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''Aesthetics and Technology in Building: The Twenty-First-Century Edition'' introduces Pier Luigi Nervi's ideas about architecture and engineering to a new generation of students and admirers. More than 200 photographs, details, drawings, and plans show how Nervi put his ideas into practice. Expanding on the seminal 1961 Norton Lectures at Harvard, Nervi analyzes various(...)
Structures d’ingénierie
juillet 2018
Aesthetics and technology in building: the twenty-first century edition
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''Aesthetics and Technology in Building: The Twenty-First-Century Edition'' introduces Pier Luigi Nervi's ideas about architecture and engineering to a new generation of students and admirers. More than 200 photographs, details, drawings, and plans show how Nervi put his ideas into practice. Expanding on the seminal 1961 Norton Lectures at Harvard, Nervi analyzes various functional and construction problems. He also explains how precast and cast-in-place concrete can answer demands for economy, technical and functional soundness, and aesthetic perfection. Throughout, he uses his major projects to show how these now-iconic buildings emerged from structural truths and far-sighted construction processes.
Structures d’ingénierie
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The impact of Walter Gropius can be measured in his buildings—Fagus Factory, Bauhaus Dessau, Pan Am—but no less in his students. I. M. Pei, Paul Rudolph, Anni Albers, Philip Johnson, Fumihiko Maki: countless masters were once disciples at the Bauhaus in Berlin and at Harvard. Between 1910 and 1930, Gropius was at the center of European modernism and avant-garde society(...)
Gropius: the man who built the Bauhaus
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The impact of Walter Gropius can be measured in his buildings—Fagus Factory, Bauhaus Dessau, Pan Am—but no less in his students. I. M. Pei, Paul Rudolph, Anni Albers, Philip Johnson, Fumihiko Maki: countless masters were once disciples at the Bauhaus in Berlin and at Harvard. Between 1910 and 1930, Gropius was at the center of European modernism and avant-garde society glamor, only to be exiled to the antimodernist United Kingdom during the Nazi years. Later, under the democratizing influence of American universities, Gropius became an advocate of public art and cemented a starring role in twentieth-century architecture and design.
Architecture, monographies
Harward GSD platform 2
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This book provides a sampling of the most salient research and design explorations undertaken at the Harvard Graduate School of Design (GSD) during the 2008-2009 academic year. Organized thematically, the publication identifies underlying congruencies among studio work, theses, research, lectures, conferences, and writings to unfold some of the many critical ideas and(...)
avril 2010
Harward GSD platform 2
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This book provides a sampling of the most salient research and design explorations undertaken at the Harvard Graduate School of Design (GSD) during the 2008-2009 academic year. Organized thematically, the publication identifies underlying congruencies among studio work, theses, research, lectures, conferences, and writings to unfold some of the many critical ideas and interests currently being explored in the School. Ranging in scope from detailed material fabrication to large-scale territorial and infrastructural strategies, the work spans a broad and diverse set of geographies and scenarios. In documenting this work, the publication archives and disseminates the rich intellectual momentum of the GSD.
The architecture of taste
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On November 27, 2012, world-renowned pastry chef Pierre Hermé arrived at Harvard University from Paris. He brought five chefs, two assistants, 600 sheets of gelatin, 150 eggs, 68 pounds of caster sugar, 40 pounds of unsalted butter, 32 pounds of cream, 25 pounds of milk chocolate couverture, 11 pounds of grated wasabi, and the alchemic techniques to transform these(...)
The architecture of taste
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On November 27, 2012, world-renowned pastry chef Pierre Hermé arrived at Harvard University from Paris. He brought five chefs, two assistants, 600 sheets of gelatin, 150 eggs, 68 pounds of caster sugar, 40 pounds of unsalted butter, 32 pounds of cream, 25 pounds of milk chocolate couverture, 11 pounds of grated wasabi, and the alchemic techniques to transform these ingredients into an elaborate “lecture de pâtisserie.” Together with Savinien Caracostea and Sanford Kwinter, he methodically deconstructed four conceptual desserts for 400 spectator-diners. The Architecture of Taste recaptures this night and the physiological effects of Hermé’s pastry visions.
Bouffe
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Hugh Stubbins, who began his career as an assistant to Walter Gropius at Harvard, is undoubtedly among the important international architects of postwar Modernism. His high-rise buildings, in particular the Citicorp Building in New York, helped him to achieve world fame. In Germany, too, he has left behind an example of his skill : the Berlin Congress Hall of 1957. The(...)
The architect Hugh Stubbins : fifties American modernism in Berlin
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Hugh Stubbins, who began his career as an assistant to Walter Gropius at Harvard, is undoubtedly among the important international architects of postwar Modernism. His high-rise buildings, in particular the Citicorp Building in New York, helped him to achieve world fame. In Germany, too, he has left behind an example of his skill : the Berlin Congress Hall of 1957. The exciting story of this expressive symbol of postwar Modernism shows the way in which architecture was politicized at that time. This book examines in detail the origin and construction of this unique building, as well as the diversity of the American architect’s work.
