5264 Résultats
Classification:
livres
livres
Numéro de référence:
ARCH278307
Description:
Notebook reproduced from digital scans (ARCH276525). Reproduction created by the CCA for the exhibition Rooms You May Have Missed, held at the CCA November 4, 2014-April 19, 2015.
ARCH278307
Description:
Notebook reproduced from digital scans (ARCH276525). Reproduction created by the CCA for the exhibition Rooms You May Have Missed, held at the CCA November 4, 2014-April 19, 2015.
Personnes et institutions:
Date:
November 2009-January 2010
November 2009-January 2010
Titre:
Copper House II : notebook of carpenter sketches and calculations
Actions:
ARCH278307
Description:
Notebook reproduced from digital scans (ARCH276525). Reproduction created by the CCA for the exhibition Rooms You May Have Missed, held at the CCA November 4, 2014-April 19, 2015.
Copper House II : notebook of carpenter sketches and calculations
Actions:
ARCH278307
Description:
Notebook reproduced from digital scans (ARCH276525). Reproduction created by the CCA for the exhibition Rooms You May Have Missed, held at the CCA November 4, 2014-April 19, 2015.
Classification:
livres
livres
Date:
November 2009-January 2010
November 2009-January 2010
Personnes et institutions:
Classification:
livres
livres
Numéro de référence:
ARCH286649
Description:
Notebook reproduced from digital scans (ARCH276525). Reproduction created by the CCA for the exhibition Rooms You May Have Missed, held at the CCA November 4, 2014-April 19, 2015.
ARCH286649
Description:
Notebook reproduced from digital scans (ARCH276525). Reproduction created by the CCA for the exhibition Rooms You May Have Missed, held at the CCA November 4, 2014-April 19, 2015.
Personnes et institutions:
Date:
November 2009-January 2010
November 2009-January 2010
Titre:
Copper House II : notebook of carpenter sketches and calculations
Actions:
ARCH286649
Description:
Notebook reproduced from digital scans (ARCH276525). Reproduction created by the CCA for the exhibition Rooms You May Have Missed, held at the CCA November 4, 2014-April 19, 2015.
Copper House II : notebook of carpenter sketches and calculations
Actions:
ARCH286649
Description:
Notebook reproduced from digital scans (ARCH276525). Reproduction created by the CCA for the exhibition Rooms You May Have Missed, held at the CCA November 4, 2014-April 19, 2015.
Classification:
livres
livres
Date:
November 2009-January 2010
November 2009-January 2010
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Titre:
Cedric Price
Cedric Price
Numéro de référence:
AP103.S5.SS2
Description:
Sub-series documents Cedric Price's IFCCA Prize Competition entry. Material in sub-series was produced in 1999. Sub-series contains drawings, a model, slides, photographs, and a presentation text.
AP103.S5.SS2
Description:
Sub-series documents Cedric Price's IFCCA Prize Competition entry. Material in sub-series was produced in 1999. Sub-series contains drawings, a model, slides, photographs, and a presentation text.
Personnes et institutions:
Date:
1999
1999
Titre:
Cedric Price
Actions:
AP103.S5.SS2
Description:
Sub-series documents Cedric Price's IFCCA Prize Competition entry. Material in sub-series was produced in 1999. Sub-series contains drawings, a model, slides, photographs, and a presentation text.
Cedric Price
Actions:
AP103.S5.SS2
Description:
Sub-series documents Cedric Price's IFCCA Prize Competition entry. Material in sub-series was produced in 1999. Sub-series contains drawings, a model, slides, photographs, and a presentation text.
Niveau de description archivistique:
Sub-series 2
Sub-series 2
Date:
1999
1999
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Titre:
Reiser & Umemoto
Reiser & Umemoto
Numéro de référence:
AP103.S5.SS3
Description:
Sub-series documents Reiser + Umemoto's IFCCA Prize Competition entry. Material in sub-series was produced in 1999. Sub-series contains floppy disks, a model, slides, a booklet, photographs and computer printouts [?].
AP103.S5.SS3
Description:
Sub-series documents Reiser + Umemoto's IFCCA Prize Competition entry. Material in sub-series was produced in 1999. Sub-series contains floppy disks, a model, slides, a booklet, photographs and computer printouts [?].
