1789 Résultats
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Silvia Bächli
Silvia Bächli
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Silvia Bächli was invited to design the official contribution for the Swiss Pavilion at this year’s Biennale in Venice. This book offers a look inside her studio and documents the preparation of her works for the Biennale, illustrating her working process with spatial situations and snapshots that show her trying out various constellations as well as focusing on(...)
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Silvia Bächli was invited to design the official contribution for the Swiss Pavilion at this year’s Biennale in Venice. This book offers a look inside her studio and documents the preparation of her works for the Biennale, illustrating her working process with spatial situations and snapshots that show her trying out various constellations as well as focusing on(...)
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Silvia Bächli
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Silvia Bächli was invited to design the official contribution for the Swiss Pavilion at this year’s Biennale in Venice. This book offers a look inside her studio and documents the preparation of her works for the Biennale, illustrating her working process with spatial situations and snapshots that show her trying out various constellations as well as focusing on individual works and groups. The works and pictures from the artist’s studio are combined with photographs of her working stay in Iceland. Bächli has developed her body of drawings over the course of three decades, using varying formats and techniques. Drawing, for her, is a movement of seeing, of gentle deviations and displacements within the gravitational field of an aimless attentiveness to things and dreamlike phenomena that doesn’t really come to rest even in the finished drawing. The result is not just painterly moments; the drawings often seem to capture, as if in film stills, a cinematic look way of looking at bodies and things or their details, at landscapes, gestures, structures, and processes.
Silvia Bächli
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Silvia Bächli was invited to design the official contribution for the Swiss Pavilion at this year’s Biennale in Venice. This book offers a look inside her studio and documents the preparation of her works for the Biennale, illustrating her working process with spatial situations and snapshots that show her trying out various constellations as well as focusing on individual works and groups. The works and pictures from the artist’s studio are combined with photographs of her working stay in Iceland. Bächli has developed her body of drawings over the course of three decades, using varying formats and techniques. Drawing, for her, is a movement of seeing, of gentle deviations and displacements within the gravitational field of an aimless attentiveness to things and dreamlike phenomena that doesn’t really come to rest even in the finished drawing. The result is not just painterly moments; the drawings often seem to capture, as if in film stills, a cinematic look way of looking at bodies and things or their details, at landscapes, gestures, structures, and processes.
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livres
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août 2009
août 2009
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Kitty Kraus
Kitty Kraus
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German artist Kitty Kraus applies a Minimalist formal vocabulary to humble, elegiac materials that suggest an active engagement with alchemical transformations. Utilizing household glass, light bulbs, cloth and ice, Krauss explores a trajectory of dissolution in contemporary materials, finding a melancholic beauty in the literal and symbolic failure of form.
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German artist Kitty Kraus applies a Minimalist formal vocabulary to humble, elegiac materials that suggest an active engagement with alchemical transformations. Utilizing household glass, light bulbs, cloth and ice, Krauss explores a trajectory of dissolution in contemporary materials, finding a melancholic beauty in the literal and symbolic failure of form.
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Kitty Kraus
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German artist Kitty Kraus applies a Minimalist formal vocabulary to humble, elegiac materials that suggest an active engagement with alchemical transformations. Utilizing household glass, light bulbs, cloth and ice, Krauss explores a trajectory of dissolution in contemporary materials, finding a melancholic beauty in the literal and symbolic failure of form.
Kitty Kraus
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German artist Kitty Kraus applies a Minimalist formal vocabulary to humble, elegiac materials that suggest an active engagement with alchemical transformations. Utilizing household glass, light bulbs, cloth and ice, Krauss explores a trajectory of dissolution in contemporary materials, finding a melancholic beauty in the literal and symbolic failure of form.
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livres
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août 2010
août 2010
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livres
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Les ateliers du Mondrian
Les ateliers du Mondrian
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Son espace de travail, ordonné dans ses moindres détails, Mondrian (1872-1944) le conçoit comme le prolongement de sa peinture et l'annonce du monde harmonique auquel il aspire depuis ses débuts. L'abstraction, dont il est l'un des instigateurs avec Kandinsky et Malévitch avant la guerre de 1914, se veut aussi porteuse de sens et porteuse d'avenir. A terme, proclame(...)
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Son espace de travail, ordonné dans ses moindres détails, Mondrian (1872-1944) le conçoit comme le prolongement de sa peinture et l'annonce du monde harmonique auquel il aspire depuis ses débuts. L'abstraction, dont il est l'un des instigateurs avec Kandinsky et Malévitch avant la guerre de 1914, se veut aussi porteuse de sens et porteuse d'avenir. A terme, proclame(...)
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Les ateliers du Mondrian
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Son espace de travail, ordonné dans ses moindres détails, Mondrian (1872-1944) le conçoit comme le prolongement de sa peinture et l'annonce du monde harmonique auquel il aspire depuis ses débuts. L'abstraction, dont il est l'un des instigateurs avec Kandinsky et Malévitch avant la guerre de 1914, se veut aussi porteuse de sens et porteuse d'avenir. A terme, proclame Mondrian, l'univers se réglera sur les principes du néo-plasticisme, couleurs pures, lignes droites et surfaces lisses.
Les ateliers du Mondrian
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Son espace de travail, ordonné dans ses moindres détails, Mondrian (1872-1944) le conçoit comme le prolongement de sa peinture et l'annonce du monde harmonique auquel il aspire depuis ses débuts. L'abstraction, dont il est l'un des instigateurs avec Kandinsky et Malévitch avant la guerre de 1914, se veut aussi porteuse de sens et porteuse d'avenir. A terme, proclame Mondrian, l'univers se réglera sur les principes du néo-plasticisme, couleurs pures, lignes droites et surfaces lisses.
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livres
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octobre 2015
octobre 2015
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xiii, 140 pages : illustrations (black and white) ; 23 cm.
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xiii, 140 pages : illustrations (black and white) ; 23 cm.
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Abingdon, Oxon ; New York, NY : Routledge, Taylor & Francis Group, 2022., ©2022
Abingdon, Oxon ; New York, NY : Routledge, Taylor & Francis Group, 2022., ©2022
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Latour for architects / Albena Yaneva.
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xiii, 140 pages : illustrations (black and white) ; 23 cm.
Latour for architects / Albena Yaneva.
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xiii, 140 pages : illustrations (black and white) ; 23 cm.
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livres
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Abingdon, Oxon ; New York, NY : Routledge, Taylor & Francis Group, 2022., ©2022
Abingdon, Oxon ; New York, NY : Routledge, Taylor & Francis Group, 2022., ©2022
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Adelaide Cioni: on patterns
Adelaide Cioni: on patterns
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This volume chronicles a recent solo exhibition by Italian artist Adelaide Cioni (born 1976). Including works across illustration, textile design, spatial installation and performance, the book showcases Cioni’s research on the origin of patterns and their ubiquitous imagery.
$43.95
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This volume chronicles a recent solo exhibition by Italian artist Adelaide Cioni (born 1976). Including works across illustration, textile design, spatial installation and performance, the book showcases Cioni’s research on the origin of patterns and their ubiquitous imagery.
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Adelaide Cioni: on patterns
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This volume chronicles a recent solo exhibition by Italian artist Adelaide Cioni (born 1976). Including works across illustration, textile design, spatial installation and performance, the book showcases Cioni’s research on the origin of patterns and their ubiquitous imagery.
Adelaide Cioni: on patterns
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This volume chronicles a recent solo exhibition by Italian artist Adelaide Cioni (born 1976). Including works across illustration, textile design, spatial installation and performance, the book showcases Cioni’s research on the origin of patterns and their ubiquitous imagery.
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livres
Publication:
janvier 2024
janvier 2024
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livres
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Jean Tinguely: retrospective
Jean Tinguely: retrospective
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Associated with the Nouveaux Réalistes and Zero, Swiss painter and sculptor Jean Tinguely (1925–91) is best known for his whirring, jangling meta-mechanic sculptures, which take up Dada’s mantle in their use of discarded materials and their wit, humor and irony. But this perception of Tinguely as merely a playful kinetic sculptor neglects the more topical, critical,(...)
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Associated with the Nouveaux Réalistes and Zero, Swiss painter and sculptor Jean Tinguely (1925–91) is best known for his whirring, jangling meta-mechanic sculptures, which take up Dada’s mantle in their use of discarded materials and their wit, humor and irony. But this perception of Tinguely as merely a playful kinetic sculptor neglects the more topical, critical,(...)
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Jean Tinguely: retrospective
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$57.50
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Associated with the Nouveaux Réalistes and Zero, Swiss painter and sculptor Jean Tinguely (1925–91) is best known for his whirring, jangling meta-mechanic sculptures, which take up Dada’s mantle in their use of discarded materials and their wit, humor and irony. But this perception of Tinguely as merely a playful kinetic sculptor neglects the more topical, critical, theoretical and interdisciplinary aspects of Tinguely’s work. An extensive monograph on this chronically underpublished artist, Jean Tinguely: Retrospective is the first publication to explore the artist’s work from this perspective.
Jean Tinguely: retrospective
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Associated with the Nouveaux Réalistes and Zero, Swiss painter and sculptor Jean Tinguely (1925–91) is best known for his whirring, jangling meta-mechanic sculptures, which take up Dada’s mantle in their use of discarded materials and their wit, humor and irony. But this perception of Tinguely as merely a playful kinetic sculptor neglects the more topical, critical, theoretical and interdisciplinary aspects of Tinguely’s work. An extensive monograph on this chronically underpublished artist, Jean Tinguely: Retrospective is the first publication to explore the artist’s work from this perspective.
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livres
livres
Publication:
août 2016
août 2016
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livres
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Thenyspacewhatever
Thenyspacewhatever
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$67.00
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Exhibition catalogue. New York, Guggenheim Museum 24 october 2008 - 7 january 2009.
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Exhibition catalogue. New York, Guggenheim Museum 24 october 2008 - 7 january 2009.
Publication:
octobre 2008, New York
octobre 2008, New York
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Thenyspacewhatever
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Exhibition catalogue. New York, Guggenheim Museum 24 october 2008 - 7 january 2009.
Thenyspacewhatever
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Exhibition catalogue. New York, Guggenheim Museum 24 october 2008 - 7 january 2009.
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livres
Publication:
octobre 2008, New York
octobre 2008, New York
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$60.00
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Oppenheim's oeuvre, ranging freely across sculpture, painting, design and poetry, shows preoccupations not only with gender-inflected objects and gender roles, but also with Surrealism's enduring concerns - dream, myth, imagination, games. Published for the centenary of her birth, this generous retrospective illuminates Oppenheim's work in all genres, tracing its(...)
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Oppenheim's oeuvre, ranging freely across sculpture, painting, design and poetry, shows preoccupations not only with gender-inflected objects and gender roles, but also with Surrealism's enduring concerns - dream, myth, imagination, games. Published for the centenary of her birth, this generous retrospective illuminates Oppenheim's work in all genres, tracing its(...)
Titre:
Meret Oppenheim : retrospective
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Oppenheim's oeuvre, ranging freely across sculpture, painting, design and poetry, shows preoccupations not only with gender-inflected objects and gender roles, but also with Surrealism's enduring concerns - dream, myth, imagination, games. Published for the centenary of her birth, this generous retrospective illuminates Oppenheim's work in all genres, tracing its influence on later generations of artists and exploring her importance as a precursor of feminism.
Meret Oppenheim : retrospective
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Oppenheim's oeuvre, ranging freely across sculpture, painting, design and poetry, shows preoccupations not only with gender-inflected objects and gender roles, but also with Surrealism's enduring concerns - dream, myth, imagination, games. Published for the centenary of her birth, this generous retrospective illuminates Oppenheim's work in all genres, tracing its influence on later generations of artists and exploring her importance as a precursor of feminism.
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livres
livres
Publication:
janvier 2013
janvier 2013
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livres
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Shanghai kaleidoscope
Shanghai kaleidoscope
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This oversize study of Shanghai's creative culture presents an adventurous mix of architectural models, digital simulations, designer fashion apparel, drawings, runway videos, paintings, photo-works and video installations by the city's leading contemporary artists. Christopher Phillips, curator at the International Center of Photography in New York and editor of this(...)
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This oversize study of Shanghai's creative culture presents an adventurous mix of architectural models, digital simulations, designer fashion apparel, drawings, runway videos, paintings, photo-works and video installations by the city's leading contemporary artists. Christopher Phillips, curator at the International Center of Photography in New York and editor of this(...)
Publication:
février 2009, Toronto
février 2009, Toronto
Titre:
Shanghai kaleidoscope
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This oversize study of Shanghai's creative culture presents an adventurous mix of architectural models, digital simulations, designer fashion apparel, drawings, runway videos, paintings, photo-works and video installations by the city's leading contemporary artists. Christopher Phillips, curator at the International Center of Photography in New York and editor of this volume, writes in his introduction, Since the early 1990s, Shanghai has been at the forefront of China's historic national resurgence. During that time, it has become one of the world's most frenetic and fascinating cities. With a population now approaching 20 million, it is an urban colossus--China's largest and most densely populated city.
Shanghai kaleidoscope
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$68.00
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Résumé:
This oversize study of Shanghai's creative culture presents an adventurous mix of architectural models, digital simulations, designer fashion apparel, drawings, runway videos, paintings, photo-works and video installations by the city's leading contemporary artists. Christopher Phillips, curator at the International Center of Photography in New York and editor of this volume, writes in his introduction, Since the early 1990s, Shanghai has been at the forefront of China's historic national resurgence. During that time, it has become one of the world's most frenetic and fascinating cities. With a population now approaching 20 million, it is an urban colossus--China's largest and most densely populated city.
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Publication:
février 2009, Toronto
février 2009, Toronto
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$78.00
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In 1966, German artist Gerhard Richter (born 1932) embarked on a series of paintings: uniform grids of colored rectangles or squares in a chart configuration against a white background, inspired by industrially produced paint chips. With the exception of only one other painting, this marked the artist’s first use of color and a turning point in his career. This(...)
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In 1966, German artist Gerhard Richter (born 1932) embarked on a series of paintings: uniform grids of colored rectangles or squares in a chart configuration against a white background, inspired by industrially produced paint chips. With the exception of only one other painting, this marked the artist’s first use of color and a turning point in his career. This(...)
Titre:
Gerhard Richter: color charts
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In 1966, German artist Gerhard Richter (born 1932) embarked on a series of paintings: uniform grids of colored rectangles or squares in a chart configuration against a white background, inspired by industrially produced paint chips. With the exception of only one other painting, this marked the artist’s first use of color and a turning point in his career. This comprehensive catalogue is the first publication dedicated to the original Colour Charts, both those created in 1966 and those made in the ‘70s after a five-year hiatus. Featuring new essays by Dietmar Elger, head of the Gerhard Richter Archive; Hubertus Butin, curator and author of several key texts on Richter; and Jaleh Mansoor, professor at the University of British Columbia.
Gerhard Richter: color charts
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$78.00
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In 1966, German artist Gerhard Richter (born 1932) embarked on a series of paintings: uniform grids of colored rectangles or squares in a chart configuration against a white background, inspired by industrially produced paint chips. With the exception of only one other painting, this marked the artist’s first use of color and a turning point in his career. This comprehensive catalogue is the first publication dedicated to the original Colour Charts, both those created in 1966 and those made in the ‘70s after a five-year hiatus. Featuring new essays by Dietmar Elger, head of the Gerhard Richter Archive; Hubertus Butin, curator and author of several key texts on Richter; and Jaleh Mansoor, professor at the University of British Columbia.
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livres
livres
Publication:
août 2016
août 2016
