7154 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
CI005.S1.1951.PR1
Description:
The Northeast Polder Works for Wieringermeet initiated a contest for the design of a polder tower that would serve as a water tower and act as landmark to the empty polder area. Oud created one design that conformed to the competition guidelines and a second alternative one which he favoured. Project E was created according to the competition rules, while Motto E represented Oud's favoured design. Project E featured a carillon at the midway point of the tower; in Motto E, Oud instead placed the carillon at the top of the tower with the middle section as office space. Ultimately, the board declined all competition entries and assigned H. van Gent to the 1959 tower design (Taverne et al. 2001, 465). Project series includes a perspective drawing for Motto E of the polder tower.
CI005.S1.1951.PR1
Description:
The Northeast Polder Works for Wieringermeet initiated a contest for the design of a polder tower that would serve as a water tower and act as landmark to the empty polder area. Oud created one design that conformed to the competition guidelines and a second alternative one which he favoured. Project E was created according to the competition rules, while Motto E represented Oud's favoured design. Project E featured a carillon at the midway point of the tower; in Motto E, Oud instead placed the carillon at the top of the tower with the middle section as office space. Ultimately, the board declined all competition entries and assigned H. van Gent to the 1959 tower design (Taverne et al. 2001, 465). Project series includes a perspective drawing for Motto E of the polder tower.
Personnes et institutions:
Date:
1951
1951
Titre:
Polder Tower Competition, Emmeloord, Netherlands (1951)
Actions:
CI005.S1.1951.PR1
Description:
The Northeast Polder Works for Wieringermeet initiated a contest for the design of a polder tower that would serve as a water tower and act as landmark to the empty polder area. Oud created one design that conformed to the competition guidelines and a second alternative one which he favoured. Project E was created according to the competition rules, while Motto E represented Oud's favoured design. Project E featured a carillon at the midway point of the tower; in Motto E, Oud instead placed the carillon at the top of the tower with the middle section as office space. Ultimately, the board declined all competition entries and assigned H. van Gent to the 1959 tower design (Taverne et al. 2001, 465). Project series includes a perspective drawing for Motto E of the polder tower.
Polder Tower Competition, Emmeloord, Netherlands (1951)
Actions:
CI005.S1.1951.PR1
Description:
The Northeast Polder Works for Wieringermeet initiated a contest for the design of a polder tower that would serve as a water tower and act as landmark to the empty polder area. Oud created one design that conformed to the competition guidelines and a second alternative one which he favoured. Project E was created according to the competition rules, while Motto E represented Oud's favoured design. Project E featured a carillon at the midway point of the tower; in Motto E, Oud instead placed the carillon at the top of the tower with the middle section as office space. Ultimately, the board declined all competition entries and assigned H. van Gent to the 1959 tower design (Taverne et al. 2001, 465). Project series includes a perspective drawing for Motto E of the polder tower.
Niveau de description archivistique:
project
project
Date:
1951
1951
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Actions:
Numéro de référence:
CI005.S1.1925.PR1
Description:
The Rotterdam building inspectorate, Bouwpolite & Woningdienst, rejected the original plans for the design of the Café de Unie by a private developer, and instead commissioned Oud, as municipal architect, to design the building on Calandplein. This design marked a departure for Oud from public and private buildings to the design of a commercial building. Oud's design incorporated advertisement from its conception as he designed a facade of boards, cement, and glass with an illuminated sign – this was in keeping with the contemporary aesthetic of De Stijl, which explored creative uses of advertisement. Oud designed the signs to be turned inward, to draw attention away from the surrounding buildings, and incorporated bright colours (Taverne et al. 2001, 342). Project series includes drawings of plans as well as photographs of exterior views and of the principal facade of the Café de Unie.
