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The city in the twenty-first century faces major challenges, including social and economic stratification, wasteful consumption of resources, transportation congestion, and environmental degradation. More than half of the world’s population lives in cities and major metropolitan areas, and in the next two decades the number of city dwellers is estimated to reach five(...)
Sustainable urbanism and beyond: rethinking cities for the future
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The city in the twenty-first century faces major challenges, including social and economic stratification, wasteful consumption of resources, transportation congestion, and environmental degradation. More than half of the world’s population lives in cities and major metropolitan areas, and in the next two decades the number of city dwellers is estimated to reach five billion. This puts enormous pressures on transportation systems, housing stock, and infrastructure such as energy, waste, and water, which directly influences the emissions of greenhouse gases. As the long emergency awaits us, urgent questions remain: How will our cities survive? How can we combat and reconcile urban growth with sustainable use of resources for future generations to thrive? Where and how urbanism comes into the picture and what “sustainable” urban forms can do in light of these events are some of the issues Sustainable Urbanism and Beyond explores. With more than sixty essays, including contributions by Andrés Duany, Saskia Sassen, Peter Newman, Douglas Farr, Henry Cisneros, Peter Hall, Sharon Zukin, Peter Eisenman, and others, this book is a unique perspective on architecture, urban planning, environmental and urban design, exploring ways for raising quality of life and the standard of living in a new modern era by creating better and more viable places to live.
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avril 2012
Théorie de l’urbanisme
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When the automobile was first introduced, few Americans predicted its fundamental impact, not only on how people would travel, but on the American landscape itself. Instead of reducing the amount of wheeled transport on public roads, the advent of mass-produced cars caused congestion, at the curb and in the right-of-way, from small midwestern farm towns to New York,(...)
Théorie de l’urbanisme
juin 2004, Charlottesville
Lots of parking : land use in a car culture
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When the automobile was first introduced, few Americans predicted its fundamental impact, not only on how people would travel, but on the American landscape itself. Instead of reducing the amount of wheeled transport on public roads, the advent of mass-produced cars caused congestion, at the curb and in the right-of-way, from small midwestern farm towns to New York, Chicago, Detroit, and Los Angeles. "Lots of Parking" examines a neglected aspect of this rise of the automobile: the impact on America not of cars in motion but of cars at rest. While most studies have tended to focus on highway construction and engineering improvements to accommodate increasing flow and the desire for speed, John A. Jakle and Keith A. Sculle examine a fundamental feature of the urban, and suburban, scene — the parking lot. Their lively and exhaustive exploration traces the history of parking from the curbside to the rise of public and commercial parking lots and garages and the concomitant demolition of the old pedestrian-oriented urban infrastructure. In an accessible style enhanced by a range of interesting and unusual illustrations, Jakle and Sculle discuss the role of parking in downtown revitalization efforts and, by contrast, its role in the promotion of outlying suburban shopping districts and its incorporation into our neighbourhoods and residences.
Théorie de l’urbanisme
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Parasites are flexible and temporary structures, designed by artists or architects, that feed off existing infrastructure. "Parasite Paradise" documents 23 projects that offer new ways of designing the public domain outside the existing rules. Many of these parasites have settled in the government-designated 'Vinex' district of Leidsche Rijn near Utrecht. There they have(...)
Architecture miniature
juillet 2004, Rotterdam
Parasite paradise : a manifesto for temporary architecture and flexible urbanism
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Parasites are flexible and temporary structures, designed by artists or architects, that feed off existing infrastructure. "Parasite Paradise" documents 23 projects that offer new ways of designing the public domain outside the existing rules. Many of these parasites have settled in the government-designated 'Vinex' district of Leidsche Rijn near Utrecht. There they have introduced new and unforeseen functions, turning a district almost exclusively concerned with dwelling into a more urban entity. What do these small, mobile architectural interventions mean for our strictly regulated society and for the planning of architecture and urbanism? What sense (or nonsense) is there in mobile architecture from a historical perspective? And how does it divide up the roles of art and architecture? Essays by Gijs van Oenen, Ivan Nio, Hans Ibelings, Jennifer Allen and Olof Koekebakker examine these issues in depth. The project descriptions and essays encourage us to consider another approach to planning, one where not everything is fixed beforehand. This makes Parasite Paradise required reading for architects, urban planners and artists whose concern is designing the public realm. "Parasite Paradise" features projects by a.o. Inge Roseboom and Mark Weemen, Shigeru Ban, Atelier van Lieshout, Exilhäuser Architekten, Hans Peter Wörndl, 2012 Architecten, Bik VanderPol with Korteknie Stuhlmacher Architecten, Alicia Framis, Eduard Böhtlingk, Luc Deleu, Attila Foundation (Kas Oosterhuis, Menno Rubbens, Ilona Lénárd), Daniel Milohnic & Dirk Paschke, Maurer United Architects and Dré Wapenaar.
Architecture miniature
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''Cloud-to-ground'' is the scientific term for lightning that strikes directly into the ground. Cloud-to-ground, published in conjunction with the Israeli pavilion at the 18th International Architecture Exhibition of the Venice Biennale, investigates the shifts in political power structure that result from the wide-spread use of cloud technology: the storage, processing,(...)
Cloud-to-ground.Israel pavillion, Venice Architecture Biennale
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''Cloud-to-ground'' is the scientific term for lightning that strikes directly into the ground. Cloud-to-ground, published in conjunction with the Israeli pavilion at the 18th International Architecture Exhibition of the Venice Biennale, investigates the shifts in political power structure that result from the wide-spread use of cloud technology: the storage, processing, and analysis of inconceivable amounts of data in computer “clouds.” The focus is on major infrastructure projects currently underway in Israel and the Middle East region. These include Nimbus, a major cloud project pursued by the Israeli government for which Google and Amazon are building new powerful data centers, and the Blue Raman fiber-optic cable across the Negev Desert, also laid by Google, which will bypass Egypt on its way from India to Europe and at the same time revive the ancient trade routes that passed through this country. ''Cloud-to-ground'' also documents the decommissioning and demolition of countless telephone exchanges in Israel’s cities that have become obsolete. It thus brings to attention the physical nature of these largely ignored “black box” structures and connects them to the history of the Middle East and recent developments in global communication technology. Essays by prominent Israeli scholars are complemented by numerous photographs, sketches, and archival documents, as well as a newly compiled index of 140 telephone exchanges in Israel.
Biennale
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“Bad Places” – defines spaces of urban wasteland, of landfills but also neglected parks or harmful and unfriendly traffic and infrastructure solutions. In their exhibition in AedesLand, Latz + Partner describe their approach to dealing with these places – the necessity of which goes beyond aesthetic standards in a time where we are faced with a shortage of space and yet(...)
petits formats
janvier 1900, Berlin
Latz+partner bad places and oases
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“Bad Places” – defines spaces of urban wasteland, of landfills but also neglected parks or harmful and unfriendly traffic and infrastructure solutions. In their exhibition in AedesLand, Latz + Partner describe their approach to dealing with these places – the necessity of which goes beyond aesthetic standards in a time where we are faced with a shortage of space and yet continually create new wastelands. “Oases” – selective interventions and special places give an answer to bad places. Primarily, this revolves around the acceptance of devastated and polluted spaces, around the qualities that even such spaces can hold and around the layers that define them and hold the potential of fascinating information. Landscape does not merely exist physically. It represents a repertoire of information which is continually interpreted and re-interpreted by the beholder. The design philosophy of Latz + Partner is rooted in the ambition of facilitating and furnishing new ideas to this process. The exhibition focuses on two key, future-oriented projects: Hiriya, Tel Aviv and Crystal Palace Park, London. These projects, both of which are currently in the planning phase, are complemented by images of built projects, such as the blast furnace park in Duisburg, the Old Harbour in Bremerhaven and the urban transformation on the Plateau de Kirchberg in Luxembourg. Public participation is of great significance in all projects and ecological principles are innate to all of the work.
petits formats
Walking between slums and skycrapers: illusions of open space in Hong Kong, Tokyo, and Shanghai
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The book is concerned with the effects of globalization on living space focusing specifically on East Asian metropolises, such as Hong Kong, Tokyo, and Shanghai. Globalization has given rise to accessible catch-phrases such as the 'global village' and 'this is a small world.' In each part of the book the author juxtaposes a 'social' account of the city's urban space as it(...)
avril 2004, Hong Kong
Walking between slums and skycrapers: illusions of open space in Hong Kong, Tokyo, and Shanghai
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The book is concerned with the effects of globalization on living space focusing specifically on East Asian metropolises, such as Hong Kong, Tokyo, and Shanghai. Globalization has given rise to accessible catch-phrases such as the 'global village' and 'this is a small world.' In each part of the book the author juxtaposes a 'social' account of the city's urban space as it has been reshaped by the process of globalization with a 'private' account of the urban landscape as experienced by its walkers. Rather than rest here, the author wishes to show that for many of the inhabitants of the new global city, the 'shrinking world' phenomenon is deeply literal: the 'lived' space of everyday life is shrinking to make room for rezoning, construction of new infrastructure, and space modification - all in the name of urban development. Tsung-yi Michelle Huang received her Ph.D. in Comparative Literature from State University of New York at Stony Brook. Her works on cinema, literature, cultural studies, global cities, and Hong Kong culture have been published in the Quarterly Review of Film and Video, Journal of Narrative Theory, among others. Recently she has been working in a project that defines and examines specific East Asian metropolises as both 'linked' cities and distinctive global centers, mapping the tension within these domains. She is currently an Assistant Professor of English Literature at National Taiwan Normal University.
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Identifying an intensified concern for place-based production in art and architecture, "Surface tension – supplements" addresses questions of site-specific art, public and architectural design, and location-based practice. With Supplement No. 1, issues of spatial practice are explored in critical essays by Jennifer Gabrys on the geographic implications of Fresh Kills(...)
Acoustique
juin 2006, Copenhagen, Los Angeles
Surface tension - supplement no 1
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Identifying an intensified concern for place-based production in art and architecture, "Surface tension – supplements" addresses questions of site-specific art, public and architectural design, and location-based practice. With Supplement No. 1, issues of spatial practice are explored in critical essays by Jennifer Gabrys on the geographic implications of Fresh Kills Landfill, Scott Berzofsky, Nicholas Petr, Nicholas Wisniewski & Michael Rakowitz on artistic interventions in Baltimore, and by Claudine Isé, curator of "Vanishing Point", an exhibition at the Wexner Center for the Arts, which questions the aesthetics of urban non-spaces through recent photography and film. In addition field reports by Robin Wilson on public art projects in Bristol, Goto Newton on the cultures of interventionist practice in Curitiba Brazil, and Ken Ehrlich on the infrastructure of signage in Los Angeles as seen through the photographic works of Brandon Lattu complement the articles. In addition, documentation of public projects in Tijuana and Ohio by the artist groups Simparch and e-Xplo will be presented, along with projects designed specifically for the book by Sophie Warren and Jonathan Mosely, a Bristol-based team working with questions of utopian architecture, and Brandon LaBelle with a textual-photographic meditation on experimental architecture. Additional writings by Kathy Battista and Aoife O’Brien provide critical and creative perspectives on recent events, books, and exhibitions working with questions of architecture, performance, and media.
Acoustique
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How can housing better meet people’s diverse and changing needs? Moving away from the focus on capsule architecture that dominates so many studies of Japan’s Metabolist architects, ''Digesting Metabolism'' investigates the impact on Japanese housing of Le Corbusier’s idea of 'artificial land,' perhaps architecture’s most famous concept that the fewest number of people(...)
Digesting Metabolism: Artificial land in Japan 1954-2202
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How can housing better meet people’s diverse and changing needs? Moving away from the focus on capsule architecture that dominates so many studies of Japan’s Metabolist architects, ''Digesting Metabolism'' investigates the impact on Japanese housing of Le Corbusier’s idea of 'artificial land,' perhaps architecture’s most famous concept that the fewest number of people have heard of. Long buried by the term 'megastructure' that it inspired, artificial land joins the individual and collective, envisioning housing as stacked platforms of plots for building freestanding homes of all variety. This book explores in detail 11 Japanese projects that translate this dream of durability combined with flexibility into built reality, illuminating its appeal for a nation whose existing land—from both earthquakes and cost—is highly unstable. First introduced to Japan in 1954 by Le Corbusier’s protégé, Takamasa Yosizaka, artificial land is essential to the Metabolists who debuted in Tokyo in 1960, with it sparking their desire to add ''a time factor into city planning.'' Yet artificial land has had a hold on Japan’s metabolic imagination well beyond the ‘60s, promising domestic satisfaction and environmental resilience from the postwar period to today’s government policies. ''Digesting Metabolism'' uncovers this unique Japanese history and its possible future, finding examples of infrastructure, adaptation and dweller control that challenge commodified models of housing around the world.
Modernisme
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223 pages ; 21 cm.
Vincennes (Val-de-Marne) : Éditions Terre urbaine, [2023]
Territoires submergés : quelles adaptations aux risques côtiers ? / Alexandre K. Magnan, Margot Liebel, Catherine Meur-Ferec, Anne-Solange Muis, Antoine Petitjean, Laurent Pinon.
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223 pages ; 21 cm.
livres
Vincennes (Val-de-Marne) : Éditions Terre urbaine, [2023]
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Architects Jesse Reiser and Nanako Umemoto have been generating some of the most provocative thinking in the field for nearly twenty years. With "Atlas of novel tectonics", Reiser+Umemoto hone in on the many facets of architecture and illuminate their theories with thought and simplicity. The Atlas is organized as an accumulation of short chapters that address the(...)
Architecture, monographies
février 2006, New York
Reiser + Umemoto: Atlas of novel tectonics
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Architects Jesse Reiser and Nanako Umemoto have been generating some of the most provocative thinking in the field for nearly twenty years. With "Atlas of novel tectonics", Reiser+Umemoto hone in on the many facets of architecture and illuminate their theories with thought and simplicity. The Atlas is organized as an accumulation of short chapters that address the workings of matter and force, material science, the lessons of art and architectural history, and the influence of architecture on culture (and vice versa). Reiser+Umemoto see architectural design as a series of problem situations, and each chapter is an argument devoted to a specific condition or case. Influenced by a wide range of fields and phenomena —Brillat-Savarin's classic "The physiology of taste" is one of their primary models—the authors provide a cross-section of thinking and inspiration. The result is both an elucidation of the concepts that guide Reiser+Umemoto through their own design process and a series of meditations on topics that have formed their own sense as architects. "Atlas of novel tectonics" offers an entirely fresh perspective on subjects that are generally taken for granted, and does so with a welcome punch and energy. Jesse Reiser and Nanako Umemoto are the founding partners of Reiser+Umemoto RUR, an architectural firm based in New York City. Their work encompasses a wide range of scales, from furniture design to landscape and infrastructure.
Architecture, monographies