33214 Résultats
Classification:
documents textuels
documents textuels
Numéro de référence:
AP075.S3.SS2.149
Description:
This box contains professional correspondence, organized in chronological order, from 1958-1993, with a bulk of documents dated from 1978-1993. This correspondence contains chiefly letters related to publishing in landscape architecture publications, correspondence with schools of architecture and landscape architects associations, such as the Canadian Society of Landscape Architects, about membership or attendance to events. It also comprises correspondence related to research on play and playgrounds, collaboration with organizations for children education, research and involvement in sustainable development. It also contains correspondence with city planning committees or other governmental institutions related to projects or consultation in landscape design, and letters of reference or offer of services. This correspondence also comprises a few letters related to Oberlander's projects such as Children's Creative Centre Playground at Expo '67 in Montréal, University of British Columbia Faculty Club additions (which includes correspondence with Arthur Erickson), the Museum of Anthropology. It includes mainly letters of congratulations or comments for her design.
AP075.S3.SS2.149
Description:
This box contains professional correspondence, organized in chronological order, from 1958-1993, with a bulk of documents dated from 1978-1993. This correspondence contains chiefly letters related to publishing in landscape architecture publications, correspondence with schools of architecture and landscape architects associations, such as the Canadian Society of Landscape Architects, about membership or attendance to events. It also comprises correspondence related to research on play and playgrounds, collaboration with organizations for children education, research and involvement in sustainable development. It also contains correspondence with city planning committees or other governmental institutions related to projects or consultation in landscape design, and letters of reference or offer of services. This correspondence also comprises a few letters related to Oberlander's projects such as Children's Creative Centre Playground at Expo '67 in Montréal, University of British Columbia Faculty Club additions (which includes correspondence with Arthur Erickson), the Museum of Anthropology. It includes mainly letters of congratulations or comments for her design.
Personnes et institutions:
Date:
1958-1993
1958-1993
Titre:
Professional correspondence from 1958-1993
Actions:
AP075.S3.SS2.149
Description:
This box contains professional correspondence, organized in chronological order, from 1958-1993, with a bulk of documents dated from 1978-1993. This correspondence contains chiefly letters related to publishing in landscape architecture publications, correspondence with schools of architecture and landscape architects associations, such as the Canadian Society of Landscape Architects, about membership or attendance to events. It also comprises correspondence related to research on play and playgrounds, collaboration with organizations for children education, research and involvement in sustainable development. It also contains correspondence with city planning committees or other governmental institutions related to projects or consultation in landscape design, and letters of reference or offer of services. This correspondence also comprises a few letters related to Oberlander's projects such as Children's Creative Centre Playground at Expo '67 in Montréal, University of British Columbia Faculty Club additions (which includes correspondence with Arthur Erickson), the Museum of Anthropology. It includes mainly letters of congratulations or comments for her design.
Professional correspondence from 1958-1993
Actions:
AP075.S3.SS2.149
Description:
This box contains professional correspondence, organized in chronological order, from 1958-1993, with a bulk of documents dated from 1978-1993. This correspondence contains chiefly letters related to publishing in landscape architecture publications, correspondence with schools of architecture and landscape architects associations, such as the Canadian Society of Landscape Architects, about membership or attendance to events. It also comprises correspondence related to research on play and playgrounds, collaboration with organizations for children education, research and involvement in sustainable development. It also contains correspondence with city planning committees or other governmental institutions related to projects or consultation in landscape design, and letters of reference or offer of services. This correspondence also comprises a few letters related to Oberlander's projects such as Children's Creative Centre Playground at Expo '67 in Montréal, University of British Columbia Faculty Club additions (which includes correspondence with Arthur Erickson), the Museum of Anthropology. It includes mainly letters of congratulations or comments for her design.
