OASE #84: Models Maquettes
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In recent decades models have made a contribution to architectural discourse that should not be underestimated. Christophe Van Gerrewey considers the models in OMA’s oeuvre and ascertains that OMA’s models always take on a life of their own, turning into ‘a realisation of what architecture promises, yet can never attain itself’. For example, the two plaster models of(...)
OASE #84: Models Maquettes
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In recent decades models have made a contribution to architectural discourse that should not be underestimated. Christophe Van Gerrewey considers the models in OMA’s oeuvre and ascertains that OMA’s models always take on a life of their own, turning into ‘a realisation of what architecture promises, yet can never attain itself’. For example, the two plaster models of the Très Grande Bibliothèque in Paris afforded new insights into a space that can be read both as mass and as counter-mass, while the model of the cruise terminal in Zeebrugge exemplified the power of the iconic form. OASE 84 devotes considerable attention to (architectural) models that play an important part in the work of various artists as well, like in the work of Mike Kelley and Thomas Demand. These models are hardly ever meant to be realised on a different scale elsewhere; they work with the dualistic connotations of the model directly. Although the two disciplines have markedly different motives for using models, we are confident that the cross-pollination brought about here will generate novel insights about the model’s significance and possibilities. With contributions by Jacob Bil, Adam Caruso, Thomas Demand, Job Floris, Kersten Geers, Christophe Van Gerrewey, Anne Holtrop, Christian Hubert, Junya Ishigami, Krijn de Koning, Véronique Patteeuw, Bas Princen, Hans Teerds, Milica Topalovic and Stefaan Vervoort OASE is an independent, international journal published in Dutch and English that features architecture, urban design and landscape design. Each issue is devoted to a topical theme and thus makes a significant contribution to international discourse within these fields. OASE is published three times a year
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Cet herbier est consacré aux plantes qui puisent la force de s’insinuer dans notre espace urbain, dans les joints des caniveaux et des trottoirs, dans les fissures des murs, au pied des arbres, dans les pelouses des parcs, le long des grillages, sur les toits… Ces plantes sauvages des villes peuvent aussi bien être arborescentes que rampantes, florales que graminées, et(...)
L'Herbier: plantes sauvages des villes
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Cet herbier est consacré aux plantes qui puisent la force de s’insinuer dans notre espace urbain, dans les joints des caniveaux et des trottoirs, dans les fissures des murs, au pied des arbres, dans les pelouses des parcs, le long des grillages, sur les toits… Ces plantes sauvages des villes peuvent aussi bien être arborescentes que rampantes, florales que graminées, et possèdent, tout autant que leurs cousines des bois, une histoire, un usage, une mythologie. Comme les précédents herbiers, ce livre d’images présente, pour chaque plante, la découpe de sa feuille, de son fruit et de sa graine.
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Le Merle est une publication semi-annuelle qui rassemble des textes et des oeuvres qui ont en commun de jalonner le politique et la formation du Sujet à travers l'art, l'écrit et les pratiques d'exposition. Cette édition du Merle inclut L’anarchisme: ce qu’il signifie réellement (aujourd’hui: un texte de Emma Goldman révisé et abrégé par Heather Davis, La géométrie du(...)
Le Merle: cahiers sur les mots et les actes Vol. 1, n. 1, Printemps 2012
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Le Merle est une publication semi-annuelle qui rassemble des textes et des oeuvres qui ont en commun de jalonner le politique et la formation du Sujet à travers l'art, l'écrit et les pratiques d'exposition. Cette édition du Merle inclut L’anarchisme: ce qu’il signifie réellement (aujourd’hui: un texte de Emma Goldman révisé et abrégé par Heather Davis, La géométrie du hasard par Richard Ibghy & Marilou Lemmens, En entrevue: Le temps de l’oeuvre, le temps de l’acte: Entretien avec Bernard Aspe par Érik Bordeleau, Our Literal Speed par Abbey Shaine Dubin (en anglais), un projet inédit de Simon Brown, Institutional Critique Flair Button* de Charles Gute ainsi qu'un texte de Érik Bordeleau produit dans le cadre de Zoo 2011: Se faire une âme anonyme: Itinéraire pratique. Le Merle is a semiannual publication presenting texts and works that share an interest in delineating the political and the formation of the Subject through art, writing and exhibition practices. This issue includes : Anarchism: What It Really Stands For (Today): Edited and abridged by Heather Davis, The Geometry of Chance by Richard Ibghy & Marilou Lemmens, The Time of the Work, the Time of the Act: an interview with Bernard Aspe, a project by Simon Brown, Our Literal Speed by Abbey Shaine Dubin, Institutional Critique Flair Button* by Charles Gute, To Make One's Soul Anonymous: Practical Itinerary by Érik Bordeleau.
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Mouritsen takes readers on a comprehensive tour of seaweed, describing what seaweeds actually are (algae, not plants) and how people of different cultures have utilized them since prehistoric times for a whole array of purposes —as food and fodder, for the production of salt, in medicine and cosmetics, as fertilizer, in construction, and for a number of industrial end(...)
Seaweeds: edible, available & sustainable
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Mouritsen takes readers on a comprehensive tour of seaweed, describing what seaweeds actually are (algae, not plants) and how people of different cultures have utilized them since prehistoric times for a whole array of purposes —as food and fodder, for the production of salt, in medicine and cosmetics, as fertilizer, in construction, and for a number of industrial end uses, to name just a few. He reveals the vast abundance of minerals, trace elements, proteins, vitamins, dietary fiber, and precious polyunsaturated fatty acids found in seaweeds, and provides instructions and recipes on how to prepare a variety of dishes that incorporate raw and processed seaweeds. Approaching the subject from not only a gastronomic but also a scientific point of view, Mouritsen sets out to examine the past and present uses of this sustainable resource, keeping in mind how it could be exploited for the future.
The futurist cookbook
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In 1932, F. T. Marinetti and his collaborator Fillìa published The Futurist Cookbook, a manifesto-as-culinary-innovation. Replete with experimental recipes (the founder of Futurism, Marinetti, is known to have ranted about the social dangers of pasta eating), the book is a multilayered exploration of cultural metabolisms, with the dining table as its centerpiece, of course!
The futurist cookbook
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In 1932, F. T. Marinetti and his collaborator Fillìa published The Futurist Cookbook, a manifesto-as-culinary-innovation. Replete with experimental recipes (the founder of Futurism, Marinetti, is known to have ranted about the social dangers of pasta eating), the book is a multilayered exploration of cultural metabolisms, with the dining table as its centerpiece, of course!
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Contemporary artist Roni Horn first visited Iceland in 1975 at the age of nineteen, and since then, the island’s treeless expanse has had an enduring hold on Horn’s creative work. Through a series of remarkable and poetic reflections, vignettes, episodes, and illustrated essays,this publication distills the artist’s lifelong experience of Iceland’s natural environment.(...)
Island zombie: Iceland writings
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Contemporary artist Roni Horn first visited Iceland in 1975 at the age of nineteen, and since then, the island’s treeless expanse has had an enduring hold on Horn’s creative work. Through a series of remarkable and poetic reflections, vignettes, episodes, and illustrated essays,this publication distills the artist’s lifelong experience of Iceland’s natural environment. Together, these pieces offer an unforgettable exploration of the indefinable and inescapable force of remote, elemental places, and provide a sustained look at how an island and its atmosphere can take possession of the innermost self.
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This volume proposes radical ideas for the future of sustainability in the construction and architectural industries. It asks how, rather than continuing to erect new buildings, we can instead harness the construction industry to make a positive contribution to the environment.
mars 2023
Building with a positive footprint
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This volume proposes radical ideas for the future of sustainability in the construction and architectural industries. It asks how, rather than continuing to erect new buildings, we can instead harness the construction industry to make a positive contribution to the environment.
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''4Flight'' attempts to document the profound metamorphosis within the urban and natural landscape, also due by man. The images’ research, developed with an aesthetic, anthropological and sociological criteria, has led to the creation of an archive in progress with the aim of witnessing the state of the planet.
Armin Linke: 4FLIGHT (2 vol.)
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''4Flight'' attempts to document the profound metamorphosis within the urban and natural landscape, also due by man. The images’ research, developed with an aesthetic, anthropological and sociological criteria, has led to the creation of an archive in progress with the aim of witnessing the state of the planet.
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Monica Ponce de Leon and Nader Tehrani, who work together as Office dA, and Andrew Zago of Zago Architecture, the three experimental architects whose site-specific, student-built installations at Southern California Institute for Architecture (SCI-Arc) are documented in this book, have all been visiting professors there recently. Through in-depth interviews on their(...)
septembre 2005
Zago architecture and Office dA : two installations
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Monica Ponce de Leon and Nader Tehrani, who work together as Office dA, and Andrew Zago of Zago Architecture, the three experimental architects whose site-specific, student-built installations at Southern California Institute for Architecture (SCI-Arc) are documented in this book, have all been visiting professors there recently. Through in-depth interviews on their careers and these pieces, director Eric Owen Moss makes it clear that he appreciates both their work and their company. This first publication in the Institute’s "Make it new" series also includes lectures and photographs. With foreword by Eric Owen Moss.
Impulse: Archeology
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Eldon Garnet was the editor and publisher of "Impulse" from 1975 to 1990, when it ceased publication, and with "Impulse Archaeology", he brings the magazine’s spirit back to life. The book is an eclectic collection of original and groundbreaking interviews, articles, and artwork that ranges in scope from pieces on Punk rock to early discussions on postmodernism, and that(...)
septembre 2005, Toronto
Impulse: Archeology
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Eldon Garnet was the editor and publisher of "Impulse" from 1975 to 1990, when it ceased publication, and with "Impulse Archaeology", he brings the magazine’s spirit back to life. The book is an eclectic collection of original and groundbreaking interviews, articles, and artwork that ranges in scope from pieces on Punk rock to early discussions on postmodernism, and that includes contributions from artists, architects, writers, and philosophers. "Impulse Archaeology" honours this important period in Canadian art and cultural history, recalling the early influence of like-minded publications from New York and the import of French theorists and European artists and writers into North America. "Impulse" brought the world into Canada and Canada to the world. Eldon Garnet is an international photographic artist and novelist based in Toronto and a professor at the Ontario College of Art and Design.