26892 Résultats
Classification:
dessins
dessins
Numéro de référence:
DR1988:0291:047
Description:
- This drawing is one of a group of 45 drawings and 4 collages, DR1988:0291:001 - DR1988:0291:049, for John Hejduk's 'Lancaster/Hanover Masque'. These include nine large, final drawings, DR1988:0291:041 - DR1988:0291:049, in which all of the structures that constitute the masque are represented, and forty smaller sketches and collages, DR1988:0291:001 - DR1988:0291:040, mostly for individual structures. All of the drawings and collages are published and illustrated, along with Hejduk's descriptions of the structures, in 'The Lancaster/Hanover Masque' (London: Architectural Association and Montréal: CCA, 1992).
DR1988:0291:047
Description:
- This drawing is one of a group of 45 drawings and 4 collages, DR1988:0291:001 - DR1988:0291:049, for John Hejduk's 'Lancaster/Hanover Masque'. These include nine large, final drawings, DR1988:0291:041 - DR1988:0291:049, in which all of the structures that constitute the masque are represented, and forty smaller sketches and collages, DR1988:0291:001 - DR1988:0291:040, mostly for individual structures. All of the drawings and collages are published and illustrated, along with Hejduk's descriptions of the structures, in 'The Lancaster/Hanover Masque' (London: Architectural Association and Montréal: CCA, 1992).
Personnes et institutions:
Sujet:
architecture, design de théâtre
architecture, design de théâtre
Date:
1980-1982
1980-1982
Titre:
Animal Hospital, Cross-Over House and Collector's House
Actions:
DR1988:0291:047
Description:
- This drawing is one of a group of 45 drawings and 4 collages, DR1988:0291:001 - DR1988:0291:049, for John Hejduk's 'Lancaster/Hanover Masque'. These include nine large, final drawings, DR1988:0291:041 - DR1988:0291:049, in which all of the structures that constitute the masque are represented, and forty smaller sketches and collages, DR1988:0291:001 - DR1988:0291:040, mostly for individual structures. All of the drawings and collages are published and illustrated, along with Hejduk's descriptions of the structures, in 'The Lancaster/Hanover Masque' (London: Architectural Association and Montréal: CCA, 1992).
Animal Hospital, Cross-Over House and Collector's House
Actions:
DR1988:0291:047
Description:
- This drawing is one of a group of 45 drawings and 4 collages, DR1988:0291:001 - DR1988:0291:049, for John Hejduk's 'Lancaster/Hanover Masque'. These include nine large, final drawings, DR1988:0291:041 - DR1988:0291:049, in which all of the structures that constitute the masque are represented, and forty smaller sketches and collages, DR1988:0291:001 - DR1988:0291:040, mostly for individual structures. All of the drawings and collages are published and illustrated, along with Hejduk's descriptions of the structures, in 'The Lancaster/Hanover Masque' (London: Architectural Association and Montréal: CCA, 1992).
Classification:
dessins
dessins
Date:
1980-1982
1980-1982
Personnes et institutions:
Sujet:
architecture, design de théâtre
architecture, design de théâtre
Classification:
dessins
dessins
Numéro de référence:
DR1988:0291:048
Description:
- This drawing is one of a group of 45 drawings and 4 collages, DR1988:0291:001 - DR1988:0291:049, for John Hejduk's 'Lancaster/Hanover Masque'. These include nine large, final drawings, DR1988:0291:041 - DR1988:0291:049, in which all of the structures that constitute the masque are represented, and forty smaller sketches and collages, DR1988:0291:001 - DR1988:0291:040, mostly for individual structures. All of the drawings and collages are published and illustrated, along with Hejduk's descriptions of the structures, in 'The Lancaster/Hanover Masque' (London: Architectural Association and Montréal: CCA, 1992).
DR1988:0291:048
Description:
- This drawing is one of a group of 45 drawings and 4 collages, DR1988:0291:001 - DR1988:0291:049, for John Hejduk's 'Lancaster/Hanover Masque'. These include nine large, final drawings, DR1988:0291:041 - DR1988:0291:049, in which all of the structures that constitute the masque are represented, and forty smaller sketches and collages, DR1988:0291:001 - DR1988:0291:040, mostly for individual structures. All of the drawings and collages are published and illustrated, along with Hejduk's descriptions of the structures, in 'The Lancaster/Hanover Masque' (London: Architectural Association and Montréal: CCA, 1992).
