7154 Résultats
Niveau de description archivistique:
Projet
Projet
Actions:
Numéro de référence:
CI005.S1.1956.PR1
Description:
The Netherlands Congress Centre owed its genesis to architect-town planner, W.M. Dudok, who suggested creating a cultural centre for international conferences. In 1956 an ad hoc committee proposed the creation of a congress centre and invited Oud, in 1956, to design a centre that would incorporate a 3000 seat conference hall as well as other rooms for functions and events. Oud created a detailed design in 1958 that featured a seventeen-storey tower with hotel rooms. Oud amended his plans somewhat, creating an oval-shaped conference hall. In 1960 Oud further revised his design to reduce the main hall seating to 1500, and also designated it for use of theatrical events. Oud died in 1963 before the completion of construction. He was replaced by his son, Hans Oud, until the congress centre was erected in 1969 (Taverne et al. 2001, 544-546). Project series includes plans for the Congress Hall Complex.
CI005.S1.1956.PR1
Description:
The Netherlands Congress Centre owed its genesis to architect-town planner, W.M. Dudok, who suggested creating a cultural centre for international conferences. In 1956 an ad hoc committee proposed the creation of a congress centre and invited Oud, in 1956, to design a centre that would incorporate a 3000 seat conference hall as well as other rooms for functions and events. Oud created a detailed design in 1958 that featured a seventeen-storey tower with hotel rooms. Oud amended his plans somewhat, creating an oval-shaped conference hall. In 1960 Oud further revised his design to reduce the main hall seating to 1500, and also designated it for use of theatrical events. Oud died in 1963 before the completion of construction. He was replaced by his son, Hans Oud, until the congress centre was erected in 1969 (Taverne et al. 2001, 544-546). Project series includes plans for the Congress Hall Complex.
Personnes et institutions:
Date:
1956-1963
1956-1963
Titre:
Netherlands Congress Centre Complex, The Hague, Netherlands (1956-1963)
Actions:
CI005.S1.1956.PR1
Description:
The Netherlands Congress Centre owed its genesis to architect-town planner, W.M. Dudok, who suggested creating a cultural centre for international conferences. In 1956 an ad hoc committee proposed the creation of a congress centre and invited Oud, in 1956, to design a centre that would incorporate a 3000 seat conference hall as well as other rooms for functions and events. Oud created a detailed design in 1958 that featured a seventeen-storey tower with hotel rooms. Oud amended his plans somewhat, creating an oval-shaped conference hall. In 1960 Oud further revised his design to reduce the main hall seating to 1500, and also designated it for use of theatrical events. Oud died in 1963 before the completion of construction. He was replaced by his son, Hans Oud, until the congress centre was erected in 1969 (Taverne et al. 2001, 544-546). Project series includes plans for the Congress Hall Complex.
Netherlands Congress Centre Complex, The Hague, Netherlands (1956-1963)
Actions:
CI005.S1.1956.PR1
Description:
The Netherlands Congress Centre owed its genesis to architect-town planner, W.M. Dudok, who suggested creating a cultural centre for international conferences. In 1956 an ad hoc committee proposed the creation of a congress centre and invited Oud, in 1956, to design a centre that would incorporate a 3000 seat conference hall as well as other rooms for functions and events. Oud created a detailed design in 1958 that featured a seventeen-storey tower with hotel rooms. Oud amended his plans somewhat, creating an oval-shaped conference hall. In 1960 Oud further revised his design to reduce the main hall seating to 1500, and also designated it for use of theatrical events. Oud died in 1963 before the completion of construction. He was replaced by his son, Hans Oud, until the congress centre was erected in 1969 (Taverne et al. 2001, 544-546). Project series includes plans for the Congress Hall Complex.
Niveau de description archivistique:
project
project
Date:
1956-1963
1956-1963
Personnes et institutions:
Classification:
événements
événements
Titre:
Histoires de l’environnement
Histoires de l’environnement
Actions:
Description:
Pour débuter « Architecture et/pour l’environnement », le troisième Projet de Recherche Multidisciplinaire du CCA financé par la Andrew W. Mellon Foundation, Daniel Abramson et Imre Szeman présenteront deux concepts clés pour reconcevoir l’environnement dans l’histoire de l’architecture. Daniel Abramson, historien de l’architecture, discutera de « l’obsolescence » comme(...)
