1614 Résultats
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Helle Juul and Flemming Frost have been busy contributing assignment solutions from dialogue-based consultancy to concrete planning, designing and realization of architecture. The signature of their work is the discussion about context and scale with respect to urban time and space. Juul & Frost manifest their professional conceptual foundation through a philosophical(...)
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Helle Juul and Flemming Frost have been busy contributing assignment solutions from dialogue-based consultancy to concrete planning, designing and realization of architecture. The signature of their work is the discussion about context and scale with respect to urban time and space. Juul & Frost manifest their professional conceptual foundation through a philosophical(...)
Titre:
Juul & Frost Architects, Copenhagen : Signatur
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Helle Juul and Flemming Frost have been busy contributing assignment solutions from dialogue-based consultancy to concrete planning, designing and realization of architecture. The signature of their work is the discussion about context and scale with respect to urban time and space. Juul & Frost manifest their professional conceptual foundation through a philosophical and theoretical approach to architecture. There is a focus on the architectonic idea, which is consistently pursued and tested throughout the entire course of the project. The origin of their work was established through the editorial responsibilities for the Danish journal of architecture, SKALA, and the running of an architectural gallery, also known as SKALA, at the end of the nineteen-eighties. In the nineteen-nineties, Juul & Frost continued working as curators of large scale urban exhibitions, symposia and workshops known as SKAZKI Architecture Forum.Comprehensively unified planning and the contextual angle stand as indispensable points of reference for Juul & Frost, regardless of the assignment's scale.
Juul & Frost Architects, Copenhagen : Signatur
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Helle Juul and Flemming Frost have been busy contributing assignment solutions from dialogue-based consultancy to concrete planning, designing and realization of architecture. The signature of their work is the discussion about context and scale with respect to urban time and space. Juul & Frost manifest their professional conceptual foundation through a philosophical and theoretical approach to architecture. There is a focus on the architectonic idea, which is consistently pursued and tested throughout the entire course of the project. The origin of their work was established through the editorial responsibilities for the Danish journal of architecture, SKALA, and the running of an architectural gallery, also known as SKALA, at the end of the nineteen-eighties. In the nineteen-nineties, Juul & Frost continued working as curators of large scale urban exhibitions, symposia and workshops known as SKAZKI Architecture Forum.Comprehensively unified planning and the contextual angle stand as indispensable points of reference for Juul & Frost, regardless of the assignment's scale.
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livres
livres
Publication:
décembre 2003, Berlin
décembre 2003, Berlin
Sujet:
petits formats
petits formats
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livres
livres
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L.A. Forum’s new publication gives an insider view into the real world of real estate development in Southern California. Using the structure of a screenplay to tell the story, architect Tom Marble takes the reader inside the minds of the people on both sides of the development conflict – those seeing land as a commodity for profit, and those who see it as a valued(...)
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L.A. Forum’s new publication gives an insider view into the real world of real estate development in Southern California. Using the structure of a screenplay to tell the story, architect Tom Marble takes the reader inside the minds of the people on both sides of the development conflict – those seeing land as a commodity for profit, and those who see it as a valued(...)
Titre:
After the city, this (is how we live)
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L.A. Forum’s new publication gives an insider view into the real world of real estate development in Southern California. Using the structure of a screenplay to tell the story, architect Tom Marble takes the reader inside the minds of the people on both sides of the development conflict – those seeing land as a commodity for profit, and those who see it as a valued resource for all to enjoy. Having spent time negotiating on both sides of the conference table, Marble goes beyond the usual debates over New Urbanism vs. Sprawl vs. Whatever-The-Next-Thing-Is to share his unique perspective, shedding light on the goals and motivations of all parties embroiled in defining how we live in a post-urban, consumer-driven economy. A total of 32 color images accompany the text to further engage the reader in the pivotal dialogue regarding the success or failure of the master-planned community.
After the city, this (is how we live)
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L.A. Forum’s new publication gives an insider view into the real world of real estate development in Southern California. Using the structure of a screenplay to tell the story, architect Tom Marble takes the reader inside the minds of the people on both sides of the development conflict – those seeing land as a commodity for profit, and those who see it as a valued resource for all to enjoy. Having spent time negotiating on both sides of the conference table, Marble goes beyond the usual debates over New Urbanism vs. Sprawl vs. Whatever-The-Next-Thing-Is to share his unique perspective, shedding light on the goals and motivations of all parties embroiled in defining how we live in a post-urban, consumer-driven economy. A total of 32 color images accompany the text to further engage the reader in the pivotal dialogue regarding the success or failure of the master-planned community.
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livres
livres
Publication:
mars 2008, Los Angles
mars 2008, Los Angles
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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livres
livres
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When Yoshi Tsukamoto and Momoyo Kaijima of the Tokyo-based firm Atelier Bow-Wow arrived at the Harvard University Graduate School of Design as guest professors, in the winter of 2016, they challenged students to deeply consider their surroundings and record their reactions as a large pencil drawing. In this public drawing time is suspended and expanded; futures, presents,(...)
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When Yoshi Tsukamoto and Momoyo Kaijima of the Tokyo-based firm Atelier Bow-Wow arrived at the Harvard University Graduate School of Design as guest professors, in the winter of 2016, they challenged students to deeply consider their surroundings and record their reactions as a large pencil drawing. In this public drawing time is suspended and expanded; futures, presents,(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
septembre 2017
septembre 2017
Titre:
Architectural ethnography: Atelier Bow-Wow
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When Yoshi Tsukamoto and Momoyo Kaijima of the Tokyo-based firm Atelier Bow-Wow arrived at the Harvard University Graduate School of Design as guest professors, in the winter of 2016, they challenged students to deeply consider their surroundings and record their reactions as a large pencil drawing. In this public drawing time is suspended and expanded; futures, presents, and pasts converge; and the act of drawing becomes an instrument of dialogue and engagement. Tsukamoto and Kaijima later spoke about the project with K. Michael Hays, Eliot Noyes Professor of Architectural Theory at Harvard s Graduate School of Design, and reflected on representation, occupation, and the democracy of architecture. They unfolded their concept of an ecology of livelihood, wherein shadowless figures, objects, and spaces coexist with construction details. Explaining their belief in the behavioral capacities of humans, architecture, and nature, Tsukamoto and Kaijima revealed the generosity of spirit in their work, and the importance of pushing such capacities to their most yielding limits.
Architectural ethnography: Atelier Bow-Wow
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When Yoshi Tsukamoto and Momoyo Kaijima of the Tokyo-based firm Atelier Bow-Wow arrived at the Harvard University Graduate School of Design as guest professors, in the winter of 2016, they challenged students to deeply consider their surroundings and record their reactions as a large pencil drawing. In this public drawing time is suspended and expanded; futures, presents, and pasts converge; and the act of drawing becomes an instrument of dialogue and engagement. Tsukamoto and Kaijima later spoke about the project with K. Michael Hays, Eliot Noyes Professor of Architectural Theory at Harvard s Graduate School of Design, and reflected on representation, occupation, and the democracy of architecture. They unfolded their concept of an ecology of livelihood, wherein shadowless figures, objects, and spaces coexist with construction details. Explaining their belief in the behavioral capacities of humans, architecture, and nature, Tsukamoto and Kaijima revealed the generosity of spirit in their work, and the importance of pushing such capacities to their most yielding limits.
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livres
livres
Publication:
septembre 2017
septembre 2017
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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"Food and architecture! is the first book to explore the relationship between these two fields of study and practice. Bringing together leading voices from both food studies and architecture, it provides a ground-breaking, cross-disciplinary analysis of two disciplines which both rely on a combination of creativity, intuition, taste, and science but have rarely been(...)
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"Food and architecture! is the first book to explore the relationship between these two fields of study and practice. Bringing together leading voices from both food studies and architecture, it provides a ground-breaking, cross-disciplinary analysis of two disciplines which both rely on a combination of creativity, intuition, taste, and science but have rarely been(...)
Titre:
Food and architecture: at the table
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"Food and architecture! is the first book to explore the relationship between these two fields of study and practice. Bringing together leading voices from both food studies and architecture, it provides a ground-breaking, cross-disciplinary analysis of two disciplines which both rely on a combination of creativity, intuition, taste, and science but have rarely been engaged in direct dialogue. Each of the four sections – Regionalism, Sustainability, Craft, and Authenticity – focuses on a core area of overlap between food and architecture. Structured around a series of 'conversations' between chefs, culinary historians and architects, each theme is explored through a variety of case studies, ranging from pig slaughtering and farmhouses in Greece to authenticity and heritage in American cuisine. Drawing on a range of approaches from both disciplines, methodologies include practice-based research, literary analysis, memoir, and narrative. The end of each section features a commentary by Samantha Martin-McAuliffe which emphasizes key themes and connections.
Food and architecture: at the table
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"Food and architecture! is the first book to explore the relationship between these two fields of study and practice. Bringing together leading voices from both food studies and architecture, it provides a ground-breaking, cross-disciplinary analysis of two disciplines which both rely on a combination of creativity, intuition, taste, and science but have rarely been engaged in direct dialogue. Each of the four sections – Regionalism, Sustainability, Craft, and Authenticity – focuses on a core area of overlap between food and architecture. Structured around a series of 'conversations' between chefs, culinary historians and architects, each theme is explored through a variety of case studies, ranging from pig slaughtering and farmhouses in Greece to authenticity and heritage in American cuisine. Drawing on a range of approaches from both disciplines, methodologies include practice-based research, literary analysis, memoir, and narrative. The end of each section features a commentary by Samantha Martin-McAuliffe which emphasizes key themes and connections.
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livres
livres
Publication:
septembre 2016
septembre 2016
Sujet:
Bouffe
Bouffe
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livres
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La beauté attire le regard. Elle fascine. La beauté des gens, mais aussi celle des lieux, des maisons, des rues et des villes. Il est étonnant de constater la force de l'émotion vécue devant un paysage à couper le souffle, dans une maison superbe ou sur une place publique ouverte et accueillante. Et si la beauté rendait heureux? Si elle était nécessaire au bonheur? C'est(...)
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La beauté attire le regard. Elle fascine. La beauté des gens, mais aussi celle des lieux, des maisons, des rues et des villes. Il est étonnant de constater la force de l'émotion vécue devant un paysage à couper le souffle, dans une maison superbe ou sur une place publique ouverte et accueillante. Et si la beauté rendait heureux? Si elle était nécessaire au bonheur? C'est(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
octobre 2016
octobre 2016
Titre:
Et si la beauté rendait heureux
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La beauté attire le regard. Elle fascine. La beauté des gens, mais aussi celle des lieux, des maisons, des rues et des villes. Il est étonnant de constater la force de l'émotion vécue devant un paysage à couper le souffle, dans une maison superbe ou sur une place publique ouverte et accueillante. Et si la beauté rendait heureux? Si elle était nécessaire au bonheur? C'est la conviction que partagent l'architecte Pierre Thibault et le journaliste François Cardinal. Ils en font la démonstration dans un dialogue pénétrant qu'ils mènent dans cinq lieux où beauté et bonheur se côtoient et se nourrissent. Quatre de ces espaces ont été créés ou aménagés par Pierre Thibault. Le cinquième, Copenhague, est une ville réputée pour son innovation en architecture et design urbain. Ce livre donne envie de côtoyer la beauté au quotidien et de bâtir un environnement où l'on puisse se poser, se réjouir et vivre ensemble.
Et si la beauté rendait heureux
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La beauté attire le regard. Elle fascine. La beauté des gens, mais aussi celle des lieux, des maisons, des rues et des villes. Il est étonnant de constater la force de l'émotion vécue devant un paysage à couper le souffle, dans une maison superbe ou sur une place publique ouverte et accueillante. Et si la beauté rendait heureux? Si elle était nécessaire au bonheur? C'est la conviction que partagent l'architecte Pierre Thibault et le journaliste François Cardinal. Ils en font la démonstration dans un dialogue pénétrant qu'ils mènent dans cinq lieux où beauté et bonheur se côtoient et se nourrissent. Quatre de ces espaces ont été créés ou aménagés par Pierre Thibault. Le cinquième, Copenhague, est une ville réputée pour son innovation en architecture et design urbain. Ce livre donne envie de côtoyer la beauté au quotidien et de bâtir un environnement où l'on puisse se poser, se réjouir et vivre ensemble.
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livres
livres
Publication:
octobre 2016
octobre 2016
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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Comme l'illustrent "L'École d'Athènes" de Raphaël ou "L'Apothéose d'Homère" d'Ingres, la Renaissance marque l'avènement de l'artiste, qui revendique désormais un statut intellectuel et social comparable à celui des philosophes-poètes. Mais le travail manuel reste au cœur de son activité : matériaux et pratiques artistiques sont engagés dans l'œuvre au même titre que la(...)
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Comme l'illustrent "L'École d'Athènes" de Raphaël ou "L'Apothéose d'Homère" d'Ingres, la Renaissance marque l'avènement de l'artiste, qui revendique désormais un statut intellectuel et social comparable à celui des philosophes-poètes. Mais le travail manuel reste au cœur de son activité : matériaux et pratiques artistiques sont engagés dans l'œuvre au même titre que la(...)
Titre:
L'architecture parmi les arts ; matérialité, transferts et travail artistique dans l'Italie de la Renaissance
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Comme l'illustrent "L'École d'Athènes" de Raphaël ou "L'Apothéose d'Homère" d'Ingres, la Renaissance marque l'avènement de l'artiste, qui revendique désormais un statut intellectuel et social comparable à celui des philosophes-poètes. Mais le travail manuel reste au cœur de son activité : matériaux et pratiques artistiques sont engagés dans l'œuvre au même titre que la vision poétique. L'idée artistique elle-même ne naîtrait-elle donc pas aussi du maniement physique des outils et des matériaux ? Et l'architecture, semblant confinée dans une pensée isolée de la fabrication matérielle, pourrait-elle s'intégrer dans cette perspective progressivement admise pour les autres arts ? Les questionnements qui traversent ce livre invitent à une réflexion sur le rôle de la matière, des instruments et des gestes dans le travail artistique, mais aussi sur le dialogue qu'entretiennent les arts entre eux, favorisé par l'utilisation de matériaux communs, à travers une étude de quelques œuvres majeures de l'architecture de la Renaissance italienne.
L'architecture parmi les arts ; matérialité, transferts et travail artistique dans l'Italie de la Renaissance
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Comme l'illustrent "L'École d'Athènes" de Raphaël ou "L'Apothéose d'Homère" d'Ingres, la Renaissance marque l'avènement de l'artiste, qui revendique désormais un statut intellectuel et social comparable à celui des philosophes-poètes. Mais le travail manuel reste au cœur de son activité : matériaux et pratiques artistiques sont engagés dans l'œuvre au même titre que la vision poétique. L'idée artistique elle-même ne naîtrait-elle donc pas aussi du maniement physique des outils et des matériaux ? Et l'architecture, semblant confinée dans une pensée isolée de la fabrication matérielle, pourrait-elle s'intégrer dans cette perspective progressivement admise pour les autres arts ? Les questionnements qui traversent ce livre invitent à une réflexion sur le rôle de la matière, des instruments et des gestes dans le travail artistique, mais aussi sur le dialogue qu'entretiennent les arts entre eux, favorisé par l'utilisation de matériaux communs, à travers une étude de quelques œuvres majeures de l'architecture de la Renaissance italienne.
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livres
livres
Publication:
septembre 2016
septembre 2016
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livres
livres
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In a supportive article covering the 4th Berlin Biennial, critic Steven Henry Madoff took a moment to question what many have termed "Biennial Fever," writing, "Are [biennials] here to capture trends or to advance artists' voices in a larger social dialogue? Do they promote international understanding or local interests? Are they bully pulpits for curators turned(...)
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In a supportive article covering the 4th Berlin Biennial, critic Steven Henry Madoff took a moment to question what many have termed "Biennial Fever," writing, "Are [biennials] here to capture trends or to advance artists' voices in a larger social dialogue? Do they promote international understanding or local interests? Are they bully pulpits for curators turned(...)
Publication:
septembre 2008, Zurich
septembre 2008, Zurich
Titre:
5th Berlin Biennial for Contemporary Art
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In a supportive article covering the 4th Berlin Biennial, critic Steven Henry Madoff took a moment to question what many have termed "Biennial Fever," writing, "Are [biennials] here to capture trends or to advance artists' voices in a larger social dialogue? Do they promote international understanding or local interests? Are they bully pulpits for curators turned ideologues, or are they simply there to tap the art market's stopwatch till the next survey of hot new things draws the attention of an ever expanding universe of collectors?" For the 2008 edition of this always-provocative international fair, Curators Adam Szymczyk and Elena Filipovic brought together primarily newly commissioned work by 50 emerging and established international artists for a round-the-clock exhibition that included 63 nightly events. This expansive volume documents it all, and contains contributions by writers, critics and artists including Beatriz Colomina, Bettina Viesmann, Cameron Jamie, Gabriel Kuri, Babette Mangolte, Ahmet Ogut and Katerina Seda.
5th Berlin Biennial for Contemporary Art
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In a supportive article covering the 4th Berlin Biennial, critic Steven Henry Madoff took a moment to question what many have termed "Biennial Fever," writing, "Are [biennials] here to capture trends or to advance artists' voices in a larger social dialogue? Do they promote international understanding or local interests? Are they bully pulpits for curators turned ideologues, or are they simply there to tap the art market's stopwatch till the next survey of hot new things draws the attention of an ever expanding universe of collectors?" For the 2008 edition of this always-provocative international fair, Curators Adam Szymczyk and Elena Filipovic brought together primarily newly commissioned work by 50 emerging and established international artists for a round-the-clock exhibition that included 63 nightly events. This expansive volume documents it all, and contains contributions by writers, critics and artists including Beatriz Colomina, Bettina Viesmann, Cameron Jamie, Gabriel Kuri, Babette Mangolte, Ahmet Ogut and Katerina Seda.
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livres
livres
Publication:
septembre 2008, Zurich
septembre 2008, Zurich
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livres
livres
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In 1971, at the height of the Vietnam War and at a time of great political and social instability, two of the world’s leading intellectuals, Noam Chomsky and Michel Foucault, were invited by Dutch philosopher Fons Elders to debate an age-old question: is there such a thing as "innate" human nature independent of our experiences and external influences? The resulting(...)
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In 1971, at the height of the Vietnam War and at a time of great political and social instability, two of the world’s leading intellectuals, Noam Chomsky and Michel Foucault, were invited by Dutch philosopher Fons Elders to debate an age-old question: is there such a thing as "innate" human nature independent of our experiences and external influences? The resulting(...)
Sujet:
Théorie/ philosophie
Théorie/ philosophie
Publication:
janvier 1900, New York, London
janvier 1900, New York, London
Titre:
The Chomsky - Foucault debate on human nature
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In 1971, at the height of the Vietnam War and at a time of great political and social instability, two of the world’s leading intellectuals, Noam Chomsky and Michel Foucault, were invited by Dutch philosopher Fons Elders to debate an age-old question: is there such a thing as "innate" human nature independent of our experiences and external influences? The resulting dialogue is one of the most original, provocative, and spontaneous exchanges to have occurred between contemporary philosophers, and above all serves as a concise introduction to their basic theories. What begins as a philosophical argument rooted in linguistics (Chomsky) and the theory of knowledge (Foucault), soon evolves into a broader discussion encompassing a wide range of topics, from science, history, and behaviorism to creativity, freedom, and the struggle for justice in the realm of politics. In addition to the debate itself, this volume features a newly written introduction by Foucault scholar John Rajchman and includes substantial additional texts by Chomsky and Foucault.
The Chomsky - Foucault debate on human nature
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In 1971, at the height of the Vietnam War and at a time of great political and social instability, two of the world’s leading intellectuals, Noam Chomsky and Michel Foucault, were invited by Dutch philosopher Fons Elders to debate an age-old question: is there such a thing as "innate" human nature independent of our experiences and external influences? The resulting dialogue is one of the most original, provocative, and spontaneous exchanges to have occurred between contemporary philosophers, and above all serves as a concise introduction to their basic theories. What begins as a philosophical argument rooted in linguistics (Chomsky) and the theory of knowledge (Foucault), soon evolves into a broader discussion encompassing a wide range of topics, from science, history, and behaviorism to creativity, freedom, and the struggle for justice in the realm of politics. In addition to the debate itself, this volume features a newly written introduction by Foucault scholar John Rajchman and includes substantial additional texts by Chomsky and Foucault.
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livres
livres
Publication:
janvier 1900, New York, London
janvier 1900, New York, London
Sujet:
Théorie/ philosophie
Théorie/ philosophie
Classification:
livres
livres
Titre:
Ghostscape
Ghostscape
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Cet ouvrage est le catalogue de l’exposition Villa Savoyehantée qui a lieu du 20 novembre au 22 décembre 2004 à la Villa Savoye. Pendant l’hiver 2003, durant un mois, l’architecte Philippe Rahm et seize étudiants de l’atelier de Jean-Luc Vilmouth, artiste et enseignant à l’École nationale supérieure des beaux-arts, vont « hanter la modernité de la Villa Savoye de Le(...)
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Cet ouvrage est le catalogue de l’exposition Villa Savoyehantée qui a lieu du 20 novembre au 22 décembre 2004 à la Villa Savoye. Pendant l’hiver 2003, durant un mois, l’architecte Philippe Rahm et seize étudiants de l’atelier de Jean-Luc Vilmouth, artiste et enseignant à l’École nationale supérieure des beaux-arts, vont « hanter la modernité de la Villa Savoye de Le(...)
Titre:
Ghostscape
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Cet ouvrage est le catalogue de l’exposition Villa Savoyehantée qui a lieu du 20 novembre au 22 décembre 2004 à la Villa Savoye. Pendant l’hiver 2003, durant un mois, l’architecte Philippe Rahm et seize étudiants de l’atelier de Jean-Luc Vilmouth, artiste et enseignant à l’École nationale supérieure des beaux-arts, vont « hanter la modernité de la Villa Savoye de Le Corbusier, en visiter les dimensions cachées, les zones d’ombres, sa part invisible.Chercher des fantômes dans la transparence du verre, révéler l’occulte dans les surfaces lisses et légères, l’ineffable dans l’architecture blanche et lumineuse d’un siècle moderne déjà passé. Il existe une contemporanéité des fantômes. » Ce catalogue présente les travaux des étudiants, en « dialogue » avec le récit de cette expérience commune. Il raconte également l’histoire de la Villa Savoye de Le Corbusier, manifeste de la modernité architecturale et classée monument historique en 1965, et propose un regard différent sur cette « pure création de l’esprit», comme l’appelait Le Corbusier lui-même.
