33360 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1986.PR05
Description:
This project series documents the deletion of tenant partitions at the Safeco Insurance Company of America office building in Mississauga, Ontario in 1986. The office identified the project number as 8609. Beginning in 1973, Parkin Architects Planners began work on the construction of the Safeco office building. This project consisted of the deletion of tenant partitions in the original office building. The project is recorded through textual records consisting of correspondence with the client and contractor dating from 1986.
AP018.S1.1986.PR05
Description:
This project series documents the deletion of tenant partitions at the Safeco Insurance Company of America office building in Mississauga, Ontario in 1986. The office identified the project number as 8609. Beginning in 1973, Parkin Architects Planners began work on the construction of the Safeco office building. This project consisted of the deletion of tenant partitions in the original office building. The project is recorded through textual records consisting of correspondence with the client and contractor dating from 1986.
Personnes et institutions:
Date:
1986
1986
Titre:
Safeco Insurance Company of Ontario, Toronto Office Building, Deletion of Tenant Partitions, Ontario (1986)
Actions:
AP018.S1.1986.PR05
Description:
This project series documents the deletion of tenant partitions at the Safeco Insurance Company of America office building in Mississauga, Ontario in 1986. The office identified the project number as 8609. Beginning in 1973, Parkin Architects Planners began work on the construction of the Safeco office building. This project consisted of the deletion of tenant partitions in the original office building. The project is recorded through textual records consisting of correspondence with the client and contractor dating from 1986.
Safeco Insurance Company of Ontario, Toronto Office Building, Deletion of Tenant Partitions, Ontario (1986)
Actions:
AP018.S1.1986.PR05
Description:
This project series documents the deletion of tenant partitions at the Safeco Insurance Company of America office building in Mississauga, Ontario in 1986. The office identified the project number as 8609. Beginning in 1973, Parkin Architects Planners began work on the construction of the Safeco office building. This project consisted of the deletion of tenant partitions in the original office building. The project is recorded through textual records consisting of correspondence with the client and contractor dating from 1986.
Niveau de description archivistique:
Project
Project
Date:
1986
1986
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP180.S1.2000.PR02
Description:
This project series documents an unrealized proposal for the redesign of the exhibition space for the Pietà Rondanini by Michelangelo at Castello Sforzesco in Milan, Italy. Riva worked on this project in 1999 in collaboration with Alessandro Scandurra for the international design competition organized by the City of Milan. Architect Álvaro Siza won the competition, but his project was never realized. The project is solely recorded through perspective drawings of the interior exhibition space and three sketches for floor plans.
AP180.S1.2000.PR02
Description:
This project series documents an unrealized proposal for the redesign of the exhibition space for the Pietà Rondanini by Michelangelo at Castello Sforzesco in Milan, Italy. Riva worked on this project in 1999 in collaboration with Alessandro Scandurra for the international design competition organized by the City of Milan. Architect Álvaro Siza won the competition, but his project was never realized. The project is solely recorded through perspective drawings of the interior exhibition space and three sketches for floor plans.
Personnes et institutions:
Date:
2000
2000
Titre:
Proposta sistemazione [Redesign proposal] Pietà Rondanini, Castello Sforzesco, Milan, Italy (2000s)
Actions:
AP180.S1.2000.PR02
Description:
This project series documents an unrealized proposal for the redesign of the exhibition space for the Pietà Rondanini by Michelangelo at Castello Sforzesco in Milan, Italy. Riva worked on this project in 1999 in collaboration with Alessandro Scandurra for the international design competition organized by the City of Milan. Architect Álvaro Siza won the competition, but his project was never realized. The project is solely recorded through perspective drawings of the interior exhibition space and three sketches for floor plans.
Proposta sistemazione [Redesign proposal] Pietà Rondanini, Castello Sforzesco, Milan, Italy (2000s)
Actions:
AP180.S1.2000.PR02
Description:
This project series documents an unrealized proposal for the redesign of the exhibition space for the Pietà Rondanini by Michelangelo at Castello Sforzesco in Milan, Italy. Riva worked on this project in 1999 in collaboration with Alessandro Scandurra for the international design competition organized by the City of Milan. Architect Álvaro Siza won the competition, but his project was never realized. The project is solely recorded through perspective drawings of the interior exhibition space and three sketches for floor plans.
