1541 Résultats
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Economic growth isn’t working, and it cannot be made to work. Offering a counter-history of how economic growth emerged in the context of colonialism, fossil-fueled industrialization, and capitalist modernity, ''The future is degrowth'' argues that the ideology of growth conceals the rising inequalities and ecological destructions associated with capitalism, and points to(...)
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Economic growth isn’t working, and it cannot be made to work. Offering a counter-history of how economic growth emerged in the context of colonialism, fossil-fueled industrialization, and capitalist modernity, ''The future is degrowth'' argues that the ideology of growth conceals the rising inequalities and ecological destructions associated with capitalism, and points to(...)
Titre:
The future is degrowth: A guide to a world beyond capitalism
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Economic growth isn’t working, and it cannot be made to work. Offering a counter-history of how economic growth emerged in the context of colonialism, fossil-fueled industrialization, and capitalist modernity, ''The future is degrowth'' argues that the ideology of growth conceals the rising inequalities and ecological destructions associated with capitalism, and points to desirable alternatives to it. Not only in society at large, but also on the left, we are held captive by the hegemony of growth. Even proposals for emancipatory Green New Deals or postcapitalism base their utopian hopes on the development of productive forces, on redistributing the fruits of economic growth and technological progress. Yet growing evidence shows that continued economic growth cannot be made compatible with sustaining life and is not necessary for a good life for all. This book provides a vision for postcapitalism beyond growth. Building on a vibrant field of research, it discusses the political economy and the politics of a non-growing economy. It charts a path forward through policies that democratise the economy, ''now-topias'' that create free spaces for experimentation, and counter-hegemonic movements that make it possible to break with the logic of growth. Degrowth perspectives offer a way to step off the treadmill of an alienating, expansionist, and hierarchical system.
The future is degrowth: A guide to a world beyond capitalism
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Economic growth isn’t working, and it cannot be made to work. Offering a counter-history of how economic growth emerged in the context of colonialism, fossil-fueled industrialization, and capitalist modernity, ''The future is degrowth'' argues that the ideology of growth conceals the rising inequalities and ecological destructions associated with capitalism, and points to desirable alternatives to it. Not only in society at large, but also on the left, we are held captive by the hegemony of growth. Even proposals for emancipatory Green New Deals or postcapitalism base their utopian hopes on the development of productive forces, on redistributing the fruits of economic growth and technological progress. Yet growing evidence shows that continued economic growth cannot be made compatible with sustaining life and is not necessary for a good life for all. This book provides a vision for postcapitalism beyond growth. Building on a vibrant field of research, it discusses the political economy and the politics of a non-growing economy. It charts a path forward through policies that democratise the economy, ''now-topias'' that create free spaces for experimentation, and counter-hegemonic movements that make it possible to break with the logic of growth. Degrowth perspectives offer a way to step off the treadmill of an alienating, expansionist, and hierarchical system.
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livres
livres
Publication:
juin 2022
juin 2022
Sujet:
Social
Social
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livres
livres
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$31.95
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On the premise that words have the power to make worlds, each essay in this book follows a word as it travels around the globe and across time. Scholars from five disciplines address thirteen societies to highlight the social and political life of words in Asia, Europe, and the Middle East, from the mid-nineteenth century to the present. The approach is consciously(...)
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On the premise that words have the power to make worlds, each essay in this book follows a word as it travels around the globe and across time. Scholars from five disciplines address thirteen societies to highlight the social and political life of words in Asia, Europe, and the Middle East, from the mid-nineteenth century to the present. The approach is consciously(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
décembre 2009
décembre 2009
Titre:
Words in motion: toward a global lexicon
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On the premise that words have the power to make worlds, each essay in this book follows a word as it travels around the globe and across time. Scholars from five disciplines address thirteen societies to highlight the social and political life of words in Asia, Europe, and the Middle East, from the mid-nineteenth century to the present. The approach is consciously experimental, in that rigorously tracking a specific word in specific settings frequently leads in unexpected directions and alters conventional depictions of global modernity. Such words as security in Brazil, responsibility in Japan, community in Thailand, and hijb in France changed the societies in which they moved even as they were changed by them. Some words threatened to launch wars, as injury did in imperial Britain's relations with China in the nineteenth century. Others, such as secularism, worked in silence to agitate for political change in twentieth-century Morocco. Words imposed or imported from outside could be transformed by those who wielded them to oppose the very powers that introduced them, as happened in Turkey, Indonesia, and the Philippines. Taken together, this selection of fourteen words reveals commonality as well as distinctiveness in modern societies, making the world look different from the interdisciplinary and transnational perspective of "words in motion."
Words in motion: toward a global lexicon
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$31.95
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On the premise that words have the power to make worlds, each essay in this book follows a word as it travels around the globe and across time. Scholars from five disciplines address thirteen societies to highlight the social and political life of words in Asia, Europe, and the Middle East, from the mid-nineteenth century to the present. The approach is consciously experimental, in that rigorously tracking a specific word in specific settings frequently leads in unexpected directions and alters conventional depictions of global modernity. Such words as security in Brazil, responsibility in Japan, community in Thailand, and hijb in France changed the societies in which they moved even as they were changed by them. Some words threatened to launch wars, as injury did in imperial Britain's relations with China in the nineteenth century. Others, such as secularism, worked in silence to agitate for political change in twentieth-century Morocco. Words imposed or imported from outside could be transformed by those who wielded them to oppose the very powers that introduced them, as happened in Turkey, Indonesia, and the Philippines. Taken together, this selection of fourteen words reveals commonality as well as distinctiveness in modern societies, making the world look different from the interdisciplinary and transnational perspective of "words in motion."
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livres
livres
Publication:
décembre 2009
décembre 2009
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
Prix:
$47.95
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Builders, Housewives and the Construction of Modern Athens reassesses the explosive growth of postwar Athens through its most distinctive building type, the polykatoikía, and its different connotations through the decades: from a monotonous and ugly element of the city to the role it might play in the urban sustainability. Sprawling beneath the Acropolis, modern Athens(...)
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Builders, Housewives and the Construction of Modern Athens reassesses the explosive growth of postwar Athens through its most distinctive building type, the polykatoikía, and its different connotations through the decades: from a monotonous and ugly element of the city to the role it might play in the urban sustainability. Sprawling beneath the Acropolis, modern Athens(...)
Titre:
Builders, housewives, and the construction of modern Athens
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Builders, Housewives and the Construction of Modern Athens reassesses the explosive growth of postwar Athens through its most distinctive building type, the polykatoikía, and its different connotations through the decades: from a monotonous and ugly element of the city to the role it might play in the urban sustainability. Sprawling beneath the Acropolis, modern Athens is commonly viewed in negative terms: congested, ugly and monotonous. Builders, Housewives and the Construction of Modern Athens questions this stereotype, reassessing the explosive growth of postwar Athens through its most distinctive building type: the polykatoikía (a small-scale multistory apartment block). Theocharopoulou re-evaluates the polykatoikía as a low-tech, easily constructible innovation that stimulated the postwar urban economy, triggering the city's social mid-twentieth-century transformation. The interiors of the polykatoikía apartments reflect a desire for modernity as marketed to housewives through film and magazines. Regular builders became unlikely allies in designing these polykatoikía interiors, enabling inhabitants to exert agency over their daily lives and the shape of the postwar city. This revised edition of Theocharopoulou's study draws on popular media as well as urban and regional planning theory, cultural studies and anthropology to examine the evolution of this phenomenon. Written in the light of Greece's recent financial crisis, the book's updated Postscript considers the role polykatoikía might play in building an equitable and sustainable twenty-first-century city.