Classification:
documents textuels
documents textuels
Date:
1958-1993
1958-1993
Personnes et institutions:
Classification:
photographies
Quantité:
82 photograph(s)
photographies
Quantité:
82 photograph(s)
Actions:
Numéro de référence:
PH1996:0069:001-109
Description:
Group of 109 Polaroid photographs made by Aldo Rossi with some presented in the exhibition 'Luigi Ghirri - Aldo Rossi. Things Which Are Only Themselves' held at the CCA in 1996. The photographs represent several scenes from Rossi's travels in different countries: building façades, sacred images, billboards, houses from a Shaker village, baroque façades of churches (in Lecce, Italy), shops, street scenes, lakes, ports, showcases and furniture. Rossi's photography shows the interest he shares with photographer Luigi Ghirri in the belief in the autonomous eye of the photographer and in the potential of that eye to reveal something new to the architect. Ghirri sees in Rossi's Polaroids a "concealed passion, the 'secret' images of the architect, [...] puzzles that are solved with the heart". And according to his definition of photography, "a tangle of monuments, lights, thoughts, objects, moments and metaphors forming the landscape we are searching for in our minds... as would the points of an imaginary compass, which indicates a possible direction".
PH1996:0069:001-109
Description:
Group of 109 Polaroid photographs made by Aldo Rossi with some presented in the exhibition 'Luigi Ghirri - Aldo Rossi. Things Which Are Only Themselves' held at the CCA in 1996. The photographs represent several scenes from Rossi's travels in different countries: building façades, sacred images, billboards, houses from a Shaker village, baroque façades of churches (in Lecce, Italy), shops, street scenes, lakes, ports, showcases and furniture. Rossi's photography shows the interest he shares with photographer Luigi Ghirri in the belief in the autonomous eye of the photographer and in the potential of that eye to reveal something new to the architect. Ghirri sees in Rossi's Polaroids a "concealed passion, the 'secret' images of the architect, [...] puzzles that are solved with the heart". And according to his definition of photography, "a tangle of monuments, lights, thoughts, objects, moments and metaphors forming the landscape we are searching for in our minds... as would the points of an imaginary compass, which indicates a possible direction".
Personnes et institutions:
Sujet:
architecture, ingénierie, sculpture
architecture, ingénierie, sculpture
Date:
1980s-1990s
1980s-1990s
Titre:
Group of views of architecture from Aldo Rossi's trips to Italy, France, Corsica, Greece, United States and unspecified countries
Actions:
PH1996:0069:001-109
Description:
Group of 109 Polaroid photographs made by Aldo Rossi with some presented in the exhibition 'Luigi Ghirri - Aldo Rossi. Things Which Are Only Themselves' held at the CCA in 1996. The photographs represent several scenes from Rossi's travels in different countries: building façades, sacred images, billboards, houses from a Shaker village, baroque façades of churches (in Lecce, Italy), shops, street scenes, lakes, ports, showcases and furniture. Rossi's photography shows the interest he shares with photographer Luigi Ghirri in the belief in the autonomous eye of the photographer and in the potential of that eye to reveal something new to the architect. Ghirri sees in Rossi's Polaroids a "concealed passion, the 'secret' images of the architect, [...] puzzles that are solved with the heart". And according to his definition of photography, "a tangle of monuments, lights, thoughts, objects, moments and metaphors forming the landscape we are searching for in our minds... as would the points of an imaginary compass, which indicates a possible direction".
Group of views of architecture from Aldo Rossi's trips to Italy, France, Corsica, Greece, United States and unspecified countries
Actions:
PH1996:0069:001-109
Description:
Group of 109 Polaroid photographs made by Aldo Rossi with some presented in the exhibition 'Luigi Ghirri - Aldo Rossi. Things Which Are Only Themselves' held at the CCA in 1996. The photographs represent several scenes from Rossi's travels in different countries: building façades, sacred images, billboards, houses from a Shaker village, baroque façades of churches (in Lecce, Italy), shops, street scenes, lakes, ports, showcases and furniture. Rossi's photography shows the interest he shares with photographer Luigi Ghirri in the belief in the autonomous eye of the photographer and in the potential of that eye to reveal something new to the architect. Ghirri sees in Rossi's Polaroids a "concealed passion, the 'secret' images of the architect, [...] puzzles that are solved with the heart". And according to his definition of photography, "a tangle of monuments, lights, thoughts, objects, moments and metaphors forming the landscape we are searching for in our minds... as would the points of an imaginary compass, which indicates a possible direction".