Niveau de description archivistique:
Project
Project
Date:
2000
2000
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds B.C. Binning
Fonds B.C. Binning
Numéro de référence:
AP069
Résumé:
The B.C. Binning fonds documents the activities of artist B.C. Binning and the links between his art and architecture. The fonds contains drawings, reprographic copies, photographs and coloured test panels related to five projects, among others, the design of Binning's residence in West Vancouver, British Columbia and the mural for the B.C. Electric Head Office in Vancouver. Material in the fonds was produced between 1941 and 1963.
AP069
Résumé:
The B.C. Binning fonds documents the activities of artist B.C. Binning and the links between his art and architecture. The fonds contains drawings, reprographic copies, photographs and coloured test panels related to five projects, among others, the design of Binning's residence in West Vancouver, British Columbia and the mural for the B.C. Electric Head Office in Vancouver. Material in the fonds was produced between 1941 and 1963.
Personnes et institutions:
Date:
1941-1963
1941-1963
Titre:
Fonds B.C. Binning
Actions:
AP069
Résumé:
The B.C. Binning fonds documents the activities of artist B.C. Binning and the links between his art and architecture. The fonds contains drawings, reprographic copies, photographs and coloured test panels related to five projects, among others, the design of Binning's residence in West Vancouver, British Columbia and the mural for the B.C. Electric Head Office in Vancouver. Material in the fonds was produced between 1941 and 1963.
Fonds B.C. Binning
Actions:
AP069
Résumé:
The B.C. Binning fonds documents the activities of artist B.C. Binning and the links between his art and architecture. The fonds contains drawings, reprographic copies, photographs and coloured test panels related to five projects, among others, the design of Binning's residence in West Vancouver, British Columbia and the mural for the B.C. Electric Head Office in Vancouver. Material in the fonds was produced between 1941 and 1963.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1941-1963
1941-1963
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Alessandro Poli
Fonds Alessandro Poli
Numéro de référence:
AP148
Résumé:
The Alessandro Poli fonds documents the work of Italian architect, designer and artist Alessandro Poli. Born in Fiesole in 1941, Poli studied architecture at the University of Florence, and was a member of Superstudio from 1970 to 1972. Poli’s involvement with Superstudio and engaged research on material culture constitute two strong components of his archive.
AP148
Résumé:
The Alessandro Poli fonds documents the work of Italian architect, designer and artist Alessandro Poli. Born in Fiesole in 1941, Poli studied architecture at the University of Florence, and was a member of Superstudio from 1970 to 1972. Poli’s involvement with Superstudio and engaged research on material culture constitute two strong components of his archive.
Personnes et institutions:
Date:
1963-1996
1963-1996
Titre:
Fonds Alessandro Poli
Actions:
AP148
Résumé:
The Alessandro Poli fonds documents the work of Italian architect, designer and artist Alessandro Poli. Born in Fiesole in 1941, Poli studied architecture at the University of Florence, and was a member of Superstudio from 1970 to 1972. Poli’s involvement with Superstudio and engaged research on material culture constitute two strong components of his archive.
Fonds Alessandro Poli
Actions:
AP148
Résumé:
The Alessandro Poli fonds documents the work of Italian architect, designer and artist Alessandro Poli. Born in Fiesole in 1941, Poli studied architecture at the University of Florence, and was a member of Superstudio from 1970 to 1972. Poli’s involvement with Superstudio and engaged research on material culture constitute two strong components of his archive.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1963-1996
1963-1996
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.2002.PR01
Description:
The project series documents a series of performances entitled "Il Mestiere Dell'Architetto". The first edition was performed by Pettena in Maiano, near Florence in 2002. It consisted of a series of images of Pettena rock climbing that represents the work of the architect "and the role of those who work in the discipline, what is represented here is the need to make choices and at the same time the difficulty of doing so, of taking routes that, while they may appear impassable, are actually the very essence of the artist’s thought and language [...]." [1] Another version was performed in 2004 at the Ex-Meccanotessile complex, in Florence, 2004, and consisted of a series of photographs of a man climbing the interior roof structure of the building. Unlike the 2002 edition of this performance, "not even nature offers its support to those who, despite moving with caution, often find themselves in a situation of impasse." [2] A final version of the performance was created in 2012 by Pettena. The digitally created installation consisted of a gradually fading shape of a climber drawn in leaves that slowly disperse. In this installation, compared to the two previous ones, the architect "seems to find here a solution and ultimate freedom through the final choice of ‘giving in’ to the prevalence of natural environment." [3] The project series contains a sketch and photographs of the 2002 performance, photographs of the 2004 performance, and a drawing for the 2012 performance. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-the-craft-2002/ (last accessed 22 January 2020). [2] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-the-craft-ii-2004/ (last accessed 22 January 2020). [3] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-the-craft-of-the-architect-3-2012/ (last accessed 27 January 2020).
AP207.S1.2002.PR01
Description:
The project series documents a series of performances entitled "Il Mestiere Dell'Architetto". The first edition was performed by Pettena in Maiano, near Florence in 2002. It consisted of a series of images of Pettena rock climbing that represents the work of the architect "and the role of those who work in the discipline, what is represented here is the need to make choices and at the same time the difficulty of doing so, of taking routes that, while they may appear impassable, are actually the very essence of the artist’s thought and language [...]." [1] Another version was performed in 2004 at the Ex-Meccanotessile complex, in Florence, 2004, and consisted of a series of photographs of a man climbing the interior roof structure of the building. Unlike the 2002 edition of this performance, "not even nature offers its support to those who, despite moving with caution, often find themselves in a situation of impasse." [2] A final version of the performance was created in 2012 by Pettena. The digitally created installation consisted of a gradually fading shape of a climber drawn in leaves that slowly disperse. In this installation, compared to the two previous ones, the architect "seems to find here a solution and ultimate freedom through the final choice of ‘giving in’ to the prevalence of natural environment." [3] The project series contains a sketch and photographs of the 2002 performance, photographs of the 2004 performance, and a drawing for the 2012 performance. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-the-craft-2002/ (last accessed 22 January 2020). [2] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-the-craft-ii-2004/ (last accessed 22 January 2020). [3] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-the-craft-of-the-architect-3-2012/ (last accessed 27 January 2020).
Personnes et institutions:
Date:
2002-2015
2002-2015
Titre:
Il Mestiere Dell'Architetto [The Craft of the Architect] (2002)
Actions:
AP207.S1.2002.PR01
Description:
The project series documents a series of performances entitled "Il Mestiere Dell'Architetto". The first edition was performed by Pettena in Maiano, near Florence in 2002. It consisted of a series of images of Pettena rock climbing that represents the work of the architect "and the role of those who work in the discipline, what is represented here is the need to make choices and at the same time the difficulty of doing so, of taking routes that, while they may appear impassable, are actually the very essence of the artist’s thought and language [...]." [1] Another version was performed in 2004 at the Ex-Meccanotessile complex, in Florence, 2004, and consisted of a series of photographs of a man climbing the interior roof structure of the building. Unlike the 2002 edition of this performance, "not even nature offers its support to those who, despite moving with caution, often find themselves in a situation of impasse." [2] A final version of the performance was created in 2012 by Pettena. The digitally created installation consisted of a gradually fading shape of a climber drawn in leaves that slowly disperse. In this installation, compared to the two previous ones, the architect "seems to find here a solution and ultimate freedom through the final choice of ‘giving in’ to the prevalence of natural environment." [3] The project series contains a sketch and photographs of the 2002 performance, photographs of the 2004 performance, and a drawing for the 2012 performance. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-the-craft-2002/ (last accessed 22 January 2020). [2] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-the-craft-ii-2004/ (last accessed 22 January 2020). [3] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-the-craft-of-the-architect-3-2012/ (last accessed 27 January 2020).
Il Mestiere Dell'Architetto [The Craft of the Architect] (2002)
Actions:
AP207.S1.2002.PR01
Description:
The project series documents a series of performances entitled "Il Mestiere Dell'Architetto". The first edition was performed by Pettena in Maiano, near Florence in 2002. It consisted of a series of images of Pettena rock climbing that represents the work of the architect "and the role of those who work in the discipline, what is represented here is the need to make choices and at the same time the difficulty of doing so, of taking routes that, while they may appear impassable, are actually the very essence of the artist’s thought and language [...]." [1] Another version was performed in 2004 at the Ex-Meccanotessile complex, in Florence, 2004, and consisted of a series of photographs of a man climbing the interior roof structure of the building. Unlike the 2002 edition of this performance, "not even nature offers its support to those who, despite moving with caution, often find themselves in a situation of impasse." [2] A final version of the performance was created in 2012 by Pettena. The digitally created installation consisted of a gradually fading shape of a climber drawn in leaves that slowly disperse. In this installation, compared to the two previous ones, the architect "seems to find here a solution and ultimate freedom through the final choice of ‘giving in’ to the prevalence of natural environment." [3] The project series contains a sketch and photographs of the 2002 performance, photographs of the 2004 performance, and a drawing for the 2012 performance. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-the-craft-2002/ (last accessed 22 January 2020). [2] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-the-craft-ii-2004/ (last accessed 22 January 2020). [3] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-the-craft-of-the-architect-3-2012/ (last accessed 27 January 2020).
Niveau de description archivistique:
Project
Project
Date:
2002-2015
2002-2015
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
CP138
Résumé:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
CP138
Résumé:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
Personnes et institutions:
Date:
1914-2008
1914-2008
Titre:
Collection Gordon Matta-Clark
Actions:
CP138
Résumé:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
Collection Gordon Matta-Clark
Actions:
CP138
Résumé:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Date:
1914-2008
1914-2008
Personnes et institutions:
Classification:
événements
événements
Actions:
Description:
Farhan Karim, chercheur en résidence 2016, présente ses recherches : Dans l’évolution récente de l’histoire de l’architecture, l’engagement d’architectes occidentaux auprès des nations postcoloniales émergentes a fait l’objet d’une relecture dans une perspective géopolitique plus vaste de décolonisation et de guerre froide planétaire. Une telle analyse n’est certes pas(...)
Farhan Karim, chercheur en résidence 2016, présente ses recherches : Dans l’évolution récente de l’histoire de l’architecture, l’engagement d’architectes occidentaux auprès des nations postcoloniales émergentes a fait l’objet d’une relecture dans une perspective géopolitique plus vaste de décolonisation et de guerre froide planétaire. Une telle analyse n’est certes pas(...)
Localisation:
Maison Shaughnessy
Maison Shaughnessy
Date:
7 juillet 2016, 18h
7 juillet 2016, 18h
Titre:
Séminaire de chercheur en résidence : Farhan Karim
Actions:
Description:
Farhan Karim, chercheur en résidence 2016, présente ses recherches : Dans l’évolution récente de l’histoire de l’architecture, l’engagement d’architectes occidentaux auprès des nations postcoloniales émergentes a fait l’objet d’une relecture dans une perspective géopolitique plus vaste de décolonisation et de guerre froide planétaire. Une telle analyse n’est certes pas(...)
Séminaire de chercheur en résidence : Farhan Karim
Actions:
Description:
Farhan Karim, chercheur en résidence 2016, présente ses recherches : Dans l’évolution récente de l’histoire de l’architecture, l’engagement d’architectes occidentaux auprès des nations postcoloniales émergentes a fait l’objet d’une relecture dans une perspective géopolitique plus vaste de décolonisation et de guerre froide planétaire. Une telle analyse n’est certes pas(...)
Classification:
événements
événements
Date:
7 juillet 2016
18h
7 juillet 2016
18h
Localisation:
Maison Shaughnessy
Maison Shaughnessy
Classification:
documents textuels
documents textuels
Numéro de référence:
AP075.S3.SS2.149
Description:
This box contains professional correspondence, organized in chronological order, from 1958-1993, with a bulk of documents dated from 1978-1993. This correspondence contains chiefly letters related to publishing in landscape architecture publications, correspondence with schools of architecture and landscape architects associations, such as the Canadian Society of Landscape Architects, about membership or attendance to events. It also comprises correspondence related to research on play and playgrounds, collaboration with organizations for children education, research and involvement in sustainable development. It also contains correspondence with city planning committees or other governmental institutions related to projects or consultation in landscape design, and letters of reference or offer of services. This correspondence also comprises a few letters related to Oberlander's projects such as Children's Creative Centre Playground at Expo '67 in Montréal, University of British Columbia Faculty Club additions (which includes correspondence with Arthur Erickson), the Museum of Anthropology. It includes mainly letters of congratulations or comments for her design.
AP075.S3.SS2.149
Description:
This box contains professional correspondence, organized in chronological order, from 1958-1993, with a bulk of documents dated from 1978-1993. This correspondence contains chiefly letters related to publishing in landscape architecture publications, correspondence with schools of architecture and landscape architects associations, such as the Canadian Society of Landscape Architects, about membership or attendance to events. It also comprises correspondence related to research on play and playgrounds, collaboration with organizations for children education, research and involvement in sustainable development. It also contains correspondence with city planning committees or other governmental institutions related to projects or consultation in landscape design, and letters of reference or offer of services. This correspondence also comprises a few letters related to Oberlander's projects such as Children's Creative Centre Playground at Expo '67 in Montréal, University of British Columbia Faculty Club additions (which includes correspondence with Arthur Erickson), the Museum of Anthropology. It includes mainly letters of congratulations or comments for her design.
Personnes et institutions:
Date:
1958-1993
1958-1993
Titre:
Professional correspondence from 1958-1993
Actions:
AP075.S3.SS2.149
Description:
This box contains professional correspondence, organized in chronological order, from 1958-1993, with a bulk of documents dated from 1978-1993. This correspondence contains chiefly letters related to publishing in landscape architecture publications, correspondence with schools of architecture and landscape architects associations, such as the Canadian Society of Landscape Architects, about membership or attendance to events. It also comprises correspondence related to research on play and playgrounds, collaboration with organizations for children education, research and involvement in sustainable development. It also contains correspondence with city planning committees or other governmental institutions related to projects or consultation in landscape design, and letters of reference or offer of services. This correspondence also comprises a few letters related to Oberlander's projects such as Children's Creative Centre Playground at Expo '67 in Montréal, University of British Columbia Faculty Club additions (which includes correspondence with Arthur Erickson), the Museum of Anthropology. It includes mainly letters of congratulations or comments for her design.
Professional correspondence from 1958-1993
Actions:
AP075.S3.SS2.149
Description:
This box contains professional correspondence, organized in chronological order, from 1958-1993, with a bulk of documents dated from 1978-1993. This correspondence contains chiefly letters related to publishing in landscape architecture publications, correspondence with schools of architecture and landscape architects associations, such as the Canadian Society of Landscape Architects, about membership or attendance to events. It also comprises correspondence related to research on play and playgrounds, collaboration with organizations for children education, research and involvement in sustainable development. It also contains correspondence with city planning committees or other governmental institutions related to projects or consultation in landscape design, and letters of reference or offer of services. This correspondence also comprises a few letters related to Oberlander's projects such as Children's Creative Centre Playground at Expo '67 in Montréal, University of British Columbia Faculty Club additions (which includes correspondence with Arthur Erickson), the Museum of Anthropology. It includes mainly letters of congratulations or comments for her design.
Classification:
documents textuels
documents textuels
Date:
1958-1993
1958-1993
Personnes et institutions:
Classification:
documents textuels
documents textuels
Titre:
Hejduk
Hejduk
Numéro de référence:
ARCH153754
Description:
Various documents relating to the exhibition catalogue, "John Hejduk, 7 Houses : January 22 to February 16, 1980" / introduction by Peter Eisenman. -- New York, N.Y. : Institute for Architecture and Urban Studies, [1979] Transcript of a conversation between John Hejduk and PDE; October13, 1977; "Nine Square House" Hejduk; 17 December 1979 (essay: "In My Father's House Are Many Mansions") Photocopy : Eisenman's preface, Galley Transcripts of a conversation between Wall and Hejduk : In perspective (no date) Typewritten manuscript : "The Destruction of the Box" Class discussion at Cooper Union; February 11 1976 (Mr. Rosaro, PDE, Chris, Wilcox, Rick, Blitz Brochure: John Hejduk: 3 + 1, 1976 1 exhibition catalogue: Projects/John Hejduk, architect: an exhibition at the Foundation Le Corbusier, Paris, October 1972 Folder Country: John Hejduk Interview, John Hejduk - Reima Pietila, Finnish Architect, Helsinki Interview, John Hejduk - Donald Wall, Professor; School of Architecture, New Jersey Institute of Technology & Nancy Ferrara, Experimental Psychologist Statement, John Hejduk Exhibition; January 22 - February 16 1980 Letter to PDE from Prof. P. Sanders, November 2 1979
ARCH153754
Description:
Various documents relating to the exhibition catalogue, "John Hejduk, 7 Houses : January 22 to February 16, 1980" / introduction by Peter Eisenman. -- New York, N.Y. : Institute for Architecture and Urban Studies, [1979] Transcript of a conversation between John Hejduk and PDE; October13, 1977; "Nine Square House" Hejduk; 17 December 1979 (essay: "In My Father's House Are Many Mansions") Photocopy : Eisenman's preface, Galley Transcripts of a conversation between Wall and Hejduk : In perspective (no date) Typewritten manuscript : "The Destruction of the Box" Class discussion at Cooper Union; February 11 1976 (Mr. Rosaro, PDE, Chris, Wilcox, Rick, Blitz Brochure: John Hejduk: 3 + 1, 1976 1 exhibition catalogue: Projects/John Hejduk, architect: an exhibition at the Foundation Le Corbusier, Paris, October 1972 Folder Country: John Hejduk Interview, John Hejduk - Reima Pietila, Finnish Architect, Helsinki Interview, John Hejduk - Donald Wall, Professor; School of Architecture, New Jersey Institute of Technology & Nancy Ferrara, Experimental Psychologist Statement, John Hejduk Exhibition; January 22 - February 16 1980 Letter to PDE from Prof. P. Sanders, November 2 1979
Personnes et institutions:
Date:
1972-1980
1972-1980
Titre:
Hejduk
Actions:
ARCH153754
Description:
Various documents relating to the exhibition catalogue, "John Hejduk, 7 Houses : January 22 to February 16, 1980" / introduction by Peter Eisenman. -- New York, N.Y. : Institute for Architecture and Urban Studies, [1979] Transcript of a conversation between John Hejduk and PDE; October13, 1977; "Nine Square House" Hejduk; 17 December 1979 (essay: "In My Father's House Are Many Mansions") Photocopy : Eisenman's preface, Galley Transcripts of a conversation between Wall and Hejduk : In perspective (no date) Typewritten manuscript : "The Destruction of the Box" Class discussion at Cooper Union; February 11 1976 (Mr. Rosaro, PDE, Chris, Wilcox, Rick, Blitz Brochure: John Hejduk: 3 + 1, 1976 1 exhibition catalogue: Projects/John Hejduk, architect: an exhibition at the Foundation Le Corbusier, Paris, October 1972 Folder Country: John Hejduk Interview, John Hejduk - Reima Pietila, Finnish Architect, Helsinki Interview, John Hejduk - Donald Wall, Professor; School of Architecture, New Jersey Institute of Technology & Nancy Ferrara, Experimental Psychologist Statement, John Hejduk Exhibition; January 22 - February 16 1980 Letter to PDE from Prof. P. Sanders, November 2 1979
Hejduk
Actions:
ARCH153754
Description:
Various documents relating to the exhibition catalogue, "John Hejduk, 7 Houses : January 22 to February 16, 1980" / introduction by Peter Eisenman. -- New York, N.Y. : Institute for Architecture and Urban Studies, [1979] Transcript of a conversation between John Hejduk and PDE; October13, 1977; "Nine Square House" Hejduk; 17 December 1979 (essay: "In My Father's House Are Many Mansions") Photocopy : Eisenman's preface, Galley Transcripts of a conversation between Wall and Hejduk : In perspective (no date) Typewritten manuscript : "The Destruction of the Box" Class discussion at Cooper Union; February 11 1976 (Mr. Rosaro, PDE, Chris, Wilcox, Rick, Blitz Brochure: John Hejduk: 3 + 1, 1976 1 exhibition catalogue: Projects/John Hejduk, architect: an exhibition at the Foundation Le Corbusier, Paris, October 1972 Folder Country: John Hejduk Interview, John Hejduk - Reima Pietila, Finnish Architect, Helsinki Interview, John Hejduk - Donald Wall, Professor; School of Architecture, New Jersey Institute of Technology & Nancy Ferrara, Experimental Psychologist Statement, John Hejduk Exhibition; January 22 - February 16 1980 Letter to PDE from Prof. P. Sanders, November 2 1979
Classification:
documents textuels
documents textuels
Date:
1972-1980
1972-1980
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
AP197.S3.007
Description:
The box is comprised of correspondence for the years of 1997-1998, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: the Berlage Institute; the Finnish Association of Architect; Università della Svizzera italiana; Kisho Kurakawa; Tadao Ando; Mario Botta; Aurelio Galfetti; the Barragan Foundation; and Steven Holl. Correspondence relating to the following projects can be found in this box: editor of Technology, Place and Architecture: The Jerusalem Seminar in Architecture; and the General Editor of the publication World Architecture: a Critical Mosaic 1900-2000 Vols: 1-10.
AP197.S3.007
Description:
The box is comprised of correspondence for the years of 1997-1998, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: the Berlage Institute; the Finnish Association of Architect; Università della Svizzera italiana; Kisho Kurakawa; Tadao Ando; Mario Botta; Aurelio Galfetti; the Barragan Foundation; and Steven Holl. Correspondence relating to the following projects can be found in this box: editor of Technology, Place and Architecture: The Jerusalem Seminar in Architecture; and the General Editor of the publication World Architecture: a Critical Mosaic 1900-2000 Vols: 1-10.
Personnes et institutions:
Date:
1997-1998
1997-1998
Titre:
Personal and professional correspondence from 1997-1998
Actions:
AP197.S3.007
Description:
The box is comprised of correspondence for the years of 1997-1998, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: the Berlage Institute; the Finnish Association of Architect; Università della Svizzera italiana; Kisho Kurakawa; Tadao Ando; Mario Botta; Aurelio Galfetti; the Barragan Foundation; and Steven Holl. Correspondence relating to the following projects can be found in this box: editor of Technology, Place and Architecture: The Jerusalem Seminar in Architecture; and the General Editor of the publication World Architecture: a Critical Mosaic 1900-2000 Vols: 1-10.
Personal and professional correspondence from 1997-1998
Actions:
AP197.S3.007
Description:
The box is comprised of correspondence for the years of 1997-1998, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: the Berlage Institute; the Finnish Association of Architect; Università della Svizzera italiana; Kisho Kurakawa; Tadao Ando; Mario Botta; Aurelio Galfetti; the Barragan Foundation; and Steven Holl. Correspondence relating to the following projects can be found in this box: editor of Technology, Place and Architecture: The Jerusalem Seminar in Architecture; and the General Editor of the publication World Architecture: a Critical Mosaic 1900-2000 Vols: 1-10.
Classification:
documents textuels
documents textuels
Date:
1997-1998
1997-1998
Personnes et institutions:
