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71 pages : illustrations (some color), maps ; 27 cm
Warsaw : Muzeum Sztuki Nowoczesnej w Warszawie, 2017.
Oskar i Zofia Hansenowie forma otwarta / teksty: Aleksandra Kędziorek, Marcin Wicha.
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71 pages : illustrations (some color), maps ; 27 cm
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Warsaw : Muzeum Sztuki Nowoczesnej w Warszawie, 2017.
$52.50
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The accompanying catalog for the New Museum’s exhibition "Trigger: gender as a tool and a weapon" investigates gender’s place in contemporary art and culture at a moment of political upheaval and renewed culture wars. The exhibition features over 40 artists working across a variety of mediums and genres, including film, video, performance, painting and sculpture. Among(...)
Trigger: gender as a tool and a weapon
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The accompanying catalog for the New Museum’s exhibition "Trigger: gender as a tool and a weapon" investigates gender’s place in contemporary art and culture at a moment of political upheaval and renewed culture wars. The exhibition features over 40 artists working across a variety of mediums and genres, including film, video, performance, painting and sculpture. Among the artists included are Morgan Bassichis, Nayland Blake, Pauline Boudry/Renate Lorenz, Vaginal Davis, ektor garcia, House of Ladosha, Candice Lin, Christina Quarles, Tschabalala Self, Paul Mpagi Sepuya, Sable Elyse Smith and Wu Tsang.
Expositions collectives
$41.50
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This book documents a residency research project (2007–2017) founded by viaindustriae, a cultural non-profit organization and a collective that aims at investigating the intermediate territories between art and architecture, new forms of communication, and activating the artistic message through different methods. Initially based on specific research into a marginal and(...)
10 landscapes: documentary, inventory, utopia
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This book documents a residency research project (2007–2017) founded by viaindustriae, a cultural non-profit organization and a collective that aims at investigating the intermediate territories between art and architecture, new forms of communication, and activating the artistic message through different methods. Initially based on specific research into a marginal and radical rural-mountain landscape in Umbria that used "hypertextual" methods and projects to draw links between different sites and "thematic" landscapes, the outcome is a broad investigation, exhibition, and catalogue on public spaces, site-specific art practices, and interventions on landscape in Italy and beyond.
Théorie de l’art
$61.25
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Ce catalogue est publié à l'occasion de l'exposition Chants exploratoires, Minotaure, La revue d'Albert Skira, 1933-1939, présentée au Cabinet des estampes du Musée d'art et d'histoire de Genève du 30 novembre au 30 mars 2008.
octobre 2008, Genève
Chants exploratoires, Minotaure, la revue d'Albert Skira 1933-1939
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Ce catalogue est publié à l'occasion de l'exposition Chants exploratoires, Minotaure, La revue d'Albert Skira, 1933-1939, présentée au Cabinet des estampes du Musée d'art et d'histoire de Genève du 30 novembre au 30 mars 2008.
livres
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viii, 240 pages, 24 unnumbered pages of plates : illustrations (some color) ; 26 cm
Toronto : University of Toronto Press, ©2010.
Expo 67 : not just a souvenir / edited by Rhona Richman Kenneally and Johanne Sloan.
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viii, 240 pages, 24 unnumbered pages of plates : illustrations (some color) ; 26 cm
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Toronto : University of Toronto Press, ©2010.
$43.00
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This book features eleven internationally acclaimed artists, including Jan Albers, Michael Borremans, Marc Brandenburg, Fernando Bryce, Kate Davis, Monika Grzymala, David Haines, Kim Hiorthoy, Sandra Vasquez de la Horra, Garrett Phelan and Naoyuki Tsuji. As a group, their work represents a vast range of possible interpretations of drawing, from meticulously rendered(...)
The end of the line: attitudes in drawing
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This book features eleven internationally acclaimed artists, including Jan Albers, Michael Borremans, Marc Brandenburg, Fernando Bryce, Kate Davis, Monika Grzymala, David Haines, Kim Hiorthoy, Sandra Vasquez de la Horra, Garrett Phelan and Naoyuki Tsuji. As a group, their work represents a vast range of possible interpretations of drawing, from meticulously rendered quotidian scenes to three-dimensional drawings that merge with and respond to architectural space. Though drawing foundered in art schools during the 1970s, tainted by academicism, recently it has undergone a resurgence of popularity, partly because of its accessibility as a tool for communicating personal visions and ideas.
Expositions collectives
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dpr-barcelona 2022
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dpr-barcelona 2022
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viii, 239 pages : illustrations (some color) ; 19 cm
Boston : The Center for Arts, Design, and Social Research, 2024.
The agritopianists : thinking and practice in rural Japan / Ou Ning ; translated by Matt Turner and Weng Haiying.
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viii, 239 pages : illustrations (some color) ; 19 cm
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Boston : The Center for Arts, Design, and Social Research, 2024.
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Dessiner pour bâtir : le métier d'architecte au XVIIe siècle / Alexandre Cojannot et Alexandre Gady.
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350 pages : illustrations (some color), facsimiles, plans, portraits ; 28 cm
Paris : Le Passage, [2017], ©2017
Dessiner pour bâtir : le métier d'architecte au XVIIe siècle / Alexandre Cojannot et Alexandre Gady.
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350 pages : illustrations (some color), facsimiles, plans, portraits ; 28 cm
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Paris : Le Passage, [2017], ©2017
livres
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x, 169 pages ; 23 cm
Toronto ; Buffalo : University of Toronto Press, ©2011.
Seeing things : from Shakespeare to Pixar / Alan Ackerman.
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x, 169 pages ; 23 cm
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Toronto ; Buffalo : University of Toronto Press, ©2011.