février 2013
Sujet:
Revues
Revues
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livres
livres
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Subsidy
Subsidy
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Résumé:
Subsidy is the title of an intervention and three week displacement enacted by the artist during his year-long residency at the Künstlerhaus Bethanien in Berlin. The artist used the complete funds allotted for his exhibition budget (€3.000) to compensate the normally unpaid interns who work in the KB offices. The artist compensated the interns whose time coincided with(...)
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Subsidy is the title of an intervention and three week displacement enacted by the artist during his year-long residency at the Künstlerhaus Bethanien in Berlin. The artist used the complete funds allotted for his exhibition budget (€3.000) to compensate the normally unpaid interns who work in the KB offices. The artist compensated the interns whose time coincided with(...)
Titre:
Subsidy
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$20.00
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Résumé:
Subsidy is the title of an intervention and three week displacement enacted by the artist during his year-long residency at the Künstlerhaus Bethanien in Berlin. The artist used the complete funds allotted for his exhibition budget (€3.000) to compensate the normally unpaid interns who work in the KB offices. The artist compensated the interns whose time coincided with his year in residence. A total of seven interns were paid for their work in the KB office.
Subsidy
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$20.00
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Résumé:
Subsidy is the title of an intervention and three week displacement enacted by the artist during his year-long residency at the Künstlerhaus Bethanien in Berlin. The artist used the complete funds allotted for his exhibition budget (€3.000) to compensate the normally unpaid interns who work in the KB offices. The artist compensated the interns whose time coincided with his year in residence. A total of seven interns were paid for their work in the KB office.
Classification:
livres
livres
Publication:
février 2016
février 2016
Sujet:
Art canadien
Art canadien
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livres
livres
Titre:
Rob Voerman: Aftermath
Rob Voerman: Aftermath
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$48.00
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Over the last decade, Dutch artist Rob Voerman has crafted architectural fictions, in which the romanticism of DIY culture opposes the political rhetoric of threat and fear. Working with basic materials such as cardboard, salvaged wood and found objects, Voerman draws on a variety of histories ranging from utopian hippy communities to remote terrorist hideouts to Art-Deco glasswork.
$48.00
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Résumé:
Over the last decade, Dutch artist Rob Voerman has crafted architectural fictions, in which the romanticism of DIY culture opposes the political rhetoric of threat and fear. Working with basic materials such as cardboard, salvaged wood and found objects, Voerman draws on a variety of histories ranging from utopian hippy communities to remote terrorist hideouts to Art-Deco glasswork.
Titre:
Rob Voerman: Aftermath
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$48.00
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Résumé:
Over the last decade, Dutch artist Rob Voerman has crafted architectural fictions, in which the romanticism of DIY culture opposes the political rhetoric of threat and fear. Working with basic materials such as cardboard, salvaged wood and found objects, Voerman draws on a variety of histories ranging from utopian hippy communities to remote terrorist hideouts to Art-Deco glasswork.
Rob Voerman: Aftermath
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$48.00
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Résumé:
Over the last decade, Dutch artist Rob Voerman has crafted architectural fictions, in which the romanticism of DIY culture opposes the political rhetoric of threat and fear. Working with basic materials such as cardboard, salvaged wood and found objects, Voerman draws on a variety of histories ranging from utopian hippy communities to remote terrorist hideouts to Art-Deco glasswork.
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livres
livres
Publication:
juillet 2010
juillet 2010
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livres
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Description:
270 pages : illustrations (chiefly color), plans ; 31 cm
Description:
270 pages : illustrations (chiefly color), plans ; 31 cm
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New York : Museum of Modern Art, ©2012.
New York : Museum of Modern Art, ©2012.
Titre:
Henri Labrouste : structure brought to light / Corinne Bélier, Barry Bergdoll, and Marc Le Cœur ; with essays by Martin Bressani [and others].
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270 pages : illustrations (chiefly color), plans ; 31 cm
Henri Labrouste : structure brought to light / Corinne Bélier, Barry Bergdoll, and Marc Le Cœur ; with essays by Martin Bressani [and others].
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Description:
270 pages : illustrations (chiefly color), plans ; 31 cm
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livres
livres
Publication:
New York : Museum of Modern Art, ©2012.
New York : Museum of Modern Art, ©2012.
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livres
livres
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$25.00
(disponible en magasin)
Résumé:
En résonance à « Ultra Vide », l’exposition inaugurale de la Fonderie Darling en 2002 qui redonnait un nouveau souffle à l’ancien site industriel tout en adressant un hommage à l’espace monumental de la grande salle, « Buveurs de Quintessences » explore le thème du vide en art sous un nouvel angle. Alors que la première exposition présentait une distribution dans l’espace(...)
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Résumé:
En résonance à « Ultra Vide », l’exposition inaugurale de la Fonderie Darling en 2002 qui redonnait un nouveau souffle à l’ancien site industriel tout en adressant un hommage à l’espace monumental de la grande salle, « Buveurs de Quintessences » explore le thème du vide en art sous un nouvel angle. Alors que la première exposition présentait une distribution dans l’espace(...)
Titre:
Buveurs de quintessences/ Drinkers of quintessences
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$25.00
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Résumé:
En résonance à « Ultra Vide », l’exposition inaugurale de la Fonderie Darling en 2002 qui redonnait un nouveau souffle à l’ancien site industriel tout en adressant un hommage à l’espace monumental de la grande salle, « Buveurs de Quintessences » explore le thème du vide en art sous un nouvel angle. Alors que la première exposition présentait une distribution dans l’espace des différents éléments de manière radicale – le feu, le bois, l’eau, l’air, la terre – la seconde cherche aujourd’hui à mettre en valeur la proposition dialectique des œuvres, en insistant sur leur contenu critique tout autant que spirituel.
Buveurs de quintessences/ Drinkers of quintessences
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$25.00
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Résumé:
En résonance à « Ultra Vide », l’exposition inaugurale de la Fonderie Darling en 2002 qui redonnait un nouveau souffle à l’ancien site industriel tout en adressant un hommage à l’espace monumental de la grande salle, « Buveurs de Quintessences » explore le thème du vide en art sous un nouvel angle. Alors que la première exposition présentait une distribution dans l’espace des différents éléments de manière radicale – le feu, le bois, l’eau, l’air, la terre – la seconde cherche aujourd’hui à mettre en valeur la proposition dialectique des œuvres, en insistant sur leur contenu critique tout autant que spirituel.
Classification:
livres
livres
Publication:
janvier 2019
janvier 2019
