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Subventions de recherche Groupe Banque TD dans la collection du CCA Amin Alsaden (Harvard University, Graduate School of Design); Heather Braiden (McGill University); Christina Crawford (Harvard University, Graduate School of Design); Ayca Koseoglu (McGill University); Whitten Overby (Cornell University, College of Architecture, Art and Planning); Dana Samuel (Université(...)
juin 2014 au septembre 2014
Programme pour les doctorants 2014
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Subventions de recherche Groupe Banque TD dans la collection du CCA Amin Alsaden (Harvard University, Graduate School of Design); Heather Braiden (McGill University); Christina Crawford (Harvard University, Graduate School of Design); Ayca Koseoglu (McGill University); Whitten Overby (Cornell University, College of Architecture, Art and Planning); Dana Samuel (Université(...)
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juin 2014 au
septembre 2014
recherche
Subventions de recherche Groupe Banque TD dans la collection du CCA : José Aragüez (Princeton University, Graduate School of Architecture); Britt Eversole (Princeton University, Graduate School of Architecture); Michael Kubo (Massachusetts Institute of Technology); Peter Minosh (Columbia University, Graduate School of Architecture, Planning and Preservation); Bryan(...)
juin 2013 au août 2013
Programme pour les doctorants 2013
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Subventions de recherche Groupe Banque TD dans la collection du CCA : José Aragüez (Princeton University, Graduate School of Architecture); Britt Eversole (Princeton University, Graduate School of Architecture); Michael Kubo (Massachusetts Institute of Technology); Peter Minosh (Columbia University, Graduate School of Architecture, Planning and Preservation); Bryan(...)
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juin 2013 au
août 2013
en ligne Mot(s)-clé(s):
Charrette interuniversitaire 2021, george floyd, après macdonald, statue
11 novembre 2021 au 19 novembre 2021, 18h30
en ligne Mot(s)-clé(s):
Charrette interuniversitaire 2021, george floyd, après macdonald, statue
recherche
Subventions de recherche Groupe Banque TD dans la collection du CCA : {: .info } Alma Mikulinsky (University of Toronto); Inhye Kang (McGill University); Nicholas Roquet (McGill University); Leila Farah (McGill University); Deborah J. Watt (University of British Columbia); Nancy Cuthbert (University of Victoria); Dana Broadbent (McGill University); Carole Lévesque(...)
janvier 2007 au novembre 2007
Programme pour les doctorants 2007
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Subventions de recherche Groupe Banque TD dans la collection du CCA : {: .info } Alma Mikulinsky (University of Toronto); Inhye Kang (McGill University); Nicholas Roquet (McGill University); Leila Farah (McGill University); Deborah J. Watt (University of British Columbia); Nancy Cuthbert (University of Victoria); Dana Broadbent (McGill University); Carole Lévesque(...)
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janvier 2007 au
novembre 2007
articles
Monument domestique
Monument domestique
Mauricio Pezo et Sofia von Ellrichshausen réfléchissent aux archives d'Amancio Williams
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Sous-série
Education
CI001.S1.D1
Description:
Hubert Rohault de Fleury studied under Jean-Nicolas-Louis Durand at the École polytechnique and with Julien-David Leroy at the École des beaux-arts. The confluence of their respective pedagogies is evident in albums DR1974:0002:012:001-049 and DR1974:0002:013:001-008 where Durand's` "rationalized" methodology of design is applied to Leroy's vocabulary of antiquity(1). Hubert's two albums of student drawings for the École des Beaux-Arts (DR1974:0002:012:001-049 and DR1974:0002:013:001-008) are complimentary. The former contains competition drawings and programmes for the monthly competitions (Concours d'emulation) as well as drawing, prints, and programmes for the 1800 (2e), 1801, and 1802 (1er) Grand Prix competitions, each of which trace the entire process from "Concours d'essai" and "esquisse", up to and including, studies for final renderings. The latter album contains large-scale final renderings for the 1800, 1801, and possibly the 1798 Grand prix competitions. As in Durand's "mecanisme de la composition", Hubert proceeds from the simple to the complex, often utilizing the graph paper or hand drawn grid particular to Durand's design methodology (codified in his book 'Precis des Lecons' 1802). This process is readily apparent in both Hubert's "Concours d'emulation" drawings, and, more completely, in the drawings for the Grand Prix competitions. The studies for Hubert's winning 1802 Grand Prix entry for a'Foire' indicate that he isolated and studied different building types before combining them into the unified complex evident in his final renderings. The original final renderings of the Grand Prix winners were kept by the École des beaux-arts. Album DR1974:0002:012:001-049 contains only the prints of the final renderings. The success of Hubert in the Grand Prix competitions is not surprising. His large wash final renderings for the 1800 and 1801 competitions (DR1974:0002:013:001-008) indicate that the neo-classical simplicity then favoured by the judges at the École des beaux-arts dovetailed with the notions of economy implicit in Durand's functionalist approach to design. (1) Barry Bergdoll, "Hubert Rohault de Fleury: Architectural Education", 'CCA Research Report', n.d.
1800-1807
Education
CI001.S1.D1
Description:
Hubert Rohault de Fleury studied under Jean-Nicolas-Louis Durand at the École polytechnique and with Julien-David Leroy at the École des beaux-arts. The confluence of their respective pedagogies is evident in albums DR1974:0002:012:001-049 and DR1974:0002:013:001-008 where Durand's` "rationalized" methodology of design is applied to Leroy's vocabulary of antiquity(1). Hubert's two albums of student drawings for the École des Beaux-Arts (DR1974:0002:012:001-049 and DR1974:0002:013:001-008) are complimentary. The former contains competition drawings and programmes for the monthly competitions (Concours d'emulation) as well as drawing, prints, and programmes for the 1800 (2e), 1801, and 1802 (1er) Grand Prix competitions, each of which trace the entire process from "Concours d'essai" and "esquisse", up to and including, studies for final renderings. The latter album contains large-scale final renderings for the 1800, 1801, and possibly the 1798 Grand prix competitions. As in Durand's "mecanisme de la composition", Hubert proceeds from the simple to the complex, often utilizing the graph paper or hand drawn grid particular to Durand's design methodology (codified in his book 'Precis des Lecons' 1802). This process is readily apparent in both Hubert's "Concours d'emulation" drawings, and, more completely, in the drawings for the Grand Prix competitions. The studies for Hubert's winning 1802 Grand Prix entry for a'Foire' indicate that he isolated and studied different building types before combining them into the unified complex evident in his final renderings. The original final renderings of the Grand Prix winners were kept by the École des beaux-arts. Album DR1974:0002:012:001-049 contains only the prints of the final renderings. The success of Hubert in the Grand Prix competitions is not surprising. His large wash final renderings for the 1800 and 1801 competitions (DR1974:0002:013:001-008) indicate that the neo-classical simplicity then favoured by the judges at the École des beaux-arts dovetailed with the notions of economy implicit in Durand's functionalist approach to design. (1) Barry Bergdoll, "Hubert Rohault de Fleury: Architectural Education", 'CCA Research Report', n.d.
File 1
1800-1807
documents textuels
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20 file
Intro ANY 23
ARCH240689
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Intro ANY 23 Any 23 - Lawn (American Lawn exhibition review) Any 23 - Benjamin - drafts of article by Andrew Benjamin Any 23 - De Landa - drafts of article by Manuel DeLanda ANY 23 - Greg Lynn - texts and 23 colour exhibition photos Any 23 - Peter Eisenman Any 23 - Allen - drafts of article by Stan Allen Any 23 - Massumi - drafts of article by Brian Massumi Any 23 - Somol - drafts of article by Robert Somol Any 23 - van Berkel & Bos - drafts of article by Ben van Berkel and Carolin Bos Diagram - Texts (VB & Bos) Any 23 - Kwinter - drafts of article by Sanford Kwinter Any 23 - Buci-Glucksman - drafts of article by Christine Buci-Glucksman Any 23 - Karl Chu (3 files) drafts and research material Any 23 - Rakatansky - drafts of article by Mark Rakatansky Any 23 - Weiss - drafts of review by Allen S. Weiss Any 23 - Letter from Athens Any 23 - Letter from Naples
1998
Intro ANY 23
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ARCH240689
Description:
Intro ANY 23 Any 23 - Lawn (American Lawn exhibition review) Any 23 - Benjamin - drafts of article by Andrew Benjamin Any 23 - De Landa - drafts of article by Manuel DeLanda ANY 23 - Greg Lynn - texts and 23 colour exhibition photos Any 23 - Peter Eisenman Any 23 - Allen - drafts of article by Stan Allen Any 23 - Massumi - drafts of article by Brian Massumi Any 23 - Somol - drafts of article by Robert Somol Any 23 - van Berkel & Bos - drafts of article by Ben van Berkel and Carolin Bos Diagram - Texts (VB & Bos) Any 23 - Kwinter - drafts of article by Sanford Kwinter Any 23 - Buci-Glucksman - drafts of article by Christine Buci-Glucksman Any 23 - Karl Chu (3 files) drafts and research material Any 23 - Rakatansky - drafts of article by Mark Rakatansky Any 23 - Weiss - drafts of review by Allen S. Weiss Any 23 - Letter from Athens Any 23 - Letter from Naples
documents textuels
Quantité:
20 file
1998
Juan José Castellón présente ses dernières recherches sur l’application de méthodes de conception qui intègrent des paramètres structuraux et spatiaux, et plus spécifiquement le développement de prototypes stéréotomiques en architecture. Dans le cadre de la série Ils veulent vous parler, des professionnels du design et de l’architecture sont invités à parler de leurs(...)
23 octobre 2014 , 18h
Juan José Castellón veut vous parler
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Juan José Castellón présente ses dernières recherches sur l’application de méthodes de conception qui intègrent des paramètres structuraux et spatiaux, et plus spécifiquement le développement de prototypes stéréotomiques en architecture. Dans le cadre de la série Ils veulent vous parler, des professionnels du design et de l’architecture sont invités à parler de leurs(...)
Maison Shaughnessy
15 août 2018 au 21 août 2018
Maison Shaughnessy
Olumuyiwa Adegun, chercheur en résidence 2016, présente ses recherches : Les villes d’Europe au XIXe siècle, à l’instar des villes d’Afrique aujourd’hui, ont souffert de graves problèmes de logement. Les bidonvilles ont marqué Berlin et Paris, tout comme dans les dernières décennies, le logement informel est devenu un trait particulier de Nairobi et de Johannesburg.(...)
Maison Shaughnessy
4 août 2016, 18h
Séminaire de chercheur en résidence : Olumuyiwa Adegun
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Olumuyiwa Adegun, chercheur en résidence 2016, présente ses recherches : Les villes d’Europe au XIXe siècle, à l’instar des villes d’Afrique aujourd’hui, ont souffert de graves problèmes de logement. Les bidonvilles ont marqué Berlin et Paris, tout comme dans les dernières décennies, le logement informel est devenu un trait particulier de Nairobi et de Johannesburg.(...)
Maison Shaughnessy