Builders, housewives, and the construction of modern Athens
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Builders, Housewives and the Construction of Modern Athens reassesses the explosive growth of postwar Athens through its most distinctive building type, the polykatoikía, and its different connotations through the decades: from a monotonous and ugly element of the city to the role it might play in the urban sustainability. Sprawling beneath the Acropolis, modern Athens is commonly viewed in negative terms: congested, ugly and monotonous. Builders, Housewives and the Construction of Modern Athens questions this stereotype, reassessing the explosive growth of postwar Athens through its most distinctive building type: the polykatoikía (a small-scale multistory apartment block). Theocharopoulou re-evaluates the polykatoikía as a low-tech, easily constructible innovation that stimulated the postwar urban economy, triggering the city's social mid-twentieth-century transformation. The interiors of the polykatoikía apartments reflect a desire for modernity as marketed to housewives through film and magazines. Regular builders became unlikely allies in designing these polykatoikía interiors, enabling inhabitants to exert agency over their daily lives and the shape of the postwar city. This revised edition of Theocharopoulou's study draws on popular media as well as urban and regional planning theory, cultural studies and anthropology to examine the evolution of this phenomenon. Written in the light of Greece's recent financial crisis, the book's updated Postscript considers the role polykatoikía might play in building an equitable and sustainable twenty-first-century city.
Classification:
livres
livres
Publication:
septembre 2022
septembre 2022
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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livres
livres
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In his new book, critical theorist Mark Neocleous engages in a sustained critique of the theory and practice of pacification. Combining philosophical analysis with historical detail, Neocleous analyses the development of pacification as a key concept through which capitalist modernity has been organised, offering readers the first book that treats pacification as an(...)
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In his new book, critical theorist Mark Neocleous engages in a sustained critique of the theory and practice of pacification. Combining philosophical analysis with historical detail, Neocleous analyses the development of pacification as a key concept through which capitalist modernity has been organised, offering readers the first book that treats pacification as an(...)
Titre:
Pacification: Social war and the power of police
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In his new book, critical theorist Mark Neocleous engages in a sustained critique of the theory and practice of pacification. Combining philosophical analysis with historical detail, Neocleous analyses the development of pacification as a key concept through which capitalist modernity has been organised, offering readers the first book that treats pacification as an important concept in the history of state power and capitalism. Neocleous’s approach is fourfold, examining pacification as social warfare carried out through the ideology of peace; as a form of social police carried out through mechanisms of security; as law and order exercised through the permanent wars of class society; and as the myriad practices of power designed to counter insurgency. Making use of official documents of state, the writings of counterinsurgency thinkers and the ideas perpetuated by practitioners of counterrevolution, the book unravels the complex ways through which pacification generates new forms of social war and new modes of policing that reproduce capitalist order and fabricate obedient subjects. Through expansive accounts of war and police, and engaging with a range of topics from debt to death, from stasis to civil war, and from the police kettle to the politics of fear, the book offers a provocative analysis of the ways in which state and capital combine to build a pacified social order.
Pacification: Social war and the power of police
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$45.95
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In his new book, critical theorist Mark Neocleous engages in a sustained critique of the theory and practice of pacification. Combining philosophical analysis with historical detail, Neocleous analyses the development of pacification as a key concept through which capitalist modernity has been organised, offering readers the first book that treats pacification as an important concept in the history of state power and capitalism. Neocleous’s approach is fourfold, examining pacification as social warfare carried out through the ideology of peace; as a form of social police carried out through mechanisms of security; as law and order exercised through the permanent wars of class society; and as the myriad practices of power designed to counter insurgency. Making use of official documents of state, the writings of counterinsurgency thinkers and the ideas perpetuated by practitioners of counterrevolution, the book unravels the complex ways through which pacification generates new forms of social war and new modes of policing that reproduce capitalist order and fabricate obedient subjects. Through expansive accounts of war and police, and engaging with a range of topics from debt to death, from stasis to civil war, and from the police kettle to the politics of fear, the book offers a provocative analysis of the ways in which state and capital combine to build a pacified social order.
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livres
livres
Publication:
février 2025
février 2025
Sujet:
Social
Social
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livres
livres
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Photographer Rafael Goldchain's Polish-Jewish ancestors emigrated to South America in the 1930s, and many others perished in Poland during the Nazi regime. Also lost in the turmoil of war and emigration were most of the portraits of his extended family. When Goldchain became a parent himself, he decided to make up for this lack of evidence and recreate the lost(...)
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Photographer Rafael Goldchain's Polish-Jewish ancestors emigrated to South America in the 1930s, and many others perished in Poland during the Nazi regime. Also lost in the turmoil of war and emigration were most of the portraits of his extended family. When Goldchain became a parent himself, he decided to make up for this lack of evidence and recreate the lost(...)
