1517 Résultats
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In the late 1970s Ellsworth Kelly (1923–2015) was commissioned by architecture firm Skidmore, Owings & Merrill to create an artwork for the lobby of a new office building underway in downtown Cincinnati, Ohio. Kelly responded with one of his most ambitious artworks to date, ''Color Panels for a Large Wall,'' an 18-panel painting executed in two versions. The larger, at(...)
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In the late 1970s Ellsworth Kelly (1923–2015) was commissioned by architecture firm Skidmore, Owings & Merrill to create an artwork for the lobby of a new office building underway in downtown Cincinnati, Ohio. Kelly responded with one of his most ambitious artworks to date, ''Color Panels for a Large Wall,'' an 18-panel painting executed in two versions. The larger, at(...)
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Ellsworth Kelly: Color panels for a large wall
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In the late 1970s Ellsworth Kelly (1923–2015) was commissioned by architecture firm Skidmore, Owings & Merrill to create an artwork for the lobby of a new office building underway in downtown Cincinnati, Ohio. Kelly responded with one of his most ambitious artworks to date, ''Color Panels for a Large Wall,'' an 18-panel painting executed in two versions. The larger, at over 125 feet wide, was the biggest painting he had ever made, and its trajectory would pass through not just Cincinnati but also Amsterdam, New York and Munich before ending up at its permanent home, the National Gallery of Art in Washington, DC, where it has been prominently installed in the I.M. Pei–designed East Building since 2004.The smaller version, over 30 feet wide, remained in the artist's possession. This catalog tells the complete story of these two remarkable paintings.
Ellsworth Kelly: Color panels for a large wall
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In the late 1970s Ellsworth Kelly (1923–2015) was commissioned by architecture firm Skidmore, Owings & Merrill to create an artwork for the lobby of a new office building underway in downtown Cincinnati, Ohio. Kelly responded with one of his most ambitious artworks to date, ''Color Panels for a Large Wall,'' an 18-panel painting executed in two versions. The larger, at over 125 feet wide, was the biggest painting he had ever made, and its trajectory would pass through not just Cincinnati but also Amsterdam, New York and Munich before ending up at its permanent home, the National Gallery of Art in Washington, DC, where it has been prominently installed in the I.M. Pei–designed East Building since 2004.The smaller version, over 30 feet wide, remained in the artist's possession. This catalog tells the complete story of these two remarkable paintings.
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livres
livres
Publication:
avril 2019
avril 2019
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livres
livres
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Architects on architects
Architects on architects
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Architects on Architects is a collection of essays and interviews rooted in one fascinating premise: What do the architects of today have to say about their predecessors? Based on a series of lectures organized by the Department of Architecture at the Technical University of Munich, this volume explores how architects from previous generations have influenced(...)
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Architects on Architects is a collection of essays and interviews rooted in one fascinating premise: What do the architects of today have to say about their predecessors? Based on a series of lectures organized by the Department of Architecture at the Technical University of Munich, this volume explores how architects from previous generations have influenced(...)
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Théorie de l’architecture
Théorie de l’architecture
Publication:
février 2020
février 2020
Titre:
Architects on architects
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Architects on Architects is a collection of essays and interviews rooted in one fascinating premise: What do the architects of today have to say about their predecessors? Based on a series of lectures organized by the Department of Architecture at the Technical University of Munich, this volume explores how architects from previous generations have influenced present-day professionals in the field. The essays touch on the relevance of historical concepts as they have been transmitted across generations and the ways in which today’s architects have used—and at times reshaped—those concepts to suit contemporary needs. The stimulating discussions involve, among others, Arno Lederer on Sigurd Lewerentz, Hans Kollhoff on Oswald Mathias Ungers, Tom Emerson on Ludwig Mies van der Rohe, Mario Botta on Louis I. Kahn and Carlo Scarpa, and Donatella Fioretti on Walter Gropius and László Maholy-Nagy.
Architects on architects
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Architects on Architects is a collection of essays and interviews rooted in one fascinating premise: What do the architects of today have to say about their predecessors? Based on a series of lectures organized by the Department of Architecture at the Technical University of Munich, this volume explores how architects from previous generations have influenced present-day professionals in the field. The essays touch on the relevance of historical concepts as they have been transmitted across generations and the ways in which today’s architects have used—and at times reshaped—those concepts to suit contemporary needs. The stimulating discussions involve, among others, Arno Lederer on Sigurd Lewerentz, Hans Kollhoff on Oswald Mathias Ungers, Tom Emerson on Ludwig Mies van der Rohe, Mario Botta on Louis I. Kahn and Carlo Scarpa, and Donatella Fioretti on Walter Gropius and László Maholy-Nagy.
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livres
livres
Publication:
février 2020
février 2020
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
Titre:
Best highrises 2010-11
Best highrises 2010-11
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Based on nominations worldwide, The International Highrise Award is bestowed every two years jointly on the developer and planner of a completed building. Finalists are chosen by an esteemed jury of architects, engineers and property specialists who judge on the basis of a building's special aesthetics, pioneering design, sustainability, cost efficiency, integration into(...)
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Based on nominations worldwide, The International Highrise Award is bestowed every two years jointly on the developer and planner of a completed building. Finalists are chosen by an esteemed jury of architects, engineers and property specialists who judge on the basis of a building's special aesthetics, pioneering design, sustainability, cost efficiency, integration into(...)
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Best highrises 2010-11
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Based on nominations worldwide, The International Highrise Award is bestowed every two years jointly on the developer and planner of a completed building. Finalists are chosen by an esteemed jury of architects, engineers and property specialists who judge on the basis of a building's special aesthetics, pioneering design, sustainability, cost efficiency, integration into its urban context and use of innovative technology. Presented by Deutsches Architekturmuseum and DekaBank Deutsche Girozentrale, the prestigious award consists of a monetary prize of 50,000 Euro and is accompanied by a certificate and a sculpture by renowned German artist Thomas Demand. This book presents the 27 nominated projects encompassing a range of uses in cities throughout the world: Bangkok, Barcelona, Brisbane, Cádiz, Chicago, Doha, Dubai, Frankfurt am Main, Hong Kong, London, Luxembourg City, Munich, New York, Osaka, Paris, Philadelphia, Rotterdam, Seoul, Shanghai, Tokyo and Winnipeg.
Best highrises 2010-11
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Based on nominations worldwide, The International Highrise Award is bestowed every two years jointly on the developer and planner of a completed building. Finalists are chosen by an esteemed jury of architects, engineers and property specialists who judge on the basis of a building's special aesthetics, pioneering design, sustainability, cost efficiency, integration into its urban context and use of innovative technology. Presented by Deutsches Architekturmuseum and DekaBank Deutsche Girozentrale, the prestigious award consists of a monetary prize of 50,000 Euro and is accompanied by a certificate and a sculpture by renowned German artist Thomas Demand. This book presents the 27 nominated projects encompassing a range of uses in cities throughout the world: Bangkok, Barcelona, Brisbane, Cádiz, Chicago, Doha, Dubai, Frankfurt am Main, Hong Kong, London, Luxembourg City, Munich, New York, Osaka, Paris, Philadelphia, Rotterdam, Seoul, Shanghai, Tokyo and Winnipeg.
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livres
livres
Publication:
mai 2011
mai 2011
Sujet:
Gratte-ciels
Gratte-ciels
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livres
livres
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Using a typological structure (landscape, park, square, garden, promenade, etc.), Günther Vogt describes the theoretical foundation on which the successful projects of Vogt Landscape Architects are based. In recent years the offi ce has realized international projects in Europe and the United States, including a new type of city park for the Tate Modern in London (with(...)
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Using a typological structure (landscape, park, square, garden, promenade, etc.), Günther Vogt describes the theoretical foundation on which the successful projects of Vogt Landscape Architects are based. In recent years the offi ce has realized international projects in Europe and the United States, including a new type of city park for the Tate Modern in London (with(...)