Personnes et institutions:
Date:
1999
1999
Titre:
Reiser & Umemoto
Actions:
AP103.S5.SS3
Description:
Sub-series documents Reiser + Umemoto's IFCCA Prize Competition entry. Material in sub-series was produced in 1999. Sub-series contains floppy disks, a model, slides, a booklet, photographs and computer printouts [?].
Reiser & Umemoto
Actions:
AP103.S5.SS3
Description:
Sub-series documents Reiser + Umemoto's IFCCA Prize Competition entry. Material in sub-series was produced in 1999. Sub-series contains floppy disks, a model, slides, a booklet, photographs and computer printouts [?].
Niveau de description archivistique:
Sub-series 3
Sub-series 3
Date:
1999
1999
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Titre:
Morphosis
Morphosis
Numéro de référence:
AP103.S5.SS4
Description:
Sub-series documents Morphosis' IFCCA Prize Competition entry. Material in sub-series was produced in 1999. Sub-series contains panels, a model, presentation booklets, a floppy disk, and photographs.
AP103.S5.SS4
Description:
Sub-series documents Morphosis' IFCCA Prize Competition entry. Material in sub-series was produced in 1999. Sub-series contains panels, a model, presentation booklets, a floppy disk, and photographs.
Personnes et institutions:
Date:
1999
1999
Titre:
Morphosis
Actions:
AP103.S5.SS4
Description:
Sub-series documents Morphosis' IFCCA Prize Competition entry. Material in sub-series was produced in 1999. Sub-series contains panels, a model, presentation booklets, a floppy disk, and photographs.
Morphosis
Actions:
AP103.S5.SS4
Description:
Sub-series documents Morphosis' IFCCA Prize Competition entry. Material in sub-series was produced in 1999. Sub-series contains panels, a model, presentation booklets, a floppy disk, and photographs.
Niveau de description archivistique:
Sub-series 4
Sub-series 4
Date:
1999
1999
Personnes et institutions:
Classification:
événements
événements
Actions:
Description:
Maurice Cox et Mio Tsuneyama discutent de diverses expériences et réalités concrètes reliées aux espaces vacants, au-delà des frontières et des différents contextes urbains.
Maurice Cox et Mio Tsuneyama discutent de diverses expériences et réalités concrètes reliées aux espaces vacants, au-delà des frontières et des différents contextes urbains.
Date:
15 janvier 2026, 18h à 19h30
15 janvier 2026, 18h à 19h30
Titre:
Quels espaces peuvent définir l’état vacant?
Actions:
Description:
Maurice Cox et Mio Tsuneyama discutent de diverses expériences et réalités concrètes reliées aux espaces vacants, au-delà des frontières et des différents contextes urbains.
Quels espaces peuvent définir l’état vacant?
Actions:
Description:
Maurice Cox et Mio Tsuneyama discutent de diverses expériences et réalités concrètes reliées aux espaces vacants, au-delà des frontières et des différents contextes urbains.
Classification:
événements
événements
Date:
15 janvier 2026
18h à 19h30
15 janvier 2026
18h à 19h30
Quantité:
6 artefact(s)
6 artefact(s)
Titre:
RDS tent linkage prototypes
RDS tent linkage prototypes
Numéro de référence:
ARCH271058
Description:
RDS tent linkage prototypes; molecular geodesics prototypes designed to be used for endoscopic surgery. In ms. on box at time of cataloguing: Box 9; CCA Prototypes #49, 51, 57 // CCA M7
ARCH271058
Description:
RDS tent linkage prototypes; molecular geodesics prototypes designed to be used for endoscopic surgery. In ms. on box at time of cataloguing: Box 9; CCA Prototypes #49, 51, 57 // CCA M7
Personnes et institutions:
Date:
mid 1990s
mid 1990s
Titre:
RDS tent linkage prototypes
Actions:
ARCH271058
Description:
RDS tent linkage prototypes; molecular geodesics prototypes designed to be used for endoscopic surgery. In ms. on box at time of cataloguing: Box 9; CCA Prototypes #49, 51, 57 // CCA M7
RDS tent linkage prototypes
Actions:
ARCH271058
Description:
RDS tent linkage prototypes; molecular geodesics prototypes designed to be used for endoscopic surgery. In ms. on box at time of cataloguing: Box 9; CCA Prototypes #49, 51, 57 // CCA M7
Quantité:
6 artefact(s)
6 artefact(s)
Date:
mid 1990s
mid 1990s
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP133.S4
Description:
This series documents some of Pierre du Prey's professional activities as an architectural historian and author. It contains documents related to his involvement in congresses and conferences, such as correspondence, draft texts and ephemeras for his lecture at the Centre Jacques Cartier in Lyon, in 1994, and event planning documents, correspondence, reports and proceedings related to his attendance at the international congress of the PEN Club, a worldwide association of writers, in Abidjan, in 1967. The series also contains sound recordings of a panel at the "The Citizen, Architecture and the Urban Environment" seminar in 1991. The series is also comprised of general correspondence, du Prey’s agendas from 1981 to 1984, and correspondence, press clippings and invitations from or about the Canadian Centre for Architecture.
AP133.S4
Description:
This series documents some of Pierre du Prey's professional activities as an architectural historian and author. It contains documents related to his involvement in congresses and conferences, such as correspondence, draft texts and ephemeras for his lecture at the Centre Jacques Cartier in Lyon, in 1994, and event planning documents, correspondence, reports and proceedings related to his attendance at the international congress of the PEN Club, a worldwide association of writers, in Abidjan, in 1967. The series also contains sound recordings of a panel at the "The Citizen, Architecture and the Urban Environment" seminar in 1991. The series is also comprised of general correspondence, du Prey’s agendas from 1981 to 1984, and correspondence, press clippings and invitations from or about the Canadian Centre for Architecture.
Personnes et institutions:
Date:
1967-2001
1967-2001
Titre:
Correspondence, lectures, conferences, and agendas
Actions:
AP133.S4
Description:
This series documents some of Pierre du Prey's professional activities as an architectural historian and author. It contains documents related to his involvement in congresses and conferences, such as correspondence, draft texts and ephemeras for his lecture at the Centre Jacques Cartier in Lyon, in 1994, and event planning documents, correspondence, reports and proceedings related to his attendance at the international congress of the PEN Club, a worldwide association of writers, in Abidjan, in 1967. The series also contains sound recordings of a panel at the "The Citizen, Architecture and the Urban Environment" seminar in 1991. The series is also comprised of general correspondence, du Prey’s agendas from 1981 to 1984, and correspondence, press clippings and invitations from or about the Canadian Centre for Architecture.
Correspondence, lectures, conferences, and agendas
Actions:
AP133.S4
Description:
This series documents some of Pierre du Prey's professional activities as an architectural historian and author. It contains documents related to his involvement in congresses and conferences, such as correspondence, draft texts and ephemeras for his lecture at the Centre Jacques Cartier in Lyon, in 1994, and event planning documents, correspondence, reports and proceedings related to his attendance at the international congress of the PEN Club, a worldwide association of writers, in Abidjan, in 1967. The series also contains sound recordings of a panel at the "The Citizen, Architecture and the Urban Environment" seminar in 1991. The series is also comprised of general correspondence, du Prey’s agendas from 1981 to 1984, and correspondence, press clippings and invitations from or about the Canadian Centre for Architecture.
Niveau de description archivistique:
Series
Series
Date:
1967-2001
1967-2001
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Titre:
Miscellanea
Miscellanea
Numéro de référence:
CI001.S1.D4
Description:
The three portfolios of "Croquis", originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles, are particularly informative of the range of artistic and architectural interests of these architects. While some of the drawings in these portfolios may be travel sketches or based on travel sketches (Charles is known to have visited some of the locations depicted (1)), the majority are probably copied or adapted from books and prints. In some cases, these sources have been identified. The stylistic range of the drawings is eclectic; in addition to the expected Classical material, Gothic, Romanesque, Islamic, Exotic Revival (namely Etruscan and Egyptian), Renaissance and Baroque periods and styles as well as contemporary 19th century architecture are all represented. The subject matter is equally varied. DR1974:0002:032:001-066, two portfolios, includes arabesque ornament (some from Palazzo del Te and Palazzo Ducal in Mantua (2)), Islamic ornament motifs, tile patterns, Sicilian architectural subjects - mainly church interiors, and stonework and woodwork from Romanesque and Gothic structures . DR1974:0002:031:001-055, three portfolios, contains drawings of classical figures, Christian imagery and architectural sculpture from antique, medieval [?] and 19th century sources, sculpture from the 16th century sepulchral monument of Maximillian I, Italian Classical structures and contemporary classically-inspired subject matter including a number of Parisian fountains and monuments, and several English townhouses. DR1974:0002:030:001-065, four portfolios, includes drawings of Classical, Gothic and Exotic Revival buildings and interiors as well as a number of drawings of non-architectural subject matter including military subjects - fortification, armaments, soldiers, and revolutionary battle scenes - and topographic views. A folder of Italian views and buildings in this portfolio may have been intended for publication. The designs for interiors, Empire furniture, garden structures and several of the buildings are probably original designs by Hubert. (1) A description of Charles' travels based on his sketchbooks held by the Académie d'architecture is found in Académie d'architecture, 'Catalogue des collection' (Paris: Académie d'architecture, 1988) 35-36 and 230-241. (2) These drawings were copied from Wilhelm Zahn, 'Gemalte Ornamente von Julio Romano' (s.l., s.n, ca. 1833)., The three portfolios of "Croquis" were originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles. The source and purpose of many of these drawings is unclear; some may be record drawings and travel sketches or based on travel sketches, but the majority are probably copied or adapted from books and prints. The stylistic range and subject matter of the drawings is broad and eclectic: arabesques, Islamic ornament, stonework and woodwork from Romanesque and Gothic structures (DR1974:0002:032:001-066); classical and Christian imagery, architectural sculpture from antique, medieval [?] and 19th century sources, Italian Classical structures, nineteenth century classically-inspired subject matter (DR1974:0002:031:001-055); non-architectural subject matter including military subjects, topographic views, and Italian views and buildings, possibly intended for publication (DR1974:0002:030:001-065). Portfolio, DR1974:0002:030:001-065 also includes interiors, Empire furniture, garden structures and Classical, Gothic and Exotic Revival buildings, some of which are probably original designs by Hubert Rohault de Fleury. Bibliography: - Bergdoll, Barry. "Hubert Rohault de Fleury: Cinquième Partie: Équisses et Dessins d'Ornament." 'CCA Research Report.' n.d. - Académie d'architecture (France). 'Catalogue des collections' (Paris: L'Academie, 1988), 35-37 and 230-241.
CI001.S1.D4
Description:
The three portfolios of "Croquis", originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles, are particularly informative of the range of artistic and architectural interests of these architects. While some of the drawings in these portfolios may be travel sketches or based on travel sketches (Charles is known to have visited some of the locations depicted (1)), the majority are probably copied or adapted from books and prints. In some cases, these sources have been identified. The stylistic range of the drawings is eclectic; in addition to the expected Classical material, Gothic, Romanesque, Islamic, Exotic Revival (namely Etruscan and Egyptian), Renaissance and Baroque periods and styles as well as contemporary 19th century architecture are all represented. The subject matter is equally varied. DR1974:0002:032:001-066, two portfolios, includes arabesque ornament (some from Palazzo del Te and Palazzo Ducal in Mantua (2)), Islamic ornament motifs, tile patterns, Sicilian architectural subjects - mainly church interiors, and stonework and woodwork from Romanesque and Gothic structures . DR1974:0002:031:001-055, three portfolios, contains drawings of classical figures, Christian imagery and architectural sculpture from antique, medieval [?] and 19th century sources, sculpture from the 16th century sepulchral monument of Maximillian I, Italian Classical structures and contemporary classically-inspired subject matter including a number of Parisian fountains and monuments, and several English townhouses. DR1974:0002:030:001-065, four portfolios, includes drawings of Classical, Gothic and Exotic Revival buildings and interiors as well as a number of drawings of non-architectural subject matter including military subjects - fortification, armaments, soldiers, and revolutionary battle scenes - and topographic views. A folder of Italian views and buildings in this portfolio may have been intended for publication. The designs for interiors, Empire furniture, garden structures and several of the buildings are probably original designs by Hubert. (1) A description of Charles' travels based on his sketchbooks held by the Académie d'architecture is found in Académie d'architecture, 'Catalogue des collection' (Paris: Académie d'architecture, 1988) 35-36 and 230-241. (2) These drawings were copied from Wilhelm Zahn, 'Gemalte Ornamente von Julio Romano' (s.l., s.n, ca. 1833)., The three portfolios of "Croquis" were originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles. The source and purpose of many of these drawings is unclear; some may be record drawings and travel sketches or based on travel sketches, but the majority are probably copied or adapted from books and prints. The stylistic range and subject matter of the drawings is broad and eclectic: arabesques, Islamic ornament, stonework and woodwork from Romanesque and Gothic structures (DR1974:0002:032:001-066); classical and Christian imagery, architectural sculpture from antique, medieval [?] and 19th century sources, Italian Classical structures, nineteenth century classically-inspired subject matter (DR1974:0002:031:001-055); non-architectural subject matter including military subjects, topographic views, and Italian views and buildings, possibly intended for publication (DR1974:0002:030:001-065). Portfolio, DR1974:0002:030:001-065 also includes interiors, Empire furniture, garden structures and Classical, Gothic and Exotic Revival buildings, some of which are probably original designs by Hubert Rohault de Fleury. Bibliography: - Bergdoll, Barry. "Hubert Rohault de Fleury: Cinquième Partie: Équisses et Dessins d'Ornament." 'CCA Research Report.' n.d. - Académie d'architecture (France). 'Catalogue des collections' (Paris: L'Academie, 1988), 35-37 and 230-241.