Titre:
I am my family : photographic memories and fiction
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Photographer Rafael Goldchain's Polish-Jewish ancestors emigrated to South America in the 1930s, and many others perished in Poland during the Nazi regime. Also lost in the turmoil of war and emigration were most of the portraits of his extended family. When Goldchain became a parent himself, he decided to make up for this lack of evidence and recreate the lost generations of the past, in the present. Rafael Goldchain's "I am my family" is a family album of traditional portrait photographs with an unconventional twist: the only subject is Goldchain himself. In an elaborate process involving genealogical research, the use of makeup, hair styling, costume, and props, Goldchain transforms himself into his ancestors and captures their personifications with the camera. Taking some liberties with historical accuracy, Goldchain has assembled a fascinating cast of characters : from his short-story-writing grandfather, to his great-aunts Pola and Fela, to the Rabbi Gur's nephew in wedding dress, Goldchain reinvents himself over and over again. These beautifully reproduced self-portraits trace the evolution of Jewish culture from tradition to modernity and invite us to engage the history of a family decimated and scattered by the traumatic events of the 20th century. Featuring an essay by curator Martha Langford, the portraits are complemented by a selection of the archival images on which they are based as well as selections from the artist's handwritten sketchbooks.
I am my family : photographic memories and fiction
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Résumé:
Photographer Rafael Goldchain's Polish-Jewish ancestors emigrated to South America in the 1930s, and many others perished in Poland during the Nazi regime. Also lost in the turmoil of war and emigration were most of the portraits of his extended family. When Goldchain became a parent himself, he decided to make up for this lack of evidence and recreate the lost generations of the past, in the present. Rafael Goldchain's "I am my family" is a family album of traditional portrait photographs with an unconventional twist: the only subject is Goldchain himself. In an elaborate process involving genealogical research, the use of makeup, hair styling, costume, and props, Goldchain transforms himself into his ancestors and captures their personifications with the camera. Taking some liberties with historical accuracy, Goldchain has assembled a fascinating cast of characters : from his short-story-writing grandfather, to his great-aunts Pola and Fela, to the Rabbi Gur's nephew in wedding dress, Goldchain reinvents himself over and over again. These beautifully reproduced self-portraits trace the evolution of Jewish culture from tradition to modernity and invite us to engage the history of a family decimated and scattered by the traumatic events of the 20th century. Featuring an essay by curator Martha Langford, the portraits are complemented by a selection of the archival images on which they are based as well as selections from the artist's handwritten sketchbooks.
Classification:
livres
livres
Publication:
octobre 2008, New York
octobre 2008, New York
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$74.00
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Once the world’s tallest skyscraper, the Woolworth Building is noted for its striking but incongruous synthesis of Beaux-Arts architecture, fanciful Gothic ornamentation, and audacious steel-framed engineering. Here, in the first history of this great urban landmark, Gail Fenske argues that its design serves as a compelling lens through which to view the distinctive urban(...)
$74.00
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Once the world’s tallest skyscraper, the Woolworth Building is noted for its striking but incongruous synthesis of Beaux-Arts architecture, fanciful Gothic ornamentation, and audacious steel-framed engineering. Here, in the first history of this great urban landmark, Gail Fenske argues that its design serves as a compelling lens through which to view the distinctive urban(...)
Titre:
The skyscraper and the city: the woolworth building and the making of modern New York
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$74.00
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Once the world’s tallest skyscraper, the Woolworth Building is noted for its striking but incongruous synthesis of Beaux-Arts architecture, fanciful Gothic ornamentation, and audacious steel-framed engineering. Here, in the first history of this great urban landmark, Gail Fenske argues that its design serves as a compelling lens through which to view the distinctive urban culture of Progressive-era New York. Fenske shows here that the building’s multiplicity of meanings reflected the cultural contradictions that defined New York City’s modernity. For Frank Woolworth—founder of the famous five-and-dime store chain—the building served as a towering trademark, for advocates of the City Beautiful movement it suggested a majestic hotel de ville, for technological enthusiasts it represented the boldest of experiments in vertical construction, and for tenants it provided an evocative setting for high-style consumption. Tourists, meanwhile, experienced a spectacular sightseeing destination and avant-garde artists discovered a twentieth-century future. In emphasizing this faceted significance, Fenske illuminates the process of conceiving, financing, and constructing skyscrapers as well as the mass phenomena of consumerism, marketing, news media, and urban spectatorship that surround them. As the representative example of the skyscraper as a “cathedral of commerce,” the Woolworth Building remains a commanding presence in the skyline of lower Manhattan, and the generously illustrated Skyscraper and the City is a worthy testament to its importance in American culture.