Pour débuter « Architecture et/pour l’environnement », le troisième Projet de Recherche Multidisciplinaire du CCA financé par la Andrew W. Mellon Foundation, Daniel Abramson et Imre Szeman présenteront deux concepts clés pour reconcevoir l’environnement dans l’histoire de l’architecture. Daniel Abramson, historien de l’architecture, discutera de « l’obsolescence » comme(...)
Localisation:
Théâtre Paul-Demarais
Théâtre Paul-Demarais
Date:
15 décembre 2016, 18h
15 décembre 2016, 18h
Titre:
Histoires de l’environnement
Actions:
Description:
Pour débuter « Architecture et/pour l’environnement », le troisième Projet de Recherche Multidisciplinaire du CCA financé par la Andrew W. Mellon Foundation, Daniel Abramson et Imre Szeman présenteront deux concepts clés pour reconcevoir l’environnement dans l’histoire de l’architecture. Daniel Abramson, historien de l’architecture, discutera de « l’obsolescence » comme(...)
Histoires de l’environnement
Actions:
Description:
Pour débuter « Architecture et/pour l’environnement », le troisième Projet de Recherche Multidisciplinaire du CCA financé par la Andrew W. Mellon Foundation, Daniel Abramson et Imre Szeman présenteront deux concepts clés pour reconcevoir l’environnement dans l’histoire de l’architecture. Daniel Abramson, historien de l’architecture, discutera de « l’obsolescence » comme(...)
Classification:
événements
événements
Date:
15 décembre 2016
18h
15 décembre 2016
18h
Localisation:
Théâtre Paul-Demarais
Théâtre Paul-Demarais
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
CI005.S1.1917.PR2
Description:
Villa Allegonda was originally built by architect, H.J. Jesse, in the early 20th century before being remodelled by Menso Kamerlingh in 1916-1917. The villa was further renovated in 1927. The villa was one of three summer houses that Jesse built in the dunes of Katwijk aan Zee: Oud assisted with drafting and providing technical advice for the third villa, Villa Sigrid, in 1916-17. Oud worked in partnership with Menso Kamerlingh Onnes. Oud also coordinated the contribution of artist friends and chose the colours. In the second phase of design, Oud contributed to remodelling the villa windows and pillars and designing furniture. Exhaustion caused him to resign in 1928 (Taverne et al. 2001, 127-132). The project series features drawings for different phases of the project, including drawings of the 1917 design and 1931 furniture designs. The series also includes photographs of exterior and interior views of Villa Allegonda and furniture items.
CI005.S1.1917.PR2
Description:
Villa Allegonda was originally built by architect, H.J. Jesse, in the early 20th century before being remodelled by Menso Kamerlingh in 1916-1917. The villa was further renovated in 1927. The villa was one of three summer houses that Jesse built in the dunes of Katwijk aan Zee: Oud assisted with drafting and providing technical advice for the third villa, Villa Sigrid, in 1916-17. Oud worked in partnership with Menso Kamerlingh Onnes. Oud also coordinated the contribution of artist friends and chose the colours. In the second phase of design, Oud contributed to remodelling the villa windows and pillars and designing furniture. Exhaustion caused him to resign in 1928 (Taverne et al. 2001, 127-132). The project series features drawings for different phases of the project, including drawings of the 1917 design and 1931 furniture designs. The series also includes photographs of exterior and interior views of Villa Allegonda and furniture items.
Personnes et institutions:
Date:
1901-1931 (1917 and 1931 predominant)
1901-1931 (1917 and 1931 predominant)
Titre:
Villa Allegonda, Katwijk aan Zee, Netherlands (1917-1928)
Actions:
CI005.S1.1917.PR2
Description:
Villa Allegonda was originally built by architect, H.J. Jesse, in the early 20th century before being remodelled by Menso Kamerlingh in 1916-1917. The villa was further renovated in 1927. The villa was one of three summer houses that Jesse built in the dunes of Katwijk aan Zee: Oud assisted with drafting and providing technical advice for the third villa, Villa Sigrid, in 1916-17. Oud worked in partnership with Menso Kamerlingh Onnes. Oud also coordinated the contribution of artist friends and chose the colours. In the second phase of design, Oud contributed to remodelling the villa windows and pillars and designing furniture. Exhaustion caused him to resign in 1928 (Taverne et al. 2001, 127-132). The project series features drawings for different phases of the project, including drawings of the 1917 design and 1931 furniture designs. The series also includes photographs of exterior and interior views of Villa Allegonda and furniture items.
Villa Allegonda, Katwijk aan Zee, Netherlands (1917-1928)
Actions:
CI005.S1.1917.PR2
Description:
Villa Allegonda was originally built by architect, H.J. Jesse, in the early 20th century before being remodelled by Menso Kamerlingh in 1916-1917. The villa was further renovated in 1927. The villa was one of three summer houses that Jesse built in the dunes of Katwijk aan Zee: Oud assisted with drafting and providing technical advice for the third villa, Villa Sigrid, in 1916-17. Oud worked in partnership with Menso Kamerlingh Onnes. Oud also coordinated the contribution of artist friends and chose the colours. In the second phase of design, Oud contributed to remodelling the villa windows and pillars and designing furniture. Exhaustion caused him to resign in 1928 (Taverne et al. 2001, 127-132). The project series features drawings for different phases of the project, including drawings of the 1917 design and 1931 furniture designs. The series also includes photographs of exterior and interior views of Villa Allegonda and furniture items.
Niveau de description archivistique:
project
project
Date:
1901-1931 (1917 and 1931 predominant)
1901-1931 (1917 and 1931 predominant)
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
CI005.S1.1921.PR1
Description:
German architectural critic, Adolf Behne, requested Oud submit a design for a private house that was to be built for private clients in Berlin-Grünewald in 1921. Although Oud's designs never came to fruition, the project promoted his international reputation, with his designs circulating in lectures and publications. Behn, who maintained a correspondence with Oud, helped introduce Oud to the international scene with a positive review of his designs, including one for Villa Kallenbach. Oud's design was in stark contrast to the prevailing contemporary German aesthetic of Expressionism. Oud created a functional symmetric design for a detached, spacious country dwelling; he placed the building toward the anterior of the site and angled the front away from the street to take advantage of the sunlight and garden space (Taverne et al. 2001, 312-317). Oud made some modifications based on the client's desire to enlarge the ground floor in February, 1922. Project series includes drawings of plans and elevations.
CI005.S1.1921.PR1
Description:
German architectural critic, Adolf Behne, requested Oud submit a design for a private house that was to be built for private clients in Berlin-Grünewald in 1921. Although Oud's designs never came to fruition, the project promoted his international reputation, with his designs circulating in lectures and publications. Behn, who maintained a correspondence with Oud, helped introduce Oud to the international scene with a positive review of his designs, including one for Villa Kallenbach. Oud's design was in stark contrast to the prevailing contemporary German aesthetic of Expressionism. Oud created a functional symmetric design for a detached, spacious country dwelling; he placed the building toward the anterior of the site and angled the front away from the street to take advantage of the sunlight and garden space (Taverne et al. 2001, 312-317). Oud made some modifications based on the client's desire to enlarge the ground floor in February, 1922. Project series includes drawings of plans and elevations.
Personnes et institutions:
Date:
1921-1922
1921-1922
Titre:
Project for the Kallenbach House, Berlin, Germany (1921-1922)
Actions:
CI005.S1.1921.PR1
Description:
German architectural critic, Adolf Behne, requested Oud submit a design for a private house that was to be built for private clients in Berlin-Grünewald in 1921. Although Oud's designs never came to fruition, the project promoted his international reputation, with his designs circulating in lectures and publications. Behn, who maintained a correspondence with Oud, helped introduce Oud to the international scene with a positive review of his designs, including one for Villa Kallenbach. Oud's design was in stark contrast to the prevailing contemporary German aesthetic of Expressionism. Oud created a functional symmetric design for a detached, spacious country dwelling; he placed the building toward the anterior of the site and angled the front away from the street to take advantage of the sunlight and garden space (Taverne et al. 2001, 312-317). Oud made some modifications based on the client's desire to enlarge the ground floor in February, 1922. Project series includes drawings of plans and elevations.
Project for the Kallenbach House, Berlin, Germany (1921-1922)
Actions:
CI005.S1.1921.PR1
Description:
German architectural critic, Adolf Behne, requested Oud submit a design for a private house that was to be built for private clients in Berlin-Grünewald in 1921. Although Oud's designs never came to fruition, the project promoted his international reputation, with his designs circulating in lectures and publications. Behn, who maintained a correspondence with Oud, helped introduce Oud to the international scene with a positive review of his designs, including one for Villa Kallenbach. Oud's design was in stark contrast to the prevailing contemporary German aesthetic of Expressionism. Oud created a functional symmetric design for a detached, spacious country dwelling; he placed the building toward the anterior of the site and angled the front away from the street to take advantage of the sunlight and garden space (Taverne et al. 2001, 312-317). Oud made some modifications based on the client's desire to enlarge the ground floor in February, 1922. Project series includes drawings of plans and elevations.
Niveau de description archivistique:
project
project
Date:
1921-1922
1921-1922
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Actions:
Numéro de référence:
CI005.S1.1936.PR3
Description:
Construction for the transatlantic ocean liner, S.S. Nieuw Amsterdam – an initiative of the Holland-America Line – began in 1936 and was completed by May 1938. After the death of a leading figure of the Brinkman & Van der Vlugt architectural firm, the director of the Holland-American Line contracted the interior design to several architects, each working in partnership with artists. Oud was responsible for designing the First Class Swimming Pool and Second Class Tourist Lounge and Smoking Room. Oud outfitted the Second Class lounge with a rug, wooden furniture and a parquet dance floor; at one end of the room he set a stage, grand piano, and projection booth. The Smoking Room featured cork floors, panelled walls and a long reading table. The Smoking Room featured club chairs in brown leather and wooden chairs (Taverne et al. 2001, 389-392). Project series includes plans for the Tourist Lounge, and photographs of its interior.
CI005.S1.1936.PR3
Description:
Construction for the transatlantic ocean liner, S.S. Nieuw Amsterdam – an initiative of the Holland-America Line – began in 1936 and was completed by May 1938. After the death of a leading figure of the Brinkman & Van der Vlugt architectural firm, the director of the Holland-American Line contracted the interior design to several architects, each working in partnership with artists. Oud was responsible for designing the First Class Swimming Pool and Second Class Tourist Lounge and Smoking Room. Oud outfitted the Second Class lounge with a rug, wooden furniture and a parquet dance floor; at one end of the room he set a stage, grand piano, and projection booth. The Smoking Room featured cork floors, panelled walls and a long reading table. The Smoking Room featured club chairs in brown leather and wooden chairs (Taverne et al. 2001, 389-392). Project series includes plans for the Tourist Lounge, and photographs of its interior.
Personnes et institutions:
Date:
1936-1938
1936-1938
Titre:
Interior of the S.S. Nieuw Amsterdam (1936-1938)
Actions:
CI005.S1.1936.PR3
Description:
Construction for the transatlantic ocean liner, S.S. Nieuw Amsterdam – an initiative of the Holland-America Line – began in 1936 and was completed by May 1938. After the death of a leading figure of the Brinkman & Van der Vlugt architectural firm, the director of the Holland-American Line contracted the interior design to several architects, each working in partnership with artists. Oud was responsible for designing the First Class Swimming Pool and Second Class Tourist Lounge and Smoking Room. Oud outfitted the Second Class lounge with a rug, wooden furniture and a parquet dance floor; at one end of the room he set a stage, grand piano, and projection booth. The Smoking Room featured cork floors, panelled walls and a long reading table. The Smoking Room featured club chairs in brown leather and wooden chairs (Taverne et al. 2001, 389-392). Project series includes plans for the Tourist Lounge, and photographs of its interior.
Interior of the S.S. Nieuw Amsterdam (1936-1938)
Actions:
CI005.S1.1936.PR3
Description:
Construction for the transatlantic ocean liner, S.S. Nieuw Amsterdam – an initiative of the Holland-America Line – began in 1936 and was completed by May 1938. After the death of a leading figure of the Brinkman & Van der Vlugt architectural firm, the director of the Holland-American Line contracted the interior design to several architects, each working in partnership with artists. Oud was responsible for designing the First Class Swimming Pool and Second Class Tourist Lounge and Smoking Room. Oud outfitted the Second Class lounge with a rug, wooden furniture and a parquet dance floor; at one end of the room he set a stage, grand piano, and projection booth. The Smoking Room featured cork floors, panelled walls and a long reading table. The Smoking Room featured club chairs in brown leather and wooden chairs (Taverne et al. 2001, 389-392). Project series includes plans for the Tourist Lounge, and photographs of its interior.
Niveau de description archivistique:
project
project
Date:
1936-1938
1936-1938
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Actions:
Numéro de référence:
CI005.S1.1937.PR1
Description:
In 1937, the Bataafsche Import Maatschappij (The Batavian Import Company), established a building programme for new headquarters within The Hague. The company wished to create office space for 600 employees. The company invited competition entries from four architects, including Oud. Oud's design was approved in 1939 and included a rectangular block of rooms oriented around a central corridor with office spaces separated by partitions. The building was surrounded by a garden. Oud also created designs for a possible future expansion and later designed office furnishings. While construction was interrupted by the war, the company proceeded with minimum construction until its restoration and continued expansion. Oud assisted with restoration after its bombing by Allied forces in 1945. The erected building was criticised for its traditional decorative patterns (Taverne et al. 2001, 411-414). Project series includes plans for the Shell Building, as well as a photograph of the building facades and one of the furniture.
CI005.S1.1937.PR1
Description:
In 1937, the Bataafsche Import Maatschappij (The Batavian Import Company), established a building programme for new headquarters within The Hague. The company wished to create office space for 600 employees. The company invited competition entries from four architects, including Oud. Oud's design was approved in 1939 and included a rectangular block of rooms oriented around a central corridor with office spaces separated by partitions. The building was surrounded by a garden. Oud also created designs for a possible future expansion and later designed office furnishings. While construction was interrupted by the war, the company proceeded with minimum construction until its restoration and continued expansion. Oud assisted with restoration after its bombing by Allied forces in 1945. The erected building was criticised for its traditional decorative patterns (Taverne et al. 2001, 411-414). Project series includes plans for the Shell Building, as well as a photograph of the building facades and one of the furniture.
Personnes et institutions:
Date:
1937-1942
1937-1942
Titre:
Head Office of the Bataafsche Import Maatschappij (Shell Building), The Hague, Netherlands (1937-1942)
Actions:
CI005.S1.1937.PR1
Description:
In 1937, the Bataafsche Import Maatschappij (The Batavian Import Company), established a building programme for new headquarters within The Hague. The company wished to create office space for 600 employees. The company invited competition entries from four architects, including Oud. Oud's design was approved in 1939 and included a rectangular block of rooms oriented around a central corridor with office spaces separated by partitions. The building was surrounded by a garden. Oud also created designs for a possible future expansion and later designed office furnishings. While construction was interrupted by the war, the company proceeded with minimum construction until its restoration and continued expansion. Oud assisted with restoration after its bombing by Allied forces in 1945. The erected building was criticised for its traditional decorative patterns (Taverne et al. 2001, 411-414). Project series includes plans for the Shell Building, as well as a photograph of the building facades and one of the furniture.
Head Office of the Bataafsche Import Maatschappij (Shell Building), The Hague, Netherlands (1937-1942)
Actions:
CI005.S1.1937.PR1
Description:
In 1937, the Bataafsche Import Maatschappij (The Batavian Import Company), established a building programme for new headquarters within The Hague. The company wished to create office space for 600 employees. The company invited competition entries from four architects, including Oud. Oud's design was approved in 1939 and included a rectangular block of rooms oriented around a central corridor with office spaces separated by partitions. The building was surrounded by a garden. Oud also created designs for a possible future expansion and later designed office furnishings. While construction was interrupted by the war, the company proceeded with minimum construction until its restoration and continued expansion. Oud assisted with restoration after its bombing by Allied forces in 1945. The erected building was criticised for its traditional decorative patterns (Taverne et al. 2001, 411-414). Project series includes plans for the Shell Building, as well as a photograph of the building facades and one of the furniture.
Niveau de description archivistique:
project
project
Date:
1937-1942
1937-1942
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Actions:
Numéro de référence:
CI005.S1.1942.PR2
Description:
In the early 1900s, Hofplein became problematic for its traffic gridlock. In 1942 Allied bombing demolished some of the area's surrounding buildings and paved the way for re-planning. Architect W.G. Witteveen proposed a reconstruction plan, as did J.A. Ringers, but Oud subsequently was delegated as supervisor of the Hofplein reconstruction plan with Jos Klijnen as architect. Oud's proposal was drawn up by 1943. Oud planned to divide Hofplein into three parts, including a circular traffic loop, an oval entertainment plaza, and an outdoor space with a café. He also proposed replacing an older tower building with a new town hall. Witteveen proposed an entirely different design and was unable to reconcile Oud to his plan; however, the city adopted an entirely new plan that was favoured by influential Rotterdam businessmen, one designed by Witteveen's assistant (Taverne et al. 2001, 429-432). Project series includes drawings of site plans for Hofplein as well as photographs of perspective drawings.
CI005.S1.1942.PR2
Description:
In the early 1900s, Hofplein became problematic for its traffic gridlock. In 1942 Allied bombing demolished some of the area's surrounding buildings and paved the way for re-planning. Architect W.G. Witteveen proposed a reconstruction plan, as did J.A. Ringers, but Oud subsequently was delegated as supervisor of the Hofplein reconstruction plan with Jos Klijnen as architect. Oud's proposal was drawn up by 1943. Oud planned to divide Hofplein into three parts, including a circular traffic loop, an oval entertainment plaza, and an outdoor space with a café. He also proposed replacing an older tower building with a new town hall. Witteveen proposed an entirely different design and was unable to reconcile Oud to his plan; however, the city adopted an entirely new plan that was favoured by influential Rotterdam businessmen, one designed by Witteveen's assistant (Taverne et al. 2001, 429-432). Project series includes drawings of site plans for Hofplein as well as photographs of perspective drawings.
Personnes et institutions:
Date:
1942-1945
1942-1945
Titre:
Hofplein Design (City Centre), Rotterdam, Netherlands (1942-1945)
Actions:
CI005.S1.1942.PR2
Description:
In the early 1900s, Hofplein became problematic for its traffic gridlock. In 1942 Allied bombing demolished some of the area's surrounding buildings and paved the way for re-planning. Architect W.G. Witteveen proposed a reconstruction plan, as did J.A. Ringers, but Oud subsequently was delegated as supervisor of the Hofplein reconstruction plan with Jos Klijnen as architect. Oud's proposal was drawn up by 1943. Oud planned to divide Hofplein into three parts, including a circular traffic loop, an oval entertainment plaza, and an outdoor space with a café. He also proposed replacing an older tower building with a new town hall. Witteveen proposed an entirely different design and was unable to reconcile Oud to his plan; however, the city adopted an entirely new plan that was favoured by influential Rotterdam businessmen, one designed by Witteveen's assistant (Taverne et al. 2001, 429-432). Project series includes drawings of site plans for Hofplein as well as photographs of perspective drawings.
Hofplein Design (City Centre), Rotterdam, Netherlands (1942-1945)
Actions:
CI005.S1.1942.PR2
Description:
In the early 1900s, Hofplein became problematic for its traffic gridlock. In 1942 Allied bombing demolished some of the area's surrounding buildings and paved the way for re-planning. Architect W.G. Witteveen proposed a reconstruction plan, as did J.A. Ringers, but Oud subsequently was delegated as supervisor of the Hofplein reconstruction plan with Jos Klijnen as architect. Oud's proposal was drawn up by 1943. Oud planned to divide Hofplein into three parts, including a circular traffic loop, an oval entertainment plaza, and an outdoor space with a café. He also proposed replacing an older tower building with a new town hall. Witteveen proposed an entirely different design and was unable to reconcile Oud to his plan; however, the city adopted an entirely new plan that was favoured by influential Rotterdam businessmen, one designed by Witteveen's assistant (Taverne et al. 2001, 429-432). Project series includes drawings of site plans for Hofplein as well as photographs of perspective drawings.
Niveau de description archivistique:
project
project
Date:
1942-1945
1942-1945
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Amancio Williams
Fonds Amancio Williams
Numéro de référence:
AP205
Résumé:
The Amancio Williams fonds documents Williams' career as an architect and designer from the 1940s to the late 1980s. The fonds documents his work for over 80 architectural, urban planning and furniture design projects, as well as the administration of his architecture practice, and his professional activities through correspondence, photographic material, and promotional materials.
AP205
Résumé:
The Amancio Williams fonds documents Williams' career as an architect and designer from the 1940s to the late 1980s. The fonds documents his work for over 80 architectural, urban planning and furniture design projects, as well as the administration of his architecture practice, and his professional activities through correspondence, photographic material, and promotional materials.
Personnes et institutions:
Date:
1848-2010s
1848-2010s
Titre:
Fonds Amancio Williams
Actions:
AP205
Résumé:
The Amancio Williams fonds documents Williams' career as an architect and designer from the 1940s to the late 1980s. The fonds documents his work for over 80 architectural, urban planning and furniture design projects, as well as the administration of his architecture practice, and his professional activities through correspondence, photographic material, and promotional materials.
Fonds Amancio Williams
Actions:
AP205
Résumé:
The Amancio Williams fonds documents Williams' career as an architect and designer from the 1940s to the late 1980s. The fonds documents his work for over 80 architectural, urban planning and furniture design projects, as well as the administration of his architecture practice, and his professional activities through correspondence, photographic material, and promotional materials.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1848-2010s
1848-2010s
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.2003.PR02
Description:
This project series documents the Recupero del Palazzo Donnaregina / Museu de Arte Contemporâneo in Napoli, Italy. While the records were held in the office’s archives this project was assigned the number 55/00. The office assigned the date 2003 for this project. The Palazzo Donnaregina was built during the 19th century and served multiple functions during his history, including a bank and a school of administration. In 2001, the building was abandoned after a flood. In 2005, the Campania Regional Government bought the building and leased it to the Fondazione Donnaregina per le arti contemporane. Àlvaro Siza and the Studio DAZ-Dumontet Antonini Zaske were selected to renovate and repurpose the builsing into a contemporary art museum. The museum included exhibition halls, a library, a bookshop, and a mediatheque. The project was realized. Documenting this project are sketches, studies, design development drawings, plans, and details. Textual material includes project documentation, catalogs from suppliers, and correspondence. Photographic material documents Siza's visits, project site, and construction work.
AP178.S1.2003.PR02
Description:
This project series documents the Recupero del Palazzo Donnaregina / Museu de Arte Contemporâneo in Napoli, Italy. While the records were held in the office’s archives this project was assigned the number 55/00. The office assigned the date 2003 for this project. The Palazzo Donnaregina was built during the 19th century and served multiple functions during his history, including a bank and a school of administration. In 2001, the building was abandoned after a flood. In 2005, the Campania Regional Government bought the building and leased it to the Fondazione Donnaregina per le arti contemporane. Àlvaro Siza and the Studio DAZ-Dumontet Antonini Zaske were selected to renovate and repurpose the builsing into a contemporary art museum. The museum included exhibition halls, a library, a bookshop, and a mediatheque. The project was realized. Documenting this project are sketches, studies, design development drawings, plans, and details. Textual material includes project documentation, catalogs from suppliers, and correspondence. Photographic material documents Siza's visits, project site, and construction work.
Personnes et institutions:
Date:
2003-2006
2003-2006
Titre:
Recupero del Palazzo Donnaregina, Museu de Arte Contem. [Restoration of the Palazzo Donnaregina, Museum of contemporary Art], Naples, Italy (2003)
Actions:
AP178.S1.2003.PR02
Description:
This project series documents the Recupero del Palazzo Donnaregina / Museu de Arte Contemporâneo in Napoli, Italy. While the records were held in the office’s archives this project was assigned the number 55/00. The office assigned the date 2003 for this project. The Palazzo Donnaregina was built during the 19th century and served multiple functions during his history, including a bank and a school of administration. In 2001, the building was abandoned after a flood. In 2005, the Campania Regional Government bought the building and leased it to the Fondazione Donnaregina per le arti contemporane. Àlvaro Siza and the Studio DAZ-Dumontet Antonini Zaske were selected to renovate and repurpose the builsing into a contemporary art museum. The museum included exhibition halls, a library, a bookshop, and a mediatheque. The project was realized. Documenting this project are sketches, studies, design development drawings, plans, and details. Textual material includes project documentation, catalogs from suppliers, and correspondence. Photographic material documents Siza's visits, project site, and construction work.
Recupero del Palazzo Donnaregina, Museu de Arte Contem. [Restoration of the Palazzo Donnaregina, Museum of contemporary Art], Naples, Italy (2003)
Actions:
AP178.S1.2003.PR02
Description:
This project series documents the Recupero del Palazzo Donnaregina / Museu de Arte Contemporâneo in Napoli, Italy. While the records were held in the office’s archives this project was assigned the number 55/00. The office assigned the date 2003 for this project. The Palazzo Donnaregina was built during the 19th century and served multiple functions during his history, including a bank and a school of administration. In 2001, the building was abandoned after a flood. In 2005, the Campania Regional Government bought the building and leased it to the Fondazione Donnaregina per le arti contemporane. Àlvaro Siza and the Studio DAZ-Dumontet Antonini Zaske were selected to renovate and repurpose the builsing into a contemporary art museum. The museum included exhibition halls, a library, a bookshop, and a mediatheque. The project was realized. Documenting this project are sketches, studies, design development drawings, plans, and details. Textual material includes project documentation, catalogs from suppliers, and correspondence. Photographic material documents Siza's visits, project site, and construction work.
Niveau de description archivistique:
Project
Project
Date:
2003-2006
2003-2006
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.2002.D8
Description:
The project series documents the design for a residential tower for youth in the district of Sant Andreu, Barcelona. The design was for the account of the City Council and the Patronat Municipal de l'Habitatge. The promoter REGESA, Societat Urbanística Metropolitana Rehabilitació i Gestió, worked with Abalos & Herreros for this project that was never built. The project site was located between the streets Ferran Junoy, Tucuman and Borredà, nearby the shopping center La Maquinista. The firm identified this project as number 152. Records document first and second iterations of the design for the tower, primarily differentiated by the base of the building. The first design includes a rectangular base. The firm identified this iteration of the project as number 152-1. The second design of the tower includes a triangular base for the building. The firm identified this iteration as number 152-2. Documenting the project are conceptual, design development, presentation and working drawings, cartographic, digital and reference materials, project descriptions, correspondence, proposals, budgets, notes, agendas, contracts, invoices, trade catalogues, and paper models. Records predominantly date from 2001 to 2007.
AP164.S1.2002.D8
Description:
The project series documents the design for a residential tower for youth in the district of Sant Andreu, Barcelona. The design was for the account of the City Council and the Patronat Municipal de l'Habitatge. The promoter REGESA, Societat Urbanística Metropolitana Rehabilitació i Gestió, worked with Abalos & Herreros for this project that was never built. The project site was located between the streets Ferran Junoy, Tucuman and Borredà, nearby the shopping center La Maquinista. The firm identified this project as number 152. Records document first and second iterations of the design for the tower, primarily differentiated by the base of the building. The first design includes a rectangular base. The firm identified this iteration of the project as number 152-1. The second design of the tower includes a triangular base for the building. The firm identified this iteration as number 152-2. Documenting the project are conceptual, design development, presentation and working drawings, cartographic, digital and reference materials, project descriptions, correspondence, proposals, budgets, notes, agendas, contracts, invoices, trade catalogues, and paper models. Records predominantly date from 2001 to 2007.
Personnes et institutions:
Date:
1985-2007
1985-2007
Titre:
10JH, Sant Andreu viviendas para jóvenes, Barcelona, Spain (2002)
Actions:
AP164.S1.2002.D8
Description:
The project series documents the design for a residential tower for youth in the district of Sant Andreu, Barcelona. The design was for the account of the City Council and the Patronat Municipal de l'Habitatge. The promoter REGESA, Societat Urbanística Metropolitana Rehabilitació i Gestió, worked with Abalos & Herreros for this project that was never built. The project site was located between the streets Ferran Junoy, Tucuman and Borredà, nearby the shopping center La Maquinista. The firm identified this project as number 152. Records document first and second iterations of the design for the tower, primarily differentiated by the base of the building. The first design includes a rectangular base. The firm identified this iteration of the project as number 152-1. The second design of the tower includes a triangular base for the building. The firm identified this iteration as number 152-2. Documenting the project are conceptual, design development, presentation and working drawings, cartographic, digital and reference materials, project descriptions, correspondence, proposals, budgets, notes, agendas, contracts, invoices, trade catalogues, and paper models. Records predominantly date from 2001 to 2007.
10JH, Sant Andreu viviendas para jóvenes, Barcelona, Spain (2002)
Actions:
AP164.S1.2002.D8
Description:
The project series documents the design for a residential tower for youth in the district of Sant Andreu, Barcelona. The design was for the account of the City Council and the Patronat Municipal de l'Habitatge. The promoter REGESA, Societat Urbanística Metropolitana Rehabilitació i Gestió, worked with Abalos & Herreros for this project that was never built. The project site was located between the streets Ferran Junoy, Tucuman and Borredà, nearby the shopping center La Maquinista. The firm identified this project as number 152. Records document first and second iterations of the design for the tower, primarily differentiated by the base of the building. The first design includes a rectangular base. The firm identified this iteration of the project as number 152-1. The second design of the tower includes a triangular base for the building. The firm identified this iteration as number 152-2. Documenting the project are conceptual, design development, presentation and working drawings, cartographic, digital and reference materials, project descriptions, correspondence, proposals, budgets, notes, agendas, contracts, invoices, trade catalogues, and paper models. Records predominantly date from 2001 to 2007.
Niveau de description archivistique:
Project
Project
Date:
1985-2007
1985-2007
Personnes et institutions:
