1614 Résultats
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livres
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Transnational markets hold sway over all aspects of contemporary culture, and that has transformed the environment of recent art, blurring the previously discrete realms of price and value, capital and creativity. Artists have responded not only critically but imaginatively to the many issues this raises, including the treatment of artworks as analogous to capital goods,(...)
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Résumé:
Transnational markets hold sway over all aspects of contemporary culture, and that has transformed the environment of recent art, blurring the previously discrete realms of price and value, capital and creativity. Artists have responded not only critically but imaginatively to the many issues this raises, including the treatment of artworks as analogous to capital goods,(...)
Titre:
The Market : documents of contemporary art
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Transnational markets hold sway over all aspects of contemporary culture, and that has transformed the environment of recent art, blurring the previously discrete realms of price and value, capital and creativity. Artists have responded not only critically but imaginatively to the many issues this raises, including the treatment of artworks as analogous to capital goods, the assertion that art's value is best measured by the market, and the notion that art and money share an internal logic. Some artists have investigated the market's pressures on creative democracy, its ubiquity, vulgarity, and fetishizing force, while others have embraced the creative possibilities the market offers. And for a decade curators and theorists have speculated on the implications of this new symbiosis between art and money, cultural and economic value. Drawing on a wide range of interdisciplinary sources, in dialogue with artists' writings, this anthology traces the historic origins of these debates in different versions of modernism and surveys the relationships among art, value, and price; the evolution and influence of patronage; the actors and institutions of the art market; and the diversity of artistic practices that either criticize or embrace the conditions of the contemporary market.
The Market : documents of contemporary art
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Résumé:
Transnational markets hold sway over all aspects of contemporary culture, and that has transformed the environment of recent art, blurring the previously discrete realms of price and value, capital and creativity. Artists have responded not only critically but imaginatively to the many issues this raises, including the treatment of artworks as analogous to capital goods, the assertion that art's value is best measured by the market, and the notion that art and money share an internal logic. Some artists have investigated the market's pressures on creative democracy, its ubiquity, vulgarity, and fetishizing force, while others have embraced the creative possibilities the market offers. And for a decade curators and theorists have speculated on the implications of this new symbiosis between art and money, cultural and economic value. Drawing on a wide range of interdisciplinary sources, in dialogue with artists' writings, this anthology traces the historic origins of these debates in different versions of modernism and surveys the relationships among art, value, and price; the evolution and influence of patronage; the actors and institutions of the art market; and the diversity of artistic practices that either criticize or embrace the conditions of the contemporary market.
Classification:
livres
livres
Publication:
septembre 2013
septembre 2013
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
Titre:
Le Corbusier Ronchamp
Le Corbusier Ronchamp
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La chapelle Notre-Dame-du-Haut est une chapelle catholique construite de 1950 à 1955 sur la colline de Bourlémont, à Ronchamp, en Haute-Saône. Création de l'architecte franco-suisse Le Corbusier, elle est érigée à l'emplacement d'un ancien sanctuaire romain et d’une église de pèlerinage sévèrement endommagée par les bombardements lors de libération en septembre 1944.Lors(...)
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La chapelle Notre-Dame-du-Haut est une chapelle catholique construite de 1950 à 1955 sur la colline de Bourlémont, à Ronchamp, en Haute-Saône. Création de l'architecte franco-suisse Le Corbusier, elle est érigée à l'emplacement d'un ancien sanctuaire romain et d’une église de pèlerinage sévèrement endommagée par les bombardements lors de libération en septembre 1944.Lors(...)
Sujet:
Architecture, monographies
Architecture, monographies
Publication:
novembre 2014
novembre 2014
Titre:
Le Corbusier Ronchamp
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La chapelle Notre-Dame-du-Haut est une chapelle catholique construite de 1950 à 1955 sur la colline de Bourlémont, à Ronchamp, en Haute-Saône. Création de l'architecte franco-suisse Le Corbusier, elle est érigée à l'emplacement d'un ancien sanctuaire romain et d’une église de pèlerinage sévèrement endommagée par les bombardements lors de libération en septembre 1944.Lors de sa dernière visite à Ronchamp, en 1959, Le Corbusier a confié : « Merci à vous tous les usagers, je suis récompensé ». Depuis, le site a évolué : Jean Prouvé a réalisé un campanile dans les années 1970 et récemment, en 2011, Renzo Piano a inauguré la Poterie. Ainsi est né l’ensemble architectural harmonieux composé du monastère Sainte-Claire, de la Porterie, du campanile et de la chapelle Notre-Dame du Haut. Cette dernière, bâtiment iconique, est candidate à l’inscription au patrimoine mondial de l’UNESCO en 2016. Une magnifique campagne photographique permet de percevoir à la fois la majesté et la signification symbolique du monument du Corbusier, ainsi que les détails architecturaux et décoratifs, résultats d’un extraordinaire dialogue créatif. 1er grand livre (il n’existe que des guides touristiques actuellement sur le sujet) et campagne photographique sur le monument.
Le Corbusier Ronchamp
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La chapelle Notre-Dame-du-Haut est une chapelle catholique construite de 1950 à 1955 sur la colline de Bourlémont, à Ronchamp, en Haute-Saône. Création de l'architecte franco-suisse Le Corbusier, elle est érigée à l'emplacement d'un ancien sanctuaire romain et d’une église de pèlerinage sévèrement endommagée par les bombardements lors de libération en septembre 1944.Lors de sa dernière visite à Ronchamp, en 1959, Le Corbusier a confié : « Merci à vous tous les usagers, je suis récompensé ». Depuis, le site a évolué : Jean Prouvé a réalisé un campanile dans les années 1970 et récemment, en 2011, Renzo Piano a inauguré la Poterie. Ainsi est né l’ensemble architectural harmonieux composé du monastère Sainte-Claire, de la Porterie, du campanile et de la chapelle Notre-Dame du Haut. Cette dernière, bâtiment iconique, est candidate à l’inscription au patrimoine mondial de l’UNESCO en 2016. Une magnifique campagne photographique permet de percevoir à la fois la majesté et la signification symbolique du monument du Corbusier, ainsi que les détails architecturaux et décoratifs, résultats d’un extraordinaire dialogue créatif. 1er grand livre (il n’existe que des guides touristiques actuellement sur le sujet) et campagne photographique sur le monument.
Classification:
livres
livres
Publication:
novembre 2014
novembre 2014
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
Titre:
Jeppe Hein
Jeppe Hein
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Cet ouvrage a été publié à l'occasion de l'exposition Jeppe Heine, à l'espace 315, création contemporaine et prospective, Centre Pompidou, Musée national d'art moderne - Centre de création industrielle, Paris, 15 septembre -14 novembre 2005. Artiste danois, Jeppe Hein crée des objets épurés et géométriques ou des installations discrètes et ludiques dans une continuité de(...)
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Cet ouvrage a été publié à l'occasion de l'exposition Jeppe Heine, à l'espace 315, création contemporaine et prospective, Centre Pompidou, Musée national d'art moderne - Centre de création industrielle, Paris, 15 septembre -14 novembre 2005. Artiste danois, Jeppe Hein crée des objets épurés et géométriques ou des installations discrètes et ludiques dans une continuité de(...)
Publication:
septembre 2005, Paris
septembre 2005, Paris
Titre:
Jeppe Hein
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Cet ouvrage a été publié à l'occasion de l'exposition Jeppe Heine, à l'espace 315, création contemporaine et prospective, Centre Pompidou, Musée national d'art moderne - Centre de création industrielle, Paris, 15 septembre -14 novembre 2005. Artiste danois, Jeppe Hein crée des objets épurés et géométriques ou des installations discrètes et ludiques dans une continuité de la tradition de la sculpture minimaliste, tout en proposant un contrepoint par la mise en place d'un dialogue incongru entre les oeuvres et le spectateur. Chaque installation évolue en fonction du stimulus qu'elle reçoit du spectateur, ainsi le public provoque-t-il une réaction mais ne peut pas vraiment la maîtriser. Pour sa première exposition parisienne, Jeppe Hein présente un projet spécifique sur le thème du labyrinthe. Le visiteur est sollicité par des sons qu'il découvre au fur et à mesure de ses pérégrinations et crée sa propre oeuvre en parcourant l'installation. A l'image de l'exposition, l'ouvrage se présente comme un parcours dans le dédale des oeuvres de l'artiste, ses travaux d'approche pour cette manifestation et sa façon de croiser le thème du labyrinthe. This book has been published to coincide with the exhibition Jeppe Hein, in the Espace 315, Centre Pompidou, Paris, sept.-nov. 2005.
Jeppe Hein
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Cet ouvrage a été publié à l'occasion de l'exposition Jeppe Heine, à l'espace 315, création contemporaine et prospective, Centre Pompidou, Musée national d'art moderne - Centre de création industrielle, Paris, 15 septembre -14 novembre 2005. Artiste danois, Jeppe Hein crée des objets épurés et géométriques ou des installations discrètes et ludiques dans une continuité de la tradition de la sculpture minimaliste, tout en proposant un contrepoint par la mise en place d'un dialogue incongru entre les oeuvres et le spectateur. Chaque installation évolue en fonction du stimulus qu'elle reçoit du spectateur, ainsi le public provoque-t-il une réaction mais ne peut pas vraiment la maîtriser. Pour sa première exposition parisienne, Jeppe Hein présente un projet spécifique sur le thème du labyrinthe. Le visiteur est sollicité par des sons qu'il découvre au fur et à mesure de ses pérégrinations et crée sa propre oeuvre en parcourant l'installation. A l'image de l'exposition, l'ouvrage se présente comme un parcours dans le dédale des oeuvres de l'artiste, ses travaux d'approche pour cette manifestation et sa façon de croiser le thème du labyrinthe. This book has been published to coincide with the exhibition Jeppe Hein, in the Espace 315, Centre Pompidou, Paris, sept.-nov. 2005.
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livres
livres
Publication:
septembre 2005, Paris
septembre 2005, Paris
Classification:
livres
livres
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$98.00
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Robert A. M. Stern is dedicated to the synthesis of tradition and innovation. In more than thirty-five years of practice, he has produced a wide range of building types with a variety of stylistic influences, all inspired by the great legacy of American architecture. His firm, Robert A. M. Stern architects, was first recognized for its distinguished houses, and(...)
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Robert A. M. Stern is dedicated to the synthesis of tradition and innovation. In more than thirty-five years of practice, he has produced a wide range of building types with a variety of stylistic influences, all inspired by the great legacy of American architecture. His firm, Robert A. M. Stern architects, was first recognized for its distinguished houses, and(...)
Titre:
Robert A. M. Stern : houses and gardens
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Robert A. M. Stern is dedicated to the synthesis of tradition and innovation. In more than thirty-five years of practice, he has produced a wide range of building types with a variety of stylistic influences, all inspired by the great legacy of American architecture. His firm, Robert A. M. Stern architects, was first recognized for its distinguished houses, and residential design remains the cornerstone of the practice. This illustrated monograph-a companion to "Robert A. M. Stern: houses"- presents twenty-six of the firm's most memorable houses. Located in diverse settings across North America-from a valley in Colorado with views of the Aspen mountains to a bluff overlooking Long Island Sound to an island off the coast of British Columbia-these houses reveal the architect's emphasis on the importance of context and his dedication to exploring the nature of space. Each house invokes the vernacular architectural heritage particular to its region while reflecting its unique natural surroundings. Whether they are Shingle style "cottages" by the sea, colonial Georgian country estates, or elegant Regency designs, Stern's houses are unique both for their timelessness and their ability to evoke a conversation with the past-a dialogue he believes lies at the heart of architecture.