The skyscraper and the city: the woolworth building and the making of modern New York
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$74.00
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Résumé:
Once the world’s tallest skyscraper, the Woolworth Building is noted for its striking but incongruous synthesis of Beaux-Arts architecture, fanciful Gothic ornamentation, and audacious steel-framed engineering. Here, in the first history of this great urban landmark, Gail Fenske argues that its design serves as a compelling lens through which to view the distinctive urban culture of Progressive-era New York. Fenske shows here that the building’s multiplicity of meanings reflected the cultural contradictions that defined New York City’s modernity. For Frank Woolworth—founder of the famous five-and-dime store chain—the building served as a towering trademark, for advocates of the City Beautiful movement it suggested a majestic hotel de ville, for technological enthusiasts it represented the boldest of experiments in vertical construction, and for tenants it provided an evocative setting for high-style consumption. Tourists, meanwhile, experienced a spectacular sightseeing destination and avant-garde artists discovered a twentieth-century future. In emphasizing this faceted significance, Fenske illuminates the process of conceiving, financing, and constructing skyscrapers as well as the mass phenomena of consumerism, marketing, news media, and urban spectatorship that surround them. As the representative example of the skyscraper as a “cathedral of commerce,” the Woolworth Building remains a commanding presence in the skyline of lower Manhattan, and the generously illustrated Skyscraper and the City is a worthy testament to its importance in American culture.
Classification:
livres
livres
Publication:
mai 2008, Chicago, London
mai 2008, Chicago, London
Sujet:
Gratte-ciels
Gratte-ciels
Classification:
livres
livres
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$105.00
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Résumé:
This catalogue is published in conjunction with "Il modo italian - Italian design and avant-garde in the 20th century", an exhibition produced by the Montreal Museum of Fine Arts in collaboration with the Royal Ontario Museum, Toronto, and the Mart – Museo di Arte Moderna e Contemporanea di Trento e Rovereto. Italian design has spanned the whole of the twentieth century,(...)
$105.00
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This catalogue is published in conjunction with "Il modo italian - Italian design and avant-garde in the 20th century", an exhibition produced by the Montreal Museum of Fine Arts in collaboration with the Royal Ontario Museum, Toronto, and the Mart – Museo di Arte Moderna e Contemporanea di Trento e Rovereto. Italian design has spanned the whole of the twentieth century,(...)
Titre:
Il modo italiaono - Italian design and avant-garde in the 20th Century
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$105.00
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This catalogue is published in conjunction with "Il modo italian - Italian design and avant-garde in the 20th century", an exhibition produced by the Montreal Museum of Fine Arts in collaboration with the Royal Ontario Museum, Toronto, and the Mart – Museo di Arte Moderna e Contemporanea di Trento e Rovereto. Italian design has spanned the whole of the twentieth century, leaving a highly distinctive mark on the way that the form of objects of everyday use is perceived in industrial and contemporary society. This “Italian way” has succeeded, through a complex and hesitant process of industrial innovation and technological updating, in developing an independent and multifaceted culture of design capable of marrying the country’s rich craft tradition with an often fiercely resisted aspiration to modernity made up of flashes of improvisation and irony, and associated with an arduous bent for experimentation. The exhibition, with around 400 works chosen from among the most representative of artistic research and the culture of design in Italy in the twentieth century, is arranged chronologically, with four sections that define the different periods in the philosophical, economic, and aesthetic discourse that has accompanied the recent history of art and design in Italy. The survey brings to light the “philosophies” of design and the “aesthetics” that found a strong and dialectical expression right through the last century in Italy, and that are at the root of the country’s characteristic and lively cultural debate between art and design.
