Que faire pour appuyer les expériences autochtones de l’environnement bâti? Joignez-vous à l’architecte du paysage Naomi Ratte et à l’architecte Jason Surkan pour en apprendre plus sur les projets qu’ils élaborent en tant que premiers boursiers en design autochtone au CCA. Durant la semaine du 20 février, Naomi et Jason échangeront avec le personnel du CCA afin de créer(...)
Maison Shaughnessy et en ligne Mot(s)-clé(s):
Design mené par des Autochtones, boursier, Première Nation Peguis, réhabilitation des terres, habitat historique métis
23 février 2023, 18h à 19h30
Design autochtone : méthodes, pratiques, communautés, expériences
Actions:
Description:
Que faire pour appuyer les expériences autochtones de l’environnement bâti? Joignez-vous à l’architecte du paysage Naomi Ratte et à l’architecte Jason Surkan pour en apprendre plus sur les projets qu’ils élaborent en tant que premiers boursiers en design autochtone au CCA. Durant la semaine du 20 février, Naomi et Jason échangeront avec le personnel du CCA afin de créer(...)
Maison Shaughnessy et en ligne Mot(s)-clé(s):
Design mené par des Autochtones, boursier, Première Nation Peguis, réhabilitation des terres, habitat historique métis
archives
Niveau de description archivistique:
Fonds
Fonds Ábalos & Herreros
AP164
Résumé:
The Ábalos&Herreros fonds documents the activities of the architectural firm Ábalos&Herreros, founded by architects Iñaki Ábalos and Juan Herreros. The archive primarily consists of drawings, photographic materials and textual documentation, and covers the existance of the firm from 1985 to 2008. The concentration of the firm's work was produced in the city of Madrid and the Community of Madrid where the firm maintained its head office. However, the archive also documents projects for other Spanish autonomous communities as well as for other countries such as Portugal, Germany, the United States, and Brazil.
1920-2009
Fonds Ábalos & Herreros
Actions:
AP164
Résumé:
The Ábalos&Herreros fonds documents the activities of the architectural firm Ábalos&Herreros, founded by architects Iñaki Ábalos and Juan Herreros. The archive primarily consists of drawings, photographic materials and textual documentation, and covers the existance of the firm from 1985 to 2008. The concentration of the firm's work was produced in the city of Madrid and the Community of Madrid where the firm maintained its head office. However, the archive also documents projects for other Spanish autonomous communities as well as for other countries such as Portugal, Germany, the United States, and Brazil.
archives
Niveau de description archivistique:
Fonds
1920-2009
archives
Niveau de description archivistique:
Fonds
Fonds Wells Coates
AP030
Résumé:
The Wells Coates Fonds, 1909-1986, documents the professional career and personal life of architect Wells Wintemute Coates. The fonds consists of the following materials: approximately 1,937 photographic materials, 530 drawings (including reprographic copies), 3 l.m. textual records, 200 slides, 37 books, 2 reels of 16mm film (400 feet Cine- Kodak Film), 2 medals, 1 box of buttons and 1 box of keys.
1909-1986
Fonds Wells Coates
Actions:
AP030
Résumé:
The Wells Coates Fonds, 1909-1986, documents the professional career and personal life of architect Wells Wintemute Coates. The fonds consists of the following materials: approximately 1,937 photographic materials, 530 drawings (including reprographic copies), 3 l.m. textual records, 200 slides, 37 books, 2 reels of 16mm film (400 feet Cine- Kodak Film), 2 medals, 1 box of buttons and 1 box of keys.
archives
Niveau de description archivistique:
Fonds
1909-1986
documents textuels
ARCH256703
Description:
general office files from Erickson/Massey office - tender/contract stage procedures, office furniture, office machines, planters, management contracts, newspaper clippings, Mid-Canada development fund, miscellaneous correspondence, construction consultants, conveyors, drape track valance, ecology newsletter, Dharam Kohli/ Erickson Massey agreement, E/M procedures - interiors, invitations, Architecture Canada Magazine, Architectural Institute of B.C. booklet, Art for Architecture, Artists, Building system information clearinghouse, consultants, school construction systems, S.E.F. school, topographics, universities, research material, project management, Erickson/Massey project status summaries, real estate, reference material, Erickson/Massey Vancouver correspondence.