CI005.S1.1925.PR1
Description:
The Rotterdam building inspectorate, Bouwpolite & Woningdienst, rejected the original plans for the design of the Café de Unie by a private developer, and instead commissioned Oud, as municipal architect, to design the building on Calandplein. This design marked a departure for Oud from public and private buildings to the design of a commercial building. Oud's design incorporated advertisement from its conception as he designed a facade of boards, cement, and glass with an illuminated sign – this was in keeping with the contemporary aesthetic of De Stijl, which explored creative uses of advertisement. Oud designed the signs to be turned inward, to draw attention away from the surrounding buildings, and incorporated bright colours (Taverne et al. 2001, 342). Project series includes drawings of plans as well as photographs of exterior views and of the principal facade of the Café de Unie.
Personnes et institutions:
Date:
1925
1925
Titre:
Café de Unie, Rotterdam, Netherlands (1925)
Actions:
CI005.S1.1925.PR1
Description:
The Rotterdam building inspectorate, Bouwpolite & Woningdienst, rejected the original plans for the design of the Café de Unie by a private developer, and instead commissioned Oud, as municipal architect, to design the building on Calandplein. This design marked a departure for Oud from public and private buildings to the design of a commercial building. Oud's design incorporated advertisement from its conception as he designed a facade of boards, cement, and glass with an illuminated sign – this was in keeping with the contemporary aesthetic of De Stijl, which explored creative uses of advertisement. Oud designed the signs to be turned inward, to draw attention away from the surrounding buildings, and incorporated bright colours (Taverne et al. 2001, 342). Project series includes drawings of plans as well as photographs of exterior views and of the principal facade of the Café de Unie.
Café de Unie, Rotterdam, Netherlands (1925)
Actions:
CI005.S1.1925.PR1
Description:
The Rotterdam building inspectorate, Bouwpolite & Woningdienst, rejected the original plans for the design of the Café de Unie by a private developer, and instead commissioned Oud, as municipal architect, to design the building on Calandplein. This design marked a departure for Oud from public and private buildings to the design of a commercial building. Oud's design incorporated advertisement from its conception as he designed a facade of boards, cement, and glass with an illuminated sign – this was in keeping with the contemporary aesthetic of De Stijl, which explored creative uses of advertisement. Oud designed the signs to be turned inward, to draw attention away from the surrounding buildings, and incorporated bright colours (Taverne et al. 2001, 342). Project series includes drawings of plans as well as photographs of exterior views and of the principal facade of the Café de Unie.
Niveau de description archivistique:
project
project
Date:
1925
1925
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
CI005.S1.1925.PR3
Description:
Because of the shortage of social housing for low income families in Rotterdam, the city commissioned the Kiefhoek housing scheme and invited Oud to assist with designing the dwellings. The plans underwent several revisions: it was reduced from the planned construction of 300 buildings in 1925, to 291 dwellings in 1928. The revised complex consisted of two units of shops and dwellings and one dwelling with a hotwater boiler, as well as two warehouses. Oud revised the plans to accommodate 300 dwellings on the chosen site, incorporating existing features, such as the church and public garden, into the site. The site features two symmetric and curved shops facing the central estate street (Taverne et al. 2001, 274-277). Project series includes drawings of plans for site and units as well as photographs of exterior and interior views of Kiefhoek Workers' housing.
CI005.S1.1925.PR3
Description:
Because of the shortage of social housing for low income families in Rotterdam, the city commissioned the Kiefhoek housing scheme and invited Oud to assist with designing the dwellings. The plans underwent several revisions: it was reduced from the planned construction of 300 buildings in 1925, to 291 dwellings in 1928. The revised complex consisted of two units of shops and dwellings and one dwelling with a hotwater boiler, as well as two warehouses. Oud revised the plans to accommodate 300 dwellings on the chosen site, incorporating existing features, such as the church and public garden, into the site. The site features two symmetric and curved shops facing the central estate street (Taverne et al. 2001, 274-277). Project series includes drawings of plans for site and units as well as photographs of exterior and interior views of Kiefhoek Workers' housing.