Il modo italiaono - Italian design and avant-garde in the 20th Century
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$105.00
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Résumé:
This catalogue is published in conjunction with "Il modo italian - Italian design and avant-garde in the 20th century", an exhibition produced by the Montreal Museum of Fine Arts in collaboration with the Royal Ontario Museum, Toronto, and the Mart – Museo di Arte Moderna e Contemporanea di Trento e Rovereto. Italian design has spanned the whole of the twentieth century, leaving a highly distinctive mark on the way that the form of objects of everyday use is perceived in industrial and contemporary society. This “Italian way” has succeeded, through a complex and hesitant process of industrial innovation and technological updating, in developing an independent and multifaceted culture of design capable of marrying the country’s rich craft tradition with an often fiercely resisted aspiration to modernity made up of flashes of improvisation and irony, and associated with an arduous bent for experimentation. The exhibition, with around 400 works chosen from among the most representative of artistic research and the culture of design in Italy in the twentieth century, is arranged chronologically, with four sections that define the different periods in the philosophical, economic, and aesthetic discourse that has accompanied the recent history of art and design in Italy. The survey brings to light the “philosophies” of design and the “aesthetics” that found a strong and dialectical expression right through the last century in Italy, and that are at the root of the country’s characteristic and lively cultural debate between art and design.
Classification:
livres
livres
Publication:
mai 2006, Milano / Montreal
mai 2006, Milano / Montreal
Sujet:
Design d’intérieur
Design d’intérieur
Classification:
livres
livres
Prix:
$46.95
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Résumé:
Post, ex, sub and dis - these are but a few of the prefixes that have been used to compose neologisms for describing the contemporary cityscape in Western Europe and North America. Terms such as posturban space, postsuburbia, exurbia, exopolis, suburban downtown and disurbia are part of a dizzying collection of often hotly contested labels. The plethora of neologisms(...)
$46.95
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Résumé:
Post, ex, sub and dis - these are but a few of the prefixes that have been used to compose neologisms for describing the contemporary cityscape in Western Europe and North America. Terms such as posturban space, postsuburbia, exurbia, exopolis, suburban downtown and disurbia are part of a dizzying collection of often hotly contested labels. The plethora of neologisms(...)
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
Publication:
novembre 2002, Rotterdam
novembre 2002, Rotterdam
Titre:
Post ex sub dis : urban fragmentations and constructions
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$46.95
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Post, ex, sub and dis - these are but a few of the prefixes that have been used to compose neologisms for describing the contemporary cityscape in Western Europe and North America. Terms such as posturban space, postsuburbia, exurbia, exopolis, suburban downtown and disurbia are part of a dizzying collection of often hotly contested labels. The plethora of neologisms demonstrates how difficult it has become to name, map and analyse the contemporary cityscape. To many observers, urban environments and urban society have come to evince a radically chaotic and fragmented structure. This book explores how in recent decades the notion of fragmentation - a mainstay already of reflections on urban modernity - has acquired new meanings and how, within the current decentralized and centrifugal context, the urban landscape is constantly being deconstructed and reconstructed, both materially and discursively. Richly illustrated with works by artists and photographers who have visualized various new kinds of urban fragmentation, the volume brings together a series of essays on spatial, social and cultural issues written by distinguished scholars and practitioners from an unusual variety of disciplines. It will be especially useful to students of urban planning, architecture, sociology, literature and the arts. With text contributions by Aaron Betsky, Sophie Body-Gendrot, Stefano Boeri, Lizabeth Cohen, Rosalyn Deutsche, Bart Eeckhout, Adriaan Geuze, Paul Gilroy, Steven Jacobs, Regine Leibinger, Scott Malcomson, Peter Marcuse, Bruce Robbins, Luc Sante, William Sharpe, Edward W. Soja and Mark Wigley.
