1523 Résultats
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The official catalog for the United Arabic Emirates' National Pavilion at the Venice Architecture Biennale, ''In Plain Sigh''t was conceived as a collection of travels through aridity. Contributors were asked to explore the relationship between travel, travel writing and the built environment. What emerged was a diverse set of positions and attitudes towards travel(...)
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The official catalog for the United Arabic Emirates' National Pavilion at the Venice Architecture Biennale, ''In Plain Sigh''t was conceived as a collection of travels through aridity. Contributors were asked to explore the relationship between travel, travel writing and the built environment. What emerged was a diverse set of positions and attitudes towards travel(...)
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In plain sight: Scenes from aridly abundant landscapes. 18th Venice Architecture Biennale
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The official catalog for the United Arabic Emirates' National Pavilion at the Venice Architecture Biennale, ''In Plain Sigh''t was conceived as a collection of travels through aridity. Contributors were asked to explore the relationship between travel, travel writing and the built environment. What emerged was a diverse set of positions and attitudes towards travel writing that ranged from documenting journeys through historical texts and images in search of lost relationships with aridity and the practices it engenders, to authors who traveled to contemporary arid spaces in search of nuance and abundance, and essays that explore the blurry and conceptual edges of aridity. Alongside the travel-based contributions, the book presents a series of field notes, ostensibly framed as research findings. In the field notes, curator Faysal Tabbarah attempts to narrate the places, materials and tactics that he encountered on numerous trips. Buttressing these field notes are photographic series depicting the range of tactics used in constructing Al Hajar’s built environment. Addressing aridity across time, space and ideas, In Plain Sight recasts the genre of travel literature, challenging the ways in which arid environments have historically been depicted.
In plain sight: Scenes from aridly abundant landscapes. 18th Venice Architecture Biennale
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The official catalog for the United Arabic Emirates' National Pavilion at the Venice Architecture Biennale, ''In Plain Sigh''t was conceived as a collection of travels through aridity. Contributors were asked to explore the relationship between travel, travel writing and the built environment. What emerged was a diverse set of positions and attitudes towards travel writing that ranged from documenting journeys through historical texts and images in search of lost relationships with aridity and the practices it engenders, to authors who traveled to contemporary arid spaces in search of nuance and abundance, and essays that explore the blurry and conceptual edges of aridity. Alongside the travel-based contributions, the book presents a series of field notes, ostensibly framed as research findings. In the field notes, curator Faysal Tabbarah attempts to narrate the places, materials and tactics that he encountered on numerous trips. Buttressing these field notes are photographic series depicting the range of tactics used in constructing Al Hajar’s built environment. Addressing aridity across time, space and ideas, In Plain Sight recasts the genre of travel literature, challenging the ways in which arid environments have historically been depicted.
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livres
livres
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août 2023
août 2023
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Biennale
Biennale
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Views of Airports documents a lengthy series of work by Peter Fischli (born 1952) and David Weiss (1946-2012), comprising 1,010 photographs to date, all of which appear here complete for the first time. For this ongoing documentary project, the artistic duo photograph the airports they passed through in their travels around the world over nearly 25 years, in a quest for(...)
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Views of Airports documents a lengthy series of work by Peter Fischli (born 1952) and David Weiss (1946-2012), comprising 1,010 photographs to date, all of which appear here complete for the first time. For this ongoing documentary project, the artistic duo photograph the airports they passed through in their travels around the world over nearly 25 years, in a quest for(...)
Titre:
Peter Fischli / David Weiss : 800 views of airports
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Views of Airports documents a lengthy series of work by Peter Fischli (born 1952) and David Weiss (1946-2012), comprising 1,010 photographs to date, all of which appear here complete for the first time. For this ongoing documentary project, the artistic duo photograph the airports they passed through in their travels around the world over nearly 25 years, in a quest for exotic banality throughout different cultures. Their images of these nondescript airports focus on the humdrum aspect of air travel : the fuel vehicles, the baggage trucks, the daily routines of airport workers, the long antiseptic corridors and sprawling tarmacs surrounded by panoramic views of empty vistas. Whether presenting a Lufthansa airplane sitting idle in a yellowy light, a Swiss Air plane waiting in a neon-haunted dusk or an Air France plane getting its belly filled in the dead of night, Fischli and Weiss’s images present the evanescence of any national identity when reduced to a symbol on a vertical stabilizer. 800 Views of Airports reveal the non-places encircling our world, and the non-journeys that have come to define our contemporary life in transit, while simultaneously offering carefully composed images that are strangely placid and restful.
Peter Fischli / David Weiss : 800 views of airports
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Views of Airports documents a lengthy series of work by Peter Fischli (born 1952) and David Weiss (1946-2012), comprising 1,010 photographs to date, all of which appear here complete for the first time. For this ongoing documentary project, the artistic duo photograph the airports they passed through in their travels around the world over nearly 25 years, in a quest for exotic banality throughout different cultures. Their images of these nondescript airports focus on the humdrum aspect of air travel : the fuel vehicles, the baggage trucks, the daily routines of airport workers, the long antiseptic corridors and sprawling tarmacs surrounded by panoramic views of empty vistas. Whether presenting a Lufthansa airplane sitting idle in a yellowy light, a Swiss Air plane waiting in a neon-haunted dusk or an Air France plane getting its belly filled in the dead of night, Fischli and Weiss’s images present the evanescence of any national identity when reduced to a symbol on a vertical stabilizer. 800 Views of Airports reveal the non-places encircling our world, and the non-journeys that have come to define our contemporary life in transit, while simultaneously offering carefully composed images that are strangely placid and restful.
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livres
livres
Publication:
novembre 2012
novembre 2012
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
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$48.00
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"Africas: The Artist and the City" contains a double affirmation. It corroborates the existence of an "other" urban and artistic reality in Africa, and it asserts that these realities do not correspond with what stereotypes would have us see as Africa's sole reality. In the words of Pep Subiros, we should talk not of Africa but of Africas. Yet until now, there has been(...)
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"Africas: The Artist and the City" contains a double affirmation. It corroborates the existence of an "other" urban and artistic reality in Africa, and it asserts that these realities do not correspond with what stereotypes would have us see as Africa's sole reality. In the words of Pep Subiros, we should talk not of Africa but of Africas. Yet until now, there has been(...)
Sujet:
Arch Moyen-Orient
Arch Moyen-Orient
Publication:
janvier 1900, Barcelona
janvier 1900, Barcelona
Titre:
Africas : The artist and the city -a journey and an exhibition
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"Africas: The Artist and the City" contains a double affirmation. It corroborates the existence of an "other" urban and artistic reality in Africa, and it asserts that these realities do not correspond with what stereotypes would have us see as Africa's sole reality. In the words of Pep Subiros, we should talk not of Africa but of Africas. Yet until now, there has been little said about the Africas depicted here, about urban centers like Dakar, Cape Town, and Abidjan that are undergoing urbanization and growth at breakneck speed. And what of the work of artists based in these cities? "Africas: The Artist and the City" aims to illustrate a moment in which a fertile collision is taking place between tradition and modernity, between the local and the global--and to introduce the settings where this confluence is taking place.
Africas : The artist and the city -a journey and an exhibition
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"Africas: The Artist and the City" contains a double affirmation. It corroborates the existence of an "other" urban and artistic reality in Africa, and it asserts that these realities do not correspond with what stereotypes would have us see as Africa's sole reality. In the words of Pep Subiros, we should talk not of Africa but of Africas. Yet until now, there has been little said about the Africas depicted here, about urban centers like Dakar, Cape Town, and Abidjan that are undergoing urbanization and growth at breakneck speed. And what of the work of artists based in these cities? "Africas: The Artist and the City" aims to illustrate a moment in which a fertile collision is taking place between tradition and modernity, between the local and the global--and to introduce the settings where this confluence is taking place.
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livres
livres
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janvier 1900, Barcelona
janvier 1900, Barcelona
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Arch Moyen-Orient
Arch Moyen-Orient
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livres
livres
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Stanley Greenberg : waterworks - a photographic journey through New York's hidden water system
Stanley Greenberg : waterworks - a photographic journey through New York's hidden water system
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New York’s water system is staggering – it provides 1.3 billion gallons of water a day to over 9 million people from 200 square miles of watershed. Its aqueducts, reservoirs, tunnels, gatehouses, and tanks have been continually under construction since the 1830s, and its current – and largest – tunnel project will not be completed until 2020. But more significantly, New(...)
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New York’s water system is staggering – it provides 1.3 billion gallons of water a day to over 9 million people from 200 square miles of watershed. Its aqueducts, reservoirs, tunnels, gatehouses, and tanks have been continually under construction since the 1830s, and its current – and largest – tunnel project will not be completed until 2020. But more significantly, New(...)
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Stanley Greenberg : waterworks - a photographic journey through New York's hidden water system
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New York’s water system is staggering – it provides 1.3 billion gallons of water a day to over 9 million people from 200 square miles of watershed. Its aqueducts, reservoirs, tunnels, gatehouses, and tanks have been continually under construction since the 1830s, and its current – and largest – tunnel project will not be completed until 2020. But more significantly, New York’s water system is also sublime – from its acres of bucolic land to its glimmering steel mechanizations, "Waterworks" captures the beauty and mystery of the system that is so essential to so many. Photographer Stanley Greenberg began photographing these spectacular sites in 1992 after years of petitioning the authorities to gain access to them. Since then he has traveled to places as varied as dams in remote regions of upstate New York and tunnels 800 feet below the streets of Brooklyn. He finished his shooting in the spring of 2001, just before the events of 9/11 closed most of these sites to all access. In "Waterworks", Greenberg reveals the now hidden liquid city in stunning duotones. An introduction by Matthew Gandy covers the history, technology, and culture of the system.
Stanley Greenberg : waterworks - a photographic journey through New York's hidden water system
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New York’s water system is staggering – it provides 1.3 billion gallons of water a day to over 9 million people from 200 square miles of watershed. Its aqueducts, reservoirs, tunnels, gatehouses, and tanks have been continually under construction since the 1830s, and its current – and largest – tunnel project will not be completed until 2020. But more significantly, New York’s water system is also sublime – from its acres of bucolic land to its glimmering steel mechanizations, "Waterworks" captures the beauty and mystery of the system that is so essential to so many. Photographer Stanley Greenberg began photographing these spectacular sites in 1992 after years of petitioning the authorities to gain access to them. Since then he has traveled to places as varied as dams in remote regions of upstate New York and tunnels 800 feet below the streets of Brooklyn. He finished his shooting in the spring of 2001, just before the events of 9/11 closed most of these sites to all access. In "Waterworks", Greenberg reveals the now hidden liquid city in stunning duotones. An introduction by Matthew Gandy covers the history, technology, and culture of the system.
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livres
livres
Publication:
avril 2003, New York
avril 2003, New York
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Monographies photo
Monographies photo
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xxii, 310 pages : illustrations (some color), facsimiles, plans (some color), portraits (some color) ; 29 cm
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xxii, 310 pages : illustrations (some color), facsimiles, plans (some color), portraits (some color) ; 29 cm
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New York, NY : Bauer and Dean Publishers Inc., [2021]
New York, NY : Bauer and Dean Publishers Inc., [2021]
Titre:
Building the Brooklyn Bridge 1869-1883 : an illustrated history with images in 3D / Jeffrey I. Richman; essays by Richard Haw and Erica Wagner.