Robert A. M. Stern : houses and gardens
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Robert A. M. Stern is dedicated to the synthesis of tradition and innovation. In more than thirty-five years of practice, he has produced a wide range of building types with a variety of stylistic influences, all inspired by the great legacy of American architecture. His firm, Robert A. M. Stern architects, was first recognized for its distinguished houses, and residential design remains the cornerstone of the practice. This illustrated monograph-a companion to "Robert A. M. Stern: houses"- presents twenty-six of the firm's most memorable houses. Located in diverse settings across North America-from a valley in Colorado with views of the Aspen mountains to a bluff overlooking Long Island Sound to an island off the coast of British Columbia-these houses reveal the architect's emphasis on the importance of context and his dedication to exploring the nature of space. Each house invokes the vernacular architectural heritage particular to its region while reflecting its unique natural surroundings. Whether they are Shingle style "cottages" by the sea, colonial Georgian country estates, or elegant Regency designs, Stern's houses are unique both for their timelessness and their ability to evoke a conversation with the past-a dialogue he believes lies at the heart of architecture.
Classification:
livres
livres
Publication:
décembre 2005, New York
décembre 2005, New York
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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$86.00
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From December 9, 2023 to April 21, 2024, the Fondation Cartier pour l’art contemporain presents an exhibition created by the Indian architecture studio, Studio Mumbai, directed by Bijoy Jain. Inspired by the rhythm of breathing, this exhibition offers a space for reverie and contemplation in dialogue with Jean Nouvel’s building. Born in 1965 in Mumbai, Bijoy Jain created(...)
$86.00
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Résumé:
From December 9, 2023 to April 21, 2024, the Fondation Cartier pour l’art contemporain presents an exhibition created by the Indian architecture studio, Studio Mumbai, directed by Bijoy Jain. Inspired by the rhythm of breathing, this exhibition offers a space for reverie and contemplation in dialogue with Jean Nouvel’s building. Born in 1965 in Mumbai, Bijoy Jain created(...)
Titre:
Bijoy Jain / Studio Mumbai: Breath of an architect
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From December 9, 2023 to April 21, 2024, the Fondation Cartier pour l’art contemporain presents an exhibition created by the Indian architecture studio, Studio Mumbai, directed by Bijoy Jain. Inspired by the rhythm of breathing, this exhibition offers a space for reverie and contemplation in dialogue with Jean Nouvel’s building. Born in 1965 in Mumbai, Bijoy Jain created Studio Mumbai in 2005. Exploring the links between art, architecture and materials, this human-scale organization is composed of craftsmen and architects who design and build each project themselves, using local resources. Bijoy Jain / Studio Mumbai participated in many exhibitions around the world, including the Venice (2010, 2016) and Chicago (2017) architecture biennals. For the Fondation Cartier, Bijoy Jain unites man and nature, light and shadow, bamboo, brick and stone to form a meditative landscape taking us into the heart of creation. Sculptures, objects and furniture interact with artworks by Chinese painter Hu Liu and Turkish ceramist Alev Ebüzziya Siesbye, invited by the architect, revealing a shared sensibility and ethos between these artists. The catalog published in conjunction with the exhibition invites readers to discover Bijoy Jain’s aesthetics and philosophy. Conceived as a work-in-progress of the exhibition, this book focuses on the artist’s drawings, photographs of his studio and works in the making.
Bijoy Jain / Studio Mumbai: Breath of an architect
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Résumé:
From December 9, 2023 to April 21, 2024, the Fondation Cartier pour l’art contemporain presents an exhibition created by the Indian architecture studio, Studio Mumbai, directed by Bijoy Jain. Inspired by the rhythm of breathing, this exhibition offers a space for reverie and contemplation in dialogue with Jean Nouvel’s building. Born in 1965 in Mumbai, Bijoy Jain created Studio Mumbai in 2005. Exploring the links between art, architecture and materials, this human-scale organization is composed of craftsmen and architects who design and build each project themselves, using local resources. Bijoy Jain / Studio Mumbai participated in many exhibitions around the world, including the Venice (2010, 2016) and Chicago (2017) architecture biennals. For the Fondation Cartier, Bijoy Jain unites man and nature, light and shadow, bamboo, brick and stone to form a meditative landscape taking us into the heart of creation. Sculptures, objects and furniture interact with artworks by Chinese painter Hu Liu and Turkish ceramist Alev Ebüzziya Siesbye, invited by the architect, revealing a shared sensibility and ethos between these artists. The catalog published in conjunction with the exhibition invites readers to discover Bijoy Jain’s aesthetics and philosophy. Conceived as a work-in-progress of the exhibition, this book focuses on the artist’s drawings, photographs of his studio and works in the making.
Classification:
livres
livres
Publication:
janvier 2024
janvier 2024
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
Prix:
$58.00
(disponible en magasin)
Résumé:
This is the second publication in ''The Walther Collection Books series'' at Steidl, focusing on a dialogue between two of the most important South African photographers of the twentieth century—David Goldblatt (1930–2018) and Santu Mofokeng (1956–2020). There are both profound similarities and differences between the two artists’ work. Goldblatt documented the ways in(...)
$58.00
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Résumé:
This is the second publication in ''The Walther Collection Books series'' at Steidl, focusing on a dialogue between two of the most important South African photographers of the twentieth century—David Goldblatt (1930–2018) and Santu Mofokeng (1956–2020). There are both profound similarities and differences between the two artists’ work. Goldblatt documented the ways in(...)
Titre:
Beyond the binary: Santu Mofokeng and David Goldblatt
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$58.00
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This is the second publication in ''The Walther Collection Books series'' at Steidl, focusing on a dialogue between two of the most important South African photographers of the twentieth century—David Goldblatt (1930–2018) and Santu Mofokeng (1956–2020). There are both profound similarities and differences between the two artists’ work. Goldblatt documented the ways in which architecture and spatial planning reflect the ideology of apartheid, and how the land continues to bear its legacy in post-apartheid South Africa. His investigations explore both actual structures and how mental constructs reveal how ideology has shaped our landscape. Mofokeng’s photo essays shed light on everyday life in South Africa, beyond the stereotypical news pictures of Soweto depicting violence or poverty. Deeply personal, they record communities in townships and rural areas, religious rituals and landscapes imbued not only with historical significance but spiritual meaning, memory and trauma. The approach of Tamar Garb in Beyond the Binary is both daring and inquisitive—she “scrambles” and reassembles Mofokeng’s and Goldblatt’s photographs, blurring the boundaries between them and creates juxtapositions and insights that challenge prevailing views of these established images. By delineating 15 viewpoints around the themes of “Earthscapes,” “Edifices,” and “Sociality,” Garb decontextualizes the work and creates a platform for comparing and rethinking the artists’ practices.
Beyond the binary: Santu Mofokeng and David Goldblatt
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$58.00
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Résumé:
This is the second publication in ''The Walther Collection Books series'' at Steidl, focusing on a dialogue between two of the most important South African photographers of the twentieth century—David Goldblatt (1930–2018) and Santu Mofokeng (1956–2020). There are both profound similarities and differences between the two artists’ work. Goldblatt documented the ways in which architecture and spatial planning reflect the ideology of apartheid, and how the land continues to bear its legacy in post-apartheid South Africa. His investigations explore both actual structures and how mental constructs reveal how ideology has shaped our landscape. Mofokeng’s photo essays shed light on everyday life in South Africa, beyond the stereotypical news pictures of Soweto depicting violence or poverty. Deeply personal, they record communities in townships and rural areas, religious rituals and landscapes imbued not only with historical significance but spiritual meaning, memory and trauma. The approach of Tamar Garb in Beyond the Binary is both daring and inquisitive—she “scrambles” and reassembles Mofokeng’s and Goldblatt’s photographs, blurring the boundaries between them and creates juxtapositions and insights that challenge prevailing views of these established images. By delineating 15 viewpoints around the themes of “Earthscapes,” “Edifices,” and “Sociality,” Garb decontextualizes the work and creates a platform for comparing and rethinking the artists’ practices.
Classification:
livres
livres
Publication:
septembre 2024
septembre 2024
Sujet:
Monographies photo
Monographies photo
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livres
livres
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First published in 1992 to wide critical acclaim, ''Pictures from home'' is Larry Sultan’s pendant to his parents. Sultan returned home to Southern California periodically in the 1980s and the decade-long sequence moves between registers, combining contemporary photographs with film stills from home movies, fragments of conversation, Sultan’s own writings and other(...)
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First published in 1992 to wide critical acclaim, ''Pictures from home'' is Larry Sultan’s pendant to his parents. Sultan returned home to Southern California periodically in the 1980s and the decade-long sequence moves between registers, combining contemporary photographs with film stills from home movies, fragments of conversation, Sultan’s own writings and other(...)
Titre:
Larry Sultan: pictures from home
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First published in 1992 to wide critical acclaim, ''Pictures from home'' is Larry Sultan’s pendant to his parents. Sultan returned home to Southern California periodically in the 1980s and the decade-long sequence moves between registers, combining contemporary photographs with film stills from home movies, fragments of conversation, Sultan’s own writings and other memorabilia. The result is a narrative collage in which the boundary between the documentary and the staged becomes increasingly ambiguous. Simultaneously the distance usually maintained between the photographer and his subjects also slips in an exchange of dialogue and emotion that is unique to this work. Significantly increasing the page count of the original book, this MACK design of ''Pictures from home'' clarifies the multiplicity of voices – both textual and pictorial – in order to afford a fresh perspective of this seminal body of work. Emphasising the cinematic motion of the family’s home videos, the Super-8 film stills have been newly digitised and magnified, with select scenes running full-bleed across double-page spreads. Meanwhile, Sultan’s photographs of his parents as they go about their daily lives – against the quintessential backdrop of the Reagan-era American dream – are supplemented with previously unpublished images. Most significantly, the book honours Sultan as the oft-hailed ‘King of Colour Photography’.
Larry Sultan: pictures from home
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First published in 1992 to wide critical acclaim, ''Pictures from home'' is Larry Sultan’s pendant to his parents. Sultan returned home to Southern California periodically in the 1980s and the decade-long sequence moves between registers, combining contemporary photographs with film stills from home movies, fragments of conversation, Sultan’s own writings and other memorabilia. The result is a narrative collage in which the boundary between the documentary and the staged becomes increasingly ambiguous. Simultaneously the distance usually maintained between the photographer and his subjects also slips in an exchange of dialogue and emotion that is unique to this work. Significantly increasing the page count of the original book, this MACK design of ''Pictures from home'' clarifies the multiplicity of voices – both textual and pictorial – in order to afford a fresh perspective of this seminal body of work. Emphasising the cinematic motion of the family’s home videos, the Super-8 film stills have been newly digitised and magnified, with select scenes running full-bleed across double-page spreads. Meanwhile, Sultan’s photographs of his parents as they go about their daily lives – against the quintessential backdrop of the Reagan-era American dream – are supplemented with previously unpublished images. Most significantly, the book honours Sultan as the oft-hailed ‘King of Colour Photography’.
Classification:
livres
livres
Publication:
septembre 2021
septembre 2021
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Dépossession
Dépossession
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Résumé:
Dialogue entre Judith Butler et Athena Athanasiou : le débat tourne autour de ceux qui ont perdu leur pays, leur nationalité, leurs biens, tous ceux qui ont été expropriés de leur appartenance au monde. Que signifie cette précarité, cette perte fondamentale, dans une société capitaliste dominée par la logique de la possession ? Est-ce que cette conscience d’expropriation(...)
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Dialogue entre Judith Butler et Athena Athanasiou : le débat tourne autour de ceux qui ont perdu leur pays, leur nationalité, leurs biens, tous ceux qui ont été expropriés de leur appartenance au monde. Que signifie cette précarité, cette perte fondamentale, dans une société capitaliste dominée par la logique de la possession ? Est-ce que cette conscience d’expropriation(...)
Titre:
Dépossession
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Dialogue entre Judith Butler et Athena Athanasiou : le débat tourne autour de ceux qui ont perdu leur pays, leur nationalité, leurs biens, tous ceux qui ont été expropriés de leur appartenance au monde. Que signifie cette précarité, cette perte fondamentale, dans une société capitaliste dominée par la logique de la possession ? Est-ce que cette conscience d’expropriation peut amener à une nouvelle forme de résistance, apporter une réponse politique à ceux qui ont été déchus de leurs droits, de leurs biens, en un mot, des conditions de base de la vie elle-même ? Les soulèvements révolutionnaires au Moyen-Orient et au Maghreb, comme les manifestations sur la place Puerta del Sol, la place Syntagma et le parc Zucotti établissent une nouvelle économie politique et affective du corps dans l’espace public. La rue est l’endroit par excellence des expropriés — de ceux qui défient les forces de police et qui se regroupent spontanément dans des collectifs pour lever la voix, pour être vus et entendus. Le livre offre une introduction à la complexité des nouvelles formes de privation de droits, de dépossession et de contestation politique. Une réflexion sur la puissance du perfomatif ainsi que sur la perte de pouvoir du sujet souverain et moral classique.
Dépossession
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Résumé:
Dialogue entre Judith Butler et Athena Athanasiou : le débat tourne autour de ceux qui ont perdu leur pays, leur nationalité, leurs biens, tous ceux qui ont été expropriés de leur appartenance au monde. Que signifie cette précarité, cette perte fondamentale, dans une société capitaliste dominée par la logique de la possession ? Est-ce que cette conscience d’expropriation peut amener à une nouvelle forme de résistance, apporter une réponse politique à ceux qui ont été déchus de leurs droits, de leurs biens, en un mot, des conditions de base de la vie elle-même ? Les soulèvements révolutionnaires au Moyen-Orient et au Maghreb, comme les manifestations sur la place Puerta del Sol, la place Syntagma et le parc Zucotti établissent une nouvelle économie politique et affective du corps dans l’espace public. La rue est l’endroit par excellence des expropriés — de ceux qui défient les forces de police et qui se regroupent spontanément dans des collectifs pour lever la voix, pour être vus et entendus. Le livre offre une introduction à la complexité des nouvelles formes de privation de droits, de dépossession et de contestation politique. Une réflexion sur la puissance du perfomatif ainsi que sur la perte de pouvoir du sujet souverain et moral classique.
Classification:
livres
livres
Publication:
juin 2016
juin 2016
Sujet:
Théorie/ philosophie
Théorie/ philosophie
Classification:
périodiques
périodiques
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Prix:
$32.95
(disponible en magasin)
Résumé:
ome places or epochs are identified with certain colours: Siena for example, which lent its name to yellowish-brown pig-ments, or the Habsburg era with its Imperial yellow. Tel Aviv, has its White City – a UNESCO World Heritage site designed by Jewish architects who studied at the Bauhaus. White is the colour identified with the Modern Movement, of course, but the(...)
$32.95
(disponible en magasin)
Résumé:
ome places or epochs are identified with certain colours: Siena for example, which lent its name to yellowish-brown pig-ments, or the Habsburg era with its Imperial yellow. Tel Aviv, has its White City – a UNESCO World Heritage site designed by Jewish architects who studied at the Bauhaus. White is the colour identified with the Modern Movement, of course, but the(...)
Titre:
Detail 12 2016 : colour materials finishes
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Prix:
$32.95
(disponible en magasin)
Résumé:
ome places or epochs are identified with certain colours: Siena for example, which lent its name to yellowish-brown pig-ments, or the Habsburg era with its Imperial yellow. Tel Aviv, has its White City – a UNESCO World Heritage site designed by Jewish architects who studied at the Bauhaus. White is the colour identified with the Modern Movement, of course, but the coloured interiors of the masters’ houses in Dessau by Walter Gropius show that not everything was reduced to that hue. There are probably just as many colour theories as there are colour tones; but the streets in our towns and cities are rarely characterized by a consistent colour scheme. In this respect, the materials and their surface finishes play a dominant role. In our December issue, we present various architectural concepts that focus on the effects of colour. For example, the Sparren-burg Visitors’ Centre in Bielefeld with its tamped concrete facades enters into a dialogue with the historical surroundings, while the polychrome glazing of Sauerbruch Hutton’s office building in London forms a deliberate counterpoint to the urban environment. As one can see, architecture has to come to terms with colour. There is no such thing as neutrality.
Detail 12 2016 : colour materials finishes
Actions:
Prix:
$32.95
(disponible en magasin)
Résumé:
ome places or epochs are identified with certain colours: Siena for example, which lent its name to yellowish-brown pig-ments, or the Habsburg era with its Imperial yellow. Tel Aviv, has its White City – a UNESCO World Heritage site designed by Jewish architects who studied at the Bauhaus. White is the colour identified with the Modern Movement, of course, but the coloured interiors of the masters’ houses in Dessau by Walter Gropius show that not everything was reduced to that hue. There are probably just as many colour theories as there are colour tones; but the streets in our towns and cities are rarely characterized by a consistent colour scheme. In this respect, the materials and their surface finishes play a dominant role. In our December issue, we present various architectural concepts that focus on the effects of colour. For example, the Sparren-burg Visitors’ Centre in Bielefeld with its tamped concrete facades enters into a dialogue with the historical surroundings, while the polychrome glazing of Sauerbruch Hutton’s office building in London forms a deliberate counterpoint to the urban environment. As one can see, architecture has to come to terms with colour. There is no such thing as neutrality.
Classification:
périodiques
périodiques
Publication:
décembre 2016
décembre 2016
Sujet:
Revues
Revues
Classification:
livres
livres
Titre:
Architecture and dystopia
Architecture and dystopia
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$45.00
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Résumé:
As a response to the profound crisis of Western culture the emerged in the 1960s, radical artists from Italy, Austria, England and Japan called into question the foundations of modernist utopias. They transmuted the difficulties of capitalism into a repertory of startling images that revealed the disturbing realities of consumer society, even in those places still(...)
$45.00
(disponible sur commande)
Résumé:
As a response to the profound crisis of Western culture the emerged in the 1960s, radical artists from Italy, Austria, England and Japan called into question the foundations of modernist utopias. They transmuted the difficulties of capitalism into a repertory of startling images that revealed the disturbing realities of consumer society, even in those places still(...)
Titre:
Architecture and dystopia
Actions:
Prix:
$45.00
(disponible sur commande)
Résumé:
As a response to the profound crisis of Western culture the emerged in the 1960s, radical artists from Italy, Austria, England and Japan called into question the foundations of modernist utopias. They transmuted the difficulties of capitalism into a repertory of startling images that revealed the disturbing realities of consumer society, even in those places still resistant to the penetration of modern architecture, such as Superstudio and Archizoom’s Florence. Their model, though exhausted in the space of experimentation, went on to inspire a generation of architects, from the High Tech movement to Rem Koolhaas.. In the light of these examples, how to define a unified 'dystopian' method of design, i.e. a common ground for an architecture that, by its very nature, seems to resist systematization? Are the most recognizable architectural expressions of this theoretical framework — characterized by brazen displays of technology and structures of overwhelming scale — merely isolated cases, albeit of particular iconic power? Or do they belong to a wider landscape of antirational architectural projects? And to what extent are these disturbing expressions premised on the utopian tradition or, better yet, the conceptual model of 'negative thought'? The goal of this book is to respond to such questions, thus initiating an open dialogue about the legitimacy of this critical category.
Architecture and dystopia
Actions:
Prix:
$45.00
(disponible sur commande)
Résumé:
As a response to the profound crisis of Western culture the emerged in the 1960s, radical artists from Italy, Austria, England and Japan called into question the foundations of modernist utopias. They transmuted the difficulties of capitalism into a repertory of startling images that revealed the disturbing realities of consumer society, even in those places still resistant to the penetration of modern architecture, such as Superstudio and Archizoom’s Florence. Their model, though exhausted in the space of experimentation, went on to inspire a generation of architects, from the High Tech movement to Rem Koolhaas.. In the light of these examples, how to define a unified 'dystopian' method of design, i.e. a common ground for an architecture that, by its very nature, seems to resist systematization? Are the most recognizable architectural expressions of this theoretical framework — characterized by brazen displays of technology and structures of overwhelming scale — merely isolated cases, albeit of particular iconic power? Or do they belong to a wider landscape of antirational architectural projects? And to what extent are these disturbing expressions premised on the utopian tradition or, better yet, the conceptual model of 'negative thought'? The goal of this book is to respond to such questions, thus initiating an open dialogue about the legitimacy of this critical category.
Classification:
livres
livres
Publication:
décembre 2019
décembre 2019
Sujet:
Théorie de l’architecture
Théorie de l’architecture