Personnes et institutions:
Sujet:
architecture, design de théâtre
architecture, design de théâtre
Date:
1980-1982
1980-1982
Titre:
Farm Grove, Hedge Walk, Horseshoe Place, Maypole, Post Office, Butterplace, Toll-taker's Place, Trapper's House, Accountant's Office and Suicide's House
Actions:
DR1988:0291:048
Description:
- This drawing is one of a group of 45 drawings and 4 collages, DR1988:0291:001 - DR1988:0291:049, for John Hejduk's 'Lancaster/Hanover Masque'. These include nine large, final drawings, DR1988:0291:041 - DR1988:0291:049, in which all of the structures that constitute the masque are represented, and forty smaller sketches and collages, DR1988:0291:001 - DR1988:0291:040, mostly for individual structures. All of the drawings and collages are published and illustrated, along with Hejduk's descriptions of the structures, in 'The Lancaster/Hanover Masque' (London: Architectural Association and Montréal: CCA, 1992).
Farm Grove, Hedge Walk, Horseshoe Place, Maypole, Post Office, Butterplace, Toll-taker's Place, Trapper's House, Accountant's Office and Suicide's House
Actions:
DR1988:0291:048
Description:
- This drawing is one of a group of 45 drawings and 4 collages, DR1988:0291:001 - DR1988:0291:049, for John Hejduk's 'Lancaster/Hanover Masque'. These include nine large, final drawings, DR1988:0291:041 - DR1988:0291:049, in which all of the structures that constitute the masque are represented, and forty smaller sketches and collages, DR1988:0291:001 - DR1988:0291:040, mostly for individual structures. All of the drawings and collages are published and illustrated, along with Hejduk's descriptions of the structures, in 'The Lancaster/Hanover Masque' (London: Architectural Association and Montréal: CCA, 1992).
Classification:
dessins
dessins
Date:
1980-1982
1980-1982
Personnes et institutions:
Sujet:
architecture, design de théâtre
architecture, design de théâtre
Classification:
dessins
dessins
Numéro de référence:
DR1988:0291:049
Description:
This drawing is one of a group of 45 drawings and 4 collages, DR1988:0291:001 - DR1988:0291:049, for John Hejduk's 'Lancaster/Hanover Masque'. These include nine large, final drawings, DR1988:0291:041 - DR1988:0291:049, in which all of the structures that constitute the masque are represented, and forty smaller sketches and collages, DR1988:0291:001 - DR1988:0291:040, mostly for individual structures. All of the drawings and collages are published and illustrated, along with Hejduk's descriptions of the structures, in 'The Lancaster/Hanover Masque' (London: Architectural Association and Montréal: CCA, 1992).
DR1988:0291:049
Description:
This drawing is one of a group of 45 drawings and 4 collages, DR1988:0291:001 - DR1988:0291:049, for John Hejduk's 'Lancaster/Hanover Masque'. These include nine large, final drawings, DR1988:0291:041 - DR1988:0291:049, in which all of the structures that constitute the masque are represented, and forty smaller sketches and collages, DR1988:0291:001 - DR1988:0291:040, mostly for individual structures. All of the drawings and collages are published and illustrated, along with Hejduk's descriptions of the structures, in 'The Lancaster/Hanover Masque' (London: Architectural Association and Montréal: CCA, 1992).
Personnes et institutions:
Sujet:
architecture, design de théâtre
architecture, design de théâtre
Date:
1980-1982
1980-1982
Titre:
Presentation drawing for the Lancaster/Hanover Masque
Actions:
DR1988:0291:049
Description:
This drawing is one of a group of 45 drawings and 4 collages, DR1988:0291:001 - DR1988:0291:049, for John Hejduk's 'Lancaster/Hanover Masque'. These include nine large, final drawings, DR1988:0291:041 - DR1988:0291:049, in which all of the structures that constitute the masque are represented, and forty smaller sketches and collages, DR1988:0291:001 - DR1988:0291:040, mostly for individual structures. All of the drawings and collages are published and illustrated, along with Hejduk's descriptions of the structures, in 'The Lancaster/Hanover Masque' (London: Architectural Association and Montréal: CCA, 1992).