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xxii, 310 pages : illustrations (some color), facsimiles, plans (some color), portraits (some color) ; 29 cm
Building the Brooklyn Bridge 1869-1883 : an illustrated history with images in 3D / Jeffrey I. Richman; essays by Richard Haw and Erica Wagner.
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xxii, 310 pages : illustrations (some color), facsimiles, plans (some color), portraits (some color) ; 29 cm
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livres
livres
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New York, NY : Bauer and Dean Publishers Inc., [2021]
New York, NY : Bauer and Dean Publishers Inc., [2021]
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livres
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Dandelions
Dandelions
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In ''Dandelions'', Thea Lenarduzzi pieces together her family history through four generations’ worth of migration between Italy and England, and the stories scattered like seeds along the way. Where, or what, is home? What has it meant, historically and personally, to be 'Italian' or 'English', or both in a culture that prefers us to choose? What does it mean to have(...)
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In ''Dandelions'', Thea Lenarduzzi pieces together her family history through four generations’ worth of migration between Italy and England, and the stories scattered like seeds along the way. Where, or what, is home? What has it meant, historically and personally, to be 'Italian' or 'English', or both in a culture that prefers us to choose? What does it mean to have(...)
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Dandelions
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In ''Dandelions'', Thea Lenarduzzi pieces together her family history through four generations’ worth of migration between Italy and England, and the stories scattered like seeds along the way. Where, or what, is home? What has it meant, historically and personally, to be 'Italian' or 'English', or both in a culture that prefers us to choose? What does it mean to have roots? Or to have left a piece of oneself somewhere long since abandoned? At the heart of this book brimming with the lives of remarkable and apparently unremarkable people is Thea’s grandmother Dirce, a former seamstress, who, now approaching 100, is a repository of tales that are by turns unpredictable, unreliable, significant. And that lead us deeper. There’s the one about Mussolini’s modern Icarus who crashed into the murk of a lake; about the Manchester factory worker who wanted only to be seen; about the shadowy demon who visits in your sleep; and the monument to a murdered politician that, when it rains, runs the colour of blood. Through the journeys of Dirce and her relatives, from the Friuli to Sheffield and Manchester and back again, a different kind of history emerges, in which self and place are warp and weft, tightly woven, with threads left hazardously trailing.
Dandelions
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In ''Dandelions'', Thea Lenarduzzi pieces together her family history through four generations’ worth of migration between Italy and England, and the stories scattered like seeds along the way. Where, or what, is home? What has it meant, historically and personally, to be 'Italian' or 'English', or both in a culture that prefers us to choose? What does it mean to have roots? Or to have left a piece of oneself somewhere long since abandoned? At the heart of this book brimming with the lives of remarkable and apparently unremarkable people is Thea’s grandmother Dirce, a former seamstress, who, now approaching 100, is a repository of tales that are by turns unpredictable, unreliable, significant. And that lead us deeper. There’s the one about Mussolini’s modern Icarus who crashed into the murk of a lake; about the Manchester factory worker who wanted only to be seen; about the shadowy demon who visits in your sleep; and the monument to a murdered politician that, when it rains, runs the colour of blood. Through the journeys of Dirce and her relatives, from the Friuli to Sheffield and Manchester and back again, a different kind of history emerges, in which self and place are warp and weft, tightly woven, with threads left hazardously trailing.
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livres
livres
Publication:
mai 2023
mai 2023
Sujet:
Littérature et poésie
Littérature et poésie
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livres
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Passage
Passage
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$72.00
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Andy Goldsworthy's Passage focuses on the journeys that people, rivers, landscapes, and even stones take through space and time. A cairn made by the renowned sculptor in the Scottish village where he lives reveals the influence that his work close to home has on projects he creates elsewhere. A series involving elm trees, from glowing yellow leaves to dead branches,(...)
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Andy Goldsworthy's Passage focuses on the journeys that people, rivers, landscapes, and even stones take through space and time. A cairn made by the renowned sculptor in the Scottish village where he lives reveals the influence that his work close to home has on projects he creates elsewhere. A series involving elm trees, from glowing yellow leaves to dead branches,(...)
