1648 Résultats
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295 pages : illustrations (chiefly color) ; 18 cm
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295 pages : illustrations (chiefly color) ; 18 cm
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Basel : Birkhäuser, [2025], ©2025
Basel : Birkhäuser, [2025], ©2025
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Temporary tecture : structures of necessity / Kosmos Architects.
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295 pages : illustrations (chiefly color) ; 18 cm
Temporary tecture : structures of necessity / Kosmos Architects.
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295 pages : illustrations (chiefly color) ; 18 cm
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livres
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Basel : Birkhäuser, [2025], ©2025
Basel : Birkhäuser, [2025], ©2025
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203 pages : illustrations (chiefly color) ; 30 cm.
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203 pages : illustrations (chiefly color) ; 30 cm.
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Cinisello Balsamo, Milano : Silvana editoriale, [2022], ©2022
Cinisello Balsamo, Milano : Silvana editoriale, [2022], ©2022
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Pierre-Louis Faloci : une écologie du regard = an ecology of the gaze / sous la direction de Joseph Abram.
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203 pages : illustrations (chiefly color) ; 30 cm.
Pierre-Louis Faloci : une écologie du regard = an ecology of the gaze / sous la direction de Joseph Abram.
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203 pages : illustrations (chiefly color) ; 30 cm.
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livres
livres
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Cinisello Balsamo, Milano : Silvana editoriale, [2022], ©2022
Cinisello Balsamo, Milano : Silvana editoriale, [2022], ©2022
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2 volumes : illustrations ; 25 cm
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2 volumes : illustrations ; 25 cm
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Amherst : University of Massachusetts Press, ©1995-©2005.
Amherst : University of Massachusetts Press, ©1995-©2005.
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Ralph Adams Cram : life and architecture / Douglass Shand-Tucci.
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2 volumes : illustrations ; 25 cm
Ralph Adams Cram : life and architecture / Douglass Shand-Tucci.
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2 volumes : illustrations ; 25 cm
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livres
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Amherst : University of Massachusetts Press, ©1995-©2005.
Amherst : University of Massachusetts Press, ©1995-©2005.
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audio
audio
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Gravity N2.
Gravity N2.
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1 online resource.
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[Place of publication not identified] : Lateral Addition, 2016.
[Place of publication not identified] : Lateral Addition, 2016.
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audio
audio
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[Place of publication not identified] : Lateral Addition, 2016.
[Place of publication not identified] : Lateral Addition, 2016.
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$34.95
(disponible sur commande)
Résumé:
S'appuyant sur des plans et des documents photographiques inédits, cet ouvrage ne prétend pas dresser un plan exhaustif de l'histoire urbaine de Tunis de 1800 à 1950. Il propose plutôt une introduction au patrimoine urbain de cette période, mettant en relief les principales oeuvres architecturales qui y ont vu le jour. Le lecteur découvrira les différentes tendances qui(...)
$34.95
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Résumé:
S'appuyant sur des plans et des documents photographiques inédits, cet ouvrage ne prétend pas dresser un plan exhaustif de l'histoire urbaine de Tunis de 1800 à 1950. Il propose plutôt une introduction au patrimoine urbain de cette période, mettant en relief les principales oeuvres architecturales qui y ont vu le jour. Le lecteur découvrira les différentes tendances qui(...)
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avril 2007, Tunis
avril 2007, Tunis
Titre:
Tunis 1800-1950 : portrait architectural et urbain
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$34.95
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S'appuyant sur des plans et des documents photographiques inédits, cet ouvrage ne prétend pas dresser un plan exhaustif de l'histoire urbaine de Tunis de 1800 à 1950. Il propose plutôt une introduction au patrimoine urbain de cette période, mettant en relief les principales oeuvres architecturales qui y ont vu le jour. Le lecteur découvrira les différentes tendances qui ont modelé l'environnement architectural et urbain du centre de Tunis tel que nous le connaissons aujourd'hui.
Tunis 1800-1950 : portrait architectural et urbain
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$34.95
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S'appuyant sur des plans et des documents photographiques inédits, cet ouvrage ne prétend pas dresser un plan exhaustif de l'histoire urbaine de Tunis de 1800 à 1950. Il propose plutôt une introduction au patrimoine urbain de cette période, mettant en relief les principales oeuvres architecturales qui y ont vu le jour. Le lecteur découvrira les différentes tendances qui ont modelé l'environnement architectural et urbain du centre de Tunis tel que nous le connaissons aujourd'hui.
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livres
livres
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avril 2007, Tunis
avril 2007, Tunis
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188 pages : illustrations (chiefly color) ; 29 cm
Description:
188 pages : illustrations (chiefly color) ; 29 cm
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Munich ; New York : Prestel, ©2006.
Munich ; New York : Prestel, ©2006.
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Architecture : nature / Philip Jodidio.
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188 pages : illustrations (chiefly color) ; 29 cm
Architecture : nature / Philip Jodidio.
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188 pages : illustrations (chiefly color) ; 29 cm
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livres
livres
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Munich ; New York : Prestel, ©2006.
Munich ; New York : Prestel, ©2006.
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160 pages : illustrations (some color), maps (some color), color plans ; 17 x 24 cm
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160 pages : illustrations (some color), maps (some color), color plans ; 17 x 24 cm
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[Oostkamp] : Stichting Kunstboek ; [Brussels] : Pro materia ; [Ljubljana] : Urban Planning Institute of the Republic of Slovenia, ©2010.
[Oostkamp] : Stichting Kunstboek ; [Brussels] : Pro materia ; [Ljubljana] : Urban Planning Institute of the Republic of Slovenia, ©2010.
Titre:
Human cities : celebrating public space / edited by Barbara Goličnik Marušić, Matej Nikšić and Lise Coirier.
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160 pages : illustrations (some color), maps (some color), color plans ; 17 x 24 cm
Human cities : celebrating public space / edited by Barbara Goličnik Marušić, Matej Nikšić and Lise Coirier.
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160 pages : illustrations (some color), maps (some color), color plans ; 17 x 24 cm
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[Oostkamp] : Stichting Kunstboek ; [Brussels] : Pro materia ; [Ljubljana] : Urban Planning Institute of the Republic of Slovenia, ©2010.
[Oostkamp] : Stichting Kunstboek ; [Brussels] : Pro materia ; [Ljubljana] : Urban Planning Institute of the Republic of Slovenia, ©2010.
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287 pages : illustrations (some color), maps, plans ; 24 cm
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287 pages : illustrations (some color), maps, plans ; 24 cm
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Paris : Éditions de la Villette : Fondation Le Corbusier, [2012]
Paris : Éditions de la Villette : Fondation Le Corbusier, [2012]
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Le Corbusier, visions d'Alger / sous la direction de Jean-Lucien Bonillo.
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287 pages : illustrations (some color), maps, plans ; 24 cm
Le Corbusier, visions d'Alger / sous la direction de Jean-Lucien Bonillo.
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287 pages : illustrations (some color), maps, plans ; 24 cm
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Paris : Éditions de la Villette : Fondation Le Corbusier, [2012]
Paris : Éditions de la Villette : Fondation Le Corbusier, [2012]
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Type/Variant house / Vincent James ; edited by Oscar Riera Ojeda ; introduction by Thomas Fisher.
Type/Variant house / Vincent James ; edited by Oscar Riera Ojeda ; introduction by Thomas Fisher.
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129 pages : illustrations (chiefly color), plans ; 26 x 38 cm folded to 26 x 21 cm
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129 pages : illustrations (chiefly color), plans ; 26 x 38 cm folded to 26 x 21 cm
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Gloucester, Mass. : Rockport Pub., [1999], Cincinnati, Ohio : Distributed to the Book and art trade in the U.S. by North Light Books, ©1999
Gloucester, Mass. : Rockport Pub., [1999], Cincinnati, Ohio : Distributed to the Book and art trade in the U.S. by North Light Books, ©1999
Titre:
Type/Variant house / Vincent James ; edited by Oscar Riera Ojeda ; introduction by Thomas Fisher.
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129 pages : illustrations (chiefly color), plans ; 26 x 38 cm folded to 26 x 21 cm
Type/Variant house / Vincent James ; edited by Oscar Riera Ojeda ; introduction by Thomas Fisher.
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129 pages : illustrations (chiefly color), plans ; 26 x 38 cm folded to 26 x 21 cm
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livres
Publication:
Gloucester, Mass. : Rockport Pub., [1999], Cincinnati, Ohio : Distributed to the Book and art trade in the U.S. by North Light Books, ©1999
Gloucester, Mass. : Rockport Pub., [1999], Cincinnati, Ohio : Distributed to the Book and art trade in the U.S. by North Light Books, ©1999
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$60.00
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The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material(...)
$60.00
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The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material(...)
Publication:
avril 2000, Cambridge
avril 2000, Cambridge
Titre:
Hybrid modernities : architecture and representation at the 1931 colonial exposition, Paris
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The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials, manufactured goods, and arts of the global colonial empires. Yet the event gave a contradictory message of the colonies as the "Orient"--the site of rampant sensuality, decadence, and irrationality--and as the laboratory of Western rationality. In "Hybrid modernities", Patricia Morton shows how the exposition failed to keep colonialism's two spheres separate, instead creating hybrids of French and native culture. At the exposition, French pavilions demonstrated Europe's sophistication in art deco style, while the colonial pavilions were "authentic" native environments for displaying indigenous peoples and artifacts from the colonies. The authenticity of these pavilions' exteriors was contradicted by vaguely exotic interiors filled with didactic exhibition stands and dioramas. Intended to maintain a segregation of colonized and colonizer, the colonial pavilions instead were mixtures of European and native architecture. Anticolonial resistance erupted around the Exposition in the form of protests, anticolonial tracts, and a countercolonial exposition produced by the Surrealists. Thus the Exposition occupied a "middle region" of experience where the norms, rules, and systems of French colonialism both emerged and broke down, unsustainable because of their internal contradictions. As Morton shows, the effort to segregate France and her colonies failed, both at the colonial exposition and in greater France, because it was constantly undermined by the hybrids that modern colonialism itself produced.
Hybrid modernities : architecture and representation at the 1931 colonial exposition, Paris
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$60.00
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Résumé:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials, manufactured goods, and arts of the global colonial empires. Yet the event gave a contradictory message of the colonies as the "Orient"--the site of rampant sensuality, decadence, and irrationality--and as the laboratory of Western rationality. In "Hybrid modernities", Patricia Morton shows how the exposition failed to keep colonialism's two spheres separate, instead creating hybrids of French and native culture. At the exposition, French pavilions demonstrated Europe's sophistication in art deco style, while the colonial pavilions were "authentic" native environments for displaying indigenous peoples and artifacts from the colonies. The authenticity of these pavilions' exteriors was contradicted by vaguely exotic interiors filled with didactic exhibition stands and dioramas. Intended to maintain a segregation of colonized and colonizer, the colonial pavilions instead were mixtures of European and native architecture. Anticolonial resistance erupted around the Exposition in the form of protests, anticolonial tracts, and a countercolonial exposition produced by the Surrealists. Thus the Exposition occupied a "middle region" of experience where the norms, rules, and systems of French colonialism both emerged and broke down, unsustainable because of their internal contradictions. As Morton shows, the effort to segregate France and her colonies failed, both at the colonial exposition and in greater France, because it was constantly undermined by the hybrids that modern colonialism itself produced.
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livres
livres
Publication:
avril 2000, Cambridge
avril 2000, Cambridge