Presentation drawing for the Lancaster/Hanover Masque
Actions:
DR1988:0291:049
Description:
This drawing is one of a group of 45 drawings and 4 collages, DR1988:0291:001 - DR1988:0291:049, for John Hejduk's 'Lancaster/Hanover Masque'. These include nine large, final drawings, DR1988:0291:041 - DR1988:0291:049, in which all of the structures that constitute the masque are represented, and forty smaller sketches and collages, DR1988:0291:001 - DR1988:0291:040, mostly for individual structures. All of the drawings and collages are published and illustrated, along with Hejduk's descriptions of the structures, in 'The Lancaster/Hanover Masque' (London: Architectural Association and Montréal: CCA, 1992).
Classification:
dessins
dessins
Date:
1980-1982
1980-1982
Personnes et institutions:
Sujet:
architecture, design de théâtre
architecture, design de théâtre
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH153469
Description:
Bill from Bonnie Thayer, May 18 1973 Final Report to the NYS Council on the Arts, 1972-1973 Memo of Peter Wolf on New Project Finance Structure, 11 May 1973 Job applications of Louis Lister & Mary Turner, January 1973 PDE's letter to Suzanne Frank announcing her election to the position of Research Associate at the Institute Balance Sheet, April 30 1973 Proposal for Project Development to Manhattan Community Board, by Peter Wolf, 18 April 1973 PDE letter to Arthur Drexler concerning IAUS's debt to the MoMA surrounding LRHD Housing exhibition, December 18 1973
ARCH153469
Description:
Bill from Bonnie Thayer, May 18 1973 Final Report to the NYS Council on the Arts, 1972-1973 Memo of Peter Wolf on New Project Finance Structure, 11 May 1973 Job applications of Louis Lister & Mary Turner, January 1973 PDE's letter to Suzanne Frank announcing her election to the position of Research Associate at the Institute Balance Sheet, April 30 1973 Proposal for Project Development to Manhattan Community Board, by Peter Wolf, 18 April 1973 PDE letter to Arthur Drexler concerning IAUS's debt to the MoMA surrounding LRHD Housing exhibition, December 18 1973
Personnes et institutions:
Date:
1973
1973
Titre:
Bill, report, memo, job applications, letter, balance sheet, proposal
Actions:
ARCH153469
Description:
Bill from Bonnie Thayer, May 18 1973 Final Report to the NYS Council on the Arts, 1972-1973 Memo of Peter Wolf on New Project Finance Structure, 11 May 1973 Job applications of Louis Lister & Mary Turner, January 1973 PDE's letter to Suzanne Frank announcing her election to the position of Research Associate at the Institute Balance Sheet, April 30 1973 Proposal for Project Development to Manhattan Community Board, by Peter Wolf, 18 April 1973 PDE letter to Arthur Drexler concerning IAUS's debt to the MoMA surrounding LRHD Housing exhibition, December 18 1973
Bill, report, memo, job applications, letter, balance sheet, proposal
Actions:
ARCH153469
Description:
Bill from Bonnie Thayer, May 18 1973 Final Report to the NYS Council on the Arts, 1972-1973 Memo of Peter Wolf on New Project Finance Structure, 11 May 1973 Job applications of Louis Lister & Mary Turner, January 1973 PDE's letter to Suzanne Frank announcing her election to the position of Research Associate at the Institute Balance Sheet, April 30 1973 Proposal for Project Development to Manhattan Community Board, by Peter Wolf, 18 April 1973 PDE letter to Arthur Drexler concerning IAUS's debt to the MoMA surrounding LRHD Housing exhibition, December 18 1973
Classification:
documents textuels
documents textuels
Date:
1973
1973
Personnes et institutions:
Classification:
dessins, documents textuels
dessins, documents textuels
Numéro de référence:
AP178.S1.2002.PR06.SS1.131
Description:
This file includes specifications for the spa and tourist villas, permit documentation and drawings for plumbing, structures and acoustics at the Casa das Freiras.
AP178.S1.2002.PR06.SS1.131
Description:
This file includes specifications for the spa and tourist villas, permit documentation and drawings for plumbing, structures and acoustics at the Casa das Freiras.