Post ex sub dis : urban fragmentations and constructions
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$46.95
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Résumé:
Post, ex, sub and dis - these are but a few of the prefixes that have been used to compose neologisms for describing the contemporary cityscape in Western Europe and North America. Terms such as posturban space, postsuburbia, exurbia, exopolis, suburban downtown and disurbia are part of a dizzying collection of often hotly contested labels. The plethora of neologisms demonstrates how difficult it has become to name, map and analyse the contemporary cityscape. To many observers, urban environments and urban society have come to evince a radically chaotic and fragmented structure. This book explores how in recent decades the notion of fragmentation - a mainstay already of reflections on urban modernity - has acquired new meanings and how, within the current decentralized and centrifugal context, the urban landscape is constantly being deconstructed and reconstructed, both materially and discursively. Richly illustrated with works by artists and photographers who have visualized various new kinds of urban fragmentation, the volume brings together a series of essays on spatial, social and cultural issues written by distinguished scholars and practitioners from an unusual variety of disciplines. It will be especially useful to students of urban planning, architecture, sociology, literature and the arts. With text contributions by Aaron Betsky, Sophie Body-Gendrot, Stefano Boeri, Lizabeth Cohen, Rosalyn Deutsche, Bart Eeckhout, Adriaan Geuze, Paul Gilroy, Steven Jacobs, Regine Leibinger, Scott Malcomson, Peter Marcuse, Bruce Robbins, Luc Sante, William Sharpe, Edward W. Soja and Mark Wigley.
Classification:
livres
livres
Publication:
novembre 2002, Rotterdam
novembre 2002, Rotterdam
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
Classification:
livres
livres
Titre:
Claus en Kaan building
Claus en Kaan building
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$100.95
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Building - for all its simplicity the title of this book speaks volumes about the work of Claus and Kaan. It reduces architecture to what they see as the essence of their profession. Kees Kaan and Felix Claus once claimed that their ambition was to extinguish the schism between low practice and high theory, between architecture that serves its immediate objective and(...)
$100.95
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Building - for all its simplicity the title of this book speaks volumes about the work of Claus and Kaan. It reduces architecture to what they see as the essence of their profession. Kees Kaan and Felix Claus once claimed that their ambition was to extinguish the schism between low practice and high theory, between architecture that serves its immediate objective and(...)
Titre:
Claus en Kaan building
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Prix:
$100.95
(disponible sur commande)
Résumé:
Building - for all its simplicity the title of this book speaks volumes about the work of Claus and Kaan. It reduces architecture to what they see as the essence of their profession. Kees Kaan and Felix Claus once claimed that their ambition was to extinguish the schism between low practice and high theory, between architecture that serves its immediate objective and architecture that speaks over the heads of its users to colleagues and critics. Severity and repose are hallmarks of Claus and Kaan's oeuvre and these qualities are often found in it simultaneously. For even at its most Spartan, their architecture is never harsh. Although one can hardly describe Claus and Kaan's architecture as postmodern, their stance does owe something to postmodernism. This can be seen in their free handling of references, such as Marcel Breuer's Whitney Museum or Mies van der Rohe's Barcelona Pavilion, and in their undogmatically broad range of interest, spanning from Heinrich Tessenow to Gordon Bunshaft and from Auguste Perret to I.M. Pei. For them there is no essential contradiction between modernity and classical values. This first comprehensive monograph on Claus and Kaan gives a complete overview of all their projects (250 or so), including those yet to be realized. Of this total, fifty are exhaustively documented and illustrated. With essays by Rafael Moneo, David Chipperfield, Andrea Deplazes, Christoph Grafe, Han Michel, and Felix Claus and Kees Kaan themselves. The book is designed by Karel Martens and Jaap van Triest.
Claus en Kaan building
Actions:
Prix:
$100.95
(disponible sur commande)
Résumé:
Building - for all its simplicity the title of this book speaks volumes about the work of Claus and Kaan. It reduces architecture to what they see as the essence of their profession. Kees Kaan and Felix Claus once claimed that their ambition was to extinguish the schism between low practice and high theory, between architecture that serves its immediate objective and architecture that speaks over the heads of its users to colleagues and critics. Severity and repose are hallmarks of Claus and Kaan's oeuvre and these qualities are often found in it simultaneously. For even at its most Spartan, their architecture is never harsh. Although one can hardly describe Claus and Kaan's architecture as postmodern, their stance does owe something to postmodernism. This can be seen in their free handling of references, such as Marcel Breuer's Whitney Museum or Mies van der Rohe's Barcelona Pavilion, and in their undogmatically broad range of interest, spanning from Heinrich Tessenow to Gordon Bunshaft and from Auguste Perret to I.M. Pei. For them there is no essential contradiction between modernity and classical values. This first comprehensive monograph on Claus and Kaan gives a complete overview of all their projects (250 or so), including those yet to be realized. Of this total, fifty are exhaustively documented and illustrated. With essays by Rafael Moneo, David Chipperfield, Andrea Deplazes, Christoph Grafe, Han Michel, and Felix Claus and Kees Kaan themselves. The book is designed by Karel Martens and Jaap van Triest.
Classification:
livres
livres
Publication:
mai 2002, Rotterdam
mai 2002, Rotterdam
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
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$41.95
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Résumé:
In his thoughtful collection of essays on the relationship of architecture and the arts, Giuliana Bruno addresses the crucial role that architecture plays in the production of art and the making of public intimacy. As art melts into spatial construction and architecture mobilizes artistic vision, Bruno argues, a new moving space--a screen of vital cultural memory--has(...)
$41.95
(disponible sur commande)
Résumé:
In his thoughtful collection of essays on the relationship of architecture and the arts, Giuliana Bruno addresses the crucial role that architecture plays in the production of art and the making of public intimacy. As art melts into spatial construction and architecture mobilizes artistic vision, Bruno argues, a new moving space--a screen of vital cultural memory--has(...)
Titre:
Public intimacy: architecture and the visual arts
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$41.95
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Résumé:
In his thoughtful collection of essays on the relationship of architecture and the arts, Giuliana Bruno addresses the crucial role that architecture plays in the production of art and the making of public intimacy. As art melts into spatial construction and architecture mobilizes artistic vision, Bruno argues, a new moving space--a screen of vital cultural memory--has come to shape our visual culture. Taking on the central topic of museum culture, Bruno leads the reader on a series of architectural promenades from modernity to our times. Through these "museum walks," she demonstrates how artistic collection has become a culture of recollection, and examines the public space of the pavilion as reinvented in the moving-image art installation of Turner Prize nominees Jane and Louise Wilson. Investigating the intersection of science and art, Bruno looks at our cultural obsession with techniques of imaging and its effect on the privacy of bodies and space. She finds in the work of artist Rebecca Horn a notable combination of the artistic and the scientific that creates an architecture of public intimacy. Considering the role of architecture in contemporary art that refashions our "lived space"--and the work of contemporary artists including Rachel Whiteread, Mona Hatoum, and Guillermo Kuitca--Bruno argues that architecture is used to define the frame of memory, the border of public and private space, and the permeability of exterior and interior space. Architecture, Bruno contends, is not merely a matter of space, but an art of time.
Public intimacy: architecture and the visual arts
Actions:
Prix:
$41.95
(disponible sur commande)
Résumé:
In his thoughtful collection of essays on the relationship of architecture and the arts, Giuliana Bruno addresses the crucial role that architecture plays in the production of art and the making of public intimacy. As art melts into spatial construction and architecture mobilizes artistic vision, Bruno argues, a new moving space--a screen of vital cultural memory--has come to shape our visual culture. Taking on the central topic of museum culture, Bruno leads the reader on a series of architectural promenades from modernity to our times. Through these "museum walks," she demonstrates how artistic collection has become a culture of recollection, and examines the public space of the pavilion as reinvented in the moving-image art installation of Turner Prize nominees Jane and Louise Wilson. Investigating the intersection of science and art, Bruno looks at our cultural obsession with techniques of imaging and its effect on the privacy of bodies and space. She finds in the work of artist Rebecca Horn a notable combination of the artistic and the scientific that creates an architecture of public intimacy. Considering the role of architecture in contemporary art that refashions our "lived space"--and the work of contemporary artists including Rachel Whiteread, Mona Hatoum, and Guillermo Kuitca--Bruno argues that architecture is used to define the frame of memory, the border of public and private space, and the permeability of exterior and interior space. Architecture, Bruno contends, is not merely a matter of space, but an art of time.
Classification:
livres
livres
Publication:
avril 2007
avril 2007
Sujet:
Théorie de l’art
Théorie de l’art