Personnes et institutions:
Date:
1925-1930
1925-1930
Titre:
Kiefhoek Workers' Housing, Rotterdam, Netherlands (1925-1930)
Actions:
CI005.S1.1925.PR3
Description:
Because of the shortage of social housing for low income families in Rotterdam, the city commissioned the Kiefhoek housing scheme and invited Oud to assist with designing the dwellings. The plans underwent several revisions: it was reduced from the planned construction of 300 buildings in 1925, to 291 dwellings in 1928. The revised complex consisted of two units of shops and dwellings and one dwelling with a hotwater boiler, as well as two warehouses. Oud revised the plans to accommodate 300 dwellings on the chosen site, incorporating existing features, such as the church and public garden, into the site. The site features two symmetric and curved shops facing the central estate street (Taverne et al. 2001, 274-277). Project series includes drawings of plans for site and units as well as photographs of exterior and interior views of Kiefhoek Workers' housing.
Kiefhoek Workers' Housing, Rotterdam, Netherlands (1925-1930)
Actions:
CI005.S1.1925.PR3
Description:
Because of the shortage of social housing for low income families in Rotterdam, the city commissioned the Kiefhoek housing scheme and invited Oud to assist with designing the dwellings. The plans underwent several revisions: it was reduced from the planned construction of 300 buildings in 1925, to 291 dwellings in 1928. The revised complex consisted of two units of shops and dwellings and one dwelling with a hotwater boiler, as well as two warehouses. Oud revised the plans to accommodate 300 dwellings on the chosen site, incorporating existing features, such as the church and public garden, into the site. The site features two symmetric and curved shops facing the central estate street (Taverne et al. 2001, 274-277). Project series includes drawings of plans for site and units as well as photographs of exterior and interior views of Kiefhoek Workers' housing.
Niveau de description archivistique:
project
project
Date:
1925-1930
1925-1930
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
CI005.S1.1927.PR1
Description:
The Kiefhoek housing scheme of 1925-1930 was initiated by the city of Rotterdam to provide affordable housing to working class residents. The Kiefhoek church of the Hersteld Apostolische Gemeente, or the New Apostolic Church, was intended as a communal space for residents of the Kiefhoek housing estate. Oud designed the church building, a verger's house and a green. The design includes a symmetrical orthogonal church hall and two blocks for the vestry and storage shed. Oud undertook the project without pay as he felt it was integral to the overall design of the complex. His original design consisted of a hippodrome-shaped building, which he later abandoned to create a unified dwelling, green and church (Taverne et al. 2001, 286-288). Project series includes drawings of plans for the Kiefhoek Church as well as photographs of the church's principle facade.
CI005.S1.1927.PR1
Description:
The Kiefhoek housing scheme of 1925-1930 was initiated by the city of Rotterdam to provide affordable housing to working class residents. The Kiefhoek church of the Hersteld Apostolische Gemeente, or the New Apostolic Church, was intended as a communal space for residents of the Kiefhoek housing estate. Oud designed the church building, a verger's house and a green. The design includes a symmetrical orthogonal church hall and two blocks for the vestry and storage shed. Oud undertook the project without pay as he felt it was integral to the overall design of the complex. His original design consisted of a hippodrome-shaped building, which he later abandoned to create a unified dwelling, green and church (Taverne et al. 2001, 286-288). Project series includes drawings of plans for the Kiefhoek Church as well as photographs of the church's principle facade.
Personnes et institutions:
Date:
1927
1927
Titre:
Kiefhoek Church (Housing Estate), Rotterdam, Netherlands (1927)
Actions:
CI005.S1.1927.PR1
Description:
The Kiefhoek housing scheme of 1925-1930 was initiated by the city of Rotterdam to provide affordable housing to working class residents. The Kiefhoek church of the Hersteld Apostolische Gemeente, or the New Apostolic Church, was intended as a communal space for residents of the Kiefhoek housing estate. Oud designed the church building, a verger's house and a green. The design includes a symmetrical orthogonal church hall and two blocks for the vestry and storage shed. Oud undertook the project without pay as he felt it was integral to the overall design of the complex. His original design consisted of a hippodrome-shaped building, which he later abandoned to create a unified dwelling, green and church (Taverne et al. 2001, 286-288). Project series includes drawings of plans for the Kiefhoek Church as well as photographs of the church's principle facade.
Kiefhoek Church (Housing Estate), Rotterdam, Netherlands (1927)
Actions:
CI005.S1.1927.PR1
Description:
The Kiefhoek housing scheme of 1925-1930 was initiated by the city of Rotterdam to provide affordable housing to working class residents. The Kiefhoek church of the Hersteld Apostolische Gemeente, or the New Apostolic Church, was intended as a communal space for residents of the Kiefhoek housing estate. Oud designed the church building, a verger's house and a green. The design includes a symmetrical orthogonal church hall and two blocks for the vestry and storage shed. Oud undertook the project without pay as he felt it was integral to the overall design of the complex. His original design consisted of a hippodrome-shaped building, which he later abandoned to create a unified dwelling, green and church (Taverne et al. 2001, 286-288). Project series includes drawings of plans for the Kiefhoek Church as well as photographs of the church's principle facade.
Niveau de description archivistique:
project
project
Date:
1927
1927
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Actions:
Numéro de référence:
CI005.S1.1951.PR2
Description:
Oud was one of a number of architects invited to enter the competition for the new offices of the Province of South Holland, a complex due to replace the bombed headquarters on Korte Voorhout. The design for the new site – located on the grounds of a former zoo – was required to conform to the reconstruction plan of the architect-town planner, W.M. Dudok. Oud designed a four-storey building that conformed to building requirement and located the buildings at the southwest corner of the site to accommodate the existing zoo. The governor's residence was also designed, and another two office wings were placed at right angles to the main concentration of buildings. Ultimately, to Oud's great disappointment, the jury selected a design by Peutz for its complex (Taverne et al. 2001, 453-456). Project series includes photographs of perspective drawings and of a model.
CI005.S1.1951.PR2
Description:
Oud was one of a number of architects invited to enter the competition for the new offices of the Province of South Holland, a complex due to replace the bombed headquarters on Korte Voorhout. The design for the new site – located on the grounds of a former zoo – was required to conform to the reconstruction plan of the architect-town planner, W.M. Dudok. Oud designed a four-storey building that conformed to building requirement and located the buildings at the southwest corner of the site to accommodate the existing zoo. The governor's residence was also designed, and another two office wings were placed at right angles to the main concentration of buildings. Ultimately, to Oud's great disappointment, the jury selected a design by Peutz for its complex (Taverne et al. 2001, 453-456). Project series includes photographs of perspective drawings and of a model.
Personnes et institutions:
Date:
1951-1952
1951-1952
Titre:
Competition for Zuid-Holland Provinciehuis (South Holland Local Government Headquarters), The Hague, Netherlands (1951-1952)
Actions:
CI005.S1.1951.PR2
Description:
Oud was one of a number of architects invited to enter the competition for the new offices of the Province of South Holland, a complex due to replace the bombed headquarters on Korte Voorhout. The design for the new site – located on the grounds of a former zoo – was required to conform to the reconstruction plan of the architect-town planner, W.M. Dudok. Oud designed a four-storey building that conformed to building requirement and located the buildings at the southwest corner of the site to accommodate the existing zoo. The governor's residence was also designed, and another two office wings were placed at right angles to the main concentration of buildings. Ultimately, to Oud's great disappointment, the jury selected a design by Peutz for its complex (Taverne et al. 2001, 453-456). Project series includes photographs of perspective drawings and of a model.
Competition for Zuid-Holland Provinciehuis (South Holland Local Government Headquarters), The Hague, Netherlands (1951-1952)
Actions:
CI005.S1.1951.PR2
Description:
Oud was one of a number of architects invited to enter the competition for the new offices of the Province of South Holland, a complex due to replace the bombed headquarters on Korte Voorhout. The design for the new site – located on the grounds of a former zoo – was required to conform to the reconstruction plan of the architect-town planner, W.M. Dudok. Oud designed a four-storey building that conformed to building requirement and located the buildings at the southwest corner of the site to accommodate the existing zoo. The governor's residence was also designed, and another two office wings were placed at right angles to the main concentration of buildings. Ultimately, to Oud's great disappointment, the jury selected a design by Peutz for its complex (Taverne et al. 2001, 453-456). Project series includes photographs of perspective drawings and of a model.
Niveau de description archivistique:
project
project
Date:
1951-1952
1951-1952
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1967.PR04
Description:
This project series documents the Casa Manuel Magalhães in Porto, Portugal. While the records were held in the office’s archives this project was assigned the number 29/60; in the past the office identified the project as number 119. The office assigned the dates 1967-1971 for this project. The project consisted of a concrete house located on Avenida dos Combatentes in Porto. There was no direct opening to the street and the building was surrounded by a cement wall. Client Manuel Magalhães commissioned the house as a rental home, but became personally involved during the construction and decided to move in with his family. In 2001, Siza designed an intercom for the house. Documenting this project are sketches, studies, plans, elevations, and details. Photographs, negatives, and slides document the site and building work. Textual documentation includes correspondence with the city of Porto, Manuel Magalhães and Fernando Teixeira Rodrigues.
AP178.S1.1967.PR04
Description:
This project series documents the Casa Manuel Magalhães in Porto, Portugal. While the records were held in the office’s archives this project was assigned the number 29/60; in the past the office identified the project as number 119. The office assigned the dates 1967-1971 for this project. The project consisted of a concrete house located on Avenida dos Combatentes in Porto. There was no direct opening to the street and the building was surrounded by a cement wall. Client Manuel Magalhães commissioned the house as a rental home, but became personally involved during the construction and decided to move in with his family. In 2001, Siza designed an intercom for the house. Documenting this project are sketches, studies, plans, elevations, and details. Photographs, negatives, and slides document the site and building work. Textual documentation includes correspondence with the city of Porto, Manuel Magalhães and Fernando Teixeira Rodrigues.
Personnes et institutions:
Date:
1967-2001
1967-2001
Titre:
Casa Manuel Magalhães [Manuel Magalhães house], Porto, Portugal (1967-1971)
Actions:
AP178.S1.1967.PR04
Description:
This project series documents the Casa Manuel Magalhães in Porto, Portugal. While the records were held in the office’s archives this project was assigned the number 29/60; in the past the office identified the project as number 119. The office assigned the dates 1967-1971 for this project. The project consisted of a concrete house located on Avenida dos Combatentes in Porto. There was no direct opening to the street and the building was surrounded by a cement wall. Client Manuel Magalhães commissioned the house as a rental home, but became personally involved during the construction and decided to move in with his family. In 2001, Siza designed an intercom for the house. Documenting this project are sketches, studies, plans, elevations, and details. Photographs, negatives, and slides document the site and building work. Textual documentation includes correspondence with the city of Porto, Manuel Magalhães and Fernando Teixeira Rodrigues.
Casa Manuel Magalhães [Manuel Magalhães house], Porto, Portugal (1967-1971)
Actions:
AP178.S1.1967.PR04
Description:
This project series documents the Casa Manuel Magalhães in Porto, Portugal. While the records were held in the office’s archives this project was assigned the number 29/60; in the past the office identified the project as number 119. The office assigned the dates 1967-1971 for this project. The project consisted of a concrete house located on Avenida dos Combatentes in Porto. There was no direct opening to the street and the building was surrounded by a cement wall. Client Manuel Magalhães commissioned the house as a rental home, but became personally involved during the construction and decided to move in with his family. In 2001, Siza designed an intercom for the house. Documenting this project are sketches, studies, plans, elevations, and details. Photographs, negatives, and slides document the site and building work. Textual documentation includes correspondence with the city of Porto, Manuel Magalhães and Fernando Teixeira Rodrigues.
Niveau de description archivistique:
Project
Project
Date:
1967-2001
1967-2001
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Actions:
Numéro de référence:
CI005.S1.1933.PR1
Description:
The director of the Metz & Co interior design firm, Joseph de Leeuw, commissioned furniture designs from several prominent Dutch artists and architects, including Oud, Van der Leck and Rietveld. Oud's four chair designs were featured in the company's exhibition, "Steel Furniture in 1934." The chairs were made of steel frames; the third chair featured angular rear supports with sharp front angles adjoining the front, while in the fourth, the chair front and rear leg supports were crossed. Oud also designed four more chair types in 1934, including the 07 series, which received critical acclaim (Taverne et al. 2001, 375-377). Project series includes drawings of sketch perspectives of chairs, a sketch plan for a house and unidentified details, possibly for Metz & Co, as well as photographs of the chairs.