Personnes et institutions:
Date:
2008-2009
2008-2009
Titre:
Specifications and permit documentation and drawings, Parque de Pedras Salgadas, Hotel Avelames, Spa e Casa de Chá, Pedras Salgadas (folder 1 of 2)
Actions:
AP178.S1.2002.PR06.SS1.131
Description:
This file includes specifications for the spa and tourist villas, permit documentation and drawings for plumbing, structures and acoustics at the Casa das Freiras.
Specifications and permit documentation and drawings, Parque de Pedras Salgadas, Hotel Avelames, Spa e Casa de Chá, Pedras Salgadas (folder 1 of 2)
Actions:
AP178.S1.2002.PR06.SS1.131
Description:
This file includes specifications for the spa and tourist villas, permit documentation and drawings for plumbing, structures and acoustics at the Casa das Freiras.
Classification:
dessins, documents textuels
dessins, documents textuels
Date:
2008-2009
2008-2009
Personnes et institutions:
Classification:
dessins
dessins
Actions:
Numéro de référence:
DR1990:0057
Description:
- This watercolour rendering depicts a welcome arch composed of a large central barrel vaulted archway which spans the street, with a lower parallel barrel vaulted archway over the sidewalks at each side. The central archway is surmounted by a dome on a drum and the entire structure is supported by four rows of columns. The arch is embellished with Gothic-inspired features such as blind tracery and pointed arches as well as shields, including two inscribed with the letter "L", flags, floral garlands, the British royal coat of arms, and possibly lights. Staffage indicates the large scale of the arch.
DR1990:0057
Description:
- This watercolour rendering depicts a welcome arch composed of a large central barrel vaulted archway which spans the street, with a lower parallel barrel vaulted archway over the sidewalks at each side. The central archway is surmounted by a dome on a drum and the entire structure is supported by four rows of columns. The arch is embellished with Gothic-inspired features such as blind tracery and pointed arches as well as shields, including two inscribed with the letter "L", flags, floral garlands, the British royal coat of arms, and possibly lights. Staffage indicates the large scale of the arch.
Personnes et institutions:
Sujet:
architecture temporaire
architecture temporaire
Date:
16 May 1879
16 May 1879
Titre:
Perspective for a temporary welcome arch at the intersection of King and Yonge Streets for the visit of the Marquess of Lorne and Princess Louise to Toronto, September 1879
Actions:
DR1990:0057
Description:
- This watercolour rendering depicts a welcome arch composed of a large central barrel vaulted archway which spans the street, with a lower parallel barrel vaulted archway over the sidewalks at each side. The central archway is surmounted by a dome on a drum and the entire structure is supported by four rows of columns. The arch is embellished with Gothic-inspired features such as blind tracery and pointed arches as well as shields, including two inscribed with the letter "L", flags, floral garlands, the British royal coat of arms, and possibly lights. Staffage indicates the large scale of the arch.
Perspective for a temporary welcome arch at the intersection of King and Yonge Streets for the visit of the Marquess of Lorne and Princess Louise to Toronto, September 1879
Actions:
DR1990:0057
Description:
- This watercolour rendering depicts a welcome arch composed of a large central barrel vaulted archway which spans the street, with a lower parallel barrel vaulted archway over the sidewalks at each side. The central archway is surmounted by a dome on a drum and the entire structure is supported by four rows of columns. The arch is embellished with Gothic-inspired features such as blind tracery and pointed arches as well as shields, including two inscribed with the letter "L", flags, floral garlands, the British royal coat of arms, and possibly lights. Staffage indicates the large scale of the arch.
Classification:
dessins
dessins
Date:
16 May 1879
16 May 1879
Personnes et institutions:
Sujet:
architecture temporaire
architecture temporaire
Classification:
dessins
dessins
Numéro de référence:
DR1988:0041
Description:
- Design for the front elevation of a church with a main building flanked by two towers, all three of which are topped by pagoda-shaped structures.
DR1988:0041
Description:
- Design for the front elevation of a church with a main building flanked by two towers, all three of which are topped by pagoda-shaped structures.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
circa 1920-1921
circa 1920-1921
Titre:
Visionary design for the front elevation of a Protestant church
Actions:
DR1988:0041
Description:
- Design for the front elevation of a church with a main building flanked by two towers, all three of which are topped by pagoda-shaped structures.
Visionary design for the front elevation of a Protestant church
Actions:
DR1988:0041
Description:
- Design for the front elevation of a church with a main building flanked by two towers, all three of which are topped by pagoda-shaped structures.
Classification:
dessins
dessins
Date:
circa 1920-1921
circa 1920-1921
Personnes et institutions:
Sujet:
architecture
architecture
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP056.S1.1988.PR11
Description:
This project series documents the design of a housing complex known as Dovestar in Toronto from1988-1991. The office identified the project number as 8815. This project consisted of a proposed housing complex on the corner of St. Joseph and St. Nicholas Streets, comprised of three components - the Dovestar condominiums, the CityHome building and a Co-op building. Maintaining the historic building facades along St. Joseph Street, the 19-storey Dovestar condominiums would bridge over St. Nicholas Street to connect to the CityHome building as one congruent structure. Across the street from Dovestar, the CityHome building was defined as the first five storeys of the property, also with historic facades at the lower levels, and the remaining storeys were part of the Dovestar condominium. The Co-op building was entirely separate, set apart from the others by a common outdoor garden space. Dovestar was to be a 312 unit condominium complex, approximately 32,000 square metres in size, with retail spaces and two-storey townhouse units on the ground floor. The CityHome building would be 35 units, approximately 3,500 square metres in size, with retail, restaurant spaces, and two-storey townhouse units on the ground floor. Finally, the Co-op building was to be 24 units and approximately 1,971 square metres in size. All three buildings shared 247 parking spaces and recreational areas totalling 2,934 square metres. This project was never built. The project is recorded through drawings and a project model dating from 1988-1991. The drawings are mostly originals and include site plans and surveys, sketches, elevations, plans, sections, and isometrics.
AP056.S1.1988.PR11
Description:
This project series documents the design of a housing complex known as Dovestar in Toronto from1988-1991. The office identified the project number as 8815. This project consisted of a proposed housing complex on the corner of St. Joseph and St. Nicholas Streets, comprised of three components - the Dovestar condominiums, the CityHome building and a Co-op building. Maintaining the historic building facades along St. Joseph Street, the 19-storey Dovestar condominiums would bridge over St. Nicholas Street to connect to the CityHome building as one congruent structure. Across the street from Dovestar, the CityHome building was defined as the first five storeys of the property, also with historic facades at the lower levels, and the remaining storeys were part of the Dovestar condominium. The Co-op building was entirely separate, set apart from the others by a common outdoor garden space. Dovestar was to be a 312 unit condominium complex, approximately 32,000 square metres in size, with retail spaces and two-storey townhouse units on the ground floor. The CityHome building would be 35 units, approximately 3,500 square metres in size, with retail, restaurant spaces, and two-storey townhouse units on the ground floor. Finally, the Co-op building was to be 24 units and approximately 1,971 square metres in size. All three buildings shared 247 parking spaces and recreational areas totalling 2,934 square metres. This project was never built. The project is recorded through drawings and a project model dating from 1988-1991. The drawings are mostly originals and include site plans and surveys, sketches, elevations, plans, sections, and isometrics.
Personnes et institutions:
Date:
1988-1991
1988-1991
Titre:
Dovestar Project, Toronto (1988-1991)
Actions:
AP056.S1.1988.PR11
Description:
This project series documents the design of a housing complex known as Dovestar in Toronto from1988-1991. The office identified the project number as 8815. This project consisted of a proposed housing complex on the corner of St. Joseph and St. Nicholas Streets, comprised of three components - the Dovestar condominiums, the CityHome building and a Co-op building. Maintaining the historic building facades along St. Joseph Street, the 19-storey Dovestar condominiums would bridge over St. Nicholas Street to connect to the CityHome building as one congruent structure. Across the street from Dovestar, the CityHome building was defined as the first five storeys of the property, also with historic facades at the lower levels, and the remaining storeys were part of the Dovestar condominium. The Co-op building was entirely separate, set apart from the others by a common outdoor garden space. Dovestar was to be a 312 unit condominium complex, approximately 32,000 square metres in size, with retail spaces and two-storey townhouse units on the ground floor. The CityHome building would be 35 units, approximately 3,500 square metres in size, with retail, restaurant spaces, and two-storey townhouse units on the ground floor. Finally, the Co-op building was to be 24 units and approximately 1,971 square metres in size. All three buildings shared 247 parking spaces and recreational areas totalling 2,934 square metres. This project was never built. The project is recorded through drawings and a project model dating from 1988-1991. The drawings are mostly originals and include site plans and surveys, sketches, elevations, plans, sections, and isometrics.
Dovestar Project, Toronto (1988-1991)
Actions:
AP056.S1.1988.PR11
Description:
This project series documents the design of a housing complex known as Dovestar in Toronto from1988-1991. The office identified the project number as 8815. This project consisted of a proposed housing complex on the corner of St. Joseph and St. Nicholas Streets, comprised of three components - the Dovestar condominiums, the CityHome building and a Co-op building. Maintaining the historic building facades along St. Joseph Street, the 19-storey Dovestar condominiums would bridge over St. Nicholas Street to connect to the CityHome building as one congruent structure. Across the street from Dovestar, the CityHome building was defined as the first five storeys of the property, also with historic facades at the lower levels, and the remaining storeys were part of the Dovestar condominium. The Co-op building was entirely separate, set apart from the others by a common outdoor garden space. Dovestar was to be a 312 unit condominium complex, approximately 32,000 square metres in size, with retail spaces and two-storey townhouse units on the ground floor. The CityHome building would be 35 units, approximately 3,500 square metres in size, with retail, restaurant spaces, and two-storey townhouse units on the ground floor. Finally, the Co-op building was to be 24 units and approximately 1,971 square metres in size. All three buildings shared 247 parking spaces and recreational areas totalling 2,934 square metres. This project was never built. The project is recorded through drawings and a project model dating from 1988-1991. The drawings are mostly originals and include site plans and surveys, sketches, elevations, plans, sections, and isometrics.
Niveau de description archivistique:
Project
Project
Date:
1988-1991
1988-1991
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP056.S1.1991.PR04
Description:
This project series documents Phase 2A of work completed for Hasbro Headquarters in Pawtucket, Rhode Island from 1991-1992. The office identified the project number as 9104. This project consisted of interior work for part of the company's headquarters and was the second in a series of projects that the firm would complete for the headquarters. The 300,000 square foot building was predominantly one-storey and located on the block between Saratoga, Grand, London and Newport Avenues. The three projects were known as Main Street, Phase 2A and Phase 2B. Phase 1 was completed in 1986 by Barton Myers Associates with Shirley Blumberg as partner-in-charge. These subsequent projects by KPMB were also headed by Shirley Blumberg and continued the initial style she had established in Phase 1. These projects saw the conversion of a historic brick and masonry mill into the company's new offices. The office structure was inspired by the layout of a Greek town, with a main street running through it. This phase included office areas for the engineering soft toys department, the creative services department, human resources and legal services, as well as a fabric library, fabric storage room, conference rooms, and a presentation theatre with a curved backdrop. Planning for the next phase and an east wing also began during this time. The project is recorded through drawings and a project model dating from 1988-1992. These are mostly original drawings and include sketches, plans, sections, elevations, perspectives, details, and some construction drawings. Many of the drawings focus on the office furniture.
AP056.S1.1991.PR04
Description:
This project series documents Phase 2A of work completed for Hasbro Headquarters in Pawtucket, Rhode Island from 1991-1992. The office identified the project number as 9104. This project consisted of interior work for part of the company's headquarters and was the second in a series of projects that the firm would complete for the headquarters. The 300,000 square foot building was predominantly one-storey and located on the block between Saratoga, Grand, London and Newport Avenues. The three projects were known as Main Street, Phase 2A and Phase 2B. Phase 1 was completed in 1986 by Barton Myers Associates with Shirley Blumberg as partner-in-charge. These subsequent projects by KPMB were also headed by Shirley Blumberg and continued the initial style she had established in Phase 1. These projects saw the conversion of a historic brick and masonry mill into the company's new offices. The office structure was inspired by the layout of a Greek town, with a main street running through it. This phase included office areas for the engineering soft toys department, the creative services department, human resources and legal services, as well as a fabric library, fabric storage room, conference rooms, and a presentation theatre with a curved backdrop. Planning for the next phase and an east wing also began during this time. The project is recorded through drawings and a project model dating from 1988-1992. These are mostly original drawings and include sketches, plans, sections, elevations, perspectives, details, and some construction drawings. Many of the drawings focus on the office furniture.
Personnes et institutions:
Date:
1988-1992
1988-1992
Titre:
Hasbro Headquarters, Phase 2A, Rhode Island (1991-1992)
Actions:
AP056.S1.1991.PR04
Description:
This project series documents Phase 2A of work completed for Hasbro Headquarters in Pawtucket, Rhode Island from 1991-1992. The office identified the project number as 9104. This project consisted of interior work for part of the company's headquarters and was the second in a series of projects that the firm would complete for the headquarters. The 300,000 square foot building was predominantly one-storey and located on the block between Saratoga, Grand, London and Newport Avenues. The three projects were known as Main Street, Phase 2A and Phase 2B. Phase 1 was completed in 1986 by Barton Myers Associates with Shirley Blumberg as partner-in-charge. These subsequent projects by KPMB were also headed by Shirley Blumberg and continued the initial style she had established in Phase 1. These projects saw the conversion of a historic brick and masonry mill into the company's new offices. The office structure was inspired by the layout of a Greek town, with a main street running through it. This phase included office areas for the engineering soft toys department, the creative services department, human resources and legal services, as well as a fabric library, fabric storage room, conference rooms, and a presentation theatre with a curved backdrop. Planning for the next phase and an east wing also began during this time. The project is recorded through drawings and a project model dating from 1988-1992. These are mostly original drawings and include sketches, plans, sections, elevations, perspectives, details, and some construction drawings. Many of the drawings focus on the office furniture.
Hasbro Headquarters, Phase 2A, Rhode Island (1991-1992)
Actions:
AP056.S1.1991.PR04
Description:
This project series documents Phase 2A of work completed for Hasbro Headquarters in Pawtucket, Rhode Island from 1991-1992. The office identified the project number as 9104. This project consisted of interior work for part of the company's headquarters and was the second in a series of projects that the firm would complete for the headquarters. The 300,000 square foot building was predominantly one-storey and located on the block between Saratoga, Grand, London and Newport Avenues. The three projects were known as Main Street, Phase 2A and Phase 2B. Phase 1 was completed in 1986 by Barton Myers Associates with Shirley Blumberg as partner-in-charge. These subsequent projects by KPMB were also headed by Shirley Blumberg and continued the initial style she had established in Phase 1. These projects saw the conversion of a historic brick and masonry mill into the company's new offices. The office structure was inspired by the layout of a Greek town, with a main street running through it. This phase included office areas for the engineering soft toys department, the creative services department, human resources and legal services, as well as a fabric library, fabric storage room, conference rooms, and a presentation theatre with a curved backdrop. Planning for the next phase and an east wing also began during this time. The project is recorded through drawings and a project model dating from 1988-1992. These are mostly original drawings and include sketches, plans, sections, elevations, perspectives, details, and some construction drawings. Many of the drawings focus on the office furniture.