Architecture, monographies
$49.95
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Bringing together pioneers in design and making within architecture, construction, engineering, manufacturing, materials technology and computation, 'Fabricate' is a triennial international conference, now in its third year (ICD, University of Stuttgart, April 2017). Each year it produces a supporting publication, to date the only one of its kind specialising in Digital(...)
Fabricate: rethinking design and construction
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Bringing together pioneers in design and making within architecture, construction, engineering, manufacturing, materials technology and computation, 'Fabricate' is a triennial international conference, now in its third year (ICD, University of Stuttgart, April 2017). Each year it produces a supporting publication, to date the only one of its kind specialising in Digital Fabrication. The 2017 edition features 32 illustrated articles on built projects and works in progress from academia and practice, including contributions from leading practices such as Foster + Partners, Zaha Hadid Architects, Arup, and Ron Arad, and from world-renowned institutions including ICD Stuttgart, Harvard, Yale, MIT, Princeton University, The Bartlett School of Architecture (UCL) and the Architectural Association.
Architecture numérique
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British architect Tony fretton (b. 1945) is internationally recognized for both his critical writing about architecture and his building and design projects. His first major building project was the Lisson Gallery in London in 1990, and his most recent are two apartment towers in Antwerp Harbor and the City Hall in Deinze, Belgium. from 1999 to 2013, fretton was a(...)
Architecture, monographies
mai 2018
A E I OU: articles, essays, interviews and out-takes by Tony Fretton
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British architect Tony fretton (b. 1945) is internationally recognized for both his critical writing about architecture and his building and design projects. His first major building project was the Lisson Gallery in London in 1990, and his most recent are two apartment towers in Antwerp Harbor and the City Hall in Deinze, Belgium. from 1999 to 2013, fretton was a professor and chair of Architecture and Interiors at Delft University of Technology, the netherlands. He was also visiting professor at Harvard Graduate School of Design from 2005 to 2006. "A E I OU: Articles, Essays, Interviews and Out-takes" is his new collection of writing from 1986 to 2017.
Architecture, monographies
$56.95
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Popularly known as the location of the Glass House by Philip Johnson, New Canaan, Connecticut, is home to a number of other striking modernist residences designed by Harvard graduates of his generation. After nearly 40 years, the homes conceived by Marcel Breuer, Alan Goldberg, Eliot Noyes, Landis Gores, John Johansen, John Black Lee, Hugh Smallen, Edward Durell Stone,(...)
a+u 584 19:05 Mid-Century Modern Houses In New Canaan
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Popularly known as the location of the Glass House by Philip Johnson, New Canaan, Connecticut, is home to a number of other striking modernist residences designed by Harvard graduates of his generation. After nearly 40 years, the homes conceived by Marcel Breuer, Alan Goldberg, Eliot Noyes, Landis Gores, John Johansen, John Black Lee, Hugh Smallen, Edward Durell Stone, and Frank Lloyd Wright still continue to fascinate. Guest edited by Alan Goldberg and with new photographs by Michael Biondo, this issue examines the thought processes behind the designs of the houses of that seminal era through a large collection of valuable original drawings and documents.
Revues
livres
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Ulrich Franzen was born in 1921 in Düsseldorf and studied architecture with Marcel Breuer and Walter Gropius at the Harvard University Graduate School of Design. From 1950-55 he worked for I.M. Pei before opening his own architectural office in New (...)
The architecture of Ulrich Franzen
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Ulrich Franzen was born in 1921 in Düsseldorf and studied architecture with Marcel Breuer and Walter Gropius at the Harvard University Graduate School of Design. From 1950-55 he worked for I.M. Pei before opening his own architectural office in New York in 1955. His encounter with Modernism had a determining influence on his work, and Franzen soon developed his own individual architectural language. Reference to context and collage, the bringing together of different elements in free composition are typical themes in his work. The spectrum of his architecture spans elegant, generous residences and severe, rigorous buildings for industry and research. He has also worked on projects in urban development.
livres
avril 1999, Basel
livres soldés
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This collection of kids’ bestiaries is a critique of Monster Contemporary Architecture. It is a reinterpretation of contemporary iconic forms and the contemplation of the future states of these masterpieces, or more fittingly, Monsterpieces. Two Harvard architecture graduates challenge their minds un-learning architecture history. They speculate on the future state of(...)
Monsterpieces: Once upon a time
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This collection of kids’ bestiaries is a critique of Monster Contemporary Architecture. It is a reinterpretation of contemporary iconic forms and the contemplation of the future states of these masterpieces, or more fittingly, Monsterpieces. Two Harvard architecture graduates challenge their minds un-learning architecture history. They speculate on the future state of post-occupancy of contemporary architectural icons, creating a retrospective of future archeological studies. A response and critique of iconic perFORMance — the current architectural trend in competing for attention — this fiction tells the story of building forms that do follow function. In this book, each eccentric form finds its justification in a speculative function, with surreal and dystopian connotations.
Architecture contemporaine