Ghostscape
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Cet ouvrage est le catalogue de l’exposition Villa Savoyehantée qui a lieu du 20 novembre au 22 décembre 2004 à la Villa Savoye. Pendant l’hiver 2003, durant un mois, l’architecte Philippe Rahm et seize étudiants de l’atelier de Jean-Luc Vilmouth, artiste et enseignant à l’École nationale supérieure des beaux-arts, vont « hanter la modernité de la Villa Savoye de Le Corbusier, en visiter les dimensions cachées, les zones d’ombres, sa part invisible.Chercher des fantômes dans la transparence du verre, révéler l’occulte dans les surfaces lisses et légères, l’ineffable dans l’architecture blanche et lumineuse d’un siècle moderne déjà passé. Il existe une contemporanéité des fantômes. » Ce catalogue présente les travaux des étudiants, en « dialogue » avec le récit de cette expérience commune. Il raconte également l’histoire de la Villa Savoye de Le Corbusier, manifeste de la modernité architecturale et classée monument historique en 1965, et propose un regard différent sur cette « pure création de l’esprit», comme l’appelait Le Corbusier lui-même.
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livres
livres
Publication:
août 2005, Paris
août 2005, Paris
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livres
livres
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Résumé:
The French rust belt, the area that runs from Firminy through Saint-Etienne all the way to Lyon, was regarded for a long time as a thriving region. The industrial revolution in France began in the valleys between the Loire and Rhône rivers. This led to a process of exploitation and deformation of the landscape, signs of which are still visible today. For more than forty(...)
$56.00
(disponible sur commande)
Résumé:
The French rust belt, the area that runs from Firminy through Saint-Etienne all the way to Lyon, was regarded for a long time as a thriving region. The industrial revolution in France began in the valleys between the Loire and Rhône rivers. This led to a process of exploitation and deformation of the landscape, signs of which are still visible today. For more than forty(...)
Sujet:
Monographies photo
Monographies photo
Publication:
avril 2024
avril 2024
Titre:
Nicolas Giraud & Bertrand Stofleth: The Valley, an archaeology in photographs
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Prix:
$56.00
(disponible sur commande)
Résumé:
The French rust belt, the area that runs from Firminy through Saint-Etienne all the way to Lyon, was regarded for a long time as a thriving region. The industrial revolution in France began in the valleys between the Loire and Rhône rivers. This led to a process of exploitation and deformation of the landscape, signs of which are still visible today. For more than forty years, the region, like other former industrial sites, has suffered from unemployment and a population exodus. Looking at the long-term photographic study by Nicolas Giraud and Bertrand Stofleth, it is evident that this is now the reality wherever neoliberalism has cut its swathe through industrial communities. Once industry has retreated, the landscapes that are left behind all look fairly similar. In visual terms, there is no great difference between Saint-Etienne and Suhl in Thuringia, for example. In ''La Vallée'', Giraud and Stofleth’s photographs enter into a dialogue with texts by authors from a variety of disciplines.
Nicolas Giraud & Bertrand Stofleth: The Valley, an archaeology in photographs
Actions:
Prix:
$56.00
(disponible sur commande)
Résumé:
The French rust belt, the area that runs from Firminy through Saint-Etienne all the way to Lyon, was regarded for a long time as a thriving region. The industrial revolution in France began in the valleys between the Loire and Rhône rivers. This led to a process of exploitation and deformation of the landscape, signs of which are still visible today. For more than forty years, the region, like other former industrial sites, has suffered from unemployment and a population exodus. Looking at the long-term photographic study by Nicolas Giraud and Bertrand Stofleth, it is evident that this is now the reality wherever neoliberalism has cut its swathe through industrial communities. Once industry has retreated, the landscapes that are left behind all look fairly similar. In visual terms, there is no great difference between Saint-Etienne and Suhl in Thuringia, for example. In ''La Vallée'', Giraud and Stofleth’s photographs enter into a dialogue with texts by authors from a variety of disciplines.
Classification:
livres
livres
Publication:
avril 2024
avril 2024
Sujet:
Monographies photo
Monographies photo