Niveau de description archivistique:
Project
Project
Date:
1988-1992
1988-1992
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Projects
Projects
Numéro de référence:
AP198.S1
Description:
Series consists of records documenting two of Kivi Sotamaa and OCEAN North’s projects: the Open Arena – Töölö Football Stadium and the Terra Cultura – Jyväskylä Music and Art Centre. Both projects were international architectural competitions worked on concurrently in 1997. The collaborative process around these projects allowed exploring design methods through the usage of digital tools. Records, for the most part, consist of digital files and show the design process for both projects. In discussions with Greg Lynn, Johan Bettum and Kivi Sotamaa have expressed that they had broached Töölö as a landscape and Jyväskylä as a cloud. Altogether, this vision is visible in the digital drawings for both projects, although more predominantly in the Jyväskylä records which also includes detailed plans. For both projects, digital drawings and models were created using CAD software (Microstation, form*Z, 3D Studio). Many drawings were saved exclusively as raster or vector images. Project records include physical drawings. For Töölö, drawings show mainly the work on the shape of the structure and include printouts from CAD drawings. These are partial plans and sections. The records for Jyväskylä include sections and plans of the different levels of the building as well as an annotated sketch. Textual records in Series 2 provide more context for the design process and the creation and use of methodologies such as particle streaming, used in the design process for Jyväskylä, and Channelling Systems, used in the design process for Töölö. Sources: Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
AP198.S1
Description:
Series consists of records documenting two of Kivi Sotamaa and OCEAN North’s projects: the Open Arena – Töölö Football Stadium and the Terra Cultura – Jyväskylä Music and Art Centre. Both projects were international architectural competitions worked on concurrently in 1997. The collaborative process around these projects allowed exploring design methods through the usage of digital tools. Records, for the most part, consist of digital files and show the design process for both projects. In discussions with Greg Lynn, Johan Bettum and Kivi Sotamaa have expressed that they had broached Töölö as a landscape and Jyväskylä as a cloud. Altogether, this vision is visible in the digital drawings for both projects, although more predominantly in the Jyväskylä records which also includes detailed plans. For both projects, digital drawings and models were created using CAD software (Microstation, form*Z, 3D Studio). Many drawings were saved exclusively as raster or vector images. Project records include physical drawings. For Töölö, drawings show mainly the work on the shape of the structure and include printouts from CAD drawings. These are partial plans and sections. The records for Jyväskylä include sections and plans of the different levels of the building as well as an annotated sketch. Textual records in Series 2 provide more context for the design process and the creation and use of methodologies such as particle streaming, used in the design process for Jyväskylä, and Channelling Systems, used in the design process for Töölö. Sources: Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Personnes et institutions:
Date:
1997
1997
Titre:
Projects
Actions:
AP198.S1
Description:
Series consists of records documenting two of Kivi Sotamaa and OCEAN North’s projects: the Open Arena – Töölö Football Stadium and the Terra Cultura – Jyväskylä Music and Art Centre. Both projects were international architectural competitions worked on concurrently in 1997. The collaborative process around these projects allowed exploring design methods through the usage of digital tools. Records, for the most part, consist of digital files and show the design process for both projects. In discussions with Greg Lynn, Johan Bettum and Kivi Sotamaa have expressed that they had broached Töölö as a landscape and Jyväskylä as a cloud. Altogether, this vision is visible in the digital drawings for both projects, although more predominantly in the Jyväskylä records which also includes detailed plans. For both projects, digital drawings and models were created using CAD software (Microstation, form*Z, 3D Studio). Many drawings were saved exclusively as raster or vector images. Project records include physical drawings. For Töölö, drawings show mainly the work on the shape of the structure and include printouts from CAD drawings. These are partial plans and sections. The records for Jyväskylä include sections and plans of the different levels of the building as well as an annotated sketch. Textual records in Series 2 provide more context for the design process and the creation and use of methodologies such as particle streaming, used in the design process for Jyväskylä, and Channelling Systems, used in the design process for Töölö. Sources: Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Projects
Actions:
AP198.S1
Description:
Series consists of records documenting two of Kivi Sotamaa and OCEAN North’s projects: the Open Arena – Töölö Football Stadium and the Terra Cultura – Jyväskylä Music and Art Centre. Both projects were international architectural competitions worked on concurrently in 1997. The collaborative process around these projects allowed exploring design methods through the usage of digital tools. Records, for the most part, consist of digital files and show the design process for both projects. In discussions with Greg Lynn, Johan Bettum and Kivi Sotamaa have expressed that they had broached Töölö as a landscape and Jyväskylä as a cloud. Altogether, this vision is visible in the digital drawings for both projects, although more predominantly in the Jyväskylä records which also includes detailed plans. For both projects, digital drawings and models were created using CAD software (Microstation, form*Z, 3D Studio). Many drawings were saved exclusively as raster or vector images. Project records include physical drawings. For Töölö, drawings show mainly the work on the shape of the structure and include printouts from CAD drawings. These are partial plans and sections. The records for Jyväskylä include sections and plans of the different levels of the building as well as an annotated sketch. Textual records in Series 2 provide more context for the design process and the creation and use of methodologies such as particle streaming, used in the design process for Jyväskylä, and Channelling Systems, used in the design process for Töölö. Sources: Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Niveau de description archivistique:
Series
Series
Date:
1997
1997
Personnes et institutions:
