1820 Résultats
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xvi, 430 pages : illustrations (some color) ; 26 cm
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xvi, 430 pages : illustrations (some color) ; 26 cm
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Cambridge, UK ; New York, NY, USA : Cambridge University Press, 2005.
Cambridge, UK ; New York, NY, USA : Cambridge University Press, 2005.
Titre:
The Parthenon : from antiquity to the present / edited by Jenifer Neils.
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xvi, 430 pages : illustrations (some color) ; 26 cm
The Parthenon : from antiquity to the present / edited by Jenifer Neils.
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xvi, 430 pages : illustrations (some color) ; 26 cm
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livres
livres
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Cambridge, UK ; New York, NY, USA : Cambridge University Press, 2005.
Cambridge, UK ; New York, NY, USA : Cambridge University Press, 2005.
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livres
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126 pages : illustrations, facsimiles ; 25 cm
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126 pages : illustrations, facsimiles ; 25 cm
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Marseille : Parenthèses, [2024], ©2024
Marseille : Parenthèses, [2024], ©2024
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Comment devient-on architecte? / Paul Chemetov ; avant-propos de Frédéric Lenne ; préface de Jean-Louis Cohen.
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126 pages : illustrations, facsimiles ; 25 cm
Comment devient-on architecte? / Paul Chemetov ; avant-propos de Frédéric Lenne ; préface de Jean-Louis Cohen.
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126 pages : illustrations, facsimiles ; 25 cm
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livres
livres
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Marseille : Parenthèses, [2024], ©2024
Marseille : Parenthèses, [2024], ©2024
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livres
livres
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$87.00
(disponible sur commande)
Résumé:
Swiss artist Sophie Taeuber-Arp (1889–1943) ranks among the pioneers of the early twentieth century’s classical avant-garde. Accompanying a retrospective exhibition at Aargauer Kunsthaus in Switzerland and Kunsthalle Bielefeld in Germany, this book shows the entire range of Taeuber-Arp’s creativity and her mastery of material, shape, and color, as well as her(...)
$87.00
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Swiss artist Sophie Taeuber-Arp (1889–1943) ranks among the pioneers of the early twentieth century’s classical avant-garde. Accompanying a retrospective exhibition at Aargauer Kunsthaus in Switzerland and Kunsthalle Bielefeld in Germany, this book shows the entire range of Taeuber-Arp’s creativity and her mastery of material, shape, and color, as well as her(...)
Titre:
Sophie Taeuber-Arp: today is tomorrow
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$87.00
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Swiss artist Sophie Taeuber-Arp (1889–1943) ranks among the pioneers of the early twentieth century’s classical avant-garde. Accompanying a retrospective exhibition at Aargauer Kunsthaus in Switzerland and Kunsthalle Bielefeld in Germany, this book shows the entire range of Taeuber-Arp’s creativity and her mastery of material, shape, and color, as well as her inventiveness and interdisciplinary thinking and approach. It features an abundance of works drawn from private collections that have either not yet been shown to the public or not displayed for many years, and the accompanying essays from leading scholars treat Taeuber-Arp’s work in both the fine and applied art in equal measure.
Sophie Taeuber-Arp: today is tomorrow
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$87.00
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Swiss artist Sophie Taeuber-Arp (1889–1943) ranks among the pioneers of the early twentieth century’s classical avant-garde. Accompanying a retrospective exhibition at Aargauer Kunsthaus in Switzerland and Kunsthalle Bielefeld in Germany, this book shows the entire range of Taeuber-Arp’s creativity and her mastery of material, shape, and color, as well as her inventiveness and interdisciplinary thinking and approach. It features an abundance of works drawn from private collections that have either not yet been shown to the public or not displayed for many years, and the accompanying essays from leading scholars treat Taeuber-Arp’s work in both the fine and applied art in equal measure.
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livres
livres
Publication:
novembre 2014
novembre 2014
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livres
livres
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Daniel Spoerri : eaten by
Daniel Spoerri : eaten by
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$59.00
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Daniel Spoerri was a co-signatory of the Nouveau Réalisme manifesto in 1960, an early member of Fluxus and the author of the classic "Anecdoted Topography of Chance", which recorded and annotated the contents of Spoerri's desk. In 1968 Spoerri also opened Restaurant Spoerri, introducing his concept of "Eat Art," which he had initiated a decade earlier, and which explored(...)
$59.00
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Daniel Spoerri was a co-signatory of the Nouveau Réalisme manifesto in 1960, an early member of Fluxus and the author of the classic "Anecdoted Topography of Chance", which recorded and annotated the contents of Spoerri's desk. In 1968 Spoerri also opened Restaurant Spoerri, introducing his concept of "Eat Art," which he had initiated a decade earlier, and which explored(...)
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Daniel Spoerri : eaten by
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$59.00
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Daniel Spoerri was a co-signatory of the Nouveau Réalisme manifesto in 1960, an early member of Fluxus and the author of the classic "Anecdoted Topography of Chance", which recorded and annotated the contents of Spoerri's desk. In 1968 Spoerri also opened Restaurant Spoerri, introducing his concept of "Eat Art," which he had initiated a decade earlier, and which explored the creation, decay and "trapping" of food upon tables that were then recapitulated as assemblages. Marking the occasion of the artist's eightieth birthday, this publication approaches the theme of food throughout Spoerri's oeuvre, from the early 1960s to the present. It includes the artist's replica of the Restaurant Spoerri, a survey of Spoerri's trap pictures from 1978 to 1992, and a large number of more recent assemblages and sculptures, bringing his audience fully up to date.
Daniel Spoerri : eaten by
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$59.00
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Daniel Spoerri was a co-signatory of the Nouveau Réalisme manifesto in 1960, an early member of Fluxus and the author of the classic "Anecdoted Topography of Chance", which recorded and annotated the contents of Spoerri's desk. In 1968 Spoerri also opened Restaurant Spoerri, introducing his concept of "Eat Art," which he had initiated a decade earlier, and which explored the creation, decay and "trapping" of food upon tables that were then recapitulated as assemblages. Marking the occasion of the artist's eightieth birthday, this publication approaches the theme of food throughout Spoerri's oeuvre, from the early 1960s to the present. It includes the artist's replica of the Restaurant Spoerri, a survey of Spoerri's trap pictures from 1978 to 1992, and a large number of more recent assemblages and sculptures, bringing his audience fully up to date.
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livres
livres
Publication:
août 2010
août 2010
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livres
livres
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$59.95
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The beauty of impermanence has many manifestations whether in the artistic, natural or spiritual realms. Each transitory piece elicits a precious response in the participant a heightened awareness of the senses occurs in order to capture impressions before it is too late. The design of exhibition and trade show stands exemplifies this temporary quality, providing(...)
$59.95
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The beauty of impermanence has many manifestations whether in the artistic, natural or spiritual realms. Each transitory piece elicits a precious response in the participant a heightened awareness of the senses occurs in order to capture impressions before it is too late. The design of exhibition and trade show stands exemplifies this temporary quality, providing(...)
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On show: temporary design for fairs, special events, and art exhibition
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$59.95
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The beauty of impermanence has many manifestations whether in the artistic, natural or spiritual realms. Each transitory piece elicits a precious response in the participant a heightened awareness of the senses occurs in order to capture impressions before it is too late. The design of exhibition and trade show stands exemplifies this temporary quality, providing intriguing displays that are at once eye catching, sophisticated and memorable. Whether controlled or interactive, the installations featured frequently make use of all surfaces from floor to ceiling to arrest ones attention and direct further explorations. Through the innovative use of lighting, multimedia displays and custom fixtures, a story is told, creating a unique experience for the visitor and a reference for future recommendations.
On show: temporary design for fairs, special events, and art exhibition
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$59.95
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The beauty of impermanence has many manifestations whether in the artistic, natural or spiritual realms. Each transitory piece elicits a precious response in the participant a heightened awareness of the senses occurs in order to capture impressions before it is too late. The design of exhibition and trade show stands exemplifies this temporary quality, providing intriguing displays that are at once eye catching, sophisticated and memorable. Whether controlled or interactive, the installations featured frequently make use of all surfaces from floor to ceiling to arrest ones attention and direct further explorations. Through the innovative use of lighting, multimedia displays and custom fixtures, a story is told, creating a unique experience for the visitor and a reference for future recommendations.
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livres
livres
Publication:
juillet 2012
juillet 2012
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Étalages
Étalages
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livres
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232 pages : illustrations (some color) ; 27 cm
Description:
232 pages : illustrations (some color) ; 27 cm
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New Haven : Yale University Press, ©1996.
New Haven : Yale University Press, ©1996.
Titre:
Ornament : a social history since 1450 / [Michael Snodin & Maurice Howard].
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232 pages : illustrations (some color) ; 27 cm
Ornament : a social history since 1450 / [Michael Snodin & Maurice Howard].
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232 pages : illustrations (some color) ; 27 cm
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livres
livres
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New Haven : Yale University Press, ©1996.
New Haven : Yale University Press, ©1996.
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Description:
xxviii, 186 pages : illustrations ; 24 cm
Description:
xxviii, 186 pages : illustrations ; 24 cm
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London ; New York : Routledge, 2017.
London ; New York : Routledge, 2017.
Titre:
House and home : cultural contexts, ontological roles / Thomas Barrie.
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xxviii, 186 pages : illustrations ; 24 cm
House and home : cultural contexts, ontological roles / Thomas Barrie.
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xxviii, 186 pages : illustrations ; 24 cm
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livres
livres
Publication:
London ; New York : Routledge, 2017.
London ; New York : Routledge, 2017.
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livres
livres
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$50.00
(disponible en magasin)
Résumé:
Pigeon languages our cities. When a speckled grey pigeon is trapped by artists and spray-painted in a miniature car wash, and released as an ultramarine green pigeon streaking through a public space, what happens to the "flying rat"? How do we really know we have seen what we think we have seen? How is our perception always trapped and released? "Some pigeons are more(...)
$50.00
(disponible en magasin)
Résumé:
Pigeon languages our cities. When a speckled grey pigeon is trapped by artists and spray-painted in a miniature car wash, and released as an ultramarine green pigeon streaking through a public space, what happens to the "flying rat"? How do we really know we have seen what we think we have seen? How is our perception always trapped and released? "Some pigeons are more(...)
Publication:
juillet 2015
juillet 2015
Titre:
Some pigeons are more equal than others
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$50.00
(disponible en magasin)
Résumé:
Pigeon languages our cities. When a speckled grey pigeon is trapped by artists and spray-painted in a miniature car wash, and released as an ultramarine green pigeon streaking through a public space, what happens to the "flying rat"? How do we really know we have seen what we think we have seen? How is our perception always trapped and released? "Some pigeons are more equal than others" began as an artwork by Julius von Bismarck and Julian Charrière and is now a book which treats the on-going art work as a place of contact with poets, philosophers, historians, architects, and other species. This book examines our relationship to the world and history in a non-human-centered way; an urban manifesto evolving ideas on the role of public domains and the encounter with contemporary art today. With contributions by Ben Marcus, CA Conrad, Craig Dworkin, Lyn Hejinian, Marjorie Welish, Juliana Spahr, Ian Bogost, David Graham Burnett, Claudia Roden, Olafur Eliasson, and others.
Some pigeons are more equal than others
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$50.00
(disponible en magasin)
Résumé:
Pigeon languages our cities. When a speckled grey pigeon is trapped by artists and spray-painted in a miniature car wash, and released as an ultramarine green pigeon streaking through a public space, what happens to the "flying rat"? How do we really know we have seen what we think we have seen? How is our perception always trapped and released? "Some pigeons are more equal than others" began as an artwork by Julius von Bismarck and Julian Charrière and is now a book which treats the on-going art work as a place of contact with poets, philosophers, historians, architects, and other species. This book examines our relationship to the world and history in a non-human-centered way; an urban manifesto evolving ideas on the role of public domains and the encounter with contemporary art today. With contributions by Ben Marcus, CA Conrad, Craig Dworkin, Lyn Hejinian, Marjorie Welish, Juliana Spahr, Ian Bogost, David Graham Burnett, Claudia Roden, Olafur Eliasson, and others.
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livres
livres
Publication:
juillet 2015
juillet 2015
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livres
livres
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$40.00
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Every Man Is an Artist investigates Joseph Beuys’ (1921–1986) voluminous output of multiples. For Beuys, multiples were a vehicle for communication, discussion and debate--a means for disseminating his philosophy beyond a collector audience and putting broader progressive ideas into circulation. While other artists focused on creating games or do-it-yourself performances,(...)
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Every Man Is an Artist investigates Joseph Beuys’ (1921–1986) voluminous output of multiples. For Beuys, multiples were a vehicle for communication, discussion and debate--a means for disseminating his philosophy beyond a collector audience and putting broader progressive ideas into circulation. While other artists focused on creating games or do-it-yourself performances,(...)
Titre:
Joseph Beuys: every man Is an artist
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Every Man Is an Artist investigates Joseph Beuys’ (1921–1986) voluminous output of multiples. For Beuys, multiples were a vehicle for communication, discussion and debate--a means for disseminating his philosophy beyond a collector audience and putting broader progressive ideas into circulation. While other artists focused on creating games or do-it-yourself performances, Beuys’ pieces generally function as didactic tokens of a larger spiritual agenda, such as a set of wooden boxes in which people may store their thoughts. With a wealth of reproductions (120 in color), this volume offers a concise overview of Beuys’ politicization of aesthetics and the distribution of art.
Joseph Beuys: every man Is an artist
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Every Man Is an Artist investigates Joseph Beuys’ (1921–1986) voluminous output of multiples. For Beuys, multiples were a vehicle for communication, discussion and debate--a means for disseminating his philosophy beyond a collector audience and putting broader progressive ideas into circulation. While other artists focused on creating games or do-it-yourself performances, Beuys’ pieces generally function as didactic tokens of a larger spiritual agenda, such as a set of wooden boxes in which people may store their thoughts. With a wealth of reproductions (120 in color), this volume offers a concise overview of Beuys’ politicization of aesthetics and the distribution of art.
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livres
livres
Publication:
janvier 2013
janvier 2013
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livres
livres
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$40.00
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Since 2004, Open has conducted an interdisciplinary investigation into the changing conditions of public space, fostering new ideas about the public sphere and focusing on the impact of current processes of privatization, mediatization and globalization on society and cultural production. This volume collects key texts from Open, published between 2004 and 2012.
$40.00
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Résumé:
Since 2004, Open has conducted an interdisciplinary investigation into the changing conditions of public space, fostering new ideas about the public sphere and focusing on the impact of current processes of privatization, mediatization and globalization on society and cultural production. This volume collects key texts from Open, published between 2004 and 2012.
Titre:
Open! Key texts 2004-2012 : art culture & the public domain
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$40.00
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Since 2004, Open has conducted an interdisciplinary investigation into the changing conditions of public space, fostering new ideas about the public sphere and focusing on the impact of current processes of privatization, mediatization and globalization on society and cultural production. This volume collects key texts from Open, published between 2004 and 2012.
Open! Key texts 2004-2012 : art culture & the public domain
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$40.00
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Since 2004, Open has conducted an interdisciplinary investigation into the changing conditions of public space, fostering new ideas about the public sphere and focusing on the impact of current processes of privatization, mediatization and globalization on society and cultural production. This volume collects key texts from Open, published between 2004 and 2012.
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livres
livres
Publication:
février 2013
février 2013
Sujet:
Revues
Revues
