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76 pages : illustrations ; 24 x 31 cm
Cambridge, Mass. : MIT Press for the American Federation of Arts, [1972], ©1972.
The nature of recreation : a handbook in honor of Frederick Law Olmsted, using examples from his work / [by] Richard Saul Wurman, Alan Levy [and] Joel Katz, with Jean McClintock and Howard Brunner.
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76 pages : illustrations ; 24 x 31 cm
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Cambridge, Mass. : MIT Press for the American Federation of Arts, [1972], ©1972.
L'Art d'aimer les objets
$29.95
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L’écriture du patrimoine français a longtemps hésité entre la glorification des collections nationales et la critique de la perte du contexte des œuvres – aux dépens d’une approche du processus de patrimonialisation, de ses acteurs et de ses pratiques. On fait ici le pari d’une histoire de l’art d’aimer certains objets, en croisant les savoirs et les émotions, les(...)
L'Art d'aimer les objets
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L’écriture du patrimoine français a longtemps hésité entre la glorification des collections nationales et la critique de la perte du contexte des œuvres – aux dépens d’une approche du processus de patrimonialisation, de ses acteurs et de ses pratiques. On fait ici le pari d’une histoire de l’art d’aimer certains objets, en croisant les savoirs et les émotions, les investissements personnels et les disciplines institutionnelles, les projections et les appropriations. Les exemples choisis vont de la Révolution à nos jours et envisagent aussi bien les chefs-d’œuvre de l’art au musée que l’inscription de la société dans les dispositifs patrimoniaux contemporains. On constate chaque fois que l’attachement pour des choses jugées précieuses accroît leur profondeur et leur densité, engage des identifications de leurs " amis " et travaille enfin à différentes représentations collectives. La cristallisation patrimoniale autorise ainsi, sinon une unité imaginée des héritages, au moins l’ambition de leur construction commune.
Muséologie
The paper sculpture book
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"The paper sculpture book" is published on the occasion of the traveling exhibition "The paper sculpture show", organized by Cabinet magazine, Independant Curators International (ICI), and SculptureCenter, and curated by ICI. Artworks meant to be cut out by the reader and assembled using very basic materials such as tape and rubber bands have been designed by 29(...)
Expositions collectives
octobre 2003, Brooklyn
The paper sculpture book
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$36.00
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"The paper sculpture book" is published on the occasion of the traveling exhibition "The paper sculpture show", organized by Cabinet magazine, Independant Curators International (ICI), and SculptureCenter, and curated by ICI. Artworks meant to be cut out by the reader and assembled using very basic materials such as tape and rubber bands have been designed by 29 established and emerging contemporary artists, including The Art Guys, Minerva Cuevas, Seong Chun, Nicole Eisenman, Spencer Finch, Rachel Harrison, Stephen Hendee, Patrick Killoran, Glenn Ligon, Helen Mirra, David Shrigley, Sarah Sze, Chris Ware and Allan Wexler. Fred Tomaselli merges images from a birding book and an outdoor-clothing catalogue to create an ironic yet beautiful aviary. Janine Antoni's Crumple provides precise instructions for recreating a crumpled ball of paper, while Luca Buvoli invites the reader to take a pop-up flying lesson from the mysterious Professor M.a.S.
Expositions collectives
Kimsooja
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Ce catalogue d'exposition évoque les différentes oeuvres vidéo de Kimsooja au travers d'une soixantaine de reproductions et d'une courte anthologie sélective des derniers textes écrits par des critiques sur son travail artistique, allant de Marcella Beccaria à Robert Morgan ou Isabelle Commandeur.
Kimsooja
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Ce catalogue d'exposition évoque les différentes oeuvres vidéo de Kimsooja au travers d'une soixantaine de reproductions et d'une courte anthologie sélective des derniers textes écrits par des critiques sur son travail artistique, allant de Marcella Beccaria à Robert Morgan ou Isabelle Commandeur.
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Fag Tips Pinko 2019
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Fag Tips Pinko 2019
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Based on an exhibition of the same title, this book focus on self-confident, non-conformist feminist positions, and points out that new role models and strategies are being requested. In her essay, Amelia Jones contests the notion of a current post-feminism and, using the example of Pipilotti Rist's works, develops a model of parafeminism. Refering to Mary Beth Edelson(...)
It's time for action (there's no option) - about feminism
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$39.00
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Based on an exhibition of the same title, this book focus on self-confident, non-conformist feminist positions, and points out that new role models and strategies are being requested. In her essay, Amelia Jones contests the notion of a current post-feminism and, using the example of Pipilotti Rist's works, develops a model of parafeminism. Refering to Mary Beth Edelson and Annie Sprinkle, Maria Elena Buszek compares two generations and their respective strategies, and Katy Deepwell questions the role of female artists within art history. Mercedes Bunz looks at femininism in relation to flexibilized capitalism and diagnoses a new form of oppression. The exhibition's curator, Heike Munder, presents a survey of the exhibition's different positions and makes an appeal for new role models. With contributions by artists such as Anat Ben-David, Patty Chang, Mary Beth Edelson, Cosey Fanni Tutti, Manon, Yoko Ono, Pipilotti Rist, Katharina Sieverding, Annie Sprinkle, and Mathilde ter Heijne. Published with the Migros Museum für Gegenwartskunst, Zurich.
Expositions collectives
$39.95
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In 'The Future of the New' artists, theorists, and professionals working the art field reflect on the role of the arts in a world that is speeding up and changing through joint forces of globalization, digitization, commodification, and financialization. Can artistic innovation still function as a source of critique? How do artists, theorists, and art organizations deal(...)
The future of the new: artistic innovation in times of social acceleration
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In 'The Future of the New' artists, theorists, and professionals working the art field reflect on the role of the arts in a world that is speeding up and changing through joint forces of globalization, digitization, commodification, and financialization. Can artistic innovation still function as a source of critique? How do artists, theorists, and art organizations deal with the changing role of and discourse on innovation? Should we look for alternative ways to innovate, or should we change our discourse and look for other (new!) ways to talk about the new?
Théorie de l’art
$59.95
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Exploring art publishing practices today, this book focuses in particular on small-scale publishing in Asia. It attempts to contextualise and compare the region’s increasingly important publishing practices in contemporary art within both historical and regional contexts. The book features a range of interviews and essays contributed by various actors and entities in the(...)
Publishing as method, 2nd edition
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$59.95
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Exploring art publishing practices today, this book focuses in particular on small-scale publishing in Asia. It attempts to contextualise and compare the region’s increasingly important publishing practices in contemporary art within both historical and regional contexts. The book features a range of interviews and essays contributed by various actors and entities in the field, including publishers, artists, designers, curators, collectives, and distribution spaces. Interviews conducted since 2020 also shed light on the complexities and possibilities of artistic practices in the post-pandemic era. ‘Publishing as a Method’ is researched by the Seoul-based publishing collective mediabus.
$34.95
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Based in New York City, Amy Sillman (born 1955) is an artist whose work consistently combines the visceral with the intellectual. 'Faux pas' aims at revealing the coherence and originality of Sillman’s reflection, as she addresses the possibilities of art today, favoring excess over good taste, wrestling over dandyism, forms over symbols, with as much critical sense as humor.
Amy Sillman : faux pas, selected writings and drawings
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Based in New York City, Amy Sillman (born 1955) is an artist whose work consistently combines the visceral with the intellectual. 'Faux pas' aims at revealing the coherence and originality of Sillman’s reflection, as she addresses the possibilities of art today, favoring excess over good taste, wrestling over dandyism, forms over symbols, with as much critical sense as humor.
Théorie de l’art
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xiii, 140 pages : illustrations (black and white) ; 23 cm.
Abingdon, Oxon ; New York, NY : Routledge, Taylor & Francis Group, 2022., ©2022
Latour for architects / Albena Yaneva.
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xiii, 140 pages : illustrations (black and white) ; 23 cm.
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Abingdon, Oxon ; New York, NY : Routledge, Taylor & Francis Group, 2022., ©2022