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Passage
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$72.00
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Andy Goldsworthy's Passage focuses on the journeys that people, rivers, landscapes, and even stones take through space and time. A cairn made by the renowned sculptor in the Scottish village where he lives reveals the influence that his work close to home has on projects he creates elsewhere. A series involving elm trees, from glowing yellow leaves to dead branches, exemplifies his work's vigorous beauty as well as its association with death and decay. Creations on the beach and in rivers explore the passage of time, while a white chalk path investigates the passing from day into night. Passage also includes the Garden of Stones, a Holocaust memorial at the Museum of Jewish Heritage in New York, where the artist planted 18 oak trees through holes in hollowed-out, earth-filled boulders. Documenting these and other recent works, this beautiful book is an eloquent testament to Goldsworthy's determination to deepen his understanding of the world around him, and his relationship with it, through his art. Andy Goldsworthy's work is regularly exhibited in Britain, France, the United States, Japan, and elsewhere. Although commissions take him all over the world, the landscape around his home in Dumfriesshire, Scotland, remains at the heart of his work.
Passage
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Andy Goldsworthy's Passage focuses on the journeys that people, rivers, landscapes, and even stones take through space and time. A cairn made by the renowned sculptor in the Scottish village where he lives reveals the influence that his work close to home has on projects he creates elsewhere. A series involving elm trees, from glowing yellow leaves to dead branches, exemplifies his work's vigorous beauty as well as its association with death and decay. Creations on the beach and in rivers explore the passage of time, while a white chalk path investigates the passing from day into night. Passage also includes the Garden of Stones, a Holocaust memorial at the Museum of Jewish Heritage in New York, where the artist planted 18 oak trees through holes in hollowed-out, earth-filled boulders. Documenting these and other recent works, this beautiful book is an eloquent testament to Goldsworthy's determination to deepen his understanding of the world around him, and his relationship with it, through his art. Andy Goldsworthy's work is regularly exhibited in Britain, France, the United States, Japan, and elsewhere. Although commissions take him all over the world, the landscape around his home in Dumfriesshire, Scotland, remains at the heart of his work.
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livres
livres
Publication:
novembre 2004, New York
novembre 2004, New York
Sujet:
Land Art
Land Art
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livres
livres
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$48.00
(disponible en magasin)
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Idealized representations of America, as both an aspiration and a menace, played an important role in shaping Russian architecture and urban design from the American Revolution until the fall of the Soviet Union. In Building a new New World, Jean-Louis Cohen traces the concept of “Amerikanizm” and its impact on Russia’s built environment from early czarist interest in(...)
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Idealized representations of America, as both an aspiration and a menace, played an important role in shaping Russian architecture and urban design from the American Revolution until the fall of the Soviet Union. In Building a new New World, Jean-Louis Cohen traces the concept of “Amerikanizm” and its impact on Russia’s built environment from early czarist interest in(...)
Titre:
Building a new New World: Amerikanizm in Russian Architecture
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Idealized representations of America, as both an aspiration and a menace, played an important role in shaping Russian architecture and urban design from the American Revolution until the fall of the Soviet Union. In Building a new New World, Jean-Louis Cohen traces the concept of “Amerikanizm” and its impact on Russia’s built environment from early czarist interest in Revolutionary America, through the spectacular World’s Fairs of the nineteenth century, to department stores, skyscrapers, and factories built in Russia using American methods during the twentieth century. Visions of America also captivated the Russian avant-garde, from El Lissitzky to Moisei Ginzburg, and Cohen explores the ongoing artistic dialogue maintained between the two countries at the mid-century and in the late Soviet era, when the Cold War induced a strategic competition. Tracing the many journeys of Russian writers, politicians, and planners through the American territory, foregrounding the constant streams of cultural and technological transfer from the U.S.A. to Russia, and revealing the parallel fascination among Russian and American intellectuals with the ongoing pursuit of land occupation and development within their respective borders, this study of Amerikanizm in the architecture and urban design of Russia makes a timely contribution to our understanding of modern architecture and its broader geopolitics.
Building a new New World: Amerikanizm in Russian Architecture
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Idealized representations of America, as both an aspiration and a menace, played an important role in shaping Russian architecture and urban design from the American Revolution until the fall of the Soviet Union. In Building a new New World, Jean-Louis Cohen traces the concept of “Amerikanizm” and its impact on Russia’s built environment from early czarist interest in Revolutionary America, through the spectacular World’s Fairs of the nineteenth century, to department stores, skyscrapers, and factories built in Russia using American methods during the twentieth century. Visions of America also captivated the Russian avant-garde, from El Lissitzky to Moisei Ginzburg, and Cohen explores the ongoing artistic dialogue maintained between the two countries at the mid-century and in the late Soviet era, when the Cold War induced a strategic competition. Tracing the many journeys of Russian writers, politicians, and planners through the American territory, foregrounding the constant streams of cultural and technological transfer from the U.S.A. to Russia, and revealing the parallel fascination among Russian and American intellectuals with the ongoing pursuit of land occupation and development within their respective borders, this study of Amerikanizm in the architecture and urban design of Russia makes a timely contribution to our understanding of modern architecture and its broader geopolitics.
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livres
livres
Publication:
décembre 2019
décembre 2019
Sujet:
Publications du CCA
Publications du CCA
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Description:
176 pages, 2 unnumbered leaves of plates : illustrations ; 21 cm
Description:
176 pages, 2 unnumbered leaves of plates : illustrations ; 21 cm
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Lincoln : University of Nebraska Press, 1968, ©1948.
Lincoln : University of Nebraska Press, 1968, ©1948.
Titre:
The home place / by Wright Morris.
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Description:
176 pages, 2 unnumbered leaves of plates : illustrations ; 21 cm
The home place / by Wright Morris.
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Description:
176 pages, 2 unnumbered leaves of plates : illustrations ; 21 cm
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livres
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Lincoln : University of Nebraska Press, 1968, ©1948.
Lincoln : University of Nebraska Press, 1968, ©1948.
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$115.00
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For more than ten years, German photographer Olaf Otto Becker (born 1959) has trawled the Arctic and far northern regions with his large-format camera in search of primordial landscapes. Becker's photographs attain the most sublime effects of which photography is capable, recording landscapes unscathed by human habitation, but very much affected by its consequences.(...)
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For more than ten years, German photographer Olaf Otto Becker (born 1959) has trawled the Arctic and far northern regions with his large-format camera in search of primordial landscapes. Becker's photographs attain the most sublime effects of which photography is capable, recording landscapes unscathed by human habitation, but very much affected by its consequences.(...)
Titre:
Olaf Otto Becker : under the nordic light, a journey through time / Iceland 1999-2011
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For more than ten years, German photographer Olaf Otto Becker (born 1959) has trawled the Arctic and far northern regions with his large-format camera in search of primordial landscapes. Becker's photographs attain the most sublime effects of which photography is capable, recording landscapes unscathed by human habitation, but very much affected by its consequences. "Under the Nordic Light" contains both new and previously published photographs of Iceland.
Olaf Otto Becker : under the nordic light, a journey through time / Iceland 1999-2011
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For more than ten years, German photographer Olaf Otto Becker (born 1959) has trawled the Arctic and far northern regions with his large-format camera in search of primordial landscapes. Becker's photographs attain the most sublime effects of which photography is capable, recording landscapes unscathed by human habitation, but very much affected by its consequences. "Under the Nordic Light" contains both new and previously published photographs of Iceland.
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livres
livres
Publication:
mars 2012
mars 2012
Sujet:
Monographies photo
Monographies photo