1967, 1970-1972, 1975
General office files from Erickson/Massey office - tender/contract stage procedures
Actions:
ARCH256703
Description:
general office files from Erickson/Massey office - tender/contract stage procedures, office furniture, office machines, planters, management contracts, newspaper clippings, Mid-Canada development fund, miscellaneous correspondence, construction consultants, conveyors, drape track valance, ecology newsletter, Dharam Kohli/ Erickson Massey agreement, E/M procedures - interiors, invitations, Architecture Canada Magazine, Architectural Institute of B.C. booklet, Art for Architecture, Artists, Building system information clearinghouse, consultants, school construction systems, S.E.F. school, topographics, universities, research material, project management, Erickson/Massey project status summaries, real estate, reference material, Erickson/Massey Vancouver correspondence.
documents textuels
1967, 1970-1972, 1975
Projet
AP075.S1.1999.PR05
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the garden of Linda Yorke and Gordon Forbes in Vancouver, British Columbia. Oberlander worked on this project in the second half of the 1990s. She worked with architect André Rowland who was in charge of designing an addition to the residence designed in the late 1940s by Ned Pratt from architectural firm Sharp, Thompson, Berwick and & Pratt. The project consisted in redesigning the entire yard and adding a play area for children. Oberlander included terraces next to the addition to the house, planting beds and planters. The play area included a tower house accessible by a rope bridge, a two levels playhouse with wooden porch, a slide, a fireman pole and a ladder, and a small water canal with stone edges and activated by a hand pump. The project series contains landscape sketches, design development drawings, including a landscape concept plan, details, sections and elevations for play area and play structures, and building plans used as reference. The project is also documented through correspondence, including with clients, suppliers and consultants, concept notes by Oberlander, plant lists, financial material, research material, and photographs of the landscaping. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
1947-2006
Yorke-Forbes Residence, Vancouver, British Columbia (1999)
Actions:
AP075.S1.1999.PR05
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the garden of Linda Yorke and Gordon Forbes in Vancouver, British Columbia. Oberlander worked on this project in the second half of the 1990s. She worked with architect André Rowland who was in charge of designing an addition to the residence designed in the late 1940s by Ned Pratt from architectural firm Sharp, Thompson, Berwick and & Pratt. The project consisted in redesigning the entire yard and adding a play area for children. Oberlander included terraces next to the addition to the house, planting beds and planters. The play area included a tower house accessible by a rope bridge, a two levels playhouse with wooden porch, a slide, a fireman pole and a ladder, and a small water canal with stone edges and activated by a hand pump. The project series contains landscape sketches, design development drawings, including a landscape concept plan, details, sections and elevations for play area and play structures, and building plans used as reference. The project is also documented through correspondence, including with clients, suppliers and consultants, concept notes by Oberlander, plant lists, financial material, research material, and photographs of the landscaping. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
Project
1947-2006
documents textuels
ARCH153469
Description:
Bill from Bonnie Thayer, May 18 1973 Final Report to the NYS Council on the Arts, 1972-1973 Memo of Peter Wolf on New Project Finance Structure, 11 May 1973 Job applications of Louis Lister & Mary Turner, January 1973 PDE's letter to Suzanne Frank announcing her election to the position of Research Associate at the Institute Balance Sheet, April 30 1973 Proposal for Project Development to Manhattan Community Board, by Peter Wolf, 18 April 1973 PDE letter to Arthur Drexler concerning IAUS's debt to the MoMA surrounding LRHD Housing exhibition, December 18 1973
1973
Bill, report, memo, job applications, letter, balance sheet, proposal
Actions:
ARCH153469
Description:
Bill from Bonnie Thayer, May 18 1973 Final Report to the NYS Council on the Arts, 1972-1973 Memo of Peter Wolf on New Project Finance Structure, 11 May 1973 Job applications of Louis Lister & Mary Turner, January 1973 PDE's letter to Suzanne Frank announcing her election to the position of Research Associate at the Institute Balance Sheet, April 30 1973 Proposal for Project Development to Manhattan Community Board, by Peter Wolf, 18 April 1973 PDE letter to Arthur Drexler concerning IAUS's debt to the MoMA surrounding LRHD Housing exhibition, December 18 1973
documents textuels
1973
Projet
AP046.S1.1983.PR02
Description:
This project documents Rose’s involvement with the design phase of the Old Port of Montreal Master Plan, Montréal, Québec and consists mainly of sketches, studies and presentation drawings for the redevelopment project with very few as built or architectural plans. The project materials reflect a Romantic design aesthetic and landscape development through numerous architectural design drawings for public amenities such as park benches, pedestrian walkways, various lighting sources, pavilions and fountains. This project also includes some of Rose’s submissions to the Faubourg Quebec development project which ran concurrent with the Old Port project. For the redevelopment of the Old Port of Montréal, Master Plan, Rose worked with the following firms: Cardinal Hardy e Associes, Chan Krieger & Associates, and Jodoin Lamarre Pratt. Rose was awarded a Progressive Architecture Urban Design Award (1992) and a Prix d’excellence for Urban Design from the Ordre des architectes du Québec (1993) for the realization of this urban project. The textual records in this project include budgets, correspondence, consultation documents, and intra office communiques as well as extensive research material on the history of the Old Port of Montreal including reproductions of historical photographs. The photographs in this project largely reflect the condition of the Old Port and Rue de la Commune prior to redevelopment and were used for reference and in presentation materials.
1983-1992
Old Port of Montreal Master Plan, Montréal, Québec
Actions:
AP046.S1.1983.PR02
Description:
This project documents Rose’s involvement with the design phase of the Old Port of Montreal Master Plan, Montréal, Québec and consists mainly of sketches, studies and presentation drawings for the redevelopment project with very few as built or architectural plans. The project materials reflect a Romantic design aesthetic and landscape development through numerous architectural design drawings for public amenities such as park benches, pedestrian walkways, various lighting sources, pavilions and fountains. This project also includes some of Rose’s submissions to the Faubourg Quebec development project which ran concurrent with the Old Port project. For the redevelopment of the Old Port of Montréal, Master Plan, Rose worked with the following firms: Cardinal Hardy e Associes, Chan Krieger & Associates, and Jodoin Lamarre Pratt. Rose was awarded a Progressive Architecture Urban Design Award (1992) and a Prix d’excellence for Urban Design from the Ordre des architectes du Québec (1993) for the realization of this urban project. The textual records in this project include budgets, correspondence, consultation documents, and intra office communiques as well as extensive research material on the history of the Old Port of Montreal including reproductions of historical photographs. The photographs in this project largely reflect the condition of the Old Port and Rue de la Commune prior to redevelopment and were used for reference and in presentation materials.
Project
1983-1992
dessins
AP075.S3.SS2.089
Description:
Proof version of promotional panels of some of Cornelia Hahn Oberlander's project possibly for an exhibition. Shows proof version of panels about National Gallery of Canada, Ottawa, Ontario, Canada (1983-1990), Canadian Chancery, Washington D.C, United States (1983-1990), Museum of Anthropology, University of British Columbia, Vancouver, British Columbia, Canada (1975-1977), C. K. Choi Institute of Asian Research, University of British Columbia, Vancouver, British Columbia, Canada (1993-1996), Library Square, Vancouver, British Columbia, Canada (1992-1995, and Landscape Master Plan, Smith College, Northampton, Maine, United States (1995-1997).
2003
Proofs for promotional panels of Cornelia Hahn Oberlander's projects
Actions:
AP075.S3.SS2.089
Description:
Proof version of promotional panels of some of Cornelia Hahn Oberlander's project possibly for an exhibition. Shows proof version of panels about National Gallery of Canada, Ottawa, Ontario, Canada (1983-1990), Canadian Chancery, Washington D.C, United States (1983-1990), Museum of Anthropology, University of British Columbia, Vancouver, British Columbia, Canada (1975-1977), C. K. Choi Institute of Asian Research, University of British Columbia, Vancouver, British Columbia, Canada (1993-1996), Library Square, Vancouver, British Columbia, Canada (1992-1995, and Landscape Master Plan, Smith College, Northampton, Maine, United States (1995-1997).
dessins
2003
Outils d’aujourd’hui 2025 explore la façon dont les optiques computationnelles sont des systèmes de perception alimentés par des logiciels. Le séminaire est organisé en collaboration avec Simone Niquille, designer, chercheur.e et artiste des nouveaux médias.
14 juillet 2025 au 18 juillet 2025
Outils d’aujourd’hui : la computation est la nouvelle optique
Actions:
Description:
Outils d’aujourd’hui 2025 explore la façon dont les optiques computationnelles sont des systèmes de perception alimentés par des logiciels. Le séminaire est organisé en collaboration avec Simone Niquille, designer, chercheur.e et artiste des nouveaux médias.
archives
Niveau de description archivistique:
Fonds
Fonds Álvaro Siza
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
1958-2002
Fonds Álvaro Siza
Actions:
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
archives
Niveau de description archivistique:
Fonds
1958-2002