CI005.S1.1933.PR1
Description:
The director of the Metz & Co interior design firm, Joseph de Leeuw, commissioned furniture designs from several prominent Dutch artists and architects, including Oud, Van der Leck and Rietveld. Oud's four chair designs were featured in the company's exhibition, "Steel Furniture in 1934." The chairs were made of steel frames; the third chair featured angular rear supports with sharp front angles adjoining the front, while in the fourth, the chair front and rear leg supports were crossed. Oud also designed four more chair types in 1934, including the 07 series, which received critical acclaim (Taverne et al. 2001, 375-377). Project series includes drawings of sketch perspectives of chairs, a sketch plan for a house and unidentified details, possibly for Metz & Co, as well as photographs of the chairs.
Personnes et institutions:
Date:
1933-1934
1933-1934
Titre:
Furniture Designs for Metz & Co, Amsterdam, Netherlands (1933-1934)
Actions:
CI005.S1.1933.PR1
Description:
The director of the Metz & Co interior design firm, Joseph de Leeuw, commissioned furniture designs from several prominent Dutch artists and architects, including Oud, Van der Leck and Rietveld. Oud's four chair designs were featured in the company's exhibition, "Steel Furniture in 1934." The chairs were made of steel frames; the third chair featured angular rear supports with sharp front angles adjoining the front, while in the fourth, the chair front and rear leg supports were crossed. Oud also designed four more chair types in 1934, including the 07 series, which received critical acclaim (Taverne et al. 2001, 375-377). Project series includes drawings of sketch perspectives of chairs, a sketch plan for a house and unidentified details, possibly for Metz & Co, as well as photographs of the chairs.
Furniture Designs for Metz & Co, Amsterdam, Netherlands (1933-1934)
Actions:
CI005.S1.1933.PR1
Description:
The director of the Metz & Co interior design firm, Joseph de Leeuw, commissioned furniture designs from several prominent Dutch artists and architects, including Oud, Van der Leck and Rietveld. Oud's four chair designs were featured in the company's exhibition, "Steel Furniture in 1934." The chairs were made of steel frames; the third chair featured angular rear supports with sharp front angles adjoining the front, while in the fourth, the chair front and rear leg supports were crossed. Oud also designed four more chair types in 1934, including the 07 series, which received critical acclaim (Taverne et al. 2001, 375-377). Project series includes drawings of sketch perspectives of chairs, a sketch plan for a house and unidentified details, possibly for Metz & Co, as well as photographs of the chairs.
Niveau de description archivistique:
project
project
Date:
1933-1934
1933-1934
Personnes et institutions:
Classification:
né numérique
Quantité:
7 digital file(s)
né numérique
Quantité:
7 digital file(s)
Numéro de référence:
AP174.S2.002
Description:
Contains two Weaver MEL scripts written in 2001 for use in Alias|Wavefront Maya, annotated source code last revised in 2004, and a tutorial that explains their use. Notably, the tutorial also contains instructions for how to export woven structures from Maya into Rhinoceros and other software platforms. Original directory name: "weaver Maya script & tutorial". Most common file formats: Microsoft Word Document, Acrobat PDF 1.4 - Portable Document Format, Plain Text File
AP174.S2.002
Description:
Contains two Weaver MEL scripts written in 2001 for use in Alias|Wavefront Maya, annotated source code last revised in 2004, and a tutorial that explains their use. Notably, the tutorial also contains instructions for how to export woven structures from Maya into Rhinoceros and other software platforms. Original directory name: "weaver Maya script & tutorial". Most common file formats: Microsoft Word Document, Acrobat PDF 1.4 - Portable Document Format, Plain Text File
Personnes et institutions:
Date:
2001-2004
2001-2004
Titre:
Weaver Maya Embedded Language (MEL) script, annotated source code, and tutorial
Actions:
AP174.S2.002
Description:
Contains two Weaver MEL scripts written in 2001 for use in Alias|Wavefront Maya, annotated source code last revised in 2004, and a tutorial that explains their use. Notably, the tutorial also contains instructions for how to export woven structures from Maya into Rhinoceros and other software platforms. Original directory name: "weaver Maya script & tutorial". Most common file formats: Microsoft Word Document, Acrobat PDF 1.4 - Portable Document Format, Plain Text File
Weaver Maya Embedded Language (MEL) script, annotated source code, and tutorial
Actions:
AP174.S2.002
Description:
Contains two Weaver MEL scripts written in 2001 for use in Alias|Wavefront Maya, annotated source code last revised in 2004, and a tutorial that explains their use. Notably, the tutorial also contains instructions for how to export woven structures from Maya into Rhinoceros and other software platforms. Original directory name: "weaver Maya script & tutorial". Most common file formats: Microsoft Word Document, Acrobat PDF 1.4 - Portable Document Format, Plain Text File
Classification:
né numérique
Quantité:
7 digital file(s)
né numérique
Quantité:
7 digital file(s)
Date:
2001-2004
2001-2004
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Actions:
Numéro de référence:
CI005.S1.1934.PR1
Description:
In 1934 and 1937, Oud created the interior designs for the private home of the director of Museum Boymans, Dr D. Hannema. In 1934, Oud designed the study and library of Hannema's home, including a remodelled fireplace and curtained bookcases. Oud also incorporated one of his Metz & Co chairs behind a wooden table, as well as built-in cupboards and another designed chair set before a writing table. In Dr Hannema's new home, in 1937, Oud was responsible for furnishing the entrance and staircase, designing two bookcases in the back room, and incorporating his own designs into the front room. In the front room Oud designed wooden bookcases and a living space that featured two armchairs and a coffee table (Taverne et al. 2001, 387-388). Project series includes photographs of the interior view of Hannema's first and second homes.
CI005.S1.1934.PR1
Description:
In 1934 and 1937, Oud created the interior designs for the private home of the director of Museum Boymans, Dr D. Hannema. In 1934, Oud designed the study and library of Hannema's home, including a remodelled fireplace and curtained bookcases. Oud also incorporated one of his Metz & Co chairs behind a wooden table, as well as built-in cupboards and another designed chair set before a writing table. In Dr Hannema's new home, in 1937, Oud was responsible for furnishing the entrance and staircase, designing two bookcases in the back room, and incorporating his own designs into the front room. In the front room Oud designed wooden bookcases and a living space that featured two armchairs and a coffee table (Taverne et al. 2001, 387-388). Project series includes photographs of the interior view of Hannema's first and second homes.
Personnes et institutions:
Date:
1934-1937
1934-1937
Titre:
Interiors, Dr. D. Hannema House, Rotterdam, Netherlands (1934, 1937)
Actions:
CI005.S1.1934.PR1
Description:
In 1934 and 1937, Oud created the interior designs for the private home of the director of Museum Boymans, Dr D. Hannema. In 1934, Oud designed the study and library of Hannema's home, including a remodelled fireplace and curtained bookcases. Oud also incorporated one of his Metz & Co chairs behind a wooden table, as well as built-in cupboards and another designed chair set before a writing table. In Dr Hannema's new home, in 1937, Oud was responsible for furnishing the entrance and staircase, designing two bookcases in the back room, and incorporating his own designs into the front room. In the front room Oud designed wooden bookcases and a living space that featured two armchairs and a coffee table (Taverne et al. 2001, 387-388). Project series includes photographs of the interior view of Hannema's first and second homes.
Interiors, Dr. D. Hannema House, Rotterdam, Netherlands (1934, 1937)
Actions:
CI005.S1.1934.PR1
Description:
In 1934 and 1937, Oud created the interior designs for the private home of the director of Museum Boymans, Dr D. Hannema. In 1934, Oud designed the study and library of Hannema's home, including a remodelled fireplace and curtained bookcases. Oud also incorporated one of his Metz & Co chairs behind a wooden table, as well as built-in cupboards and another designed chair set before a writing table. In Dr Hannema's new home, in 1937, Oud was responsible for furnishing the entrance and staircase, designing two bookcases in the back room, and incorporating his own designs into the front room. In the front room Oud designed wooden bookcases and a living space that featured two armchairs and a coffee table (Taverne et al. 2001, 387-388). Project series includes photographs of the interior view of Hannema's first and second homes.
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project
project
Date:
1934-1937
1934-1937
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CI005.S1.1949.PR1
Description:
Vredenburg Square – originally designed by H.P. Berlage in 1919 – had become problematic for traffic congestion; the problem was compounded by the erection of the Jaarbeurs Exhibition Complex. Utrecht city council commissioned Oud to design a square with architect C. Wegener Sleeswijk. Oud modified Sleeswijk's original expansion plan to create a design for a twelve-storey tower block that would take up less space and open up the southeast side of the square. In addition to the Jaarbeurs tower, Oud suggested placing more emphasis on the square's entrance. Oud also modified the traffic routes and created a semi-circular facade across from a secretariat. Although the city council approved Oud's plan in 1951, his design was unrealized as the council ultimately commissioned another architectural firm's design (Taverne et al. 2001, 472-473). Project series includes plans for the Vredenburg development.
CI005.S1.1949.PR1
Description:
Vredenburg Square – originally designed by H.P. Berlage in 1919 – had become problematic for traffic congestion; the problem was compounded by the erection of the Jaarbeurs Exhibition Complex. Utrecht city council commissioned Oud to design a square with architect C. Wegener Sleeswijk. Oud modified Sleeswijk's original expansion plan to create a design for a twelve-storey tower block that would take up less space and open up the southeast side of the square. In addition to the Jaarbeurs tower, Oud suggested placing more emphasis on the square's entrance. Oud also modified the traffic routes and created a semi-circular facade across from a secretariat. Although the city council approved Oud's plan in 1951, his design was unrealized as the council ultimately commissioned another architectural firm's design (Taverne et al. 2001, 472-473). Project series includes plans for the Vredenburg development.
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Date:
1949-1961
1949-1961
Titre:
Urban Design, Vredenburg Mixed-Use Development, Utrecht, Netherlands (1949-1961)
Actions:
CI005.S1.1949.PR1
Description:
Vredenburg Square – originally designed by H.P. Berlage in 1919 – had become problematic for traffic congestion; the problem was compounded by the erection of the Jaarbeurs Exhibition Complex. Utrecht city council commissioned Oud to design a square with architect C. Wegener Sleeswijk. Oud modified Sleeswijk's original expansion plan to create a design for a twelve-storey tower block that would take up less space and open up the southeast side of the square. In addition to the Jaarbeurs tower, Oud suggested placing more emphasis on the square's entrance. Oud also modified the traffic routes and created a semi-circular facade across from a secretariat. Although the city council approved Oud's plan in 1951, his design was unrealized as the council ultimately commissioned another architectural firm's design (Taverne et al. 2001, 472-473). Project series includes plans for the Vredenburg development.
Urban Design, Vredenburg Mixed-Use Development, Utrecht, Netherlands (1949-1961)
Actions:
CI005.S1.1949.PR1
Description:
Vredenburg Square – originally designed by H.P. Berlage in 1919 – had become problematic for traffic congestion; the problem was compounded by the erection of the Jaarbeurs Exhibition Complex. Utrecht city council commissioned Oud to design a square with architect C. Wegener Sleeswijk. Oud modified Sleeswijk's original expansion plan to create a design for a twelve-storey tower block that would take up less space and open up the southeast side of the square. In addition to the Jaarbeurs tower, Oud suggested placing more emphasis on the square's entrance. Oud also modified the traffic routes and created a semi-circular facade across from a secretariat. Although the city council approved Oud's plan in 1951, his design was unrealized as the council ultimately commissioned another architectural firm's design (Taverne et al. 2001, 472-473). Project series includes plans for the Vredenburg development.
Niveau de description archivistique:
project
project
Date:
1949-1961
1949-1961
Personnes et institutions:
