Loving the High Line
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As an elevated rail line, designed to lift freight trains serving the Hudson River docks above street level circulation, The High Line was originally constructed as material infrastructure for an industrial city. It was closed in 1960s and stood abandoned for the next forty years. In this time organic debris accumulated and decayed, and seeds landed on the newly forming(...)
Loving the High Line
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As an elevated rail line, designed to lift freight trains serving the Hudson River docks above street level circulation, The High Line was originally constructed as material infrastructure for an industrial city. It was closed in 1960s and stood abandoned for the next forty years. In this time organic debris accumulated and decayed, and seeds landed on the newly forming soil creating a meadow on the derelict railbed. This microcosmic biome then also became a heterotopic, other space, in the social ecology of the city as an efflorescence of new art forms and underground subcultures flourished in the evacuated post-industrial spaces of Chelsea. These processes would unfold as New York City was being transformed into a global center in an emerging political-economy defined by the integration of finance capital with media and information industries. In this, marginal spaces of the kind that developed in Chelsea, and the cultures that create them, became important sources of new aesthetic and cultural innovation, that offer an exploitable social ground from which to extract semiotic value. As the Bloomberg administration gave shape to this new regime, a project was initiated to convert the High Line into a publicly accessible, linear park. This would be realized through a convoluted process in which the manifold tensions and contradictions of the postmodern city would be dramatically played out and the disjunctions between ideal image regimes and the reality of the material substrates that support them would be brought to light, if only to be newly obscured. The High Line urban park has been both heralded as a definitive model for new urban development, and denounced as a driver, or at least a morbid symptom, of devastating gentrification, and the destructive financialization of urban space. This text, originally published in 2015 as part of the Deconstructing the High Line anthology, edited by Mark Linder and Brian Rosa, tracks a collection of interconnected historical treads that converge in the reconstruction of the High Line, and situates the project within architectural discourse and practice, and social and material conditions with which it struggles to engage.
Paysages urbains
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In Smart Cities Anthony Townsend explores the question of what happens when computers take over the city in this era of mass urbanisation and technological ubiquity, taking a look at the people and forces that have transformed the design of cities and information technologies. From the great industrial metropolises of the nineteenth century to today's megacities, new(...)
Smart cities: big data, civic hackers, and the quest for a new utopia
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In Smart Cities Anthony Townsend explores the question of what happens when computers take over the city in this era of mass urbanisation and technological ubiquity, taking a look at the people and forces that have transformed the design of cities and information technologies. From the great industrial metropolises of the nineteenth century to today's megacities, new technologies have been invented to address the challenges posed by human settlements of ever-greater size and complexity. As a new generation of technology barons, entrepreneurs, mayors and civic coders shape our future, explores their motivations, aspirations and shortcomings, offering a new civics for building communities.
Théorie de l’urbanisme
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229 pages : illustrations (chiefly color) ; 29 cm
Paris : Éditions François Bourin ; Issy-les-Moulineaux : Arte éditions, [2018]
Lumières sur la ville : une histoire de l'éclairage urbain / Agnès Bovet-Pavy.
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229 pages : illustrations (chiefly color) ; 29 cm
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Paris : Éditions François Bourin ; Issy-les-Moulineaux : Arte éditions, [2018]
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472 pages : illustrations ; 29 cm
Toronto : Riverside Architectural Press, 2013.
ACADIA 2013 adaptive architecture : proceedings of the 33rd Annual Conference of the Association for Computer Aided Design in Architecture / edited by Philip Beesley, Omar Khan, Michael Stacey.
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472 pages : illustrations ; 29 cm
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Toronto : Riverside Architectural Press, 2013.
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368 pages : illustrations (some color) ; 23 cm
[Berlin] : The Velvet Cell, [2020]
A small guide to homeownership / Alejandro Cartagena ; editing and layout by Fernando Gallegos and Alejandro Cartagena ; texts by Alejandro Cartagena and Fernando Gallegos.
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368 pages : illustrations (some color) ; 23 cm
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[Berlin] : The Velvet Cell, [2020]
Deep mapping the media city
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Going beyond current scholarship on the media city and the smart city, Shannon Mattern argues that our global cities have been mediated and intelligent for millennia. Deep Mapping the Media City advocates for urban media archaeology, a multisensory approach to investigating the material history of networked cities.
Deep mapping the media city
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Going beyond current scholarship on the media city and the smart city, Shannon Mattern argues that our global cities have been mediated and intelligent for millennia. Deep Mapping the Media City advocates for urban media archaeology, a multisensory approach to investigating the material history of networked cities.
Architecture numérique
Making cities smarter
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More than half of the world’s population is now living in cities, and this number is predicted to rise. This means that more people than ever before will share the same urban infrastructure, and city governments around the world are heavily investing in smart city technologies to prepare. At the same time, scholars argue for a movement toward smart citizens and more(...)
Making cities smarter
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More than half of the world’s population is now living in cities, and this number is predicted to rise. This means that more people than ever before will share the same urban infrastructure, and city governments around the world are heavily investing in smart city technologies to prepare. At the same time, scholars argue for a movement toward smart citizens and more participatory approaches to city making. "Making Cities Smarter" focuses on an often-overlooked element of the smart-city discourse the interface between citizens and smart-city applications. This volume translates principles from the field of user experience design to explore city-specific challenges, such as integrating physical and digital experiences. Offering a practical perspective on the concept of the smart city, this volume is the first comprehensive publication to focus on the citizen as the end user of smart-city systems.
Théorie de l’urbanisme
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Weather in the City explains and illustrates how smart urban design can enhance comfort in the city. The way we experience the urban climate depends on physical and psychological factors dictated by our surroundings. How can spatial planning and urban design influence our experience of the weather?
Weather in the city: how design shapes the urban climate
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Weather in the City explains and illustrates how smart urban design can enhance comfort in the city. The way we experience the urban climate depends on physical and psychological factors dictated by our surroundings. How can spatial planning and urban design influence our experience of the weather?
Paysages urbains
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219 pages ; 24 cm
Cambridge, Mass. : MIT Press, ©2008.
Blubberland : the dangers of happiness / Elizabeth Farrelly.
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219 pages ; 24 cm
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Cambridge, Mass. : MIT Press, ©2008.
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Making Room is an anthology of texts on art, media and aesthetic practice in the context of squatting, occupation and urban-space activism. It includes pieces by activist researchers working between the academy and the movements they write about, as well as journalistic first-person narratives by squatters, original photography and interviews with artists, theorists and(...)
Making Room: Cultural Production in Occupied Spaces
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Making Room is an anthology of texts on art, media and aesthetic practice in the context of squatting, occupation and urban-space activism. It includes pieces by activist researchers working between the academy and the movements they write about, as well as journalistic first-person narratives by squatters, original photography and interviews with artists, theorists and activists involved in struggles over urban space and creative production in the city. Topics include brief histories of squatting in the UK, Germany and the Netherlands; the creation of Temporary Autonomous Zones; Puerto Rican occupations in New York; the influence of the Situationists on French squatting; and activism and camping at Documentas 10, 11 and 13. Throughout, cultural production appears in various forms ranging from conventional art practices to the organizing of communities and networks, to the production of media and setting up of information systems.
Théorie de l’urbanisme