33505 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP163.S2.SS1.D51
Description:
File documents Victor Prus's project for the Brudenell River Recreational Park in Prince Edward Island, in 1970. He was awarded the Canadian Architect Award for this project in 1971. Material in this file was produced between 1970 and 1971. The file contains drawings, including conceptual, design development, presentation and working drawings, textual records, including correspondence, meeting notes, reports and specifications, photographs of the site or the building, periodical issues with articles about the project and books.
AP163.S2.SS1.D51
Description:
File documents Victor Prus's project for the Brudenell River Recreational Park in Prince Edward Island, in 1970. He was awarded the Canadian Architect Award for this project in 1971. Material in this file was produced between 1970 and 1971. The file contains drawings, including conceptual, design development, presentation and working drawings, textual records, including correspondence, meeting notes, reports and specifications, photographs of the site or the building, periodical issues with articles about the project and books.
Personnes et institutions:
Date:
1970-1971
1970-1971
Titre:
Brudenell River Recreational Park
Actions:
AP163.S2.SS1.D51
Description:
File documents Victor Prus's project for the Brudenell River Recreational Park in Prince Edward Island, in 1970. He was awarded the Canadian Architect Award for this project in 1971. Material in this file was produced between 1970 and 1971. The file contains drawings, including conceptual, design development, presentation and working drawings, textual records, including correspondence, meeting notes, reports and specifications, photographs of the site or the building, periodical issues with articles about the project and books.
Brudenell River Recreational Park
Actions:
AP163.S2.SS1.D51
Description:
File documents Victor Prus's project for the Brudenell River Recreational Park in Prince Edward Island, in 1970. He was awarded the Canadian Architect Award for this project in 1971. Material in this file was produced between 1970 and 1971. The file contains drawings, including conceptual, design development, presentation and working drawings, textual records, including correspondence, meeting notes, reports and specifications, photographs of the site or the building, periodical issues with articles about the project and books.
Niveau de description archivistique:
File 51
File 51
Date:
1970-1971
1970-1971
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1986.PR05
Description:
This project series documents the deletion of tenant partitions at the Safeco Insurance Company of America office building in Mississauga, Ontario in 1986. The office identified the project number as 8609. Beginning in 1973, Parkin Architects Planners began work on the construction of the Safeco office building. This project consisted of the deletion of tenant partitions in the original office building. The project is recorded through textual records consisting of correspondence with the client and contractor dating from 1986.
AP018.S1.1986.PR05
Description:
This project series documents the deletion of tenant partitions at the Safeco Insurance Company of America office building in Mississauga, Ontario in 1986. The office identified the project number as 8609. Beginning in 1973, Parkin Architects Planners began work on the construction of the Safeco office building. This project consisted of the deletion of tenant partitions in the original office building. The project is recorded through textual records consisting of correspondence with the client and contractor dating from 1986.
Personnes et institutions:
Date:
1986
1986
Titre:
Safeco Insurance Company of Ontario, Toronto Office Building, Deletion of Tenant Partitions, Ontario (1986)
Actions:
AP018.S1.1986.PR05
Description:
This project series documents the deletion of tenant partitions at the Safeco Insurance Company of America office building in Mississauga, Ontario in 1986. The office identified the project number as 8609. Beginning in 1973, Parkin Architects Planners began work on the construction of the Safeco office building. This project consisted of the deletion of tenant partitions in the original office building. The project is recorded through textual records consisting of correspondence with the client and contractor dating from 1986.
Safeco Insurance Company of Ontario, Toronto Office Building, Deletion of Tenant Partitions, Ontario (1986)
Actions:
AP018.S1.1986.PR05
Description:
This project series documents the deletion of tenant partitions at the Safeco Insurance Company of America office building in Mississauga, Ontario in 1986. The office identified the project number as 8609. Beginning in 1973, Parkin Architects Planners began work on the construction of the Safeco office building. This project consisted of the deletion of tenant partitions in the original office building. The project is recorded through textual records consisting of correspondence with the client and contractor dating from 1986.
Niveau de description archivistique:
Project
Project
Date:
1986
1986
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP180.S1.2000.PR02
Description:
This project series documents an unrealized proposal for the redesign of the exhibition space for the Pietà Rondanini by Michelangelo at Castello Sforzesco in Milan, Italy. Riva worked on this project in 1999 in collaboration with Alessandro Scandurra for the international design competition organized by the City of Milan. Architect Álvaro Siza won the competition, but his project was never realized. The project is solely recorded through perspective drawings of the interior exhibition space and three sketches for floor plans.
