172 Résultats
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$69.95
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Résumé:
"Landscapes of retreat" explores climate adaptation through portraits of land left behind as settlement patterns shift with a changing climate. Here, "landscape" refers to the earth alive with creatures and organisms, while "retreat" suggests human patterns are fluid and adaptable. Featuring field studies from Nijinomatsubara Forest (Japan), Maule River (Chile), Niugtaq(...)
$69.95
(disponible en magasin)
Résumé:
"Landscapes of retreat" explores climate adaptation through portraits of land left behind as settlement patterns shift with a changing climate. Here, "landscape" refers to the earth alive with creatures and organisms, while "retreat" suggests human patterns are fluid and adaptable. Featuring field studies from Nijinomatsubara Forest (Japan), Maule River (Chile), Niugtaq(...)
Titre:
Landscapes of retreat, second edition
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$69.95
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Résumé:
"Landscapes of retreat" explores climate adaptation through portraits of land left behind as settlement patterns shift with a changing climate. Here, "landscape" refers to the earth alive with creatures and organisms, while "retreat" suggests human patterns are fluid and adaptable. Featuring field studies from Nijinomatsubara Forest (Japan), Maule River (Chile), Niugtaq Village (Alaska), Langtang Park (Nepal), and Gaspésie Peninsula (Québec), the stories emphasize that valuing landscapes fosters community resilience. Cutting across history, fieldwork, and geography, "Landscapes of retreat" rethinks "change" as a shared pathway toward adaptive, collaborative climate futures. Winner of the 2024 J.B. Jackson Book Award from the Landscape Studies Initiative at the University of Virginia.
Landscapes of retreat, second edition
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$69.95
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Résumé:
"Landscapes of retreat" explores climate adaptation through portraits of land left behind as settlement patterns shift with a changing climate. Here, "landscape" refers to the earth alive with creatures and organisms, while "retreat" suggests human patterns are fluid and adaptable. Featuring field studies from Nijinomatsubara Forest (Japan), Maule River (Chile), Niugtaq Village (Alaska), Langtang Park (Nepal), and Gaspésie Peninsula (Québec), the stories emphasize that valuing landscapes fosters community resilience. Cutting across history, fieldwork, and geography, "Landscapes of retreat" rethinks "change" as a shared pathway toward adaptive, collaborative climate futures. Winner of the 2024 J.B. Jackson Book Award from the Landscape Studies Initiative at the University of Virginia.
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$37.95
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"Do glaciers listen?" explores the conflicting depictions of glaciers to show how natural and cultural histories are objectively entangled in the Mount Saint Elias ranges. This rugged area, where Alaska, British Columbia, and the Yukon Territory now meet, underwent significant geophysical change in the late eighteenth and nineteenth centuries, which coincided with(...)
$37.95
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"Do glaciers listen?" explores the conflicting depictions of glaciers to show how natural and cultural histories are objectively entangled in the Mount Saint Elias ranges. This rugged area, where Alaska, British Columbia, and the Yukon Territory now meet, underwent significant geophysical change in the late eighteenth and nineteenth centuries, which coincided with(...)
Titre:
Do glaciers listen? Local knowledge, colonial encounters, and social imagination
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$37.95
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Résumé:
"Do glaciers listen?" explores the conflicting depictions of glaciers to show how natural and cultural histories are objectively entangled in the Mount Saint Elias ranges. This rugged area, where Alaska, British Columbia, and the Yukon Territory now meet, underwent significant geophysical change in the late eighteenth and nineteenth centuries, which coincided with dramatic social upheaval resulting from European exploration and increased travel and trade among Aboriginal peoples. Focusing on these contrasting views during the late stages of the Little Ice Age (1550-1900), Cruikshank demonstrates how local knowledge is produced, rather than discovered, through colonial encounters, and how it often conjoins social and biophysical processes. She then traces how the divergent views weave through contemporary debates about cultural meanings as well as current discussions about protected areas, parks, and the new World Heritage site.
Do glaciers listen? Local knowledge, colonial encounters, and social imagination
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$37.95
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Résumé:
"Do glaciers listen?" explores the conflicting depictions of glaciers to show how natural and cultural histories are objectively entangled in the Mount Saint Elias ranges. This rugged area, where Alaska, British Columbia, and the Yukon Territory now meet, underwent significant geophysical change in the late eighteenth and nineteenth centuries, which coincided with dramatic social upheaval resulting from European exploration and increased travel and trade among Aboriginal peoples. Focusing on these contrasting views during the late stages of the Little Ice Age (1550-1900), Cruikshank demonstrates how local knowledge is produced, rather than discovered, through colonial encounters, and how it often conjoins social and biophysical processes. She then traces how the divergent views weave through contemporary debates about cultural meanings as well as current discussions about protected areas, parks, and the new World Heritage site.
Sujet:
Expositions en cours
Expositions en cours
Titre:
Building in the north
Building in the north
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$20.95
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Building in the North is a fully updated edition of the classic work by Elbert F. Rice, a professor at the University of Alaska, Fairbanks, who with a steady supply of wit, charm, and his own hands-on experience helped to invent Northern engineering. Easily readable and accessible to anyone with a healthy sense of humor and a willingness to live in the beautiful North,(...)
$20.95
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Résumé:
Building in the North is a fully updated edition of the classic work by Elbert F. Rice, a professor at the University of Alaska, Fairbanks, who with a steady supply of wit, charm, and his own hands-on experience helped to invent Northern engineering. Easily readable and accessible to anyone with a healthy sense of humor and a willingness to live in the beautiful North,(...)
Publication:
mars 2008, Fairbanks
mars 2008, Fairbanks
Titre:
Building in the north
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$20.95
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Résumé:
Building in the North is a fully updated edition of the classic work by Elbert F. Rice, a professor at the University of Alaska, Fairbanks, who with a steady supply of wit, charm, and his own hands-on experience helped to invent Northern engineering. Easily readable and accessible to anyone with a healthy sense of humor and a willingness to live in the beautiful North, this guide is essential for those who dream of building that longed-for cabin in the woods—or simply find themselves needing to learn to cope with the threat of permafrost in a frigid climate. Illustrated with Rice’s own drawings and filled with invaluable folk knowledge, this contribution to science and human experience in the Great North will delight adventurers and natives alike.
Building in the north
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$20.95
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Résumé:
Building in the North is a fully updated edition of the classic work by Elbert F. Rice, a professor at the University of Alaska, Fairbanks, who with a steady supply of wit, charm, and his own hands-on experience helped to invent Northern engineering. Easily readable and accessible to anyone with a healthy sense of humor and a willingness to live in the beautiful North, this guide is essential for those who dream of building that longed-for cabin in the woods—or simply find themselves needing to learn to cope with the threat of permafrost in a frigid climate. Illustrated with Rice’s own drawings and filled with invaluable folk knowledge, this contribution to science and human experience in the Great North will delight adventurers and natives alike.
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$88.00
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The Distant Early Warning Line, also known as the DEW Line, was a system of radar stations in the northern Arctic region of Canada, with additional stations along the north coast and Aleutian Islands of Alaska and the Faroe Islands, Greenland, and Iceland. It intended to detect incoming bombers of the Soviet Union during the Cold War and provide early warning of any sea(...)
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The Distant Early Warning Line, also known as the DEW Line, was a system of radar stations in the northern Arctic region of Canada, with additional stations along the north coast and Aleutian Islands of Alaska and the Faroe Islands, Greenland, and Iceland. It intended to detect incoming bombers of the Soviet Union during the Cold War and provide early warning of any sea(...)
Titre:
Early warning systems: Art, the DEW line, and an arctic on the front lines
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$88.00
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Résumé:
The Distant Early Warning Line, also known as the DEW Line, was a system of radar stations in the northern Arctic region of Canada, with additional stations along the north coast and Aleutian Islands of Alaska and the Faroe Islands, Greenland, and Iceland. It intended to detect incoming bombers of the Soviet Union during the Cold War and provide early warning of any sea and land invasion. Today, the Arctic is seen as a place primed for data storage and vaults––doomsday structures with a utilitarian vernacular of architecture, protecting the "knowledge" of places further south rather than recognizing the local presence and expertise of place and Indigenous lifeways and Indigenous science. This book looks at the role of artists as early warning systems and explores the ways we connect and disconnect place and people through technology and the ideas of boundaries.
Early warning systems: Art, the DEW line, and an arctic on the front lines
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$88.00
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Résumé:
The Distant Early Warning Line, also known as the DEW Line, was a system of radar stations in the northern Arctic region of Canada, with additional stations along the north coast and Aleutian Islands of Alaska and the Faroe Islands, Greenland, and Iceland. It intended to detect incoming bombers of the Soviet Union during the Cold War and provide early warning of any sea and land invasion. Today, the Arctic is seen as a place primed for data storage and vaults––doomsday structures with a utilitarian vernacular of architecture, protecting the "knowledge" of places further south rather than recognizing the local presence and expertise of place and Indigenous lifeways and Indigenous science. This book looks at the role of artists as early warning systems and explores the ways we connect and disconnect place and people through technology and the ideas of boundaries.
Sujet:
Théorie de l’art
Théorie de l’art
Prix:
$64.00
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Résumé:
Native artists are at the vanguard of performance art practices and discourse, using humor as a strategy for cultural critique and reflection, parsing the relationships between objecthood and agency. This reader centers performance and theater as origin points for the development of contemporary art by Native American, First Nations, Métis, Inuit and Alaska Native(...)
$64.00
(disponible en magasin)
Résumé:
Native artists are at the vanguard of performance art practices and discourse, using humor as a strategy for cultural critique and reflection, parsing the relationships between objecthood and agency. This reader centers performance and theater as origin points for the development of contemporary art by Native American, First Nations, Métis, Inuit and Alaska Native(...)
Titre:
Native visual sovereignty: A reader on art and performance
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Prix:
$64.00
(disponible en magasin)
Résumé:
Native artists are at the vanguard of performance art practices and discourse, using humor as a strategy for cultural critique and reflection, parsing the relationships between objecthood and agency. This reader centers performance and theater as origin points for the development of contemporary art by Native American, First Nations, Métis, Inuit and Alaska Native artists. Song, dance and music are also posited as a basis for collectivity and resistance and a means to speak to a time when Native traditional ceremony and public gatherings were illegal in both the United States and Canada. Featuring excerpts from the 1969 document Indian Theatre: An Artistic Experiment in Process, this illustrated reader also includes four long-form essays by leading Indigenous scholars, nine artist contributions, oral history interviews and a selection of key texts from the fields of Native contemporary art, art history and theory.
Native visual sovereignty: A reader on art and performance
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Prix:
$64.00
(disponible en magasin)
Résumé:
Native artists are at the vanguard of performance art practices and discourse, using humor as a strategy for cultural critique and reflection, parsing the relationships between objecthood and agency. This reader centers performance and theater as origin points for the development of contemporary art by Native American, First Nations, Métis, Inuit and Alaska Native artists. Song, dance and music are also posited as a basis for collectivity and resistance and a means to speak to a time when Native traditional ceremony and public gatherings were illegal in both the United States and Canada. Featuring excerpts from the 1969 document Indian Theatre: An Artistic Experiment in Process, this illustrated reader also includes four long-form essays by leading Indigenous scholars, nine artist contributions, oral history interviews and a selection of key texts from the fields of Native contemporary art, art history and theory.
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
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Description:
559 pages : illustrations (some color), portraits (some color) ; 24 cm
Description:
559 pages : illustrations (some color), portraits (some color) ; 24 cm
Auteur:
- Lloyd H. Kiva New -- Candice Hopkins -- Candice Hopkins,
- Candice Hopkins -- G. Peter Jemison -- Jolene Rickard -- John G. Hampton -- Candice Hopkins -- Michelle H. Raheja -- New Red Order with Riley Hooker,
- Candice Hopkins -- Spiderwoman Theater -- Aiyyana Maracle -- Szu-Han Ho and Eric-Paul Riege (with Hólǫ) -- Eric-Paul Riege -- Tanya Lukin Linklater -- Tanya Lukin Linklater -- Dylan Robinson,
- Candice Hopkins -- Rolland R. Meinholtz -- Brandee Caoba -- Jeffrey Gibson -- Jeffrey Gibson -- asinnajaq -- Billy-Ray Belcourt -- New Red Order,
- Candice Hopkins -- Rebecca Belmore -- Demian DinéYazhi' -- Leanne Betasamosake Simpson -- Steven Durland -- Miss Chief Eagle Testickle (Kent Monkman and Gisèle Gordon) -- A discussion between Cheryl L'Hirondelle, Joseph Naytowhow, and Richard William Hill -- Walter Scott,
- Candice Hopkins -- Candice Hopkins -- Paul Chaat Smith -- Rebecca Belmore -- New Red Order,
- Candice Hopkins -- Rebecca Belmore -- Marcia Crosby -- Dylan Robinson -- Demian DinéYazhi',
- Candice Hopkins -- Monica Charles -- Score by Maria Hupfield -- Maria Hupfield -- Eve Tuck and K. Wayne Yang -- Jolene Rickard -- Kite -- Kite and Jolene Rickard -- Cannupa Hanska Luger --,
- Tom Eccles --,
- Hopkins, Candice,,
- asinnajaq, 1991-,
- Belcourt, Billy-Ray,,
- Belmore, Rebecca,,
- Caoba, Brandee,,
- Charles, Monica,,
- Crosby, Marcia,,
- Cuthand, TJ,,
- DinéYazhi', Demian, 1983-,
- Durland, Steven,,
- Gibson, Jeffrey, 1972-,
- Gordon, Gisèle,,
- Hampton, John G. (Art museum curator),,
- Hill, Richard William, 1967-,
- Ho, Szu-Han,,
- Hooker, Riley,,
- Hupfield, Maria,,
- Jemison, G. Peter,,
- Khalil, Adam, 1988-,
- Khalil, Zack, 1991-,
- Kite, Suzanne, 1990-,
- L'Hirondelle, Cheryl, 1958-,
- Luger, Cannupa Hanska, 1979-,
- Lukin Linklater, Tanya,,
- Luna, James,,
- Maracle, Aiyyana, 1950-2016,,
- Meinholtz, Rolland,,
- Miguel, Gloria,,
- Miguel, Muriel,,
- Monkman, Kent,,
- Naytowhow, Joseph, 1953-,
- New, Lloyd Kiva,,
- Polys, Jackson, 1976-,
- Raheja, Michelle H.,,
- Rickard, Jolene,,
- Riege, Eric-Paul, 1994-,
- Robinson, Dylan,,
- Scott, Walter, 1985-,
- Simpson, Leanne Betasamosake, 1971-,
- Smith, Paul Chaat,,
- Tuck, Eve,,
- Twist, Arielle, 1994-,
- Yang, K. Wayne,,
- Hessel Museum of Art,,
- MacKenzie Art Gallery,,
- Site Santa Fe (Gallery),,
- Forge Project,
Sujet:
- Indigenous art North America Exhibitions.,
- Indigenous arts North America Exhibitions.,
- Performance art North America Exhibitions.,
- Indian art North America 20th century Exhibitions.,
- Indian art North America 21st century Exhibitions.,
- Indian arts North America 20th century Exhibitions.,
- Indian arts North America 21st century Exhibitions.,
- Indian theater North America Exhibitions.,
- Art autochtone Amérique du Nord Expositions.,
- Manœuvre artistique Amérique du Nord Expositions.,
- HISTORY / United States / General.,
- Indigenous art.,
- Performance art.,
- North America.,
- exhibition catalogs.,
- Exhibition catalogs.,
- Catalogues d'exposition.
Publication:
Annandale-on-Hudson, New York : Hessel Museum of Art, Center for Curatorial Studies, Bard College ; Taghkanic, New York : Forge Project ; Regina, Saskatchewan : MacKenzie Art Gallery ; Santa Fe, New Mexico : SITE SANTA FE ; Brooklyn, New York : Dancing Foxes Press ; 2025., ©2025
Annandale-on-Hudson, New York : Hessel Museum of Art, Center for Curatorial Studies, Bard College ; Taghkanic, New York : Forge Project ; Regina, Saskatchewan : MacKenzie Art Gallery ; Santa Fe, New Mexico : SITE SANTA FE ; Brooklyn, New York : Dancing Foxes Press ; 2025., ©2025
Titre:
Native visual sovereignty : a reader on art and performance / edited by Candice Hopkins.
Actions:
Exemplaires:
Description:
559 pages : illustrations (some color), portraits (some color) ; 24 cm
Native visual sovereignty : a reader on art and performance / edited by Candice Hopkins.
Actions:
Exemplaires:
Description:
559 pages : illustrations (some color), portraits (some color) ; 24 cm
Classification:
livres
livres
Publication:
Annandale-on-Hudson, New York : Hessel Museum of Art, Center for Curatorial Studies, Bard College ; Taghkanic, New York : Forge Project ; Regina, Saskatchewan : MacKenzie Art Gallery ; Santa Fe, New Mexico : SITE SANTA FE ; Brooklyn, New York : Dancing Foxes Press ; 2025., ©2025
Annandale-on-Hudson, New York : Hessel Museum of Art, Center for Curatorial Studies, Bard College ; Taghkanic, New York : Forge Project ; Regina, Saskatchewan : MacKenzie Art Gallery ; Santa Fe, New Mexico : SITE SANTA FE ; Brooklyn, New York : Dancing Foxes Press ; 2025., ©2025
Auteur:
- Lloyd H. Kiva New -- Candice Hopkins -- Candice Hopkins,
- Candice Hopkins -- G. Peter Jemison -- Jolene Rickard -- John G. Hampton -- Candice Hopkins -- Michelle H. Raheja -- New Red Order with Riley Hooker,
- Candice Hopkins -- Spiderwoman Theater -- Aiyyana Maracle -- Szu-Han Ho and Eric-Paul Riege (with Hólǫ) -- Eric-Paul Riege -- Tanya Lukin Linklater -- Tanya Lukin Linklater -- Dylan Robinson,
- Candice Hopkins -- Rolland R. Meinholtz -- Brandee Caoba -- Jeffrey Gibson -- Jeffrey Gibson -- asinnajaq -- Billy-Ray Belcourt -- New Red Order,
- Candice Hopkins -- Rebecca Belmore -- Demian DinéYazhi' -- Leanne Betasamosake Simpson -- Steven Durland -- Miss Chief Eagle Testickle (Kent Monkman and Gisèle Gordon) -- A discussion between Cheryl L'Hirondelle, Joseph Naytowhow, and Richard William Hill -- Walter Scott,
- Candice Hopkins -- Candice Hopkins -- Paul Chaat Smith -- Rebecca Belmore -- New Red Order,
- Candice Hopkins -- Rebecca Belmore -- Marcia Crosby -- Dylan Robinson -- Demian DinéYazhi',
- Candice Hopkins -- Monica Charles -- Score by Maria Hupfield -- Maria Hupfield -- Eve Tuck and K. Wayne Yang -- Jolene Rickard -- Kite -- Kite and Jolene Rickard -- Cannupa Hanska Luger --,
- Tom Eccles --,
- Hopkins, Candice,,
- asinnajaq, 1991-,
- Belcourt, Billy-Ray,,
- Belmore, Rebecca,,
- Caoba, Brandee,,
- Charles, Monica,,
- Crosby, Marcia,,
- Cuthand, TJ,,
- DinéYazhi', Demian, 1983-,
- Durland, Steven,,
- Gibson, Jeffrey, 1972-,
- Gordon, Gisèle,,
- Hampton, John G. (Art museum curator),,
- Hill, Richard William, 1967-,
- Ho, Szu-Han,,
- Hooker, Riley,,
- Hupfield, Maria,,
- Jemison, G. Peter,,
- Khalil, Adam, 1988-,
- Khalil, Zack, 1991-,
- Kite, Suzanne, 1990-,
- L'Hirondelle, Cheryl, 1958-,
- Luger, Cannupa Hanska, 1979-,
- Lukin Linklater, Tanya,,
- Luna, James,,
- Maracle, Aiyyana, 1950-2016,,
- Meinholtz, Rolland,,
- Miguel, Gloria,,
- Miguel, Muriel,,
- Monkman, Kent,,
- Naytowhow, Joseph, 1953-,
- New, Lloyd Kiva,,
- Polys, Jackson, 1976-,
- Raheja, Michelle H.,,
- Rickard, Jolene,,
- Riege, Eric-Paul, 1994-,
- Robinson, Dylan,,
- Scott, Walter, 1985-,
- Simpson, Leanne Betasamosake, 1971-,
- Smith, Paul Chaat,,
- Tuck, Eve,,
- Twist, Arielle, 1994-,
- Yang, K. Wayne,,
- Hessel Museum of Art,,
- MacKenzie Art Gallery,,
- Site Santa Fe (Gallery),,
- Forge Project,
Sujet:
- Indigenous art North America Exhibitions.,
- Indigenous arts North America Exhibitions.,
- Performance art North America Exhibitions.,
- Indian art North America 20th century Exhibitions.,
- Indian art North America 21st century Exhibitions.,
- Indian arts North America 20th century Exhibitions.,
- Indian arts North America 21st century Exhibitions.,
- Indian theater North America Exhibitions.,
- Art autochtone Amérique du Nord Expositions.,
- Manœuvre artistique Amérique du Nord Expositions.,
- HISTORY / United States / General.,
- Indigenous art.,
- Performance art.,
- North America.,
- exhibition catalogs.,
- Exhibition catalogs.,
- Catalogues d'exposition.
Actions:
Prix:
$72.00
(disponible sur commande)
Résumé:
Unknown Fields is a nomadic design studio that ventures out on expeditions into the shadows cast by the contemporary city, to uncover the industrial ecologies and precarious wilderness its technology and culture set in motion. "Tales from the dark side of the city" is a book series that forms an atlas to the territories and stories of a city that stretches across the(...)
$72.00
(disponible sur commande)
Résumé:
Unknown Fields is a nomadic design studio that ventures out on expeditions into the shadows cast by the contemporary city, to uncover the industrial ecologies and precarious wilderness its technology and culture set in motion. "Tales from the dark side of the city" is a book series that forms an atlas to the territories and stories of a city that stretches across the(...)
Publication:
novembre 2016
novembre 2016
Titre:
Tales from the dark side of the city, box set
Actions:
Prix:
$72.00
(disponible sur commande)
Résumé:
Unknown Fields is a nomadic design studio that ventures out on expeditions into the shadows cast by the contemporary city, to uncover the industrial ecologies and precarious wilderness its technology and culture set in motion. "Tales from the dark side of the city" is a book series that forms an atlas to the territories and stories of a city that stretches across the entire planet, a city that sits between documentary and fiction, a city of dislocated sites, of drone footage and hidden-camera investigations, of interviews and speculative narratives, of toxic objects and distributed matter from distant grounds. They are a collection of tales from the constellation of elsewheres that are conjured into being by the city’s wants and needs, fears and dreams. The series includes stories developed from expeditions through Bolivia and the Atacama Desert, the Western Australian Outback, the South China Sea and Inner Mongolia, the gemfields of Madagascar, Far North Alaska and the black sites of the United States.
Tales from the dark side of the city, box set
Actions:
Prix:
$72.00
(disponible sur commande)
Résumé:
Unknown Fields is a nomadic design studio that ventures out on expeditions into the shadows cast by the contemporary city, to uncover the industrial ecologies and precarious wilderness its technology and culture set in motion. "Tales from the dark side of the city" is a book series that forms an atlas to the territories and stories of a city that stretches across the entire planet, a city that sits between documentary and fiction, a city of dislocated sites, of drone footage and hidden-camera investigations, of interviews and speculative narratives, of toxic objects and distributed matter from distant grounds. They are a collection of tales from the constellation of elsewheres that are conjured into being by the city’s wants and needs, fears and dreams. The series includes stories developed from expeditions through Bolivia and the Atacama Desert, the Western Australian Outback, the South China Sea and Inner Mongolia, the gemfields of Madagascar, Far North Alaska and the black sites of the United States.
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Prix:
$56.00
(disponible sur commande)
Résumé:
''INUA: Inuit Nunangat Ungammuaktut Atautikkut (Inuit Moving Forward Together)'' refers to the life force of all things. As an acronym, it also speaks to our collective vision for Qaumajuq as a place for Inuit to work together towards an exciting new future in the arts, foregrounded by our shared culture and language. The exhibition includes approximately 100 works of art(...)
$56.00
(disponible sur commande)
Résumé:
''INUA: Inuit Nunangat Ungammuaktut Atautikkut (Inuit Moving Forward Together)'' refers to the life force of all things. As an acronym, it also speaks to our collective vision for Qaumajuq as a place for Inuit to work together towards an exciting new future in the arts, foregrounded by our shared culture and language. The exhibition includes approximately 100 works of art(...)
Titre:
INUA: Inuit Nunangat Ungammuaktut Atautikkut/ Inuit Moving Forward Together
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Prix:
$56.00
(disponible sur commande)
Résumé:
''INUA: Inuit Nunangat Ungammuaktut Atautikkut (Inuit Moving Forward Together)'' refers to the life force of all things. As an acronym, it also speaks to our collective vision for Qaumajuq as a place for Inuit to work together towards an exciting new future in the arts, foregrounded by our shared culture and language. The exhibition includes approximately 100 works of art made by 91 artists—from the 1940s to the present—including works from the WAG and Government of Nunavut collections, fifteen commissioned artworks, and loans from across Canada, Alaska and Greenland. INUA is curated by four Inuit and Inuvialuit curators, representing the four regions of Inuit homelands in Canada today. From east to west, they are: Dr. Heather Igloliorte (Nunatsiavut); asinnajaq (Nunavik); Krista Ulujuk Zawadski (Nunavut) and Kablusiak (Inuvialuit Nunangit Sannaiqtuaq). It is also supported by many other Inuk contributors; Project Manager Jocelyn Piirainen; Exhibition Designer Nicole Luke; Graphic Designer Mark Bennett; Educator Kayla Bruce; and WAG Board Member & Indigenous Advisory Circle senior member, Theresie Tungilik.
INUA: Inuit Nunangat Ungammuaktut Atautikkut/ Inuit Moving Forward Together
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Prix:
$56.00
(disponible sur commande)
Résumé:
''INUA: Inuit Nunangat Ungammuaktut Atautikkut (Inuit Moving Forward Together)'' refers to the life force of all things. As an acronym, it also speaks to our collective vision for Qaumajuq as a place for Inuit to work together towards an exciting new future in the arts, foregrounded by our shared culture and language. The exhibition includes approximately 100 works of art made by 91 artists—from the 1940s to the present—including works from the WAG and Government of Nunavut collections, fifteen commissioned artworks, and loans from across Canada, Alaska and Greenland. INUA is curated by four Inuit and Inuvialuit curators, representing the four regions of Inuit homelands in Canada today. From east to west, they are: Dr. Heather Igloliorte (Nunatsiavut); asinnajaq (Nunavik); Krista Ulujuk Zawadski (Nunavut) and Kablusiak (Inuvialuit Nunangit Sannaiqtuaq). It is also supported by many other Inuk contributors; Project Manager Jocelyn Piirainen; Exhibition Designer Nicole Luke; Graphic Designer Mark Bennett; Educator Kayla Bruce; and WAG Board Member & Indigenous Advisory Circle senior member, Theresie Tungilik.
Sujet:
Expositions en cours
Expositions en cours
Prix:
$59.99
(disponible sur commande)
Résumé:
The North is changing at an unprecedented rate as industrial development and the climate crisis disrupt not only the environment but also long-standing relationships to the land and traditional means of livelihood. This publication explores the ways in which Indigenous peoples in the Arctic have adapted to challenging circumstances, including past cultural and(...)
$59.99
(disponible sur commande)
Résumé:
The North is changing at an unprecedented rate as industrial development and the climate crisis disrupt not only the environment but also long-standing relationships to the land and traditional means of livelihood. This publication explores the ways in which Indigenous peoples in the Arctic have adapted to challenging circumstances, including past cultural and(...)
Titre:
Memory and landscape: Indigenous responses to a changing North
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Prix:
$59.99
(disponible sur commande)
Résumé:
The North is changing at an unprecedented rate as industrial development and the climate crisis disrupt not only the environment but also long-standing relationships to the land and traditional means of livelihood. This publication explores the ways in which Indigenous peoples in the Arctic have adapted to challenging circumstances, including past cultural and environmental changes. Contributors document how Indigenous communities in Alaska, northern Canada, Greenland, and Siberia are seeking ways to maintain and strengthen their cultural identity while also embracing forces of disruption. Indigenous and non-Indigenous contributors bring together oral history and scholarly research from disciplines such as linguistics, archaeology, and ethnohistory. With an emphasis on Indigenous place names, this volume illuminates how the land—and the memories that are inextricably tied to it—continue to define Indigenous identity. The perspectives presented here also serve to underscore the value of Indigenous knowledge and its essential place in future studies of the Arctic.
Memory and landscape: Indigenous responses to a changing North
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Prix:
$59.99
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Résumé:
The North is changing at an unprecedented rate as industrial development and the climate crisis disrupt not only the environment but also long-standing relationships to the land and traditional means of livelihood. This publication explores the ways in which Indigenous peoples in the Arctic have adapted to challenging circumstances, including past cultural and environmental changes. Contributors document how Indigenous communities in Alaska, northern Canada, Greenland, and Siberia are seeking ways to maintain and strengthen their cultural identity while also embracing forces of disruption. Indigenous and non-Indigenous contributors bring together oral history and scholarly research from disciplines such as linguistics, archaeology, and ethnohistory. With an emphasis on Indigenous place names, this volume illuminates how the land—and the memories that are inextricably tied to it—continue to define Indigenous identity. The perspectives presented here also serve to underscore the value of Indigenous knowledge and its essential place in future studies of the Arctic.
Sujet:
Expositions en cours
Expositions en cours
Classification:
livres
livres
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$34.95
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Résumé:
Do Glaciers Listen? explores the conflicting depictions of glaciers to show how natural and cultural histories are objectively entangled in the Mount Saint Elias ranges. This rugged area, where Alaska, British Columbia, and the Yukon Territory now meet, underwent significant geophysical change in the late eighteenth and nineteenth centuries, which coincided with dramatic(...)
$34.95
(disponible sur commande)
Résumé:
Do Glaciers Listen? explores the conflicting depictions of glaciers to show how natural and cultural histories are objectively entangled in the Mount Saint Elias ranges. This rugged area, where Alaska, British Columbia, and the Yukon Territory now meet, underwent significant geophysical change in the late eighteenth and nineteenth centuries, which coincided with dramatic(...)
Titre:
Do glaciers listen? Local knowledge, colonial encounters, and social imagination
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Prix:
$34.95
(disponible sur commande)
Résumé:
Do Glaciers Listen? explores the conflicting depictions of glaciers to show how natural and cultural histories are objectively entangled in the Mount Saint Elias ranges. This rugged area, where Alaska, British Columbia, and the Yukon Territory now meet, underwent significant geophysical change in the late eighteenth and nineteenth centuries, which coincided with dramatic social upheaval resulting from European exploration and increased travel and trade among Aboriginal peoples. European visitors brought with them varying conceptions of nature as sublime, as spiritual, or as a resource for human progress. They saw glaciers as inanimate, subject to empirical investigation and measurement. Aboriginal oral histories, conversely, described glaciers as sentient, animate, and quick to respond to human behaviour. In each case, however, the experiences and ideas surrounding glaciers were incorporated into interpretations of social relations. Focusing on these contrasting views during the late stages of the Little Ice Age (1550-1900), Cruikshank demonstrates how local knowledge is produced, rather than discovered, through colonial encounters, and how it often conjoins social and biophysical processes. She then traces how the divergent views weave through contemporary debates about cultural meanings as well as current discussions about protected areas, parks, and the new World Heritage site.
Do glaciers listen? Local knowledge, colonial encounters, and social imagination
Actions:
Prix:
$34.95
(disponible sur commande)
Résumé:
Do Glaciers Listen? explores the conflicting depictions of glaciers to show how natural and cultural histories are objectively entangled in the Mount Saint Elias ranges. This rugged area, where Alaska, British Columbia, and the Yukon Territory now meet, underwent significant geophysical change in the late eighteenth and nineteenth centuries, which coincided with dramatic social upheaval resulting from European exploration and increased travel and trade among Aboriginal peoples. European visitors brought with them varying conceptions of nature as sublime, as spiritual, or as a resource for human progress. They saw glaciers as inanimate, subject to empirical investigation and measurement. Aboriginal oral histories, conversely, described glaciers as sentient, animate, and quick to respond to human behaviour. In each case, however, the experiences and ideas surrounding glaciers were incorporated into interpretations of social relations. Focusing on these contrasting views during the late stages of the Little Ice Age (1550-1900), Cruikshank demonstrates how local knowledge is produced, rather than discovered, through colonial encounters, and how it often conjoins social and biophysical processes. She then traces how the divergent views weave through contemporary debates about cultural meanings as well as current discussions about protected areas, parks, and the new World Heritage site.
Classification:
livres
livres
Publication:
avril 2006
avril 2006
Sujet:
Théorie de l’architecture
Théorie de l’architecture