7227 Résultats
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Barry Downs
Fonds Barry Downs
Numéro de référence:
AP077
Résumé:
The Barry Downs fonds contains 6 drawings and 8 presentation panels for a total of 11 projects conceived between 1956 and 1968. This period coincided with Down's position as design architect for Thompson, Berwick, Pratt & Partners, and his subsequent partnership with Fred Thornton Hollingsworth. The documents, particularly the drawings, reveal the considerable skill Downs possessed as both a draughtsman and a designer.
AP077
Résumé:
The Barry Downs fonds contains 6 drawings and 8 presentation panels for a total of 11 projects conceived between 1956 and 1968. This period coincided with Down's position as design architect for Thompson, Berwick, Pratt & Partners, and his subsequent partnership with Fred Thornton Hollingsworth. The documents, particularly the drawings, reveal the considerable skill Downs possessed as both a draughtsman and a designer.
Personnes et institutions:
Date:
[1956-1968]
[1956-1968]
Titre:
Fonds Barry Downs
Actions:
AP077
Résumé:
The Barry Downs fonds contains 6 drawings and 8 presentation panels for a total of 11 projects conceived between 1956 and 1968. This period coincided with Down's position as design architect for Thompson, Berwick, Pratt & Partners, and his subsequent partnership with Fred Thornton Hollingsworth. The documents, particularly the drawings, reveal the considerable skill Downs possessed as both a draughtsman and a designer.
Fonds Barry Downs
Actions:
AP077
Résumé:
The Barry Downs fonds contains 6 drawings and 8 presentation panels for a total of 11 projects conceived between 1956 and 1968. This period coincided with Down's position as design architect for Thompson, Berwick, Pratt & Partners, and his subsequent partnership with Fred Thornton Hollingsworth. The documents, particularly the drawings, reveal the considerable skill Downs possessed as both a draughtsman and a designer.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
[1956-1968]
[1956-1968]
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP128
Résumé:
The Harold Ship Alexis Nihon Plaza and Nuns’ Island Master Plan project records, (1956- 1973), document architect Harold Ship’s design and plan for the Alexis Nihon Plaza (1956-1965) and the Nun’s Island Master Plan (1959-1973). Materials in these project records consist of 1 619 drawings (including reprographic copies), 330 photographs, 5 l.m. of textual records, 5 models and 2 panels.
AP128
Résumé:
The Harold Ship Alexis Nihon Plaza and Nuns’ Island Master Plan project records, (1956- 1973), document architect Harold Ship’s design and plan for the Alexis Nihon Plaza (1956-1965) and the Nun’s Island Master Plan (1959-1973). Materials in these project records consist of 1 619 drawings (including reprographic copies), 330 photographs, 5 l.m. of textual records, 5 models and 2 panels.
Personnes et institutions:
Date:
1956-1973
1956-1973
Titre:
Documents d’archives de Harold Ship pour les projets de la Place Alexis Nihon Plaza et du plan directeur de L’Île-des-Sœurs
Actions:
AP128
Résumé:
The Harold Ship Alexis Nihon Plaza and Nuns’ Island Master Plan project records, (1956- 1973), document architect Harold Ship’s design and plan for the Alexis Nihon Plaza (1956-1965) and the Nun’s Island Master Plan (1959-1973). Materials in these project records consist of 1 619 drawings (including reprographic copies), 330 photographs, 5 l.m. of textual records, 5 models and 2 panels.
Documents d’archives de Harold Ship pour les projets de la Place Alexis Nihon Plaza et du plan directeur de L’Île-des-Sœurs
Actions:
AP128
Résumé:
The Harold Ship Alexis Nihon Plaza and Nuns’ Island Master Plan project records, (1956- 1973), document architect Harold Ship’s design and plan for the Alexis Nihon Plaza (1956-1965) and the Nun’s Island Master Plan (1959-1973). Materials in these project records consist of 1 619 drawings (including reprographic copies), 330 photographs, 5 l.m. of textual records, 5 models and 2 panels.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1956-1973
1956-1973
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
Les jardins de Grande-Bretagne et leurs bâtiments ont joué un rôle important dans l’art et la culture britanniques au cours des quatre derniers siècles, et ils ont influencé les architectes et architectes paysagistes d’Europe et d’Amérique du Nord. L’exposition Une Arcadie anglaise, 1600-1990 rassemble des documents sur l’histoire de ces jardins et bâtiments. Les 125(...)
Les jardins de Grande-Bretagne et leurs bâtiments ont joué un rôle important dans l’art et la culture britanniques au cours des quatre derniers siècles, et ils ont influencé les architectes et architectes paysagistes d’Europe et d’Amérique du Nord. L’exposition Une Arcadie anglaise, 1600-1990 rassemble des documents sur l’histoire de ces jardins et bâtiments. Les 125(...)
Localisation:
Salles principales
Salles principales
Date:
12 février 1992 au 19 avril 1992
12 février 1992 au 19 avril 1992
Titre:
Une arcadie anglaise, 1600-1990 : jardins et bâtiments sous la garde du National Trust avec des œuvres tirées des collections du CCA
Actions:
Description:
Les jardins de Grande-Bretagne et leurs bâtiments ont joué un rôle important dans l’art et la culture britanniques au cours des quatre derniers siècles, et ils ont influencé les architectes et architectes paysagistes d’Europe et d’Amérique du Nord. L’exposition Une Arcadie anglaise, 1600-1990 rassemble des documents sur l’histoire de ces jardins et bâtiments. Les 125(...)
Une arcadie anglaise, 1600-1990 : jardins et bâtiments sous la garde du National Trust avec des œuvres tirées des collections du CCA
Actions:
Description:
Les jardins de Grande-Bretagne et leurs bâtiments ont joué un rôle important dans l’art et la culture britanniques au cours des quatre derniers siècles, et ils ont influencé les architectes et architectes paysagistes d’Europe et d’Amérique du Nord. L’exposition Une Arcadie anglaise, 1600-1990 rassemble des documents sur l’histoire de ces jardins et bâtiments. Les 125(...)
Classification:
expositions
expositions
Date:
12 février 1992 au
19 avril 1992
12 février 1992 au
19 avril 1992
Localisation:
Salles principales
Salles principales
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Chuck Hoberman
Fonds Chuck Hoberman
Numéro de référence:
AP165
Résumé:
The Chuck Hoberman fonds documents Hoberman’s work in transformable design throughout the first part of his career, from 1980 to 2006, as well as the operations of his company Hoberman Associates Inc. Materials relate to the research and development of design concepts, the patenting of inventions, detailed drawings for certain unfolding structures, the workings and movements of mechanisms, public presentations at fairs and exhibitions, and media coverage.
AP165
Résumé:
The Chuck Hoberman fonds documents Hoberman’s work in transformable design throughout the first part of his career, from 1980 to 2006, as well as the operations of his company Hoberman Associates Inc. Materials relate to the research and development of design concepts, the patenting of inventions, detailed drawings for certain unfolding structures, the workings and movements of mechanisms, public presentations at fairs and exhibitions, and media coverage.
Personnes et institutions:
Date:
circa 1980-2006
circa 1980-2006
Titre:
Fonds Chuck Hoberman
Actions:
AP165
Résumé:
The Chuck Hoberman fonds documents Hoberman’s work in transformable design throughout the first part of his career, from 1980 to 2006, as well as the operations of his company Hoberman Associates Inc. Materials relate to the research and development of design concepts, the patenting of inventions, detailed drawings for certain unfolding structures, the workings and movements of mechanisms, public presentations at fairs and exhibitions, and media coverage.
Fonds Chuck Hoberman
Actions:
AP165
Résumé:
The Chuck Hoberman fonds documents Hoberman’s work in transformable design throughout the first part of his career, from 1980 to 2006, as well as the operations of his company Hoberman Associates Inc. Materials relate to the research and development of design concepts, the patenting of inventions, detailed drawings for certain unfolding structures, the workings and movements of mechanisms, public presentations at fairs and exhibitions, and media coverage.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
circa 1980-2006
circa 1980-2006
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
Les influences radicalement divergentes qui ont marqué l’architecte James Frazer Stirling rendent impossibles la caractérisation de son œuvre, qualifiée par d’autres comme étant moderniste d’avant-guerre, néoclassique, rationaliste, brutaliste, postmoderniste. Mais la continuité de sa pensée émerge de l’impressionnante quantité et diversité de documents conservés dans les(...)
Les influences radicalement divergentes qui ont marqué l’architecte James Frazer Stirling rendent impossibles la caractérisation de son œuvre, qualifiée par d’autres comme étant moderniste d’avant-guerre, néoclassique, rationaliste, brutaliste, postmoderniste. Mais la continuité de sa pensée émerge de l’impressionnante quantité et diversité de documents conservés dans les(...)
Localisation:
Salles principales
Salles principales
Date:
16 mai 2012 au 14 octobre 2012
16 mai 2012 au 14 octobre 2012
Titre:
Notes d’archives : James Frazer Stirling
Actions:
Description:
Les influences radicalement divergentes qui ont marqué l’architecte James Frazer Stirling rendent impossibles la caractérisation de son œuvre, qualifiée par d’autres comme étant moderniste d’avant-guerre, néoclassique, rationaliste, brutaliste, postmoderniste. Mais la continuité de sa pensée émerge de l’impressionnante quantité et diversité de documents conservés dans les(...)
Notes d’archives : James Frazer Stirling
Actions:
Description:
Les influences radicalement divergentes qui ont marqué l’architecte James Frazer Stirling rendent impossibles la caractérisation de son œuvre, qualifiée par d’autres comme étant moderniste d’avant-guerre, néoclassique, rationaliste, brutaliste, postmoderniste. Mais la continuité de sa pensée émerge de l’impressionnante quantité et diversité de documents conservés dans les(...)
Classification:
expositions
expositions
Date:
16 mai 2012 au
14 octobre 2012
16 mai 2012 au
14 octobre 2012
Localisation:
Salles principales
Salles principales
Classification:
articles
articles
Actions:
Dossier:
Mondes matériels
Mondes matériels
Mot(s)-clé(s):
Rotor, point supreme, Konstantinos Pantazis, Maarten Gielen, récupération, réutilisation, recyclage, matériaux
Rotor, point supreme, Konstantinos Pantazis, Maarten Gielen, récupération, réutilisation, recyclage, matériaux
Publié:
3 novembre 2017
3 novembre 2017
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Gene Summers
Fonds Gene Summers
Numéro de référence:
AP114
Résumé:
The Gene Summers fonds documents primarily the later part of Gene Summers' career as an architect, developer, artist and art collector. Summer's early work with the Office of Mies van der Rohe and C.F. Murphy Associates is summarily represented by notes, sketches and photographs.
AP114
Résumé:
The Gene Summers fonds documents primarily the later part of Gene Summers' career as an architect, developer, artist and art collector. Summer's early work with the Office of Mies van der Rohe and C.F. Murphy Associates is summarily represented by notes, sketches and photographs.
Personnes et institutions:
Date:
1957 - 2004
1957 - 2004
Titre:
Fonds Gene Summers
Actions:
AP114
Résumé:
The Gene Summers fonds documents primarily the later part of Gene Summers' career as an architect, developer, artist and art collector. Summer's early work with the Office of Mies van der Rohe and C.F. Murphy Associates is summarily represented by notes, sketches and photographs.
Fonds Gene Summers
Actions:
AP114
Résumé:
The Gene Summers fonds documents primarily the later part of Gene Summers' career as an architect, developer, artist and art collector. Summer's early work with the Office of Mies van der Rohe and C.F. Murphy Associates is summarily represented by notes, sketches and photographs.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1957 - 2004
1957 - 2004
Personnes et institutions:
Classification:
expositions
expositions
Description:
Enthousiasmés par les vues radicalement nouvelles de l’art cubiste, et animés par le désir d’introduire une esthétique entièrement différente et de manifester leur présence sur la scène politique, les cubistes tchèques ont créé non seulement des œuvres remarquables et visionnaires, mais ils sont passés de la théorie à la pratique. Le cubisme tchèque : architecture et(...)
Enthousiasmés par les vues radicalement nouvelles de l’art cubiste, et animés par le désir d’introduire une esthétique entièrement différente et de manifester leur présence sur la scène politique, les cubistes tchèques ont créé non seulement des œuvres remarquables et visionnaires, mais ils sont passés de la théorie à la pratique. Le cubisme tchèque : architecture et(...)
Localisation:
Salles principales
Salles principales
Date:
10 juin 1992 au 2 août 1992
10 juin 1992 au 2 août 1992
Titre:
Le cubisme tchèque : architecture et design, 1910-1925
Actions:
Description:
Enthousiasmés par les vues radicalement nouvelles de l’art cubiste, et animés par le désir d’introduire une esthétique entièrement différente et de manifester leur présence sur la scène politique, les cubistes tchèques ont créé non seulement des œuvres remarquables et visionnaires, mais ils sont passés de la théorie à la pratique. Le cubisme tchèque : architecture et(...)
Le cubisme tchèque : architecture et design, 1910-1925
Actions:
Description:
Enthousiasmés par les vues radicalement nouvelles de l’art cubiste, et animés par le désir d’introduire une esthétique entièrement différente et de manifester leur présence sur la scène politique, les cubistes tchèques ont créé non seulement des œuvres remarquables et visionnaires, mais ils sont passés de la théorie à la pratique. Le cubisme tchèque : architecture et(...)
Classification:
expositions
expositions
Date:
10 juin 1992 au
2 août 1992
10 juin 1992 au
2 août 1992
Localisation:
Salles principales
Salles principales
Niveau de description archivistique:
Projet
Projet
Titre:
Quinta da Bela Flor, Lisboa
Quinta da Bela Flor, Lisboa
Numéro de référence:
CD034.S1.1976.PR01
Description:
This project series contains one reproduction of a photograph displayed in the exhibit to document the Quinta da Bela Flor neighbourhood, in Lisbon, Portugal. The exhibit text explained that: Artur Rosa's project in the neighbourhood grew out of a shanty town, built on a difficult site, dating back to the 19th century, with reports of families living in hillside caves that today flank the entrance to a nearby highway. The process was based on voluntary work, and its ending presented a huge disappointment to the local brigade. In 1976 and 1977, Artur Rosa, also a practicing artist, produced three works that reflected on SAAL, its failure and the subsequent sense of persecution felt by many brigade leaders. The decision not to present the project but rather the artistic interventions aims at revealing the performative nature of the process, its poetic intensity and the way it related to its protagonists. In 1977 the architect presented a performance at the Fine Arts Society in Lisbon in which he closed the documentation of the project in a darkened room. The following year, he presented a structure with the documentation closed inside, and finally he used the project drawings in a collage with photographs on the occasion of the first public tap in Quinta da Bela-Flor. Those poetic artistic interventions are his form of publicly mourning the end of the SAAL process. (The SAAL Process, Housing in Portugal 1974–76) Artur Rosa worked for SAAL/Lisbon and Central South with Etelvina José, Hélio Oliveira, José Luís Teles Rebolo, José Miguel Fonseca, Luís Pereira, Manuel Coutinho Raposo, Maria Fernanda Carvalho, Maria Isabel Rodrigues Lobo, Nuno Blanco Bártolo, Nuno Martins and the residents' association Cooperativa de Habitação Económica Bela Flor, that was founded on February 13th, 1976. The project included 288 dwellings. The operation began in September 1976, with a construction date in December 1976. This project series contains a reproduction of a photograph of a model. The original photograph was produced around 1976 and was reproduced in 2015 for the exhibit.
CD034.S1.1976.PR01
Description:
This project series contains one reproduction of a photograph displayed in the exhibit to document the Quinta da Bela Flor neighbourhood, in Lisbon, Portugal. The exhibit text explained that: Artur Rosa's project in the neighbourhood grew out of a shanty town, built on a difficult site, dating back to the 19th century, with reports of families living in hillside caves that today flank the entrance to a nearby highway. The process was based on voluntary work, and its ending presented a huge disappointment to the local brigade. In 1976 and 1977, Artur Rosa, also a practicing artist, produced three works that reflected on SAAL, its failure and the subsequent sense of persecution felt by many brigade leaders. The decision not to present the project but rather the artistic interventions aims at revealing the performative nature of the process, its poetic intensity and the way it related to its protagonists. In 1977 the architect presented a performance at the Fine Arts Society in Lisbon in which he closed the documentation of the project in a darkened room. The following year, he presented a structure with the documentation closed inside, and finally he used the project drawings in a collage with photographs on the occasion of the first public tap in Quinta da Bela-Flor. Those poetic artistic interventions are his form of publicly mourning the end of the SAAL process. (The SAAL Process, Housing in Portugal 1974–76) Artur Rosa worked for SAAL/Lisbon and Central South with Etelvina José, Hélio Oliveira, José Luís Teles Rebolo, José Miguel Fonseca, Luís Pereira, Manuel Coutinho Raposo, Maria Fernanda Carvalho, Maria Isabel Rodrigues Lobo, Nuno Blanco Bártolo, Nuno Martins and the residents' association Cooperativa de Habitação Económica Bela Flor, that was founded on February 13th, 1976. The project included 288 dwellings. The operation began in September 1976, with a construction date in December 1976. This project series contains a reproduction of a photograph of a model. The original photograph was produced around 1976 and was reproduced in 2015 for the exhibit.
Personnes et institutions:
Date:
circa 1976
circa 1976
Titre:
Quinta da Bela Flor, Lisboa
Actions:
CD034.S1.1976.PR01
Description:
This project series contains one reproduction of a photograph displayed in the exhibit to document the Quinta da Bela Flor neighbourhood, in Lisbon, Portugal. The exhibit text explained that: Artur Rosa's project in the neighbourhood grew out of a shanty town, built on a difficult site, dating back to the 19th century, with reports of families living in hillside caves that today flank the entrance to a nearby highway. The process was based on voluntary work, and its ending presented a huge disappointment to the local brigade. In 1976 and 1977, Artur Rosa, also a practicing artist, produced three works that reflected on SAAL, its failure and the subsequent sense of persecution felt by many brigade leaders. The decision not to present the project but rather the artistic interventions aims at revealing the performative nature of the process, its poetic intensity and the way it related to its protagonists. In 1977 the architect presented a performance at the Fine Arts Society in Lisbon in which he closed the documentation of the project in a darkened room. The following year, he presented a structure with the documentation closed inside, and finally he used the project drawings in a collage with photographs on the occasion of the first public tap in Quinta da Bela-Flor. Those poetic artistic interventions are his form of publicly mourning the end of the SAAL process. (The SAAL Process, Housing in Portugal 1974–76) Artur Rosa worked for SAAL/Lisbon and Central South with Etelvina José, Hélio Oliveira, José Luís Teles Rebolo, José Miguel Fonseca, Luís Pereira, Manuel Coutinho Raposo, Maria Fernanda Carvalho, Maria Isabel Rodrigues Lobo, Nuno Blanco Bártolo, Nuno Martins and the residents' association Cooperativa de Habitação Económica Bela Flor, that was founded on February 13th, 1976. The project included 288 dwellings. The operation began in September 1976, with a construction date in December 1976. This project series contains a reproduction of a photograph of a model. The original photograph was produced around 1976 and was reproduced in 2015 for the exhibit.
Quinta da Bela Flor, Lisboa
Actions:
CD034.S1.1976.PR01
Description:
This project series contains one reproduction of a photograph displayed in the exhibit to document the Quinta da Bela Flor neighbourhood, in Lisbon, Portugal. The exhibit text explained that: Artur Rosa's project in the neighbourhood grew out of a shanty town, built on a difficult site, dating back to the 19th century, with reports of families living in hillside caves that today flank the entrance to a nearby highway. The process was based on voluntary work, and its ending presented a huge disappointment to the local brigade. In 1976 and 1977, Artur Rosa, also a practicing artist, produced three works that reflected on SAAL, its failure and the subsequent sense of persecution felt by many brigade leaders. The decision not to present the project but rather the artistic interventions aims at revealing the performative nature of the process, its poetic intensity and the way it related to its protagonists. In 1977 the architect presented a performance at the Fine Arts Society in Lisbon in which he closed the documentation of the project in a darkened room. The following year, he presented a structure with the documentation closed inside, and finally he used the project drawings in a collage with photographs on the occasion of the first public tap in Quinta da Bela-Flor. Those poetic artistic interventions are his form of publicly mourning the end of the SAAL process. (The SAAL Process, Housing in Portugal 1974–76) Artur Rosa worked for SAAL/Lisbon and Central South with Etelvina José, Hélio Oliveira, José Luís Teles Rebolo, José Miguel Fonseca, Luís Pereira, Manuel Coutinho Raposo, Maria Fernanda Carvalho, Maria Isabel Rodrigues Lobo, Nuno Blanco Bártolo, Nuno Martins and the residents' association Cooperativa de Habitação Económica Bela Flor, that was founded on February 13th, 1976. The project included 288 dwellings. The operation began in September 1976, with a construction date in December 1976. This project series contains a reproduction of a photograph of a model. The original photograph was produced around 1976 and was reproduced in 2015 for the exhibit.
Niveau de description archivistique:
Project
Project
Date:
circa 1976
circa 1976
Personnes et institutions:
Classification:
expositions
expositions
Description:
L’architecte portugais Álvaro Siza s’est rendu en 1995 au Pérou, emportant dans ses bagages, comme à l’accoutumée, quelques vêtements, quelques livres de poésie et un seul carnet de croquis. C’était là son nécessaire pour interpréter son voyage et l’intégrer dans son architecture. Plus d’un demi-siècle auparavant, le photographe péruvien Martín Chambi avait réalisé des(...)
L’architecte portugais Álvaro Siza s’est rendu en 1995 au Pérou, emportant dans ses bagages, comme à l’accoutumée, quelques vêtements, quelques livres de poésie et un seul carnet de croquis. C’était là son nécessaire pour interpréter son voyage et l’intégrer dans son architecture. Plus d’un demi-siècle auparavant, le photographe péruvien Martín Chambi avait réalisé des(...)
Localisation:
Salle octogonale
Salle octogonale
Date:
26 janvier 2012 au 29 avril 2012
26 janvier 2012 au 29 avril 2012
Titre:
Alturas de Machu Picchu : Martín Chambi – Álvaro Siza à l'œuvre
Actions:
Description:
L’architecte portugais Álvaro Siza s’est rendu en 1995 au Pérou, emportant dans ses bagages, comme à l’accoutumée, quelques vêtements, quelques livres de poésie et un seul carnet de croquis. C’était là son nécessaire pour interpréter son voyage et l’intégrer dans son architecture. Plus d’un demi-siècle auparavant, le photographe péruvien Martín Chambi avait réalisé des(...)
Alturas de Machu Picchu : Martín Chambi – Álvaro Siza à l'œuvre
Actions:
Description:
L’architecte portugais Álvaro Siza s’est rendu en 1995 au Pérou, emportant dans ses bagages, comme à l’accoutumée, quelques vêtements, quelques livres de poésie et un seul carnet de croquis. C’était là son nécessaire pour interpréter son voyage et l’intégrer dans son architecture. Plus d’un demi-siècle auparavant, le photographe péruvien Martín Chambi avait réalisé des(...)
Classification:
expositions
expositions
Date:
26 janvier 2012 au
29 avril 2012
26 janvier 2012 au
29 avril 2012
Localisation:
Salle octogonale
Salle octogonale