AP180.S1.2000.PR02
Description:
This project series documents an unrealized proposal for the redesign of the exhibition space for the Pietà Rondanini by Michelangelo at Castello Sforzesco in Milan, Italy. Riva worked on this project in 1999 in collaboration with Alessandro Scandurra for the international design competition organized by the City of Milan. Architect Álvaro Siza won the competition, but his project was never realized. The project is solely recorded through perspective drawings of the interior exhibition space and three sketches for floor plans.
Personnes et institutions:
Date:
2000
2000
Titre:
Proposta sistemazione [Redesign proposal] Pietà Rondanini, Castello Sforzesco, Milan, Italy (2000s)
Actions:
AP180.S1.2000.PR02
Description:
This project series documents an unrealized proposal for the redesign of the exhibition space for the Pietà Rondanini by Michelangelo at Castello Sforzesco in Milan, Italy. Riva worked on this project in 1999 in collaboration with Alessandro Scandurra for the international design competition organized by the City of Milan. Architect Álvaro Siza won the competition, but his project was never realized. The project is solely recorded through perspective drawings of the interior exhibition space and three sketches for floor plans.
Proposta sistemazione [Redesign proposal] Pietà Rondanini, Castello Sforzesco, Milan, Italy (2000s)
Actions:
AP180.S1.2000.PR02
Description:
This project series documents an unrealized proposal for the redesign of the exhibition space for the Pietà Rondanini by Michelangelo at Castello Sforzesco in Milan, Italy. Riva worked on this project in 1999 in collaboration with Alessandro Scandurra for the international design competition organized by the City of Milan. Architect Álvaro Siza won the competition, but his project was never realized. The project is solely recorded through perspective drawings of the interior exhibition space and three sketches for floor plans.
Niveau de description archivistique:
Project
Project
Date:
2000
2000
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1976.PR02
Description:
Project series documents Cornelia Hahn Oberlander's project for an oudoor play space for handicapped children at the Bob Berwick Memorial Centre, in Vancouver, British Columbia. The centre is located on Osoyoos Crescent and is affiliated to the University of British Columbia. Oberlander worked on this project in 1976 with architectural firm Thompson, Berwick, Pratt & Partners. The project series contains photographs of the landscaping and press clippings about the project, correspondence with architect, landscape specifications and a scope of work.
AP075.S1.1976.PR02
Description:
Project series documents Cornelia Hahn Oberlander's project for an oudoor play space for handicapped children at the Bob Berwick Memorial Centre, in Vancouver, British Columbia. The centre is located on Osoyoos Crescent and is affiliated to the University of British Columbia. Oberlander worked on this project in 1976 with architectural firm Thompson, Berwick, Pratt & Partners. The project series contains photographs of the landscaping and press clippings about the project, correspondence with architect, landscape specifications and a scope of work.
Personnes et institutions:
Date:
1974-1981
1974-1981
Titre:
Bob Berwick Memorial Centre, Vancouver, British Columbia (1976)
Actions:
AP075.S1.1976.PR02
Description:
Project series documents Cornelia Hahn Oberlander's project for an oudoor play space for handicapped children at the Bob Berwick Memorial Centre, in Vancouver, British Columbia. The centre is located on Osoyoos Crescent and is affiliated to the University of British Columbia. Oberlander worked on this project in 1976 with architectural firm Thompson, Berwick, Pratt & Partners. The project series contains photographs of the landscaping and press clippings about the project, correspondence with architect, landscape specifications and a scope of work.
Bob Berwick Memorial Centre, Vancouver, British Columbia (1976)
Actions:
AP075.S1.1976.PR02
Description:
Project series documents Cornelia Hahn Oberlander's project for an oudoor play space for handicapped children at the Bob Berwick Memorial Centre, in Vancouver, British Columbia. The centre is located on Osoyoos Crescent and is affiliated to the University of British Columbia. Oberlander worked on this project in 1976 with architectural firm Thompson, Berwick, Pratt & Partners. The project series contains photographs of the landscaping and press clippings about the project, correspondence with architect, landscape specifications and a scope of work.
Niveau de description archivistique:
Project
Project
Date:
1974-1981
1974-1981
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds A.D. Thacker
Fonds A.D. Thacker
Numéro de référence:
AP004
Résumé:
The A.D. Thacker fonds is comprised of project proposals and documentation dating from around 1913-1938, depicting structures designed by Thacker. Much of Thacker's work was completed in Quebec, but he also completed projects in Halifax, Nova Scotia. Thacker designed many churches for religious institutions that were directly involved in the oppressive, colonial assimilation policies and systems of the Canadian government towards indigenous people. The fonds contains 33 drawings, 16 reprographic copies, 12 photographs and 8 textual documents.
AP004
Résumé:
The A.D. Thacker fonds is comprised of project proposals and documentation dating from around 1913-1938, depicting structures designed by Thacker. Much of Thacker's work was completed in Quebec, but he also completed projects in Halifax, Nova Scotia. Thacker designed many churches for religious institutions that were directly involved in the oppressive, colonial assimilation policies and systems of the Canadian government towards indigenous people. The fonds contains 33 drawings, 16 reprographic copies, 12 photographs and 8 textual documents.
Personnes et institutions:
Date:
1913-1944
1913-1944
Titre:
Fonds A.D. Thacker
Actions:
AP004
Résumé:
The A.D. Thacker fonds is comprised of project proposals and documentation dating from around 1913-1938, depicting structures designed by Thacker. Much of Thacker's work was completed in Quebec, but he also completed projects in Halifax, Nova Scotia. Thacker designed many churches for religious institutions that were directly involved in the oppressive, colonial assimilation policies and systems of the Canadian government towards indigenous people. The fonds contains 33 drawings, 16 reprographic copies, 12 photographs and 8 textual documents.
Fonds A.D. Thacker
Actions:
AP004
Résumé:
The A.D. Thacker fonds is comprised of project proposals and documentation dating from around 1913-1938, depicting structures designed by Thacker. Much of Thacker's work was completed in Quebec, but he also completed projects in Halifax, Nova Scotia. Thacker designed many churches for religious institutions that were directly involved in the oppressive, colonial assimilation policies and systems of the Canadian government towards indigenous people. The fonds contains 33 drawings, 16 reprographic copies, 12 photographs and 8 textual documents.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1913-1944
1913-1944
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds B.C. Binning
Fonds B.C. Binning
Numéro de référence:
AP069
Résumé:
The B.C. Binning fonds documents the activities of artist B.C. Binning and the links between his art and architecture. The fonds contains drawings, reprographic copies, photographs and coloured test panels related to five projects, among others, the design of Binning's residence in West Vancouver, British Columbia and the mural for the B.C. Electric Head Office in Vancouver. Material in the fonds was produced between 1941 and 1963.
AP069
Résumé:
The B.C. Binning fonds documents the activities of artist B.C. Binning and the links between his art and architecture. The fonds contains drawings, reprographic copies, photographs and coloured test panels related to five projects, among others, the design of Binning's residence in West Vancouver, British Columbia and the mural for the B.C. Electric Head Office in Vancouver. Material in the fonds was produced between 1941 and 1963.
Personnes et institutions:
Date:
1941-1963
1941-1963
Titre:
Fonds B.C. Binning
Actions:
AP069
Résumé:
The B.C. Binning fonds documents the activities of artist B.C. Binning and the links between his art and architecture. The fonds contains drawings, reprographic copies, photographs and coloured test panels related to five projects, among others, the design of Binning's residence in West Vancouver, British Columbia and the mural for the B.C. Electric Head Office in Vancouver. Material in the fonds was produced between 1941 and 1963.
Fonds B.C. Binning
Actions:
AP069
Résumé:
The B.C. Binning fonds documents the activities of artist B.C. Binning and the links between his art and architecture. The fonds contains drawings, reprographic copies, photographs and coloured test panels related to five projects, among others, the design of Binning's residence in West Vancouver, British Columbia and the mural for the B.C. Electric Head Office in Vancouver. Material in the fonds was produced between 1941 and 1963.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1941-1963
1941-1963
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Alessandro Poli
Fonds Alessandro Poli
Numéro de référence:
AP148
Résumé:
The Alessandro Poli fonds documents the work of Italian architect, designer and artist Alessandro Poli. Born in Fiesole in 1941, Poli studied architecture at the University of Florence, and was a member of Superstudio from 1970 to 1972. Poli’s involvement with Superstudio and engaged research on material culture constitute two strong components of his archive.
AP148
Résumé:
The Alessandro Poli fonds documents the work of Italian architect, designer and artist Alessandro Poli. Born in Fiesole in 1941, Poli studied architecture at the University of Florence, and was a member of Superstudio from 1970 to 1972. Poli’s involvement with Superstudio and engaged research on material culture constitute two strong components of his archive.
Personnes et institutions:
Date:
1963-1996
1963-1996
Titre:
Fonds Alessandro Poli
Actions:
AP148
Résumé:
The Alessandro Poli fonds documents the work of Italian architect, designer and artist Alessandro Poli. Born in Fiesole in 1941, Poli studied architecture at the University of Florence, and was a member of Superstudio from 1970 to 1972. Poli’s involvement with Superstudio and engaged research on material culture constitute two strong components of his archive.
Fonds Alessandro Poli
Actions:
AP148
Résumé:
The Alessandro Poli fonds documents the work of Italian architect, designer and artist Alessandro Poli. Born in Fiesole in 1941, Poli studied architecture at the University of Florence, and was a member of Superstudio from 1970 to 1972. Poli’s involvement with Superstudio and engaged research on material culture constitute two strong components of his archive.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1963-1996
1963-1996
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.2002.PR01
Description:
The project series documents a series of performances entitled "Il Mestiere Dell'Architetto". The first edition was performed by Pettena in Maiano, near Florence in 2002. It consisted of a series of images of Pettena rock climbing that represents the work of the architect "and the role of those who work in the discipline, what is represented here is the need to make choices and at the same time the difficulty of doing so, of taking routes that, while they may appear impassable, are actually the very essence of the artist’s thought and language [...]." [1] Another version was performed in 2004 at the Ex-Meccanotessile complex, in Florence, 2004, and consisted of a series of photographs of a man climbing the interior roof structure of the building. Unlike the 2002 edition of this performance, "not even nature offers its support to those who, despite moving with caution, often find themselves in a situation of impasse." [2] A final version of the performance was created in 2012 by Pettena. The digitally created installation consisted of a gradually fading shape of a climber drawn in leaves that slowly disperse. In this installation, compared to the two previous ones, the architect "seems to find here a solution and ultimate freedom through the final choice of ‘giving in’ to the prevalence of natural environment." [3] The project series contains a sketch and photographs of the 2002 performance, photographs of the 2004 performance, and a drawing for the 2012 performance. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-the-craft-2002/ (last accessed 22 January 2020). [2] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-the-craft-ii-2004/ (last accessed 22 January 2020). [3] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-the-craft-of-the-architect-3-2012/ (last accessed 27 January 2020).
AP207.S1.2002.PR01
Description:
The project series documents a series of performances entitled "Il Mestiere Dell'Architetto". The first edition was performed by Pettena in Maiano, near Florence in 2002. It consisted of a series of images of Pettena rock climbing that represents the work of the architect "and the role of those who work in the discipline, what is represented here is the need to make choices and at the same time the difficulty of doing so, of taking routes that, while they may appear impassable, are actually the very essence of the artist’s thought and language [...]." [1] Another version was performed in 2004 at the Ex-Meccanotessile complex, in Florence, 2004, and consisted of a series of photographs of a man climbing the interior roof structure of the building. Unlike the 2002 edition of this performance, "not even nature offers its support to those who, despite moving with caution, often find themselves in a situation of impasse." [2] A final version of the performance was created in 2012 by Pettena. The digitally created installation consisted of a gradually fading shape of a climber drawn in leaves that slowly disperse. In this installation, compared to the two previous ones, the architect "seems to find here a solution and ultimate freedom through the final choice of ‘giving in’ to the prevalence of natural environment." [3] The project series contains a sketch and photographs of the 2002 performance, photographs of the 2004 performance, and a drawing for the 2012 performance. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-the-craft-2002/ (last accessed 22 January 2020). [2] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-the-craft-ii-2004/ (last accessed 22 January 2020). [3] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-the-craft-of-the-architect-3-2012/ (last accessed 27 January 2020).
Personnes et institutions:
Date:
2002-2015
2002-2015
Titre:
Il Mestiere Dell'Architetto [The Craft of the Architect] (2002)
Actions:
AP207.S1.2002.PR01
Description:
The project series documents a series of performances entitled "Il Mestiere Dell'Architetto". The first edition was performed by Pettena in Maiano, near Florence in 2002. It consisted of a series of images of Pettena rock climbing that represents the work of the architect "and the role of those who work in the discipline, what is represented here is the need to make choices and at the same time the difficulty of doing so, of taking routes that, while they may appear impassable, are actually the very essence of the artist’s thought and language [...]." [1] Another version was performed in 2004 at the Ex-Meccanotessile complex, in Florence, 2004, and consisted of a series of photographs of a man climbing the interior roof structure of the building. Unlike the 2002 edition of this performance, "not even nature offers its support to those who, despite moving with caution, often find themselves in a situation of impasse." [2] A final version of the performance was created in 2012 by Pettena. The digitally created installation consisted of a gradually fading shape of a climber drawn in leaves that slowly disperse. In this installation, compared to the two previous ones, the architect "seems to find here a solution and ultimate freedom through the final choice of ‘giving in’ to the prevalence of natural environment." [3] The project series contains a sketch and photographs of the 2002 performance, photographs of the 2004 performance, and a drawing for the 2012 performance. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-the-craft-2002/ (last accessed 22 January 2020). [2] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-the-craft-ii-2004/ (last accessed 22 January 2020). [3] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-the-craft-of-the-architect-3-2012/ (last accessed 27 January 2020).
Il Mestiere Dell'Architetto [The Craft of the Architect] (2002)
Actions:
AP207.S1.2002.PR01
Description:
The project series documents a series of performances entitled "Il Mestiere Dell'Architetto". The first edition was performed by Pettena in Maiano, near Florence in 2002. It consisted of a series of images of Pettena rock climbing that represents the work of the architect "and the role of those who work in the discipline, what is represented here is the need to make choices and at the same time the difficulty of doing so, of taking routes that, while they may appear impassable, are actually the very essence of the artist’s thought and language [...]." [1] Another version was performed in 2004 at the Ex-Meccanotessile complex, in Florence, 2004, and consisted of a series of photographs of a man climbing the interior roof structure of the building. Unlike the 2002 edition of this performance, "not even nature offers its support to those who, despite moving with caution, often find themselves in a situation of impasse." [2] A final version of the performance was created in 2012 by Pettena. The digitally created installation consisted of a gradually fading shape of a climber drawn in leaves that slowly disperse. In this installation, compared to the two previous ones, the architect "seems to find here a solution and ultimate freedom through the final choice of ‘giving in’ to the prevalence of natural environment." [3] The project series contains a sketch and photographs of the 2002 performance, photographs of the 2004 performance, and a drawing for the 2012 performance. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-the-craft-2002/ (last accessed 22 January 2020). [2] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-the-craft-ii-2004/ (last accessed 22 January 2020). [3] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-the-craft-of-the-architect-3-2012/ (last accessed 27 January 2020).
Niveau de description archivistique:
Project
Project
Date:
2002-2015
2002-2015
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
CP138
Résumé:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
CP138
Résumé:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
Personnes et institutions:
Date:
1914-2008
1914-2008
Titre:
Collection Gordon Matta-Clark
Actions:
CP138
Résumé:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
Collection Gordon Matta-Clark
Actions:
CP138
Résumé:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Date:
1914-2008
1914-2008
Personnes et institutions:
Classification:
documents textuels
documents textuels
Titre:
Hejduk
Hejduk
Numéro de référence:
ARCH153754
Description:
Various documents relating to the exhibition catalogue, "John Hejduk, 7 Houses : January 22 to February 16, 1980" / introduction by Peter Eisenman. -- New York, N.Y. : Institute for Architecture and Urban Studies, [1979] Transcript of a conversation between John Hejduk and PDE; October13, 1977; "Nine Square House" Hejduk; 17 December 1979 (essay: "In My Father's House Are Many Mansions") Photocopy : Eisenman's preface, Galley Transcripts of a conversation between Wall and Hejduk : In perspective (no date) Typewritten manuscript : "The Destruction of the Box" Class discussion at Cooper Union; February 11 1976 (Mr. Rosaro, PDE, Chris, Wilcox, Rick, Blitz Brochure: John Hejduk: 3 + 1, 1976 1 exhibition catalogue: Projects/John Hejduk, architect: an exhibition at the Foundation Le Corbusier, Paris, October 1972 Folder Country: John Hejduk Interview, John Hejduk - Reima Pietila, Finnish Architect, Helsinki Interview, John Hejduk - Donald Wall, Professor; School of Architecture, New Jersey Institute of Technology & Nancy Ferrara, Experimental Psychologist Statement, John Hejduk Exhibition; January 22 - February 16 1980 Letter to PDE from Prof. P. Sanders, November 2 1979
ARCH153754
Description:
Various documents relating to the exhibition catalogue, "John Hejduk, 7 Houses : January 22 to February 16, 1980" / introduction by Peter Eisenman. -- New York, N.Y. : Institute for Architecture and Urban Studies, [1979] Transcript of a conversation between John Hejduk and PDE; October13, 1977; "Nine Square House" Hejduk; 17 December 1979 (essay: "In My Father's House Are Many Mansions") Photocopy : Eisenman's preface, Galley Transcripts of a conversation between Wall and Hejduk : In perspective (no date) Typewritten manuscript : "The Destruction of the Box" Class discussion at Cooper Union; February 11 1976 (Mr. Rosaro, PDE, Chris, Wilcox, Rick, Blitz Brochure: John Hejduk: 3 + 1, 1976 1 exhibition catalogue: Projects/John Hejduk, architect: an exhibition at the Foundation Le Corbusier, Paris, October 1972 Folder Country: John Hejduk Interview, John Hejduk - Reima Pietila, Finnish Architect, Helsinki Interview, John Hejduk - Donald Wall, Professor; School of Architecture, New Jersey Institute of Technology & Nancy Ferrara, Experimental Psychologist Statement, John Hejduk Exhibition; January 22 - February 16 1980 Letter to PDE from Prof. P. Sanders, November 2 1979
Personnes et institutions:
Date:
1972-1980
1972-1980
Titre:
Hejduk
Actions:
ARCH153754
Description:
Various documents relating to the exhibition catalogue, "John Hejduk, 7 Houses : January 22 to February 16, 1980" / introduction by Peter Eisenman. -- New York, N.Y. : Institute for Architecture and Urban Studies, [1979] Transcript of a conversation between John Hejduk and PDE; October13, 1977; "Nine Square House" Hejduk; 17 December 1979 (essay: "In My Father's House Are Many Mansions") Photocopy : Eisenman's preface, Galley Transcripts of a conversation between Wall and Hejduk : In perspective (no date) Typewritten manuscript : "The Destruction of the Box" Class discussion at Cooper Union; February 11 1976 (Mr. Rosaro, PDE, Chris, Wilcox, Rick, Blitz Brochure: John Hejduk: 3 + 1, 1976 1 exhibition catalogue: Projects/John Hejduk, architect: an exhibition at the Foundation Le Corbusier, Paris, October 1972 Folder Country: John Hejduk Interview, John Hejduk - Reima Pietila, Finnish Architect, Helsinki Interview, John Hejduk - Donald Wall, Professor; School of Architecture, New Jersey Institute of Technology & Nancy Ferrara, Experimental Psychologist Statement, John Hejduk Exhibition; January 22 - February 16 1980 Letter to PDE from Prof. P. Sanders, November 2 1979
Hejduk
Actions:
ARCH153754
Description:
Various documents relating to the exhibition catalogue, "John Hejduk, 7 Houses : January 22 to February 16, 1980" / introduction by Peter Eisenman. -- New York, N.Y. : Institute for Architecture and Urban Studies, [1979] Transcript of a conversation between John Hejduk and PDE; October13, 1977; "Nine Square House" Hejduk; 17 December 1979 (essay: "In My Father's House Are Many Mansions") Photocopy : Eisenman's preface, Galley Transcripts of a conversation between Wall and Hejduk : In perspective (no date) Typewritten manuscript : "The Destruction of the Box" Class discussion at Cooper Union; February 11 1976 (Mr. Rosaro, PDE, Chris, Wilcox, Rick, Blitz Brochure: John Hejduk: 3 + 1, 1976 1 exhibition catalogue: Projects/John Hejduk, architect: an exhibition at the Foundation Le Corbusier, Paris, October 1972 Folder Country: John Hejduk Interview, John Hejduk - Reima Pietila, Finnish Architect, Helsinki Interview, John Hejduk - Donald Wall, Professor; School of Architecture, New Jersey Institute of Technology & Nancy Ferrara, Experimental Psychologist Statement, John Hejduk Exhibition; January 22 - February 16 1980 Letter to PDE from Prof. P. Sanders, November 2 1979
Classification:
documents textuels
documents textuels
Date:
1972-1980
1972-1980
Personnes et institutions:
