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Alongside building an architecture that is iconic, Spanish architect Campo Baeza also creates rational buildings that enter into a dialogue with the place and its surroundings in order to, as he suggests ‘make men happy’. This well-designed survey of the architect’s works features a total of 23 works and projects, realised between 1980 and 2009 and accompanied by colour(...)
Alberto Campo Baeza: idea, light and gravity
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Alongside building an architecture that is iconic, Spanish architect Campo Baeza also creates rational buildings that enter into a dialogue with the place and its surroundings in order to, as he suggests ‘make men happy’. This well-designed survey of the architect’s works features a total of 23 works and projects, realised between 1980 and 2009 and accompanied by colour photographs, plans, elevations and models, along with introductory comments by the architect. Featured are such projects as: the Gaspar House; De Blas House, Caja General Bank Headquarters; the Benetton Nursery; Olnick Spanu House; and, Andalucia’s Museum of Memory. Included also in the second half of the publication is a sizeable essay by Campo Baeza himself, entitled “The Built Idea/ On Architecture” in which various ideas and themes are explored, such as the use of the colour white and the role of light in architecture, and, the foundations and future of architecture.
Architecture, monographies
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Russian-German architect Sergei Tchoban (born 1962) is well-known for his virtuoso skills as a draftsman; for over 30 years he has also been a passionate collector of architectural drawings. This publication unites Tchoban's own drawings--which range from perspectival-illusionist representations of his hometown of St. Petersburg to travel impressions, fantasies and(...)
Sergei Tchoban: Architectural works
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Russian-German architect Sergei Tchoban (born 1962) is well-known for his virtuoso skills as a draftsman; for over 30 years he has also been a passionate collector of architectural drawings. This publication unites Tchoban's own drawings--which range from perspectival-illusionist representations of his hometown of St. Petersburg to travel impressions, fantasies and visionary architectural studies--with highlights from his collection of works by European architects and painters dating from the seventeenth century, including Ferdinando Galli Bibiena (1656-1743), Filippo Juvara (1678-1736) and Jacques-Louis David (1748-1825). Focusing on motifs of ancient, classicist and Baroque architecture, these works establish a fruitful dialogue with Tchoban's correspondingly broad production. Through these extraordinary examples of paper architecture--a fascinating but somewhat neglected critical genre--this book underscores the endless possibilities for expression in the medium and promises to delight any reader interested in architecture or the graphic arts.
Architecture, monographies
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Spanning 1989 to 2009, this anthology collects the influential writings of American artist, musician and critic John Miller (born 1954), which have been lauded by Bruce Hainley in Artforum as “a pungent intervention into the ideologies of beauty, representation and looking.” Ranging from reviews and cultural essays to theory and artist's statements, Miller's writings(...)
The ruin of exchange and other writings on art
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Spanning 1989 to 2009, this anthology collects the influential writings of American artist, musician and critic John Miller (born 1954), which have been lauded by Bruce Hainley in Artforum as “a pungent intervention into the ideologies of beauty, representation and looking.” Ranging from reviews and cultural essays to theory and artist's statements, Miller's writings distinguish themselves from other styles of art criticism insofar as they relate to his larger artistic concerns with the social context of the art object and its sociopolitical ramifications as a commodity (as the title of this volume implies); they are also deeply informed by Miller's vast knowledge of art history and popular culture. More recently, Miller has entered into close dialogue with Dan Graham, Bob Nickas and Nicolas Guagnini. Many of the essays collected here - such as his contributions to the German magazine Texte zur Kunst - appear in English for the first time.
Théorie de l’art
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A collaboration between artist Sophie Warren, architect Jonathan Mosley and writer Robin Wilson, Beyond Utopia looks at the practicalities of utopian thinking in urban planning and administrative culture. Submitting a utopian architectural proposal for a real site in London to city officials, the trio enacted a form of playful provocation as a basis for exploring the(...)
Théorie de l’art
octobre 2011
Surface tension supplement no.5 : Beyond utopia
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A collaboration between artist Sophie Warren, architect Jonathan Mosley and writer Robin Wilson, Beyond Utopia looks at the practicalities of utopian thinking in urban planning and administrative culture. Submitting a utopian architectural proposal for a real site in London to city officials, the trio enacted a form of playful provocation as a basis for exploring the systems and languages of planning, architecture and city development. Though fictive, the utopian proposal gained credence as it was discussed and shared among planning officials and reviewers, ultimately becoming a springboard for dialogue about possibilities and even actualities in the sphere of public space. Centered on a screenplay for an unrealized film, which restages the process and exchanges of the original proposal, Surface Tension Supplement No. 5 also includes texts and projects by leading theorists, artists and academics who debate the roles of spatial practice and politics today.
Théorie de l’art
Urban interventions
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A three-year enterprise is charted in this volume that chronicles the editors’ survey of their architectural colleagues, which asked them to identify problems in their cities and seek solutions for them. This series of projects received considerable public attention and media and the study digs deeper, exploring new possibilities for dialogue regarding public space that(...)
Urban interventions
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A three-year enterprise is charted in this volume that chronicles the editors’ survey of their architectural colleagues, which asked them to identify problems in their cities and seek solutions for them. This series of projects received considerable public attention and media and the study digs deeper, exploring new possibilities for dialogue regarding public space that exists between the triumvirate of architects, municipal officials, and the general public. The collected interviews focus mainly on exhibitions in major cities such as Bratislava in Slovakia or Prague and Brno in the Czech Republic, as well as blogs and presentations surrounding individual projects. Illustrating these projects as processes that can bring about significant progress in the field, this discussion divides its content between the texts of the featured architects and the details of the 60 projects in question. This edition is written in both English and Slovak.
Théorie de l’urbanisme
livres
Description:
237 pages ; 21 cm.
London : Whitechapel Gallery ; Cambridge, MA : The MIT Press, [2016]
livres
London : Whitechapel Gallery ; Cambridge, MA : The MIT Press, [2016]
And if I devoted my life to one of its feathers? Aesthetic responses to extraction, accumulation
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“And if I devoted my life to one of its feathers?” wrote the Chilean poet, artist, and feminist activist Cecilia Vicuña in the early 1970s. Vicuña countered anthropocentric and hetero-patriarchal urges with healing and appreciation, reviving the aesthetic and spiritual bonds between human and more-than-human entities and worlds. Revolving around this vision of(...)
And if I devoted my life to one of its feathers? Aesthetic responses to extraction, accumulation
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“And if I devoted my life to one of its feathers?” wrote the Chilean poet, artist, and feminist activist Cecilia Vicuña in the early 1970s. Vicuña countered anthropocentric and hetero-patriarchal urges with healing and appreciation, reviving the aesthetic and spiritual bonds between human and more-than-human entities and worlds. Revolving around this vision of interconnectivity, this book, which accompanies a joint exhibition of the same name of Kunsthalle Wien and Wiener Festwochen, seeks to create a collective dialogue around unequal distribution of power, sovereignty, and social and ecological justice. The exhibited works and written contributions reflect on the rationale of exploitation, the fast-paced mining of raw materials, and environmental destruction as a colonial legacy. They deconstruct Western anthropocentric models and enduring colonial and racist discourses, trace the stories of indigenous struggles for collective survival, and celebrate encounters defined by solidarity in their resistance to capitalist extraction, misogyny, imperialist violence, and dispossession.
Théorie de l’art
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In the twenty-first century, commerce and culture are ever more closely entwined. This new collection of essays by design critic Rick Poynor takes a searching look at visual culture to discover the reality beneath the ultra-seductive surfaces. Poynor explores the thinking behind the emerging resistance to commercial rhetoric among designers, and offers critical insights(...)
Obey the giant : life in the image world
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In the twenty-first century, commerce and culture are ever more closely entwined. This new collection of essays by design critic Rick Poynor takes a searching look at visual culture to discover the reality beneath the ultra-seductive surfaces. Poynor explores the thinking behind the emerging resistance to commercial rhetoric among designers, and offers critical insights into the changing dialogue between advertising and design. Other essays address the topics of visual journalism; brands as religion; the new solipsism; graphic memes; the pleasures of imperfect design; and the poverty of “cool”. Around the world, many are now waking up to the dominance of huge corporations – invariably expressed by visual means. This pointed and provocative counterblast arrives at a moment when critical responses are vital if this mono-culture is to be challenged. It offers inspirational evidence of alternative ways of engaging with design, and it will appeal to any reader with a questioning interest in design, advertising, cultural studies, media studies, and the visual arts.
Théorie du design
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L'un écrit, l'autre bâtit. Ils se connaissent depuis vingt ans et parlent ensemble de leurs passions communes : la poésie, l'architecture. C'est l'événement du 11 Septembre qui ouvre ce dialogue sur cette interrogation béante face à laquelle cela nous a laissé : à quelle destruction avons nous assisté ce jour-là ? Est-ce la fin d'un monde, et de quel monde ? L'un(...)
Théorie de l’architecture
novembre 2005, Paris
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L'un écrit, l'autre bâtit. Ils se connaissent depuis vingt ans et parlent ensemble de leurs passions communes : la poésie, l'architecture. C'est l'événement du 11 Septembre qui ouvre ce dialogue sur cette interrogation béante face à laquelle cela nous a laissé : à quelle destruction avons nous assisté ce jour-là ? Est-ce la fin d'un monde, et de quel monde ? L'un propose, l'autre répond, le premier reprend, le second argumente. Peut-on penser sans le langage ? Pourquoi, comment a-t-on inventé la rue ? le café ? la place ? Comment Apollinaire et Picasso se sont-ils rencontrés ? Qu'est-ce qu'un rêve prémonitoire pour un écrivain ? pour un architecte ? La musique est-elle de même essence que l'architecture ? C'est Hélène Bleskine qui a pensé, originellement, à cette rencontre, et son introduction permet aussi de comprendre pourquoi ces deux-là devaient nécessairement se rencontrer, et pourquoi Philippe Sollers et Christian de Portzamparc, qu'ils évoquent la Chine ou les tours de New York ont en commun plus qu'une langue... un espace poétique.
Théorie de l’architecture
Friedlander
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Lee Friedlander is one of the most important of the 1960s generation of photographers for whom the posture of disinterested objectivity served as a vehicle for passionate personal inquiries. His large body of work - he most often produces extended series of pictures on a chosen theme, then publishes them in book form - is broad in subject matter and supple and complex in(...)
Friedlander
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Lee Friedlander is one of the most important of the 1960s generation of photographers for whom the posture of disinterested objectivity served as a vehicle for passionate personal inquiries. His large body of work - he most often produces extended series of pictures on a chosen theme, then publishes them in book form - is broad in subject matter and supple and complex in style, and focuses on what he calls America's "social landscape". At the same time, he has pursued a playful dialogue with artistic tradition - as though open-eyed curiosity about the world and a sophisticated taste for the wiles of picture-making were one and the same thing. "Friedlander" takes a deep critical look at Friedlander's abundantly productive career. Including over 500 photographs grouped by series, and an incisive essay by Peter Galassi, Chief Curator of Photography at The Museum of Modern Art, this oversized publication is the most comprehensive review of the photographer's career to date.
Monographies photo