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Miniature and panorama : Vogt Landscape Architects, projects, 2000-12
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Using a typological structure (landscape, park, square, garden, promenade, etc.), Günther Vogt describes the theoretical foundation on which the successful projects of Vogt Landscape Architects are based. In recent years the offi ce has realized international projects in Europe and the United States, including a new type of city park for the Tate Modern in London (with Herzog & de Meuron); an “all-weather garden” with great poetic power at the Hyatt Hotel in Zürich (with Meili, Peter Architekten); an indoor tropical garden for the Novartis Campus in Basel (with Diener & Diener); and the exterior spaces of the Allianz Arena in Munich (with Herzog & de Meuron). This new and extended version of Miniature and Panorama also documents recent works, such as public realm and streetscape designs for the athletes’ village of the Olympic Games in London 2012
Miniature and panorama : Vogt Landscape Architects, projects, 2000-12
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Using a typological structure (landscape, park, square, garden, promenade, etc.), Günther Vogt describes the theoretical foundation on which the successful projects of Vogt Landscape Architects are based. In recent years the offi ce has realized international projects in Europe and the United States, including a new type of city park for the Tate Modern in London (with Herzog & de Meuron); an “all-weather garden” with great poetic power at the Hyatt Hotel in Zürich (with Meili, Peter Architekten); an indoor tropical garden for the Novartis Campus in Basel (with Diener & Diener); and the exterior spaces of the Allianz Arena in Munich (with Herzog & de Meuron). This new and extended version of Miniature and Panorama also documents recent works, such as public realm and streetscape designs for the athletes’ village of the Olympic Games in London 2012
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livres
livres
Publication:
avril 2011
avril 2011
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livres
livres
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German culture in the twentieth century moved quickly and intensely, bound up with the politics of the country. Paul Renner (1878—1956) lived and worked through constituent episodes of this history, both embodying the patterns of his times and providing a critical commentary on them. In this book(...)
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German culture in the twentieth century moved quickly and intensely, bound up with the politics of the country. Paul Renner (1878—1956) lived and worked through constituent episodes of this history, both embodying the patterns of his times and providing a critical commentary on them. In this book(...)
Publication:
janvier 1999, New York
janvier 1999, New York
Titre:
Paul Renner : the art of typography
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German culture in the twentieth century moved quickly and intensely, bound up with the politics of the country. Paul Renner (1878—1956) lived and worked through constituent episodes of this history, both embodying the patterns of his times and providing a critical commentary on them. In this book Christopher Burke provides the first extended account of an essential and still underrated figure. Beginning his career in the thick of the Munich cultural renaissance, Paul Renner worked as a ‘book artist’, applying values he had learnt as a painter to this everyday item of multiple production. An early and prominent member of the Deutscher Werkbund, he was committed to the values of quality in design, always tempered by a certain sobriety of attitude and style. In the 1920s Renner engaged with the radical modernism of that time, briefly in Frankfurt, and then in a more extended phase at the printing school at Munich. Under Renner’s leadership, and with teachers such as Georg Trump and Jan Tschichold, the school produced work of quiet significance. In those years Renner undertook the design of the now ubiquitous typeface Futura. Christopher Burke’s analysis of the design process reveals the characteristic Renner approach: he took up with current tendencies, but through an extended process of finely judged development, helped to deliver a product that has long-lasting quality. In the Nazi seizure of power of 1933, Renner was dismissed from his teaching post — in days recounted here in dramatic detail — and entered a state of ‘inner emigration’. Burke’s account of the Nazi years shows Renner negotiating events with dignity. After 1945, Renner lived in retirement, but entered public discussion of design issues as a voice of experience and sanity. "Paul Renner" is a work of discovery. As part of its fresh narrative and analysis, it includes much new illustrative material and the first full bibliography of Renner’s writings.
Paul Renner : the art of typography
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German culture in the twentieth century moved quickly and intensely, bound up with the politics of the country. Paul Renner (1878—1956) lived and worked through constituent episodes of this history, both embodying the patterns of his times and providing a critical commentary on them. In this book Christopher Burke provides the first extended account of an essential and still underrated figure. Beginning his career in the thick of the Munich cultural renaissance, Paul Renner worked as a ‘book artist’, applying values he had learnt as a painter to this everyday item of multiple production. An early and prominent member of the Deutscher Werkbund, he was committed to the values of quality in design, always tempered by a certain sobriety of attitude and style. In the 1920s Renner engaged with the radical modernism of that time, briefly in Frankfurt, and then in a more extended phase at the printing school at Munich. Under Renner’s leadership, and with teachers such as Georg Trump and Jan Tschichold, the school produced work of quiet significance. In those years Renner undertook the design of the now ubiquitous typeface Futura. Christopher Burke’s analysis of the design process reveals the characteristic Renner approach: he took up with current tendencies, but through an extended process of finely judged development, helped to deliver a product that has long-lasting quality. In the Nazi seizure of power of 1933, Renner was dismissed from his teaching post — in days recounted here in dramatic detail — and entered a state of ‘inner emigration’. Burke’s account of the Nazi years shows Renner negotiating events with dignity. After 1945, Renner lived in retirement, but entered public discussion of design issues as a voice of experience and sanity. "Paul Renner" is a work of discovery. As part of its fresh narrative and analysis, it includes much new illustrative material and the first full bibliography of Renner’s writings.
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livres
livres
Publication:
janvier 1999, New York
janvier 1999, New York
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livres
livres
Titre:
Street life & home stories
Street life & home stories
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Since she began collecting in the 1960s, Ingvild Goetz has been assembling one of the most impressive photography collections in Europe, now housed in an extraordinary museum building designed by architects Herzog & de Meuron. Goetz has consistently loaned works to promote a wider public reception. Published on the occasion of an exhibition at Villa Stuck in Munich,(...)
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Since she began collecting in the 1960s, Ingvild Goetz has been assembling one of the most impressive photography collections in Europe, now housed in an extraordinary museum building designed by architects Herzog & de Meuron. Goetz has consistently loaned works to promote a wider public reception. Published on the occasion of an exhibition at Villa Stuck in Munich,(...)
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Street life & home stories
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Since she began collecting in the 1960s, Ingvild Goetz has been assembling one of the most impressive photography collections in Europe, now housed in an extraordinary museum building designed by architects Herzog & de Meuron. Goetz has consistently loaned works to promote a wider public reception. Published on the occasion of an exhibition at Villa Stuck in Munich, "Street Life and Home Stories" features the work of 25 artists from the collection who transform city streets and domestic environments into staged scenarios. The world-renowned artists in this volume include Francis Alÿs, Nobuyoshi Araki, Diane Arbus, Stan Douglas, William Eggleston, Michael Elmgreen & Ingar Dragset, Ed van der Elsken, Walker Evans, Hans-Peter Feldmann, Nan Goldin, Paul Graham, Evelyn Hofer, Candida Hofer, Sarah Jones, Steve McQueen, Robin Rhode, Daniela Rossell, August Sander, Cindy Sherman, Laurie Simmons, Thomas Struth, Wolfgang Tillmans, Jeff Wall and Tobias Zielony.
Street life & home stories
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Since she began collecting in the 1960s, Ingvild Goetz has been assembling one of the most impressive photography collections in Europe, now housed in an extraordinary museum building designed by architects Herzog & de Meuron. Goetz has consistently loaned works to promote a wider public reception. Published on the occasion of an exhibition at Villa Stuck in Munich, "Street Life and Home Stories" features the work of 25 artists from the collection who transform city streets and domestic environments into staged scenarios. The world-renowned artists in this volume include Francis Alÿs, Nobuyoshi Araki, Diane Arbus, Stan Douglas, William Eggleston, Michael Elmgreen & Ingar Dragset, Ed van der Elsken, Walker Evans, Hans-Peter Feldmann, Nan Goldin, Paul Graham, Evelyn Hofer, Candida Hofer, Sarah Jones, Steve McQueen, Robin Rhode, Daniela Rossell, August Sander, Cindy Sherman, Laurie Simmons, Thomas Struth, Wolfgang Tillmans, Jeff Wall and Tobias Zielony.
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livres
livres
Publication:
octobre 2011
octobre 2011
Sujet:
Photographie- collections
Photographie- collections
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livres
livres
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The architect Herman Hertzberger is one of the most important representatives of Dutch Structuralism. This movement, which emerged in 1960, is highly regarded in modern architecture. Structuralism takes as its starting point the idea that architecture should value the archetypal behaviors of humankind. Consequently, buildings should be inviting, and above all they must(...)
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The architect Herman Hertzberger is one of the most important representatives of Dutch Structuralism. This movement, which emerged in 1960, is highly regarded in modern architecture. Structuralism takes as its starting point the idea that architecture should value the archetypal behaviors of humankind. Consequently, buildings should be inviting, and above all they must(...)
Titre:
Hermann Hertzberger: Structuralism
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The architect Herman Hertzberger is one of the most important representatives of Dutch Structuralism. This movement, which emerged in 1960, is highly regarded in modern architecture. Structuralism takes as its starting point the idea that architecture should value the archetypal behaviors of humankind. Consequently, buildings should be inviting, and above all they must satisfy both the individual and the social needs of those who use them. Hertzberger gained international recognition for his office buildings, schools, and housing estates created between 1968 and 1990. In addition to fair-faced concrete and glass, they make use of precast concrete blocks, a “poor” construction material which contributes to their unique character. For this volume, photos by the Munich-based architectural photographer Klaus Kinold document Hertzberger’s masterpieces from their very earliest stages. Many of these buildings have since undergone significant changes, making Kinold’s images an important part of the historical record.
Hermann Hertzberger: Structuralism
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The architect Herman Hertzberger is one of the most important representatives of Dutch Structuralism. This movement, which emerged in 1960, is highly regarded in modern architecture. Structuralism takes as its starting point the idea that architecture should value the archetypal behaviors of humankind. Consequently, buildings should be inviting, and above all they must satisfy both the individual and the social needs of those who use them. Hertzberger gained international recognition for his office buildings, schools, and housing estates created between 1968 and 1990. In addition to fair-faced concrete and glass, they make use of precast concrete blocks, a “poor” construction material which contributes to their unique character. For this volume, photos by the Munich-based architectural photographer Klaus Kinold document Hertzberger’s masterpieces from their very earliest stages. Many of these buildings have since undergone significant changes, making Kinold’s images an important part of the historical record.
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livres
livres
Publication:
juin 2025
juin 2025
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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"German photo artist Thomas Ruff is a master of conceptual serial photography. He made a name for himself in the early eighties with oversized, superrealistic color portraits of his artist friends and as a pioneer of the Diasec process used to mount photographic images onto acrylic glass, thereby obviating frames, liberating photography from the print gallery and paving(...)
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"German photo artist Thomas Ruff is a master of conceptual serial photography. He made a name for himself in the early eighties with oversized, superrealistic color portraits of his artist friends and as a pioneer of the Diasec process used to mount photographic images onto acrylic glass, thereby obviating frames, liberating photography from the print gallery and paving(...)
Titre:
Thomas Ruff : works 1979-2011
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"German photo artist Thomas Ruff is a master of conceptual serial photography. He made a name for himself in the early eighties with oversized, superrealistic color portraits of his artist friends and as a pioneer of the Diasec process used to mount photographic images onto acrylic glass, thereby obviating frames, liberating photography from the print gallery and paving the way to the "grand gallery" museum walls for large-format photos. This collection presents selected works from Thomas Ruff's large-format series, beginning with his small Interiors, the large Portraits, his Architectural Photos, the Starry Skies, his abstract Substrata, the Nudes, which make use of pornographic material taken from the internet, and finally his latest creation: Stellar Landscapes. The book features essays by Thomas Weski and Okwui Enwezor and appears in conjunction with an extensive Thomas Ruff retrospective exhibition at the Haus der Kunst in Munich."
Thomas Ruff : works 1979-2011
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"German photo artist Thomas Ruff is a master of conceptual serial photography. He made a name for himself in the early eighties with oversized, superrealistic color portraits of his artist friends and as a pioneer of the Diasec process used to mount photographic images onto acrylic glass, thereby obviating frames, liberating photography from the print gallery and paving the way to the "grand gallery" museum walls for large-format photos. This collection presents selected works from Thomas Ruff's large-format series, beginning with his small Interiors, the large Portraits, his Architectural Photos, the Starry Skies, his abstract Substrata, the Nudes, which make use of pornographic material taken from the internet, and finally his latest creation: Stellar Landscapes. The book features essays by Thomas Weski and Okwui Enwezor and appears in conjunction with an extensive Thomas Ruff retrospective exhibition at the Haus der Kunst in Munich."
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livres
livres
Publication:
mars 2012
mars 2012
Sujet:
Monographies photo
Monographies photo
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livres
livres
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Despite the fact that he shaped Venice and its contemporary form, Eugenio Miozzi remains a little-known figure. Yet both locals and visitors experience his legacy every day, in particular when they cross his bridges: from the Ponte della Libertà, to the Ponte dell’Accademia; from the various bridges over the Rio Nuovo, to the exemplary Ponte degli Scalzi. Miozzi, chief(...)
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Despite the fact that he shaped Venice and its contemporary form, Eugenio Miozzi remains a little-known figure. Yet both locals and visitors experience his legacy every day, in particular when they cross his bridges: from the Ponte della Libertà, to the Ponte dell’Accademia; from the various bridges over the Rio Nuovo, to the exemplary Ponte degli Scalzi. Miozzi, chief(...)
Titre:
Eugenio Miozzi: Modern Venice between innovation and tradition 1931-1969
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Despite the fact that he shaped Venice and its contemporary form, Eugenio Miozzi remains a little-known figure. Yet both locals and visitors experience his legacy every day, in particular when they cross his bridges: from the Ponte della Libertà, to the Ponte dell’Accademia; from the various bridges over the Rio Nuovo, to the exemplary Ponte degli Scalzi. Miozzi, chief engineer of the Commune of Venice from 1931 to 1954, carried out a large number of works and projects, including a vast modernist parking garage and the Casino on the Lido. The prolific engineer-architect played a role in the development of the Teatro La Fenice, made plans for the restoration of the city and the extension of the Tronchetto, and designed a translagoon road and a motorway from Venice to Munich. These projects and the others presented in this illustrated volume represent Miozzi’s tireless efforts to guarantee the city’s survival by combining its centuries-old traditions with a spirit of innovation.
Eugenio Miozzi: Modern Venice between innovation and tradition 1931-1969
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Despite the fact that he shaped Venice and its contemporary form, Eugenio Miozzi remains a little-known figure. Yet both locals and visitors experience his legacy every day, in particular when they cross his bridges: from the Ponte della Libertà, to the Ponte dell’Accademia; from the various bridges over the Rio Nuovo, to the exemplary Ponte degli Scalzi. Miozzi, chief engineer of the Commune of Venice from 1931 to 1954, carried out a large number of works and projects, including a vast modernist parking garage and the Casino on the Lido. The prolific engineer-architect played a role in the development of the Teatro La Fenice, made plans for the restoration of the city and the extension of the Tronchetto, and designed a translagoon road and a motorway from Venice to Munich. These projects and the others presented in this illustrated volume represent Miozzi’s tireless efforts to guarantee the city’s survival by combining its centuries-old traditions with a spirit of innovation.
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livres
livres
Publication:
janvier 2022
janvier 2022
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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$140.00
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As every year for more than three decades, and coinciding now with the 40th anniversary of AV magazine, the Yearbook 2025 gathers in a double issue a selection of 25 works which now include, as in the previous edition, buildings by Spanish studios in other countries – Belgium, Italy, Romania, Germany, Norway, Argentina, and Taiwan –, taking stock of the growing(...)
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As every year for more than three decades, and coinciding now with the 40th anniversary of AV magazine, the Yearbook 2025 gathers in a double issue a selection of 25 works which now include, as in the previous edition, buildings by Spanish studios in other countries – Belgium, Italy, Romania, Germany, Norway, Argentina, and Taiwan –, taking stock of the growing(...)
Titre:
AV Monographs 271-272 : Spain yearbbook 2025
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As every year for more than three decades, and coinciding now with the 40th anniversary of AV magazine, the Yearbook 2025 gathers in a double issue a selection of 25 works which now include, as in the previous edition, buildings by Spanish studios in other countries – Belgium, Italy, Romania, Germany, Norway, Argentina, and Taiwan –, taking stock of the growing recognition Spanish architecture enjoys beyond our borders. Thus, prominent projects like the new stadium of the Real Madrid, by L35 with gmp and Ribas & Ribas, the refurbishment of the Atarazanas in Seville by Guillermo Vázquez Consuegra, the university building in Pozuelo de Alarcón (Madrid) by Emilio Tuñón, and the Financial Center in Almería by Ayala Arquitectos are published with others like the station by Benedetta Tagliabue in Naples, the museum by Juan Herreros near Buenos Aires, the exhibition center in Liège by Francisco Mangado, the hotel by Nieto Sobejano in Munich, and the building by Barozzi Veiga in Kiefersfelden.
AV Monographs 271-272 : Spain yearbbook 2025
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As every year for more than three decades, and coinciding now with the 40th anniversary of AV magazine, the Yearbook 2025 gathers in a double issue a selection of 25 works which now include, as in the previous edition, buildings by Spanish studios in other countries – Belgium, Italy, Romania, Germany, Norway, Argentina, and Taiwan –, taking stock of the growing recognition Spanish architecture enjoys beyond our borders. Thus, prominent projects like the new stadium of the Real Madrid, by L35 with gmp and Ribas & Ribas, the refurbishment of the Atarazanas in Seville by Guillermo Vázquez Consuegra, the university building in Pozuelo de Alarcón (Madrid) by Emilio Tuñón, and the Financial Center in Almería by Ayala Arquitectos are published with others like the station by Benedetta Tagliabue in Naples, the museum by Juan Herreros near Buenos Aires, the exhibition center in Liège by Francisco Mangado, the hotel by Nieto Sobejano in Munich, and the building by Barozzi Veiga in Kiefersfelden.
Classification:
livres
livres
Publication:
janvier 2025
janvier 2025
Sujet:
Revues
Revues