Classification:
photographies
Quantité:
82 photograph(s)
photographies
Quantité:
82 photograph(s)
Date:
1980s-1990s
1980s-1990s
Personnes et institutions:
Sujet:
architecture, ingénierie, sculpture
architecture, ingénierie, sculpture
Classification:
documents textuels
documents textuels
Numéro de référence:
AP197.S3.007
Description:
The box is comprised of correspondence for the years of 1997-1998, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: the Berlage Institute; the Finnish Association of Architect; Università della Svizzera italiana; Kisho Kurakawa; Tadao Ando; Mario Botta; Aurelio Galfetti; the Barragan Foundation; and Steven Holl. Correspondence relating to the following projects can be found in this box: editor of Technology, Place and Architecture: The Jerusalem Seminar in Architecture; and the General Editor of the publication World Architecture: a Critical Mosaic 1900-2000 Vols: 1-10.
AP197.S3.007
Description:
The box is comprised of correspondence for the years of 1997-1998, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: the Berlage Institute; the Finnish Association of Architect; Università della Svizzera italiana; Kisho Kurakawa; Tadao Ando; Mario Botta; Aurelio Galfetti; the Barragan Foundation; and Steven Holl. Correspondence relating to the following projects can be found in this box: editor of Technology, Place and Architecture: The Jerusalem Seminar in Architecture; and the General Editor of the publication World Architecture: a Critical Mosaic 1900-2000 Vols: 1-10.
Personnes et institutions:
Date:
1997-1998
1997-1998
Titre:
Personal and professional correspondence from 1997-1998
Actions:
AP197.S3.007
Description:
The box is comprised of correspondence for the years of 1997-1998, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: the Berlage Institute; the Finnish Association of Architect; Università della Svizzera italiana; Kisho Kurakawa; Tadao Ando; Mario Botta; Aurelio Galfetti; the Barragan Foundation; and Steven Holl. Correspondence relating to the following projects can be found in this box: editor of Technology, Place and Architecture: The Jerusalem Seminar in Architecture; and the General Editor of the publication World Architecture: a Critical Mosaic 1900-2000 Vols: 1-10.
Personal and professional correspondence from 1997-1998
Actions:
AP197.S3.007
Description:
The box is comprised of correspondence for the years of 1997-1998, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: the Berlage Institute; the Finnish Association of Architect; Università della Svizzera italiana; Kisho Kurakawa; Tadao Ando; Mario Botta; Aurelio Galfetti; the Barragan Foundation; and Steven Holl. Correspondence relating to the following projects can be found in this box: editor of Technology, Place and Architecture: The Jerusalem Seminar in Architecture; and the General Editor of the publication World Architecture: a Critical Mosaic 1900-2000 Vols: 1-10.
Classification:
documents textuels
documents textuels
Date:
1997-1998
1997-1998
Personnes et institutions:
Classification:
documents textuels
documents textuels
Titre:
Hejduk
Hejduk
Numéro de référence:
ARCH153754
Description:
Various documents relating to the exhibition catalogue, "John Hejduk, 7 Houses : January 22 to February 16, 1980" / introduction by Peter Eisenman. -- New York, N.Y. : Institute for Architecture and Urban Studies, [1979] Transcript of a conversation between John Hejduk and PDE; October13, 1977; "Nine Square House" Hejduk; 17 December 1979 (essay: "In My Father's House Are Many Mansions") Photocopy : Eisenman's preface, Galley Transcripts of a conversation between Wall and Hejduk : In perspective (no date) Typewritten manuscript : "The Destruction of the Box" Class discussion at Cooper Union; February 11 1976 (Mr. Rosaro, PDE, Chris, Wilcox, Rick, Blitz Brochure: John Hejduk: 3 + 1, 1976 1 exhibition catalogue: Projects/John Hejduk, architect: an exhibition at the Foundation Le Corbusier, Paris, October 1972 Folder Country: John Hejduk Interview, John Hejduk - Reima Pietila, Finnish Architect, Helsinki Interview, John Hejduk - Donald Wall, Professor; School of Architecture, New Jersey Institute of Technology & Nancy Ferrara, Experimental Psychologist Statement, John Hejduk Exhibition; January 22 - February 16 1980 Letter to PDE from Prof. P. Sanders, November 2 1979
ARCH153754
Description:
Various documents relating to the exhibition catalogue, "John Hejduk, 7 Houses : January 22 to February 16, 1980" / introduction by Peter Eisenman. -- New York, N.Y. : Institute for Architecture and Urban Studies, [1979] Transcript of a conversation between John Hejduk and PDE; October13, 1977; "Nine Square House" Hejduk; 17 December 1979 (essay: "In My Father's House Are Many Mansions") Photocopy : Eisenman's preface, Galley Transcripts of a conversation between Wall and Hejduk : In perspective (no date) Typewritten manuscript : "The Destruction of the Box" Class discussion at Cooper Union; February 11 1976 (Mr. Rosaro, PDE, Chris, Wilcox, Rick, Blitz Brochure: John Hejduk: 3 + 1, 1976 1 exhibition catalogue: Projects/John Hejduk, architect: an exhibition at the Foundation Le Corbusier, Paris, October 1972 Folder Country: John Hejduk Interview, John Hejduk - Reima Pietila, Finnish Architect, Helsinki Interview, John Hejduk - Donald Wall, Professor; School of Architecture, New Jersey Institute of Technology & Nancy Ferrara, Experimental Psychologist Statement, John Hejduk Exhibition; January 22 - February 16 1980 Letter to PDE from Prof. P. Sanders, November 2 1979
Personnes et institutions:
Date:
1972-1980
1972-1980
Titre:
Hejduk
Actions:
ARCH153754
Description:
Various documents relating to the exhibition catalogue, "John Hejduk, 7 Houses : January 22 to February 16, 1980" / introduction by Peter Eisenman. -- New York, N.Y. : Institute for Architecture and Urban Studies, [1979] Transcript of a conversation between John Hejduk and PDE; October13, 1977; "Nine Square House" Hejduk; 17 December 1979 (essay: "In My Father's House Are Many Mansions") Photocopy : Eisenman's preface, Galley Transcripts of a conversation between Wall and Hejduk : In perspective (no date) Typewritten manuscript : "The Destruction of the Box" Class discussion at Cooper Union; February 11 1976 (Mr. Rosaro, PDE, Chris, Wilcox, Rick, Blitz Brochure: John Hejduk: 3 + 1, 1976 1 exhibition catalogue: Projects/John Hejduk, architect: an exhibition at the Foundation Le Corbusier, Paris, October 1972 Folder Country: John Hejduk Interview, John Hejduk - Reima Pietila, Finnish Architect, Helsinki Interview, John Hejduk - Donald Wall, Professor; School of Architecture, New Jersey Institute of Technology & Nancy Ferrara, Experimental Psychologist Statement, John Hejduk Exhibition; January 22 - February 16 1980 Letter to PDE from Prof. P. Sanders, November 2 1979
Hejduk
Actions:
ARCH153754
Description:
Various documents relating to the exhibition catalogue, "John Hejduk, 7 Houses : January 22 to February 16, 1980" / introduction by Peter Eisenman. -- New York, N.Y. : Institute for Architecture and Urban Studies, [1979] Transcript of a conversation between John Hejduk and PDE; October13, 1977; "Nine Square House" Hejduk; 17 December 1979 (essay: "In My Father's House Are Many Mansions") Photocopy : Eisenman's preface, Galley Transcripts of a conversation between Wall and Hejduk : In perspective (no date) Typewritten manuscript : "The Destruction of the Box" Class discussion at Cooper Union; February 11 1976 (Mr. Rosaro, PDE, Chris, Wilcox, Rick, Blitz Brochure: John Hejduk: 3 + 1, 1976 1 exhibition catalogue: Projects/John Hejduk, architect: an exhibition at the Foundation Le Corbusier, Paris, October 1972 Folder Country: John Hejduk Interview, John Hejduk - Reima Pietila, Finnish Architect, Helsinki Interview, John Hejduk - Donald Wall, Professor; School of Architecture, New Jersey Institute of Technology & Nancy Ferrara, Experimental Psychologist Statement, John Hejduk Exhibition; January 22 - February 16 1980 Letter to PDE from Prof. P. Sanders, November 2 1979
Classification:
documents textuels
documents textuels
Date:
1972-1980
1972-1980
Personnes et institutions:
Classification:
expositions
expositions
Description:
Issu de la révolution portugaise du 25 avril 1974, le SAAL ― Serviço Ambulatório de Apoio Local (Service ambulant de soutien local) ― fut une expérience architecturale et politique pionnière conçue afin d’adresser le manque de logement et les conditions de vie pauvres de nombreuses villes portugaises. On ne peut pas parler d’un seul SAAL : ses initiatives et résultats(...)
Issu de la révolution portugaise du 25 avril 1974, le SAAL ― Serviço Ambulatório de Apoio Local (Service ambulant de soutien local) ― fut une expérience architecturale et politique pionnière conçue afin d’adresser le manque de logement et les conditions de vie pauvres de nombreuses villes portugaises. On ne peut pas parler d’un seul SAAL : ses initiatives et résultats(...)
Localisation:
Salles principales
Salles principales
Date:
12 mai 2015 au 4 octobre 2015
12 mai 2015 au 4 octobre 2015
Titre:
Le processus du SAAL : Le logement au Portugal de 1974 à 1976-
Actions:
Description:
Issu de la révolution portugaise du 25 avril 1974, le SAAL ― Serviço Ambulatório de Apoio Local (Service ambulant de soutien local) ― fut une expérience architecturale et politique pionnière conçue afin d’adresser le manque de logement et les conditions de vie pauvres de nombreuses villes portugaises. On ne peut pas parler d’un seul SAAL : ses initiatives et résultats(...)
Le processus du SAAL : Le logement au Portugal de 1974 à 1976-
Actions:
Description:
Issu de la révolution portugaise du 25 avril 1974, le SAAL ― Serviço Ambulatório de Apoio Local (Service ambulant de soutien local) ― fut une expérience architecturale et politique pionnière conçue afin d’adresser le manque de logement et les conditions de vie pauvres de nombreuses villes portugaises. On ne peut pas parler d’un seul SAAL : ses initiatives et résultats(...)
Classification:
expositions
expositions
Date:
12 mai 2015 au
4 octobre 2015
12 mai 2015 au
4 octobre 2015
Localisation:
Salles principales
Salles principales
Classification:
expositions
expositions
Actions:
Description:
« Aujourd’hui, tout est environnement » déclare, au début des années 1970, un journal montréalais. Au cours de la dernière décennie, le terme « environnement » a dominé le discours et la pratique des artistes, architectes, intellectuels et activistes intervenant dans le domaine social. Les visiteurs de l’Expo 67, cet événement qui a attiré l’attention du monde entier sur(...)
« Aujourd’hui, tout est environnement » déclare, au début des années 1970, un journal montréalais. Au cours de la dernière décennie, le terme « environnement » a dominé le discours et la pratique des artistes, architectes, intellectuels et activistes intervenant dans le domaine social. Les visiteurs de l’Expo 67, cet événement qui a attiré l’attention du monde entier sur(...)
Localisation:
Salle octogonale
Salle octogonale
Date:
19 mars 2009 au 23 août 2009
19 mars 2009 au 23 août 2009
Titre:
Environnement total : Montréal, 1965-1975
Actions:
Description:
« Aujourd’hui, tout est environnement » déclare, au début des années 1970, un journal montréalais. Au cours de la dernière décennie, le terme « environnement » a dominé le discours et la pratique des artistes, architectes, intellectuels et activistes intervenant dans le domaine social. Les visiteurs de l’Expo 67, cet événement qui a attiré l’attention du monde entier sur(...)
Environnement total : Montréal, 1965-1975
Actions:
Description:
« Aujourd’hui, tout est environnement » déclare, au début des années 1970, un journal montréalais. Au cours de la dernière décennie, le terme « environnement » a dominé le discours et la pratique des artistes, architectes, intellectuels et activistes intervenant dans le domaine social. Les visiteurs de l’Expo 67, cet événement qui a attiré l’attention du monde entier sur(...)
Classification:
expositions
expositions
Date:
19 mars 2009 au
23 août 2009
19 mars 2009 au
23 août 2009
Localisation:
Salle octogonale
Salle octogonale
Classification:
expositions
expositions
Description:
Piero en tête présente des sculptures contemporaines de l’artiste canado-britannique Geoffrey Smedley, ainsi que 30 livres rares datant du XVe au XVIIIe siècle. Les sculptures de Smedley s’inspirent d’une série de dessins de tête humaine, réalisés par le maître de la Renaissance Piero della Francesca. L’exposition relie ces dessins et les sculptures de Smedley à la(...)
Piero en tête présente des sculptures contemporaines de l’artiste canado-britannique Geoffrey Smedley, ainsi que 30 livres rares datant du XVe au XVIIIe siècle. Les sculptures de Smedley s’inspirent d’une série de dessins de tête humaine, réalisés par le maître de la Renaissance Piero della Francesca. L’exposition relie ces dessins et les sculptures de Smedley à la(...)
Localisation:
Salle octogonale
Salle octogonale
Date:
2 mai 2001 au 16 septembre 2001
2 mai 2001 au 16 septembre 2001
Titre:
Piero en tête
Actions:
Description:
Piero en tête présente des sculptures contemporaines de l’artiste canado-britannique Geoffrey Smedley, ainsi que 30 livres rares datant du XVe au XVIIIe siècle. Les sculptures de Smedley s’inspirent d’une série de dessins de tête humaine, réalisés par le maître de la Renaissance Piero della Francesca. L’exposition relie ces dessins et les sculptures de Smedley à la(...)
Piero en tête
Actions:
Description:
Piero en tête présente des sculptures contemporaines de l’artiste canado-britannique Geoffrey Smedley, ainsi que 30 livres rares datant du XVe au XVIIIe siècle. Les sculptures de Smedley s’inspirent d’une série de dessins de tête humaine, réalisés par le maître de la Renaissance Piero della Francesca. L’exposition relie ces dessins et les sculptures de Smedley à la(...)
Classification:
expositions
expositions
Date:
2 mai 2001 au
16 septembre 2001
2 mai 2001 au
16 septembre 2001
Localisation:
Salle octogonale
Salle octogonale
Classification:
événements
événements
Titre:
L’enseignement de… Astana
L’enseignement de… Astana
Actions:
Description:
Jeffrey Inaba est le principal architecte de la firme INABA, établie à Los Angeles. Il examine le cas d’Astana, centre urbain et capitale du Kazakhstan. Dans ce pays qui se classe au 9e rang des plus vastes pays du monde, seulement 16 millions d’habitants occupent le territoire. Riche en réserves pétrolières et gazières tout en jouissant d’une situation géographique(...)
Jeffrey Inaba est le principal architecte de la firme INABA, établie à Los Angeles. Il examine le cas d’Astana, centre urbain et capitale du Kazakhstan. Dans ce pays qui se classe au 9e rang des plus vastes pays du monde, seulement 16 millions d’habitants occupent le territoire. Riche en réserves pétrolières et gazières tout en jouissant d’une situation géographique(...)
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Date:
19 avril 2007 , 19h
19 avril 2007 , 19h
Titre:
L’enseignement de… Astana
Actions:
Description:
Jeffrey Inaba est le principal architecte de la firme INABA, établie à Los Angeles. Il examine le cas d’Astana, centre urbain et capitale du Kazakhstan. Dans ce pays qui se classe au 9e rang des plus vastes pays du monde, seulement 16 millions d’habitants occupent le territoire. Riche en réserves pétrolières et gazières tout en jouissant d’une situation géographique(...)
L’enseignement de… Astana
Actions:
Description:
Jeffrey Inaba est le principal architecte de la firme INABA, établie à Los Angeles. Il examine le cas d’Astana, centre urbain et capitale du Kazakhstan. Dans ce pays qui se classe au 9e rang des plus vastes pays du monde, seulement 16 millions d’habitants occupent le territoire. Riche en réserves pétrolières et gazières tout en jouissant d’une situation géographique(...)
Classification:
événements
événements
Date:
19 avril 2007
19h
19 avril 2007
19h
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Classification:
événements
événements
Actions:
Description:
Les trois lauréates du prix Power Corporation du Canada, Lisa Chow (McGill University), Michèle Curtis (Carleton University) et Geneviève Depelteau (University of British Columbia), présentent les résultats de leur résidence de recherche de trois mois au CCA. Au cours de cette résidence, elles ont étudié l’émergence d’une conscience environnementale en architecture et en(...)
Les trois lauréates du prix Power Corporation du Canada, Lisa Chow (McGill University), Michèle Curtis (Carleton University) et Geneviève Depelteau (University of British Columbia), présentent les résultats de leur résidence de recherche de trois mois au CCA. Au cours de cette résidence, elles ont étudié l’émergence d’une conscience environnementale en architecture et en(...)
Localisation:
Maison Shaughnessy
Maison Shaughnessy
Date:
1 septembre 2016, 18h
1 septembre 2016, 18h
Titre:
Le problème est-il… encore l’environnement?
Actions:
Description:
Les trois lauréates du prix Power Corporation du Canada, Lisa Chow (McGill University), Michèle Curtis (Carleton University) et Geneviève Depelteau (University of British Columbia), présentent les résultats de leur résidence de recherche de trois mois au CCA. Au cours de cette résidence, elles ont étudié l’émergence d’une conscience environnementale en architecture et en(...)
Le problème est-il… encore l’environnement?
Actions:
Description:
Les trois lauréates du prix Power Corporation du Canada, Lisa Chow (McGill University), Michèle Curtis (Carleton University) et Geneviève Depelteau (University of British Columbia), présentent les résultats de leur résidence de recherche de trois mois au CCA. Au cours de cette résidence, elles ont étudié l’émergence d’une conscience environnementale en architecture et en(...)
Classification:
événements
événements
Date:
1 septembre 2016
18h
1 septembre 2016
18h
Localisation:
Maison Shaughnessy
Maison Shaughnessy
Actions:
Numéro de référence:
AP140.S2.SS7.D3.P10.6
Description:
Episode of television program "Building sites". James Stirling presents the architecture of the Katherine Stephen Room, a room for rare books at Newnham College, Cambridge, England, designed by architects Joanna van Heyningen and Birkin Haward. Presented by James Stirling. Camera, David Swan; sound, David Jewitt; stills photography, Hugh Palmer, Martin Charles; graphics, Rose James, Joel Greenberg; video editor, John Paroussi; production assistant, Mary McKernan; researcher, Ruth Rosenthal; producer, Clare Paterson; director, Geoff Dunlop.
AP140.S2.SS7.D3.P10.6
Description:
Episode of television program "Building sites". James Stirling presents the architecture of the Katherine Stephen Room, a room for rare books at Newnham College, Cambridge, England, designed by architects Joanna van Heyningen and Birkin Haward. Presented by James Stirling. Camera, David Swan; sound, David Jewitt; stills photography, Hugh Palmer, Martin Charles; graphics, Rose James, Joel Greenberg; video editor, John Paroussi; production assistant, Mary McKernan; researcher, Ruth Rosenthal; producer, Clare Paterson; director, Geoff Dunlop.
Personnes et institutions:
Date:
1989
1989
Titre:
Building sights (Television program)
Actions:
AP140.S2.SS7.D3.P10.6
Description:
Episode of television program "Building sites". James Stirling presents the architecture of the Katherine Stephen Room, a room for rare books at Newnham College, Cambridge, England, designed by architects Joanna van Heyningen and Birkin Haward. Presented by James Stirling. Camera, David Swan; sound, David Jewitt; stills photography, Hugh Palmer, Martin Charles; graphics, Rose James, Joel Greenberg; video editor, John Paroussi; production assistant, Mary McKernan; researcher, Ruth Rosenthal; producer, Clare Paterson; director, Geoff Dunlop.
Building sights (Television program)
Actions:
AP140.S2.SS7.D3.P10.6
Description:
Episode of television program "Building sites". James Stirling presents the architecture of the Katherine Stephen Room, a room for rare books at Newnham College, Cambridge, England, designed by architects Joanna van Heyningen and Birkin Haward. Presented by James Stirling. Camera, David Swan; sound, David Jewitt; stills photography, Hugh Palmer, Martin Charles; graphics, Rose James, Joel Greenberg; video editor, John Paroussi; production assistant, Mary McKernan; researcher, Ruth Rosenthal; producer, Clare Paterson; director, Geoff Dunlop.
Date:
1989
1989
Personnes et institutions:
