Robert Adams : turning back
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"Turning back: a photographic journal of re-exploration" is published to coincide with the bicentennial of the Lewis and Clark expedition. The narrative begins at the Pacific ocean and moves eastward through what was formerly one of the world’s great rain forests. Photographs at the center of the book report on the forest’s destruction. Elsewhere they trace a search for(...)
Robert Adams : turning back
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$56.95
(disponible sur commande)
Résumé:
"Turning back: a photographic journal of re-exploration" is published to coincide with the bicentennial of the Lewis and Clark expedition. The narrative begins at the Pacific ocean and moves eastward through what was formerly one of the world’s great rain forests. Photographs at the center of the book report on the forest’s destruction. Elsewhere they trace a search for hope. Two hundred years ago, Lewis and Clark reported finding in the American Northwest a vast forest of ancient evergreens. In "Turning back", Robert Adams looks again at the region’s trees, discovering evidence both of America’s failure and of a continuing promise. President Jefferson’s primary charge to Lewis and Clark was to prepare the way for American commerce. Today, historians still speculate about why, upon his return, Lewis lapsed into depression and apparently committed suicide. "Going east," Adams suggests, "was more difficult than going west." So then, what is the future? "Turning back" documents two kinds of predictive evidence. On the one hand we observe the results of greed so unrestrained that they are indistinguishable from those of nihilism. On the other we see what still lives, whether by our design or neglect, or Providence; in these 164 pictures the tone is celebratory, as in a prayer book. From coastal landscapes populated with tourists to timber clear-cutting and small family farms in eastern Oregon, here we reflect on what was lost, what is retained, and what we value both regionally and as a people with a common history.
Monographies photo
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Sylvia Lavin's “Form Follows Libido” argues that by the 1950s, some architects felt an urge to steer the cool abstraction of high modernism away from a neutral formalism toward the production of more erotic, affective environments. Lavin turns to the architecture of Richard Neutra (1892-1970) to explore the genesis of these new mood-inducing environments. In a series of(...)
Form follows libido : architecture and Richard Neutra in a psychoanalytic culture
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Sylvia Lavin's “Form Follows Libido” argues that by the 1950s, some architects felt an urge to steer the cool abstraction of high modernism away from a neutral formalism toward the production of more erotic, affective environments. Lavin turns to the architecture of Richard Neutra (1892-1970) to explore the genesis of these new mood-inducing environments. In a series of engaging essays weaving through the designs and writings of this Vienna-born, California-based architect, Lavin discovers in Neutra a sustained and poignant psychoanalytic reflection set in the context of a burgeoning psychoanalytic culture in America. Lavin shows that Neutra's redirection of modernism constituted not a lyrical regression to sentimentality but a deliberate advance of architectural theory and technique to engage the unconscious mind, fuelled by the ideas of psychoanalysis that were being rapidly disseminated at the time. In Neutra's responses to a vivid range of issues, from psychoanalysis proper to the popular psychology of tele-evangelical prayer, Lavin uncovers a radical reconstitution of the architectural discipline. Arguing persuasively that the received historical views of both psychoanalysis and architecture have led to a suppression of their compelling coincidences and unorthodoxies, Lavin sets out to unleash mid-century architecture's hidden libido. Neither Neutra nor psychoanalysis emerges unscathed from her investigation of how architecture came to be saturated by the intrigues of affect, often against its will. If Reyner Banham sought to put architecture "on the couch," then Lavin, through Neutra, leaps beyond Banham's ameliorative aim to lure contemporary architecture into the lush and dangerous liaisons of environmental design.
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janvier 2005, Cambridge, Mass.
Architecture, monographies
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x, 252 pages, 19 unnumbered pages of plates : illustrations, maps ; 22 cm
Amherst : University of Massachusetts Press, 1984, ©1980.
Foreign devils on the Silk Road : the search for the lost cities and treasures of Chinese Central Asia / Peter Hopkirk.
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x, 252 pages, 19 unnumbered pages of plates : illustrations, maps ; 22 cm
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Amherst : University of Massachusetts Press, 1984, ©1980.
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x, 421 pages illustrations, plate (portrait), facsimiles, diagrams 32 cm
London, Phaidon, 1967.
Essays in the history of art presented to Rudolf Wittkower / edited by Douglas Fraser, Howard Hibbard & Milton J. Lewine.
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x, 421 pages illustrations, plate (portrait), facsimiles, diagrams 32 cm
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London, Phaidon, 1967.
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ix, 340 pages : illustrations ; 23 cm
Collegeville, Minn. : Liturgical Press, ©1993.
The pilgrim's guide to Rome's principal churches / Joseph N. Tylenda.
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ix, 340 pages : illustrations ; 23 cm
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Collegeville, Minn. : Liturgical Press, ©1993.
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2 volumes : illustrations, map, plans ; 31 cm
Princeton, N.J. : Princeton University Press, ©1992.
The rotunda of Arsinoe / by James R. McCredie, Georges Roux, Stuart M. Shaw and John Kurtich ; with contributions by Phyllis Williams Lehmann, Phyllis Pray Bober and Günter Kopcke [and others].
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2 volumes : illustrations, map, plans ; 31 cm
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Princeton, N.J. : Princeton University Press, ©1992.
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x, 382 pages ; 24 cm
Chicago : University of Chicago Press, 1980.
The three orders : feudal society imagined / Georges Duby ; translated by Arthur Goldhammer ; with a foreword by Thomas N. Bisson.
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x, 382 pages ; 24 cm
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Chicago : University of Chicago Press, 1980.