Personnes et institutions:
Date:
[1800-1868]
[1800-1868]
Titre:
Miscellanea
CI001.S1.D4
Description:
The three portfolios of "Croquis", originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles, are particularly informative of the range of artistic and architectural interests of these architects. While some of the drawings in these portfolios may be travel sketches or based on travel sketches (Charles is known to have visited some of the locations depicted (1)), the majority are probably copied or adapted from books and prints. In some cases, these sources have been identified. The stylistic range of the drawings is eclectic; in addition to the expected Classical material, Gothic, Romanesque, Islamic, Exotic Revival (namely Etruscan and Egyptian), Renaissance and Baroque periods and styles as well as contemporary 19th century architecture are all represented. The subject matter is equally varied. DR1974:0002:032:001-066, two portfolios, includes arabesque ornament (some from Palazzo del Te and Palazzo Ducal in Mantua (2)), Islamic ornament motifs, tile patterns, Sicilian architectural subjects - mainly church interiors, and stonework and woodwork from Romanesque and Gothic structures . DR1974:0002:031:001-055, three portfolios, contains drawings of classical figures, Christian imagery and architectural sculpture from antique, medieval [?] and 19th century sources, sculpture from the 16th century sepulchral monument of Maximillian I, Italian Classical structures and contemporary classically-inspired subject matter including a number of Parisian fountains and monuments, and several English townhouses. DR1974:0002:030:001-065, four portfolios, includes drawings of Classical, Gothic and Exotic Revival buildings and interiors as well as a number of drawings of non-architectural subject matter including military subjects - fortification, armaments, soldiers, and revolutionary battle scenes - and topographic views. A folder of Italian views and buildings in this portfolio may have been intended for publication. The designs for interiors, Empire furniture, garden structures and several of the buildings are probably original designs by Hubert. (1) A description of Charles' travels based on his sketchbooks held by the Académie d'architecture is found in Académie d'architecture, 'Catalogue des collection' (Paris: Académie d'architecture, 1988) 35-36 and 230-241. (2) These drawings were copied from Wilhelm Zahn, 'Gemalte Ornamente von Julio Romano' (s.l., s.n, ca. 1833)., The three portfolios of "Croquis" were originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles. The source and purpose of many of these drawings is unclear; some may be record drawings and travel sketches or based on travel sketches, but the majority are probably copied or adapted from books and prints. The stylistic range and subject matter of the drawings is broad and eclectic: arabesques, Islamic ornament, stonework and woodwork from Romanesque and Gothic structures (DR1974:0002:032:001-066); classical and Christian imagery, architectural sculpture from antique, medieval [?] and 19th century sources, Italian Classical structures, nineteenth century classically-inspired subject matter (DR1974:0002:031:001-055); non-architectural subject matter including military subjects, topographic views, and Italian views and buildings, possibly intended for publication (DR1974:0002:030:001-065). Portfolio, DR1974:0002:030:001-065 also includes interiors, Empire furniture, garden structures and Classical, Gothic and Exotic Revival buildings, some of which are probably original designs by Hubert Rohault de Fleury. Bibliography: - Bergdoll, Barry. "Hubert Rohault de Fleury: Cinquième Partie: Équisses et Dessins d'Ornament." 'CCA Research Report.' n.d. - Académie d'architecture (France). 'Catalogue des collections' (Paris: L'Academie, 1988), 35-37 and 230-241.
Miscellanea
CI001.S1.D4
Description:
The three portfolios of "Croquis", originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles, are particularly informative of the range of artistic and architectural interests of these architects. While some of the drawings in these portfolios may be travel sketches or based on travel sketches (Charles is known to have visited some of the locations depicted (1)), the majority are probably copied or adapted from books and prints. In some cases, these sources have been identified. The stylistic range of the drawings is eclectic; in addition to the expected Classical material, Gothic, Romanesque, Islamic, Exotic Revival (namely Etruscan and Egyptian), Renaissance and Baroque periods and styles as well as contemporary 19th century architecture are all represented. The subject matter is equally varied. DR1974:0002:032:001-066, two portfolios, includes arabesque ornament (some from Palazzo del Te and Palazzo Ducal in Mantua (2)), Islamic ornament motifs, tile patterns, Sicilian architectural subjects - mainly church interiors, and stonework and woodwork from Romanesque and Gothic structures . DR1974:0002:031:001-055, three portfolios, contains drawings of classical figures, Christian imagery and architectural sculpture from antique, medieval [?] and 19th century sources, sculpture from the 16th century sepulchral monument of Maximillian I, Italian Classical structures and contemporary classically-inspired subject matter including a number of Parisian fountains and monuments, and several English townhouses. DR1974:0002:030:001-065, four portfolios, includes drawings of Classical, Gothic and Exotic Revival buildings and interiors as well as a number of drawings of non-architectural subject matter including military subjects - fortification, armaments, soldiers, and revolutionary battle scenes - and topographic views. A folder of Italian views and buildings in this portfolio may have been intended for publication. The designs for interiors, Empire furniture, garden structures and several of the buildings are probably original designs by Hubert. (1) A description of Charles' travels based on his sketchbooks held by the Académie d'architecture is found in Académie d'architecture, 'Catalogue des collection' (Paris: Académie d'architecture, 1988) 35-36 and 230-241. (2) These drawings were copied from Wilhelm Zahn, 'Gemalte Ornamente von Julio Romano' (s.l., s.n, ca. 1833)., The three portfolios of "Croquis" were originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles. The source and purpose of many of these drawings is unclear; some may be record drawings and travel sketches or based on travel sketches, but the majority are probably copied or adapted from books and prints. The stylistic range and subject matter of the drawings is broad and eclectic: arabesques, Islamic ornament, stonework and woodwork from Romanesque and Gothic structures (DR1974:0002:032:001-066); classical and Christian imagery, architectural sculpture from antique, medieval [?] and 19th century sources, Italian Classical structures, nineteenth century classically-inspired subject matter (DR1974:0002:031:001-055); non-architectural subject matter including military subjects, topographic views, and Italian views and buildings, possibly intended for publication (DR1974:0002:030:001-065). Portfolio, DR1974:0002:030:001-065 also includes interiors, Empire furniture, garden structures and Classical, Gothic and Exotic Revival buildings, some of which are probably original designs by Hubert Rohault de Fleury. Bibliography: - Bergdoll, Barry. "Hubert Rohault de Fleury: Cinquième Partie: Équisses et Dessins d'Ornament." 'CCA Research Report.' n.d. - Académie d'architecture (France). 'Catalogue des collections' (Paris: L'Academie, 1988), 35-37 and 230-241.
Niveau de description archivistique:
File 4
File 4
Date:
[1800-1868]
[1800-1868]
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH277456
Description:
The documents in this group may have been highlighted by CCA staff.
ARCH277456
Description:
The documents in this group may have been highlighted by CCA staff.
Personnes et institutions:
Date:
2004-2013?
2004-2013?
Titre:
Photocopies of articles about Shoei Yoh with text that has been highlighted
Actions:
ARCH277456
Description:
The documents in this group may have been highlighted by CCA staff.
Photocopies of articles about Shoei Yoh with text that has been highlighted
Actions:
ARCH277456
Description:
The documents in this group may have been highlighted by CCA staff.
Classification:
documents textuels
documents textuels
Date:
2004-2013?
2004-2013?
Personnes et institutions:
