documents textuels
DR1999:0462
Description:
documents include 3 computer diskettes (one damaged),1 audio cassette, general information on: DAAP College, School of Design, School of Architecture, School of Art and School of Planning (i.e.: class schedules, classroom space, administrative space, program description, reference book on visual resource collections), University of Cincinnati basis of contract, working materials, DAAP proposals, DAAP program reports, memos, transparencies, University bulletins '84-'86
reference and administrative records for Aronoff Center for Design and Art
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DR1999:0462
Description:
documents include 3 computer diskettes (one damaged),1 audio cassette, general information on: DAAP College, School of Design, School of Architecture, School of Art and School of Planning (i.e.: class schedules, classroom space, administrative space, program description, reference book on visual resource collections), University of Cincinnati basis of contract, working materials, DAAP proposals, DAAP program reports, memos, transparencies, University bulletins '84-'86
documents textuels
Dans le cadre des célébrations soulignant l’inauguration de son nouvel édifice de la rue Baile, Centre Canadien d’Architecture : Architecture et paysage révèle des motifs sous-jacents ayant influé sur la conception de l’architecture et l’aménagement du CCA. Les objets présentés se complètent pour dire le musée d’architecture : la nature des œuvres qu’il collectionne et(...)
Salle octogonale
7 mai 1989 au 25 mars 1990
Centre Canadien d'Architecture : architecture et paysage
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Description:
Dans le cadre des célébrations soulignant l’inauguration de son nouvel édifice de la rue Baile, Centre Canadien d’Architecture : Architecture et paysage révèle des motifs sous-jacents ayant influé sur la conception de l’architecture et l’aménagement du CCA. Les objets présentés se complètent pour dire le musée d’architecture : la nature des œuvres qu’il collectionne et(...)
Salle octogonale
ARCH286690
Description:
This item contains harmful materials including violent imagery. The drawing illustrates the discrete elements of an exhibition involving several large-scale installations. One of these installations shows a crane on which a net filled with mannequins is suspended; the mannequins are soaked in oil, in the words of the designers, to represent the impacts of oil spills on the global population. This image, however, suggests violence beyond environmental disasters.
circa 1999-2000
Drawings for two installations for the exhibition on James Wines at the Venice Biennale
Actions:
ARCH286690
Description:
This item contains harmful materials including violent imagery. The drawing illustrates the discrete elements of an exhibition involving several large-scale installations. One of these installations shows a crane on which a net filled with mannequins is suspended; the mannequins are soaked in oil, in the words of the designers, to represent the impacts of oil spills on the global population. This image, however, suggests violence beyond environmental disasters.
documents textuels
AP142.S1.D211.P5
Description:
drawings, maps, photographs, correspondence, specifications, promotional material, a publication, legends for drawings, labels for drawings, pieces for a model; includes material for an unidentified project
Drawings, maps, photographs, correspondence, specifications
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AP142.S1.D211.P5
Description:
drawings, maps, photographs, correspondence, specifications, promotional material, a publication, legends for drawings, labels for drawings, pieces for a model; includes material for an unidentified project
documents textuels
Hubert Damisch, chercheur principal et boursier Mellon au CCA en 2003-2004, examine la conséquence qu’aura, pour l’avenir de la pensée structurale, l’édifice-nuage Blur. Créé par la firme d’architectes new-yorkais Diller + Scofidio sur le lac de Neuchâtel en Suisse, cet édifice est la plus récente et radicale expression d’un désir de fluidité et d’évanescence en(...)
Théâtre Paul-Desmarais
8 mai 2003
Hubert Damisch : Effacer l’architecture?
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Description:
Hubert Damisch, chercheur principal et boursier Mellon au CCA en 2003-2004, examine la conséquence qu’aura, pour l’avenir de la pensée structurale, l’édifice-nuage Blur. Créé par la firme d’architectes new-yorkais Diller + Scofidio sur le lac de Neuchâtel en Suisse, cet édifice est la plus récente et radicale expression d’un désir de fluidité et d’évanescence en(...)
Théâtre Paul-Desmarais
documents textuels
AP140.S2.SS1.D4.P6
Description:
16-page competition report divided in three parts: the first part includes explanations on the economics of the design (in terms of planning and materials), construction, site and orientation, stages of construction, and character of the building; the second part contains notes on the functions and planning for each floor; the third part is an estimate of costs for the first and further installments of the College buildings.
circa 1951-1970s
Competition report, Poole College of Further Education Competition, Poole, United Kingdom
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AP140.S2.SS1.D4.P6
Description:
16-page competition report divided in three parts: the first part includes explanations on the economics of the design (in terms of planning and materials), construction, site and orientation, stages of construction, and character of the building; the second part contains notes on the functions and planning for each floor; the third part is an estimate of costs for the first and further installments of the College buildings.
documents textuels
circa 1951-1970s
documents textuels, photographies
AP197.S2.031
Description:
The box contains various research files organized in alphabetical order by either author's last name or subject, from S-U. The largest section in this box consists of writings that relate to technology and architecture. Other research materials include writings on Karl Teige, Guiseppe Terragni and O.M. Ungers. The slides are of technology and design history; the microfilms contain copies of the Soviet magazine, Sovremenia architectura.
1963-2015
Research files organized by author's last name or subject from S-U
Actions:
AP197.S2.031
Description:
The box contains various research files organized in alphabetical order by either author's last name or subject, from S-U. The largest section in this box consists of writings that relate to technology and architecture. Other research materials include writings on Karl Teige, Guiseppe Terragni and O.M. Ungers. The slides are of technology and design history; the microfilms contain copies of the Soviet magazine, Sovremenia architectura.
documents textuels, photographies
1963-2015
documents textuels
AP075.S1.1983.PR02.006
Description:
Original folder entitled "CANADIAN CHANCERY / PLANT MATERIAL".
1984
Research for plant selection, Canadian Chancery, Washington D.C.
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AP075.S1.1983.PR02.006
Description:
Original folder entitled "CANADIAN CHANCERY / PLANT MATERIAL".
documents textuels
1984
ARCH286669
Description:
This item contains harmful materials including violent and racist imagery. The drawing illustrates the discrete elements of an exhibition involving several large-scale installations. One of these installations shows a crane on which a net filled with mannequins is suspended; the mannequins are painted black, in the words of the designers, to represent the impacts of oil spills on the global population. This image, however, suggests violence beyond environmental disasters.
circa 1999-2000
Drawing for the exhibition on James Wines at the Venice Biennale
Actions:
ARCH286669
Description:
This item contains harmful materials including violent and racist imagery. The drawing illustrates the discrete elements of an exhibition involving several large-scale installations. One of these installations shows a crane on which a net filled with mannequins is suspended; the mannequins are painted black, in the words of the designers, to represent the impacts of oil spills on the global population. This image, however, suggests violence beyond environmental disasters.
archives
Niveau de description archivistique:
Fonds
Fonds Max Wolfe Roth
AP125
Résumé:
The Max Wolfe Roth fonds, 1933-2000, documents the professional career of architect Max Wolfe Roth. The fonds comprises of materials relating to 15 student projects (1933-1937) and 333 professional projects (1937-2000). Materials in this fonds consist of 7,589 drawings (including reprographic copies), 303 photographs, 22 panels, 2.83 l.m. of textual records, 0.33 l.m.of slides, 82 notebooks, 7 stamps, 1 slide rule and 1 model.
1933-2000
Fonds Max Wolfe Roth
Actions:
AP125
Résumé:
The Max Wolfe Roth fonds, 1933-2000, documents the professional career of architect Max Wolfe Roth. The fonds comprises of materials relating to 15 student projects (1933-1937) and 333 professional projects (1937-2000). Materials in this fonds consist of 7,589 drawings (including reprographic copies), 303 photographs, 22 panels, 2.83 l.m. of textual records, 0.33 l.m.of slides, 82 notebooks, 7 stamps, 1 slide rule and 1 model.
archives
Niveau de description archivistique:
Fonds
1933-2000